Priming effects with ambiguous figures

We varied the format and semantic content of primes to determine the degree to which they would influence the interpretation of ambiguous figures. The primes were objects or object names that were related in some way to one of the two organizations of the ambiguous figures. In Experiment 1, we provided some normative data regarding the stimulus materials, whereas in Experiment 2, an orienting question was used to focus attention on the semantic relationship between the prime and the figure. In Experiment 3, we used the orienting question to divert attention away from the relationship by asking about physical features of the figures. Recognition responses to biased versions of the figures and to new figures were measured. Primes that were loosely and indirectly associated with one of the two interpretations of an ambiguous figure were found to be effective at biasing the interpretation of an ambiguous figure in the direction of the primed alternative but only if attention was focused on the semantic relationship between the two stimuli. Attention to the physical characteristics of the stimuli during encoding eliminated the prime's influence on complex object perception. These findings are consistent with the conceptual priming literature and extend those of some recent studies (Balcetis & Dale, 2007; Feist & Gentner, 2007), which show that the interpretation of complex figures can be biased by the advanced presentation of related verbal information.     

Body configuration modulates the usage of local cues to direction in biological-motion perception

The presence of information in a visual display does not guarantee its use by the visual system. Studies of inversion effects in both face recognition and biological-motion perception have shown that the same information may be used by observers when it is presented in an upright display but not used when the display is inverted. In our study, we tested the inversion effect in scrambled biological-motion displays to investigate mechanisms that validate information contained in the local motion of a point-light walker. Using novel biological-motion stimuli that contained no configural cues to the direction in which a walker was facing, we found that manipulating the relative vertical location of the walker's feet significantly affected observers' performance on a direction-discrimination task. Our data demonstrate that, by themselves, local cues can almost unambiguously indicate the facing direction of the agent in biological-motion stimuli. Additionally, we document a noteworthy interaction between local and global information and offer a new explanation for the effect of local inversion in biological-motion perception.     

The recency effect in the perception of ambiguous figures

After a failure to obtain a recency effect in the perception of ambiguous figures three experiments were carried out to determine the conditions which govern the effect. It was found that the duration of the stimulus which precedes the ambiguous figure (the most recent stimulus) was important. Also of importance was the interval between the next-to-most-recent stimulus and the ambiguous figure. The effect of manipulating these variables was such that sometimes no recency effect was obtained, implying that their state is sometimes critical for the effect. Variations in the duration of the ambiguous stimulus did not cause the recency effect to vary. Recommendations are made for the demonstration of a reliable recency effect.     

Simultaneous perception of both interpretations of ambiguous figures

When viewing ambiguous figures like the classic duck/rabbit, people alternately perceive one interpretation and then the other, but not both interpretations at once. When two identical ambiguous figures appear together, the majority of observers perceive them as identical, and they typically alternate in unison. Just as most observers cannot see a single figure as both a duck and a rabbit, most cannot see one figure in a pair as a duck and the other as a rabbit even though the two figures and their features are spatially distinct. Is this inability to see both interpretations an inherent limitation of the visual system or is it just due to differences in top-down processing? We show that a simple prompt immediately allows people to see both interpretations, to their own surprise.     

Representation of subjective preferences under ambiguity

The objective of this paper is to show how potentially incomplete preferences of a decision maker (DM) on acts can be modelled formally in a subjective ambiguity perspective. We identify acts as functions from a state space Ω to bounded support (finitely additive) probabilities over a set X of prizes. Then, we characterize preferences over equibounded acts a which have a numerical representation by the family of functionals , where u is a cardinal utility on X (representing the risk attitude of the DM) and Π is a unique pointwise closed convex set of probabilities on all events in Ω (representing the ambiguity perceived by the DM). To this end, in addition to the usual independence and continuity assumptions, we add completeness and dominance for preferences restricted to constant acts; moreover, we consider two other properties (subjective monotonicity and coherence) related with the preferences of a DM who is not able, owing to his partial knowledge, to evaluate any event in Ω.     

Perceptual ambiguity and stability of reversible figures

In this work, the results of two experiments on ambiguous patterns are reported, which have been obtained by presenting a series of stimuli designed, in both cases, to reduce gradually the ambiguity of the patterns. Such reduction has been performed by respectively increasing or decreasing the amount of graphic details in the experiments. Data of both experiments show a lengthening of mean reversal time. The increase in the stability of one percept can be regarded as associated with the increasing difficulties encountered by an observer in organizing and restating the alternative "hypothesis" through the perceptual mechanisms. The loss of balance in the durations of percepts is discussed in terms of their different informational contents. Finally, in Exp. 1 an analysis is made to evaluate to what extent an addition of perceptual cues, designed to reinforce a three-dimensional interpretation of a pattern, can influence its figure-ground alternation.     

Ambiguous benefits: the effect of bilingualism on reversing ambiguous figures

Two studies are reported in which monolingual and bilingual children, approximately 6 years old, attempted to identify the alternative image in a reversible figure. In both studies, bilingual children were more successful than monolinguals in seeing the other meaning in the images. In the first study, there was no relation between the ability to reverse the interpretation and performance on the children's embedded figures task, a task that superficially appeared to involve similar processes. The second study replicated this finding but showed that performance was strongly related to success in the post-switch phase of the dimensional change card sort task. In both cases, the meaning of an image must be reassigned, and bilinguals were better in both these tasks.     

The effect of knowledge of reversibility on the reversibility of ambiguous figures

The role of knowledge of the reversibility of reversible figures was tested in four experiments. Two ambiguous figures, the vase-face figure and a depth-reversing pyramid-hallway figure were shown to high school students. In the Uninformed condition, subjects were not told that the figures were reversible. A sampling procedure was used in which subjects reported what they perceived at 5-sec intervals. Viewing durations of up to 3 min were used, and approximately half of all subjects did not reverse at all during the uninformed condition, whereas virtually all subjects reversed quickly and frequently once they knew that the figures were reversible. These results are not consistent with neural fatigue models of perceptual reversal.     

Focusing attention on overlapping and non-overlapping figures with subjective contours

In a series of five experiments we investigated whether observers could focus attention on a restricted visual area that was demarcated by Kanizsa-like subjective contours, and whether this effect also occurred in the case of overlapping figures. The task was a simple reaction time to a luminance increment and the basic finding was that reaction time was faster when the imperative stimulus fell inside the focus of attention than when it fell outside. The first two experiments showed that the extent of the attentional focus could be adapted to a region that was demarcated by subjective contours, thus extending the results of previous studies that used regions demarcated by real contours. The last three experiments showed that, regardless of the type of margins, focusing was more efficient for the figure that was perceived as lying in front in a pair of overlapping figures. Received: 21 December 1999  / Accepted: 23 August 2000     

The role of discontinuities in the perception of subjective figures

Recently we proposed a theory of visual interpolation (Kellman & Shipley, in press) that addresses a variety of unit formation phenomena, including the perception of partly occluded objects and subjective figures. A basic notion of the theory is that discontinuities in the first derivative of projected edges are the initiating conditions for interpolation of boundaries that are not physically specified. In this paper, we report four experiments in which this claim was tested in the domain of subjective figures. Experiments 1 and 2 demonstrate that discontinuities in the first derivative of the edges of inducing elements have a clear effect on the frequency of report and the perceived clarity of simple subjective figures. Similar effects are found when unfamiliar subjective figures and inducing elements are used (Experiment 3). Experiment 4 rules out the possibility that the discontinuities in the first derivative merely add to the clarity of subjective figures. These experiments suggest that first-order discontinuities play a central role in unit formation.     

Temporal properties of apparent motion in subjective figures

In 'Kanizsa' figures, vivid subjective shapes are seen in the absence of explicit contours to define them. When two or more such figures are presented sequentially, so that the subjective shape occupies different positions, good apparent motion of the shape is usually reported. This motion percept must be mediated by a high-level process, in which form extraction precedes motion detection. Some spatial and temporal properties of this motion process are investigated. A major finding is that motion is only perceived when the time interval between successive frames falls below about 500 ms, and the duration of each frame exceeds about 80 ms.     

Anxiety and the interpretation of ambiguous facial expressions: the influence of contextual cues

In 3 experiments, we investigate how anxiety influences interpretation of ambiguous facial expressions of emotion. Specifically, we examine whether anxiety modulates the effect of contextual cues on interpretation. Participants saw ambiguous facial expressions. Simultaneously, positive or negative contextual information appeared on the screen. Participants judged whether each expression was positive or negative. We examined the impact of verbal and visual contextual cues on participants' judgements. We used 3 different anxiety induction procedures and measured levels of trait anxiety (Experiment 2). Results showed that high state anxiety resulted in greater use of contextual information in the interpretation of the facial expressions. Trait anxiety was associated with mood-congruent effects on interpretation, but not greater use of contextual information.     

Effects of sleep deprivation on voluntarily controlled reversal rate of ambiguous figures

Abstract.— The effects of sleep deprivation (SD) on the reversal rate of the Necker cube and Rubin's Vase-Faces were studied both with instructions to maximize and to minimize the rate. Three viewing conditions were used: Free eye movements, eyes on a fixation point and reversals of an after-image of the figure. SD was found to increase the rate under minimizing instructions and to decrease the rate under maximizing instructions. The results were interpreted in terms of an accelerated satiation process and an impairment of the attentional control.     

Enduring interest in perceptual ambiguity: alternating views of reversible figures

Research favoring the so-called bottom-up and top-down classes of explanations for reversible figures that dominated the literature in last half of the 20th century is reviewed. Two conclusions are offered. First, any single-process model is extremely unlikely to be able to accommodate the wide array of empirical findings, suggesting that the "final" explanation will almost certainly involve a hybrid conceptualization of interacting sensory and cognitive processes. Second, the utility of distinguishing between 2 components of the observer's experience with reversible figures is emphasized. This distinction between the observer's ability to access multiple representations from the single stimulus pattern (ambiguity) and the observer's phenomenal experience of oscillation between those representations (reversibility) permits the literature to be segregated into useful categories of research that expose overlapping but distinctive cortical processes.