Mutuality: Clinical and Metapsychological Potentials of a Failed Experiment

Ferenczi's experiments with mutual analysis are often dismissed, without acknowledging the results obtained from them and his own cautionary remarks about their limits. Though ultimately failed, Ferenczi's experiments with mutual analysis were a source of clinical and metapsychological knowledge, despite the fact that he was unable to elaborate them in his lifetime. In this paper I connect mutuality to the development of the psyche, especially to the constitutive core of the intrapsychic. To understand the latter, it is necessary to take into account, among others, issues such as the common attribute, the mutual flux between the unconsciouses, the dialogue of unconsciouses, the maternal profundity, the primal relationship with the mother, and, above all, the primal unity between mother and child, which are fundamental for the emergence and development of the primary psychic forces. Incidences of rupture, distortion of the core of mutuality in the psychic life, its loss and disadjustment, by means of external traumatizing forces, and some clinical implications are described.     

Cut elimination for a logic with induction and co-induction

Proof search has been used to specify a wide range of computation systems. In order to build a framework for reasoning about such specifications, we make use of a sequent calculus involving induction and co-induction. These proof principles are based on a proof-theoretic (rather than set-theoretic) notion of definition (Hallnäs, 1991 [18], Eriksson, 1991 [11], Schroeder-Heister, 1993 [38], McDowell and Miller, 2000 [22]). Definitions are akin to logic programs, where the left and right rules for defined atoms allow one to view theories as “closed” or defining fixed points. The use of definitions and free equality makes it possible to reason intensionally about syntax. We add in a consistent way rules for pre- and post-fixed points, thus allowing the user to reason inductively and co-inductively about properties of computational system making full use of higher-order abstract syntax. Consistency is guaranteed via cut-elimination, where we give a direct cut-elimination procedure in the presence of general inductive and co-inductive definitions via the parametric reducibility technique.     

Grounding compositional symbols: no composition without discrimination

The classical computational conception of meaning has been challenged by the idea that symbols must be grounded on sensorimotor processes. A difficult question arises from the fact that grounding representations cannot be symbolic themselves but, in order to support compositionality, should work as primitives. This implies that they should be precisely identifiable and strictly connected with discriminable perceptual features. Ideally, each representation should correspond to a single discriminable feature. The present study was aimed at exploring whether feature discrimination is a fundamental requisite for grounding compositional symbols. We studied this problem by using Integral stimuli, composed of two interacting and not separable features. Such stimuli were selected in Experiment 1 as pictures whose component features are easily or barely discriminable (Separable or Integral) on the basis of psychological distance metrics (City-block or Euclidean) computed from similarity judgments. In Experiment 2, either each feature was associated with one word of a two-word expression, or the whole stimulus with a single word. In Experiment 3, the procedure was reversed and words or expressions were associated with whole pictures or separate features. Results support the hypothesis that single words are best grounded by Integral stimuli and composite expressions by Separable stimuli, where a strict association of single words with discriminated features is possible.     

Culture,art and artifice: theatre as a laboratory for identity / Cultura,arte y artificio: el teatro como laboratorio de identidades

Abstract

This paper approaches theatre performance as a laboratory for the simulation of behaviour. The preparation of the professional production of a theatre play was observed and videotaped with the purpose of studying (a) the process of production of artefacts for giving sense to the play and each of its scenes, (b) shaping the identity of the characters, and (c) how these artefacts were reshaped and readjusted in successive rehearsals. Results support the thesis that the process of production of a scenic text can act as a simulation model for how cultural artefacts, conscious processes and behaviour get articulated when developing a character’s identity.     

An Argument for Compulsory Vaccination: The Taxation Analogy

I argue that there are significant moral reasons in addition to harm prevention for making vaccination against certain common infectious diseases compulsory. My argument is based on an analogy between vaccine refusal and tax evasion. First, I discuss some of the arguments for compulsory vaccination that are based on considerations of the risk of harm that the non-vaccinated would pose on others; I will suggest that the strength of such arguments is contingent upon circumstances and that in order to provide the strongest defence possible of compulsory vaccination, such arguments need to be supplemented by additional arguments. I will then offer my additional argument for compulsory vaccination: I will argue that in both cases of vaccine refusal and of tax evasion individuals fail to make their fair contribution to important social and public goods, regardless of whether each individual contribution ‘makes a difference’. While fairness considerations have sometimes been used to support a moral duty to vaccinate, they have not been appealed to in order to argue for a legal duty to vaccinate. I will suggest that this is due, among other things, to a misapplication of the principle of the least restrictive alternative in public health. Finally, I will address nine possible objections to my argument.