The Problem of Having Both a Body and a Name in the Work of Jean-Luc Marion

In this essay, and following upon both Jacques Lacan’s and Jacques Derrida’s personal struggles with fatherhood and the naming of their children, I take up what I consider to be Jean-Luc Marion’s failure to deal with the embodiment of fatherhood through an examination of patriarchal signification, or, specifically, the naming of one’s children after the father — at least insofar as Marion’s brief analysis of this symbolic act points toward his failure to think through the various potential and lived embodiments of the father. I aim to illuminate how his efforts to continue this naming of the child with the father’s name speak more directly to an idealized (“theologized”) vision of our world that need not be serviced, indeed, which we would benefit from not utilizing at all. I wish, in an autobiographical-phenomenological response to Marion, to point to other names, other relationships, and other ways of perceiving how one might be situated within our world. I follow Sara Ahmed in calling “queer” ways in which a phenomenological account of the subject’s identity are not a pretext for perpetuating a quasi-theological, patriarchal agenda.     

Lewis Carroll and psychoanalysis: why nothing adds up in wonderland

Each generation of psychoanalyst has found different things to value and sometimes to censure in Lewis Carroll’s remarkable fiction and flights of fancy. But what does Carroll’s almost ‘surrealist’ perspective in the Alice stories tell us about the rituals and symbols that govern life beyond Wonderland and Looking‐Glass World? Arguing that Carroll’s strong interest in meaning and nonsense in these and later works helps make the world strange to readers, the better to show it off‐kilter, this essay focuses on Jacques Lacan’s Carroll – the writer–logician who stressed, as Lacan did, the difficulty and price of adapting to the symbolic order. By reconsidering Lacan’s 1966 homage to the eccentric Victorian, I argue that Carroll’s insight into meaning and interpretation remains of key interest to psychoanalysts intent on hearing all that he had to say about psychic life.     

Reflections of the Aging Caesar: Drama as Cultural Perspective

This article affirms the view that literature transmits multiple reflections on human life that shape social mores. Examining stereotypes of age in literature as socially constructed artifacts reveals the prevailing attitudes toward aging during that time. This study focuses on the aging Julius Caesar in William Shakespeare's The Tragedy of Julius Caesar and in George Bernard Shaw's Caesar and Cleopatra. Writing 300 years apart, these two great playwrights inscribe both positive and negative models of aging, reflecting views in their eras that persist today. This article identifies these models, then explores them from a Lacanian standpoint, showing that each dramatist focuses on Caesar's ego development through the opinions of other characters. Offering a primarily negative view of aging, Shakespeare emphasizes the fragmented mirror images that other characters hold up to Caesar. Shaw self-consciously counters Shakespeare by foregrounding Caesar as subject, who beholds his aging self in the mirror of others' opinions while enacting a positive model of aging. Tracing this long tradition of aging stereotypes found in the two plays can be useful as scholars continue to reconstruct society's attitudes toward aging.     

Narrating a Fantasmatic Unity: On the Contemporary Sinophone Discourse of China’s Civilizational Subjectivity

A powerful discourse centered on China’s civilizational subjectivity has emerged in the Sinophone intellectual world since the early 2000s. Among many promoters of this intellectual trend, Gan Yang, together with his slogan of the “fusion of three traditions,” is indeed most influential. This study employs Lacanian psychoanalytic technics to tackle Gan Yang’s thesis, treating the latter not just an object for textual analysis, but more deeply (and fruitfully), that for psychoanalysis. The findings of the study reveal the presence of a fantasmatic structure framing and guaranteeing Gan’s (sharply inconsistent) vision of China’s civilizational subjectivity. Such fantasmatic formation can be referred to as the “Great Dragon fantasy”—a fantasy about China’s civilizational unity and glory.     

道家文化对大学生心理健康教育的辅助作用——以《庄子》“和”为中心

道家文化蕴涵着丰富而又深刻的心理健康思想和智慧,以《庄子》"和"思想为中心,探究其内涵并结合实际加以转化,对大学生心理健康教育具有重要的辅助作用,对构建"本土化"的大学生心理健康教育体系也具有一定的参考价值。     

Post‐Secularism,Secular Theology,and the Names of the Real

This article disputes the common view of religious and secular as oppositional terms. Our contemporary world is post‐secularist, because secularism is a modern ideology that imagines a strict separation of the religious and the political, where religion becomes a purely private affair. This situation is compromised by the “return” of religion in political terms. Constructively, following Jacques Lacan, we can say that secular theology concerns the Real; and with François Laruelle, we can think about a non‐theology that complements what he calls non‐philosophy. Finally, I speculate on three names of the Real: energy, capital, and nomos.     

庄子情欲本质及其调节的心理思想管窥

情欲是中国古代心理学思想研究的重要范畴,是关系密切但又各有所指的两个范畴。庄子指出情欲对人的身心健康具负面影响,提出许多关于情欲本质及其调节的心理思想。本文分析和总结了庄子的情欲本质观和调节观,这些思想对今天人们实施情欲心理调节仍有重要借鉴价值。     

Una introducción al sujeto vacío en la enseñanza de Jacques Lacan

Resumen

El presente artículo pretende elucidar cómo se razona el sujeto en la experiencia psicoanalítica. En concreto, se examinan tres vertientes distintas de la dimensión subjetiva en psicoanálisis: (a) el sujeto representado por el significante, tal y como se puede localizar en la cura a través de la enunciación; (b) el sujeto en su necesidad lógica, como falta que sutura el discurso; y (c) el sujeto en su relación al discurso de la ciencia.     

The butterfly dream as ‘creative dream:’ dreaming and subjectivity in Zhuangzi and María Zambrano

The ‘dream of the butterfly,’ which seals the second chapter of the Zhuangzi, is often interpreted as undergirded by the bipolarity of dreaming and awakening or by the elusive interchange of identities between Zhuangzi and the butterfly, dreamer and dreamed. In this paper I argue that the underlying structure of the story may be better interpreted as exhibiting not two, but three stages of development, consistently echoing other tripartite parables in the Zhuangzi. In my reinterpretation I rely on the phenomenology of dreams proposed by the Spanish philosopher María Zambrano, which distinguishes among three states: the primal dream, characterized by atemporality and wholeness; wakefulness, characterized by temporality and analytic thinking; and the creative dream, in which reality discloses itself as a meaningful, holistic unity. I suggest that Zhuangzi’s parable describes a similar self-transformative threefold process culminating in the joyous freedom of a shifting multifaceted subjectivity centered in the timeless pivot of the Dao.