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LOIS FRANKEL 《希帕蒂亚:女权主义哲学杂志》1989,4(1):80-90
The daughter of Ralph Cudworth, and friend of John Locke, Damaris Masham was also a philosopher in her own right. She published two, philosophical books, A Discourse Concerning the Love of God and Occasional Thoughts In Reference to a Virtuous and Christian Life. Her primary purpose was to refute John Norris’ Malebranchian doctrine that we ought to love only God because only God can give us pleasure, and his criticism of Locke. In addition, she argues for greater educational opportunities for women, and an end to the double standard in sexual morality. Recent feminist literature has suggested that women and men may take different ethical and epistemological stands based on differences between the ‘female experience’, and the ‘male experience’. While leaving aside questions pertaining to the accuracy of these suggestions, this paper discusses some aspects of Mash’ am's thought which might be considered representative of the ‘female experience.’ 相似文献
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In a national questionnaire survey of graduate programs offering the Ph.D. or Psy.D. in clinical psychology, the status of family therapy training was examined. With a 79 per cent response rate (102 programs), the study found that 10 per cent of the nationwide faculty identified themselves as primarily family therapy oriented, 32 per cent of the programs had no family-oriented faculty members, 18 per cent of all psychotherapy courses were family therapy courses, and 21 per cent of the schools had no family therapy course. The ratings of the importance of providing students with family therapy training were found to be unrelated to the number of family therapy courses available but positively correlated with the percentage of family therapy courses within the total curriculum. 相似文献
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AARON MESKIN 《Philosophy and phenomenological research》2004,69(1):65-91
The thesis that aesthetic testimony cannot provide aesthetic justification or knowledge is widely accepted–even by realists about aesthetic properties and values. This Kantian position is mistaken. Some testimony about beauty and artistic value can provide a degree of aesthetic justification and, perhaps, even knowledge. That is, there are cases in which one can be justified in making an aesthetic judgment purely on the basis of someone else's testimony. But widespread aesthetic unreliability creates a problem for much aesthetic testimony. Hence, most testimony about art does not have much epistemic value. The situation is somewhat different with respect to aesthetic testimony about nature, proofs, and theories. And yet he realizes clearly that other people's approval in no way provides him with a valid proof by which to judge beauty; even though others may perhaps see and observe for him, and even though what many have seen the same way may serve him, who believes he saw it differently, as a sufficient basis of proof for a theoretical and hence logical judgment, yet the fact that others have liked something can never serve him as a basis for an aesthetic judgment. Immanuel Kant, Critique of Judgment 相似文献