A new look at the relationship between perceptual and motor responses

A visual stimulus may affect a motor response although its visibility is prevented by a mask. This implies that the sensorimotor system is more susceptible to stimulation than the perceptual system. We report data that are contrary to this intuition. Experiments where both the observer's perceptual state related to the presence/absence of a masked stimulus and the motor behaviour elicited by the same stimulus were jointly assessed on a trial-by-trial basis show that masked visual stimulation at constant visibility (d′) has two types of effect on the motor system. When the physical energy of the masked stimulus is weak, it affects the motor response only if it exceeds the observer's perceptual response criterion. It is only when the physical energy of the masked stimulus is relatively strong that its impact on the motor response is independent of the state of the perceptual system. This indicates that reflex, “nonconscious” behaviour has a high energy threshold.     

How (not) to think about mental action

I examine Galen Strawson's recent work on mental action in his paper, ‘Mental Ballistics or The Involuntariness of Spontaneity’. I argue that his account of mental action is too restrictive. I offer a means of testing tokens of mental activity types to determine if they are actional. The upshot is that a good deal more mental activity than Strawson admits is actional.     

Behavioral ecology meets motor behavior: choosing between walking and reaching paths

Behavioral ecology is a field in which scientists try to predict behavioral choices, typically by estimating costs of behavioral alternatives even though those costs may involve different currencies. Researchers interested in motor behavior often have similar concerns, though the connections between these two fields have been largely unnoticed. The authors pursued a study of motor behaviors involving different currencies: walking over different distances and reaching over different distances. They found that the cost of reaching was much greater than the cost of walking. They also found that walking paths took into account hand preferences. The present study extends previous research on the neglected topic of the coordination of reaching and walking and provides a simple method that can be applied in other contexts.     

Emotions induced by operatic music: psychophysiological effects of music, plot, and acting: a scientist's tribute to Maria Callas

Operatic music involves both singing and acting (as well as rich audiovisual background arising from the orchestra and elaborate scenery and costumes) that multiply the mechanisms by which emotions are induced in listeners. The present study investigated the effects of music, plot, and acting performance on emotions induced by opera. There were three experimental conditions: (1) participants listened to a musically complex and dramatically coherent excerpt from Tosca; (2) they read a summary of the plot and listened to the same musical excerpt again; and (3) they re-listened to music while they watched the subtitled film of this acting performance. In addition, a control condition was included, in which an independent sample of participants succesively listened three times to the same musical excerpt. We measured subjective changes using both dimensional, and specific music-induced emotion questionnaires. Cardiovascular, electrodermal, and respiratory responses were also recorded, and the participants kept track of their musical chills. Music listening alone elicited positive emotion and autonomic arousal, seen in faster heart rate, but slower respiration rate and reduced skin conductance. Knowing the (sad) plot while listening to the music a second time reduced positive emotions (peacefulness, joyful activation), and increased negative ones (sadness), while high autonomic arousal was maintained. Watching the acting performance increased emotional arousal and changed its valence again (from less positive/sad to transcendent), in the context of continued high autonomic arousal. The repeated exposure to music did not by itself induce this pattern of modifications. These results indicate that the multiple musical and dramatic means involved in operatic performance specifically contribute to the genesis of music-induced emotions and their physiological correlates.     

Emotional Intelligence in Personnel Selection: Applicant reactions,criterion, and incremental validity

In two studies, based on four samples and more than 600 participants, the authors examined applicant reactions, criterion and incremental validity, and differential prediction of emotional intelligence (EI) in personnel selection using the Mayer–Salovey–Caruso Emotional Intelligence Test. The first study examined applicant reactions in terms of face validity and fairness evaluation of the EI test. The second study examined across three samples (salespeople, front‐desk public employees, and hospital chief executive officers) the criterion validity, incremental validity, and differential prediction of EI. Results suggest that the EI test is perceived as a fair selection tool, and is predictive of performance. The EI test has incremental validity over cognitive abilities and personality (big five) when predicting subjective and objective performance criteria. Based on these results, the authors encourage further research on the use of EI in selection settings.     

On convention

Summary If my main criticism of Lewis is sound, we must conclude that there are at least two distinct types of convention: co-ordination conventions and conventions constituting autonomous practices. It is only possible in the case of the former, but not the latter, to specify the agents' structure of preferences, and the problem the convention is there to solve, antecedently and independently of the content of the conventions themselves. Conventions constituting an autonomous practice are constitutive of the point of, and the values inherent in the practice itself and hence they are not explicable in terms of solutions to co-ordination problems. Thus, from the vantage point of practical reasoning, Lewis' theory of conventions is partial and limited. It is superior, however, to the alternative offered by Gilbert, as it provides a good answer, albeit limited in scope, to the question of the normativity of conventions. Gilbert's analysis is more fundamentally flawed. She has failed to undermine Lewis' insight that conventions are arbitrary rules, due to her misconstrual of what arbitrariness consists in. Consequently, Gilbert's analysis of the normativity of social conventions in terms of joint acceptance is doubly inadequate: it fails to distinguish conventions from many other types of rule people follow, and it fails to answer the question of the normativity of conventions in terms of reasons for action.In the course of this discussion, I have side-stepped all the difficult questions concerning the conventionality of language, judging them to be far too complex issues to be dealt with within the confines of this article. I do hope, however, that an awareness of the distinction between co-ordination conventions and conventions of autonomous practices, will facilitate the arguments over the conventionality of language as well.I am indebted to Timothy Williamson and Joseph Raz with whom I have discussed these matters at length, and I am grateful for their invaluable comments on a draft of this paper. I am also indebted to Brian Bix, Ruth Gavison, Alon Harel, Edna Ullmann-Margalit, and the editors of Synthese for their helpful comments and suggestions.     

A unified approach to the perception of motion,stereo, and static-flow patterns

This paper presents a unified approach for studying the perception of motion, stereopsis, and static-flow (Glass) patterns. The objective is to address the same issues across these “modalities.” To this end, a new class of stimuli and procedures were developed, the key feature of which is the incorporation of a forced-choice competition paradigm into the random-dot stimuli paradigm that has traditionally been used in these modalities. The two competing percepts that are pitted against each other are opposite directions for motion, near/far depth planes for stereopsis, and orthogonal global patterns for Glass patterns. The differences in qualitative predictions for competing hypotheses are generally well pronounced, and the results provide clear evidence for deciding between alternative hypotheses. This approach has been used to confirm that covariance is the preferred metric for eliciting global correlations in all the modalities and to investigate the nature of front-end processes in each modality. It has the potential for neurophysiological studies for both single-cell and neuronal ensemble recording.