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Recognizing religious groups is not only a question of granting rights, but also a question of the possibility of being perceived as unproblematic, especially in contexts where religion is a contested issue. Spain is a compelling case to examine this proposition. There, the rise of migration-driven religious diversity and the attacks of 11 March 2004 have led religious minorities into the sensitive terrain of ‘supra-visibility’. Drawing upon research conducted in prisons, we show that, in this situation, being classified as a ‘religion’ becomes more a cause for alarm than a sign of normalcy. The most powerful actors in the field have actively distanced themselves from the category of ‘religion’, either because they are presented as spiritual therapies or because they are embedded in cultural traditions—the banal Catholicism that prevails in many southern European settings. Overall, religious inequalities are not only related to the recognition of rights, but also to the (in)visibility of some social and cultural forms over others. 相似文献
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Anna Petronella Foultier 《Journal of the British Society for Phenomenology》2015,46(3):195-212
This article aims to establish an understanding of Merleau-Ponty's view of creative expression, and of its phenomenological function, setting out from the intriguing statement in his essay “Cézanne's Doubt” that the painter (or writer or philosopher) finds himself in the situation of the first human being trying to express herself. Although the importance of primary or creative expression in Merleau-Ponty's philosophy is well known, there is no consensus among commentators with respect to how this notion is to be understood, and of its apparently paradoxical relation to experience in his philosophy. On the one hand, Merleau-Ponty seems to presuppose that there is an original meaning pre-given in experience; on the other hand, expression is described as a hazardous enterprise, because the meaning to be expressed does not exist before expression has succeeded. In order to resolve this tension, I explore the significance of the precariousness of creative expression, arguing that it must be related to its other side: the constituted, all too often petrified meaning that we must start out from. 相似文献
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The majority of computationally specified models of recognition memory have been based on a single-process interpretation,
claiming that familiarity is the only influence on recognition. There is increasing evidence that recognition is, in fact,
based on two processes: recollection and familiarity. This article reviews the current state of the evidence for dual-process
models, including the usefulness of the remember/know paradigm, and interprets the relevant results in terms of the source
of activation confusion (SAC) model of memory. We argue that the evidence from each of the areas we discuss, when combined,
presents a strong case that inclusion of a recollection process is necessary. Given this conclusion, we also argue that the
dual-process claim that the recollection process is always available is, in fact, more parsimonious than the single-process
claim that the recollection process is used only in certain paradigms. The value of a well-specified process model such as
the SAC model is discussed with regard to other types of dual-process models. 相似文献
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In this paper we analyse how the risks associated with research on transgenic plants are regulated in Sweden. The paper outlines
the way in which pilot projects in the plant sciences are overseen in Sweden, and discusses the international and national
background to the current regulatory system. The historical, and hitherto unexplored, reasons for the evolution of current
administrative and legislative procedures in plant science are of particular interest. Specifically, we discuss similarities
and differences in the regulation of medicine and plant science, and we examine the tendency towards dichotomizing risk —
focusing on social/ethical risks in medicine and biological risks in plant science. The context of this article is the Synpraxia
research project, an inter-disciplinary program combining expertise in sciences and the humanities. 相似文献