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Bob Plant 《The Journal of religious ethics》2004,32(3):449-476
In Culture and Value Wittgenstein remarks that the truly “religious man” thinks himself to be, not merely “imperfect” or “ill,” but wholly “wretched.” While such sentiments are of obvious biographical interest, in this paper I show why they are also worthy of serious philosophical attention. Although the influence of Wittgenstein's thinking on the philosophy of religion is often judged negatively (as, for example, leading to quietist and/or fideist‐relativist conclusions) I argue that the distinctly ethical conception of religion (specifically Christianity) that Wittgenstein presents should lead us to a quite different assessment. In particular, his preoccupation with the categorical nature of religion suggests a conception of “genuine” religious belief which disrupts both the economics of eschatological‐salvationist hope, and the traditional ethical precept that “ought implies can.” In short, what Wittgenstein presents is a sketch of a religion without recompense. 相似文献
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Bob van der Linden 《Sikh Formations》2019,15(1-2):230-245
ABSTRACTJain worship has always been accompanied by music and likewise for Sikhs the performance of and listening to the singing of hymns, as composed by several of their Gurus, continuously has been central to the community’s spiritual experience. For different reasons, however, Sikh and Jain devotional music, known as kirtan and bhakti respectively, until recently were neglected subjects in historiography. This article investigates the parallels and differences among the two genres from a historical comparative perspective against the successive backgrounds of the bhakti movement and Indic culture, the imperial encounter and globalization. In doing so, it particularly emphasizes the importance of identity politics to the making of modern Sikh and Jain devotional music, as well as the fact that, in comparison to Jain bhakti, Sikh kirtan generally remains North Indian ‘Hindustani’ art music, rather than regional folk music. 相似文献