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1.
Dianne Elise avers that a man's personality is prone to be organized in terms of “the citadel complex.” My response to her paper focuses mainly on two issues. The first is a lack of consistency and rigor in the use of a few specific words, like penetration and enjoyment, which are used in ways that some readers might find insufficiently grounded in context. Such free-wheeling expression results in questionable assumptions about the theoretical equivalence of various experiences and about how an experience and some expression of it are aligned.

The second issue is Elise's unconventional appropriation of Lacanian theory. The development of gender identity is a function of the establishment of an unconscious representation of “the father,” which Lacan called “the names of the father.” A child constitutes this signifier by realizing at some point that his mother's behavior toward him is modified by another object. Understanding that a person of such vast importance exists—and that one is subject to the contingencies of that person's wishes—arises from inferences about the mother's interest in this new object and the object's interest in the mother far more readily than it does from observations of the conduct of actual people.  相似文献   

2.
The author argues that the structure of mourning and the structure of the Oedipus complex are triadic, the latter being obvious and easy to conceptualize, while the former is quite subtle. When it is the father who is mourned, the son must repeatedly invoke the dead object so that libidinal cathexis can be reinvested in living objects. Such was the situation in which Freud found himself in 1896 when his father died—the triadic nature of the Oedipus complex ironically not yet discovered by him. In the author's belief, Freud's mourning and his attendant rich dream life occurring between 1896 and 1897 gave him access to the unconscious raw material that would eventually help him conceptualize the triadic structure at the instinctual core of the Oedipus complex.  相似文献   

3.
Abstract

This text is intended as a contribution to the study of the profound mutual relations between architecture and psychoanalysis. Architecture creates representations that conceal unconscious forms of thought; psychoanalysis helps to explain the meanings of these representations – forms of construction and forms of the psyche. The multifaceted work of psychoanalyst Christopher Bollas – his thoughts on the relationships between psychoanalysis and architecture, on the vitality of objects, on the creative implications of the Oedipal relationship – serves as a critical and decisive instrument for the authors’ inquiry. The issue of the “vitality of objects” as described by Bollas also concerns – but only in part – the architectural “object.” One modern form of architecture with an inordinate capacity empathy has to be Louis Kahn’s. Kahn’s youngest son , Nathaniel, lost his father when he was still a child and hardly had a chance to get to know him. After becoming an adult and an established film-maker, he managed to recover his father in two ways: by discovering him in his works, with their powerful affective impact; and by drawing from those very works of his father to enhance his own creative process in his filmic art. As it turns out, it is this very process that has allowed for an emblematically positive resolution of the Oedipal relationship.  相似文献   

4.
A clinical example of the effects of the absence of the father during the early childhood of a male analysand and its consequences for his later object choice is presented. This patient's biological father left the household when the patient was only a few months old, and his mother did not remarry until he was five years of age. Unconscious fantasies of the lost father, with whom the patient had no contact in reality, and longing for him organized the patient's drives and determined his self-identity as well as his later object choice. The patient developed both a positive and negative identification with the lost father. The identification was with a fantasy object not a real one. The case highlights the need to use a precise term in talking of the object, namely the mental representation of the object which may or may not be built up out of experiences with the real object.  相似文献   

5.
Abstract

The Duke Orsino, in Shakespeare's Twelfth Night, is cited as the archetypal embodiment of a psychological complex which, it is argued, may affect many men in modern patriarchal societies. This condition named the ‘Orsino complex’ is characterized by the subject's experience of being in love with himself as a love object. It is the consequence of the subject's very early experience of his mother's dual psychological reactions to him as a male child. The first of these, and the more significant, I have called maternal phallic projection, while the second I term maternal withdrawal. I also consider the influence of the father upon this complex.

While this paper remains speculative in its present form—that is, its central thesis is based on fictional and not on clinical material—it might, I hope, assist all of us working psychodynamically in understanding further some of the severe problems that male clients present in their relationships with women, as well as directing further research into the complexities of gender identity in contemporary society.  相似文献   

6.
This essay presents material from the second analysis of an offspring of two Holocaust survivors, each of whom lost a child during the war. The first analysis (Kogan 2003 ) focused primarily on the patient's relationship with her mother. This second analysis revolves around the elaboration of the complex and painful father–daughter relationship, centering on the events surrounding the death of the patient's father. The discussion includes an exploration of the father's deferred action on account of his Holocaust trauma, which he passed on to the next generation; the break in the idealized paternal representation; and the daughter's identification with her father's disavowed aggressive aspects. It also examines some of the unique transference and countertransference problems that arose, mainly because patient and analyst belonged to the same traumatized large group.  相似文献   

7.
Injurious childhood experiences with one's personal father form the psychic bedrock of a negative father complex: never good enough. This complex has a part that is exciting and uses hope as its hook, and a part that disappoints and persecutes. The negative father complex can be imaged as the ghostly lover, as depicted in the fairy tale “The Singing, Springing Lark” and in Charlotte Brontë's life and famous novel, Jane Eyre. The ghostly lover holds a woman's creative energies hostage to the tantalizing possibility of being the special one who can redeem the negative masculine and win his love.

To heal a complex, its contents must be personified, or imaged, so that an individual can come into conscious relationship with it. The tale of the “Singing, Springing Lark” illustrates collective roots and images of healing a wounded relationship with the masculine. Charlotte Brontë transformed her relationship with the ghostly lover through her novel Jane Eyre, with Mr. Rochester as the image of her own wounded, bewitching masculine energy. Brontë herself was subsequently able to marry, despite her father's objection, overcoming her negative father complex. The fairy tale, novel, and Brontë's life show that several attempts are usually necessary to bring the complex to light. Although consciousness seeks redemption through its pursuit of the masculine, the complex also—mysteriously—seeks its own transformation. Ego alone cannot fulfill the mission of individuation; the Self must aid the process.  相似文献   

8.
This paper recovers the notion of the sacrifice of sexuality as the central, tragic, element of the oedipal structure. This notion has been largely abandoned in the psychoanalytic literature that has tended to reduce the oedipal structure to processes of exclusion. The paper traces the development of the theoretical and clinical transformations of Freud ’s ideas on the role of the father and suggests that they allow us to more fully comprehend the Oedipus complex proposed by Freud. A paradox is explored: the killing of the father is, in Freud ’s view, the requirement for the creation of the social order which, from then on, prohibits all killings. The father, however, has to be killed metaphorically only, as the actual exclusion of the father lies at the origin of so many psychopathologies from violence to the psychoses and perversions. The paper analyses the fundamental asymmetry that is present in the Oedipal structure and suggests that the three elements of the oedipal triangle constitute the law (of the dead father, that institutes the sacrifice of sexuality), desire (for the lost object) and identification (with both father and mother). Two clinical examples are discussed. In the first, one can identify a perverse structure in which the father has been murdered; in the second, there is a progressive construction of the dead (symbolic) father in the analytic process.  相似文献   

9.
This paper aims to restore the father and paternal function to their rightful place alongside the mother and maternity in order to counter the prevailing matricentric, dyadic bias in psychoanalytic theory and technique. The author contends that both the symbolic and the actual, flesh‐and‐blood father are necessary to optimize his child's development. The paternal function inevitably operates in a triadic matrix; thirdness is always psychically in existence—with the father ever present in the mother's unconscious mind—and the paternal third is necessary to open up symbolic space. As an embodied other, the actual father, both as a separating agent and an attracting object, is called upon to recognize his child's otherness throughout the inescapable father–child rivalries, neglect, and desire.  相似文献   

10.
In both Freud's and Winnicott's thoughts regarding our psychological origin, there is the assumption of a given relationship which precedes all human relations. I refer to Freud's primal father and Winnicott's primary ideal object. I have chosen to call the object of this primordial relation “the object beyond objects” and to reflect on this as the psychological basis for an individual's faith in God. By examining what both these authors have to say concerning the sacred and the individual's way of relating to it, I feel that I am also able to describe maturation processes in the believer's relationship with God.  相似文献   

11.
In the history of Western philosophy, dialetheism – the view that some sentences are both true and false – has been unpopular. This paper recovers a previously overlooked episode in the history of dialetheism. Specifically, it reconstructs a section of Robert Greville's The Nature of Truth (1640) in order to show that he was a dialetheist. Greville's consideration of the view that evil is a privation led him to endorse the claim that sinful acts are contradictory; they are the subjects of both being and non-being. The paper also explores responses to Greville from John Wallis and Nathaniel Culverwell.  相似文献   

12.
Freud's work establishes a link between an excessive amount of excitation, the infant's experience of helplessness, and trauma. The idea of excess emphasises a quantitative element, not reducible to the field of representation. In this paper I explore the notions of excess and closure in relation to two clinical examples. A patient who lived through experiences of excess and flooding is contrasted with another patient whose experience of excess is expressed through withdrawal. The complex process of elaboration and working through in their analyses takes place by bringing together affect, representation, sensorial and somatic experiences, dreams, associations and enactments as they are gathered and given meaning après coup through analytic work. Two concepts were central to the understanding of what took place in the analyses: excorporation and figurability. The paper emphasizes the place of temporality in creating a triadic space in an analysis as it relates the here and now with the there and then in the work of après‐coup. The paper also traces the roots of this modern approach that relates the analyst's work of regression, time, and the creation of a triadic space to Freud's metapsychology.  相似文献   

13.
According to Jean Piaget, children begin to develop a concept of an object, such as that it has sides that are not visible from the child's perspective or that it is likely to be where one saw it last, in early infancy. By the close of the prelinguistic phase at about 2 years old, the child has developed a mature object concept, one that comprehends the object as a continuing entity even when it is not visible. Many children's picture books demonstrate Piaget's concept of object permanence through narrative and image. This paper offers a close reading of three classics, Goodnight moon, Harold and the purple crayon and Where the wild things are, in an explanation of how children are able to develop faith in an invisible, omnipresent deity.  相似文献   

14.
In this paper, I propose a psychoanalytic reading of some of the writings of Amelia Rosselli, a trilingual poet who, at the age of seven, lost her father Carlo, who was persecuted and murdered by Mussolini's regime. History and her history conflate into personal and collective trauma which defies human possibilities to work through and mourn. Rosselli's work testifies to such predicament of the human subject of the 20th century, his/her dislocation, alienation and internal irreconcilable divisions. In particular I examine Diary in three tongues, which is the most autobiographical of her works and a self‐analytic piece, written after the conclusion of her second analysis. In the Diary, Rosselli employs textual strategies which convey the fragmentation and destructuring of language, where her traumatic experience resides as a wound inflicted to the symbolic order. I propose that her writings contain her unconscious memories in an estranged and melancholic language which becomes the crucible to express her impossible mourning, in a complex mixture of Eros and Thanatos which allowed her to survive psychically and to create a very personal experimental poetic discourse which made her a literary figure of international acclaim. My primary engagement will be with Freud's theory of mourning and melancholia and its successive elaboration by Kristeva, who maintains that the melancholic discourse finds its expression in the pre‐verbal and infra‐verbal aspects of language, which she calls ‘semiotics’, in dialectic articulation with its symbolic components. Drawing on literary texts, significant inferences can be made on the psychoanalytic listening to the prosodic aspects of language as the carrier of inchoate forms of representation of that which exceeds language: trauma, raw affects, mnemic traces, that is, the unrepresented and/or unrepresentable.  相似文献   

15.
Do words cue children's visual attention, and if so, what are the relevant mechanisms? Across four experiments, 3‐year‐old children (= 163) were tested in visual search tasks in which targets were cued with only a visual preview versus a visual preview and a spoken name. The experiments were designed to determine whether labels facilitated search times and to examine one route through which labels could have their effect: By influencing the visual working memory representation of the target. The targets and distractors were pictures of instances of basic‐level known categories and the labels were the common name for the target category. We predicted that the label would enhance the visual working memory representation of the target object, guiding attention to objects that better matched the target representation. Experiments 1 and 2 used conjunctive search tasks, and Experiment 3 varied shape discriminability between targets and distractors. Experiment 4 compared the effects of labels to repeated presentations of the visual target, which should also influence the working memory representation of the target. The overall pattern fits contemporary theories of how the contents of visual working memory interact with visual search and attention, and shows that even in very young children heard words affect the processing of visual information.  相似文献   

16.
This paper takes as its starting point Freud's idea that the loss of the object and its inner restoration is an on-going process, which has a crucial influence on the facing of reality. The author's aim is to illustrate that it is by working through the loss of the object that an inner triangulation may be experienced. The idea of triangulation is based on Ronald Brittens definition of it as the image of a mental space in which subjective experiencing can be combined with observing. Via a clinical material, where the distinction between self and object may be endured only with difficulties, the author discusses how phantasizing may serve as an evasion of a notion of an inner catastrophe and how a collapsed triangular space can be restored. In this discussion, the differentiating aspect by negation is touched upon. In connection to another clinical case, the author discusses how the analysand creates what the author calls an illusion about the mutual inter-changeability of the objects. This is used to protect the analysand from experiencing feelings of Oedipal competition, and through that, mourn the illusion of an exclusive place in the Oedipal triad. The conclusion is that the capacity to create meaning comprises the idea of the possibility of together with the subjective experience, internalizing the perspective of ?the other”. Further, that the working through of the Oedipal situation stabilizes the capacity for an observing thinking, since it places the person in a triangular position where he/she is able both to identify with the parties in the Oedipal arena and to observe hislher own contribution to the Oedipal interplay.  相似文献   

17.
Recent research has found visual object memory can be stored as part of a larger scene representation rather than independently of scene context. The present study examined how spatial and nonspatial contextual information modulate visual object memory. Two experiments tested participants’ visual memory by using a change detection task in which a target object's orientation was either the same as it appeared during initial viewing or changed. In addition, we examined the effect of spatial and nonspatial contextual manipulations on change detection performance. The results revealed that visual object representations can be maintained reliably after viewing arrays of objects. Moreover, change detection performance was significantly higher when either spatial or nonspatial contextual information remained the same in the test image. We concluded that while processing complex visual stimuli such as object arrays, visual object memory can be stored as part of a comprehensive scene representation, and both spatial and nonspatial contextual changes modulate visual memory retrieval and comparison.  相似文献   

18.
Abstract

The analysis of Richard, described by Melanie Klein in Narrative of a Child Analysis, gives us some insight into the effect on a child of threats to the health of his parents. His mother was involved in a road accident when Richard was 2; his father collapsed during the time of the analysis when he was 10. This paper links these events with disturbances in Richard's relation to his father and to his mother, as well as with threats to his own integrity, as demonstrated in the analysis. Richard's reversal of roles with his father and mother is discussed, as are Klein's reaction to Richard's report of finding his father ‘ill and nearly fainting’ and Richard's response to her behaviour. The paper draws attention to the way in which a child's reaction to the ill health of one parent can affect relations with both parents, as well as disturbing his sense of himself.  相似文献   

19.
This paper reinterprets the historical problem of penis envy, that is, the girl's wish to be masculine, in terms of a developmental need to identify with father. Many of the problems posed by earlier analyses of femininity can be clarified by recognizing that before the girl “turns”; to the oedipal father as love object, she looks to the rapprochement father for identification. Identification is not merely an internal structure, it is a relationship in which the subject recognizes herself or himself in the other. In rapprochement, love of the father, who symbolically represents the outside world, takes the place of the practicing toddler's “love affair with the world.”; This identificatory love of the father, initially noticed in boys by Freud and later authors, is often frustrated by the father's absence or inability to recognize the daughter. This frustrated longing takes the penis as its symbol of likeness. The pre‐oedipal over‐inclusive phase of identification with the other sex parent is not superceded by the oedipal constellation, but is integrated with it. Thus identification becomes an important basis of the love of the other: it is not so much the opposite of object love as an important precursor and ongoing constituent of it. Case material illustrates the multiple possibilities of identificatory love and use of phallic symbolism to represent them.  相似文献   

20.
Abstract: This paper describes the analysis of a patient whose difficulty symbolizing absence had prevented her from being able to mourn the loss of her father in her adolescence. Through a series of symbolic enactments and synchronistic events, she was eventually able to carry out a mourning ritual that enabled her to lay her father to rest. Some implications for symbolization are discussed, developing Segal's view of symbol formation as reparation: symbols are embedded in a context of communication and can only develop in the context of a relationship; they represent relationships as well as objects; and they are emergent in the sense that they exist within a complex web of interactive, multiple meaning and cannot be reduced back to any one object that they represent.  相似文献   

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