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11.
Moores, Laiti, and Chelazzi (2003) found semantic interference from associate competitors during visual object search, demonstrating the existence of top-down semantic influences on the deployment of attention to objects. We examined whether effects of semantically related competitors (same-category members or associates) interacted with the effects of perceptual or cognitive load. We failed to find any interaction between competitor effects and perceptual load. However, the competitor effects increased significantly when participants were asked to retain one or five digits in memory throughout the search task. Analyses of eye movements and viewing times showed that a cognitive load did not affect the initial allocation of attention but rather the time it took participants to accept or reject an object as the target. We discuss the implications of our findings for theories of conceptual short-term memory and visual attention.  相似文献   
12.
In a visual search experiment, participants had to decide whether or not a target object was present in a fourobject search array. One of these objects could be a semantically related competitor (e.g.,shirt for the targettrousers) or a conceptually unrelated object with the same name as the target—for example,bat (baseball) for the targetbat (animal). In the control condition, the related competitor was replaced by an unrelated object. The participants’ response latencies and eye movements demonstrated that the two types of related competitors had similar effects: Competitors attracted the participants’ visual attention and thereby delayed positive and negative decisions. The results imply that semantic and name information associated with the objects becomes rapidly available and affects the allocation of visual attention.  相似文献   
13.
When young adults carry out visual search, distractors that are semantically related, rather than unrelated, to targets can disrupt target selection (see 2 and 22). This effect is apparent on the first eye movements in search, suggesting that attention is sometimes captured by related distractors. Here we assessed effects of semantically related distractors on search in patients with frontal-lobe lesions and compared them to the effects in age-matched controls. Compared with the controls, the patients were less likely to make a first saccade to the target and they were more likely to saccade to distractors (whether related or unrelated to the target). This suggests a deficit in a first stage of selecting a potential target for attention. In addition, the patients made more errors by responding to semantically related distractors on target-absent trials. This indicates a problem at a second stage of target verification, after items have been attended. The data suggest that frontal lobe damage disrupts both the ability to use peripheral information to guide attention, and the ability to keep separate the target of search from the related items, on occasions when related items achieve selection.  相似文献   
14.
A program to assist elite athletes in coping with the transition out of active sport competition is presented. A life span development framework is used to describe the formulation of the program. An outline of the program is presented, and implications for counselors are discussed.  相似文献   
15.
I develop a phenomenological account of racialized encounters with works of art and film, wherein the racialized viewer feels cast as perpetually past, coming “too late” to intervene in the meaning of her own representation. This points to the distinctive role that the colonial past plays in mediating and constructing our self‐images. I draw on my experience of three exhibitions that take Muslims and/or Arabs as their subject matter and that ostensibly try to interrupt or subvert racialization while reproducing some of its tropes. My examples are the Jean‐Joseph Benjamin‐Constant exhibition at the Montreal Museum of Fine Arts (2015), the exposition Welten der Muslime at the Ethnologisches Museum in Berlin (2011–2017), and a sculpture by Bob and Roberta Smith at the Leeds City Art Gallery, created in response to the imperial power painting, General Gordon's Last Stand, that is housed there. My interest is in how artworks contribute to the experience of being racialized in ways that not only amplify the circulation of images but also constitute difficult temporal relations to images. Drawing on Frantz Fanon's Black Skin, White Masks, I argue that such racialized images are temporally gluey, or stuck, so that we are weighted and bogged down by them.  相似文献   
16.
This article describes how a workshop for career women who were experiencing difficulty in deciding whether or not to have a child was designed, conducted, and evaluated.  相似文献   
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