Categories of Life: The Status of the Camp in Derrida and Agamben

This essay is an exploration of the relationship between Agamben's 1995 text, Homo Sacer, and Derrida's 1992 “Force of Law” essay. Agamben attempts to show that the camp, as the topological space of the state of exception, has become the biopolitical paradigm for modernity. He draws this conclusion on the basis of a distinction, which he finds in an essay by Walter Benjamin, between categories of life, with the “pro‐tagonist” of the work being what he calls homo sacer, or bare life—life that is stripped of its humanity and value. Five years earlier, in 1990, Derrida had given a lecture at UCLA (later published in its entirety as “The Force of Law”) in which he had analyzed the very same essay by Benjamin and had highlighted the distinction between “base life” and “just life.” The implications of his analysis show a discomforting prox‐imity between Benjaminian messianism and the Nazi “final solution,” a conclusion that Agamben dismisses entirely. In this paper, however, I demonstrate that the structures of the two works are quite similar in many important ways. I argue that, though the broad scope of Agamben's work is original in many respects, and I would not wish to reduce Agamben's work to Derridean repetitions, he nevertheless utilizes much more of Derrida's analysis, specifically with respect to the categori‐zation of life, than he would like the reader to believe.     

The Letter and the Witness: Agamben,Heidegger, and Derrida

In Remnants of Auschwitz, Agamben introduces a particular conception of bearing witness to overcome the problems contained in an account of language that depends on the voice or the letter. From his earlier work, it is clear that his critique of the voice and the letter is not only directed to ancient and medieval metaphysics, but also concerns Heidegger's account of the voice and Derrida's account of the letter and writing. Yet, if Agamben is correct in claiming that bearing witness offers an alternative to Heidegger's voice and Derrida's letter, it is remarkable – a fact unnoticed in the available literature – that Agamben does not discuss how these conceptions of the voice and the letter are intrinsically connected to the problem of testimony for Heidegger as well as Derrida. To show how this lack of attention to bearing witness in Heidegger and Derrida affects Agamben's critique, this article proceeds as follows. First, we interpret Agamben's critique of Heidegger's conception of the voice and Derrida's conception of writing in terms of the presuppositional constitution of metaphysics. Second, we describe Agamben's concept of the witness and indicate how it offers an alternative to this presuppositional constitution of metaphysics. Finally, we show which role bearing witness plays in Heidegger's voice and Derrida's letter, and how our analysis presents a more precise version of Agamben's critique.     

The paternal function in Winnicott: The psychoanalytical frame

My first aim has been to identify the implicit assumptions underlying Winnicott's detailed notes on a fragment of an analysis dating from 1955 and published after his death. The importance given by Winnicott to the father figure as early as 1955 is one of my discoveries; another is the deep Freudian roots of his thinking. In this essay I propose a new way of linking together the concepts of ‘paternal function’ and the ‘psychoanalytical frame’. Developing my hypothesis, I compare my reading of Winnicott and my way of reading José Bleger's study on the frame. Like Winnicott, I explore in detail a process of discovery, focusing on what the analyst and the patient are nor fully aware of …'as yet'. I am not proposing to unify Winnicott's and Bleger's thinking. My aim is to avoid the pitfall of eclecticism and, in so doing, to recognize both the related depths they sound in their thinking and their otherness. I want to share with the readers their ‘meeting’ in my mind.     

‘The Origin of the Work of Art’: Heidegger

Professor Max Charlesworth and I worked, at Deakin University, on a course, 'Understanding Art'. Max was interested in the Social History of Art and in art as: 'giving form to mere matter'. Here 'form' might be read as 'lucid', 'exemplary', 'beautiful' etcetera. I am an Aristotle Poetics 4 man '… imitating something with the utmost veracity in a picture', and an Aristotle and John Cage man: 'Art is the imitation of nature in the manner of operation. Or a net'. (Cage) (See Aristotle Meteorologica, 381b Book iv.) I was invited by the University of Melbourne to lecture on The Philosophy of Art, which I did for five delightful years. There I included the Heidegger essay, giving it as favourable a reading as I could. Unfortunately I have mislaid my marked-up copy and was forced to re-visit the essay, cold. My new reading lacks - in most respects - my former geniality. Kant's Aesthetic Ideas give us more than Heidegger does. So: I stuck with Aristotle, Cage and Kant.     

Education as Free Use: Giorgio Agamben on Studious Play,Toys, and the Inoperative Schoolhouse

In this essay, I argue that the work of Giorgio Agamben provides us with a theory of studious play which cuts across many of the categories that polarize educational thought. Rather than either ritualized testing or constructivist playfulness, Agamben provides a model of what he refers to as studious play—a practice which suspends the logic of both ritual and play. In order to explore this notion of studious play, I first articulate Agamben’s fleeting remarks on the topic with an important problematic found in his early, literary work: transmission. If ritual transmits cultural traditions to ensure continuity with the past, and play as constructivist invention makes such transmission impossible, then studious play transmits transmissibility itself as a pure potentiality. Studious play accomplishes this peculiar educational task by suspending without destroying traditional things: laws, signs, and so on. I end the essay with a consideration of the ontological status of suspended things, arguing that they are transformed into toys via the action of study. Finally, I give a literary example of studious play found in Robert Walser’s novel Jakob von Gunten in which the school itself is imagined to be a kind of toy.     

NATURAL GOODNESS,RIGHTNESS, AND THE INTERSUBJECTIVITY OF REASON: REPLY TO ARROYO,CUMMISKEY, MOLAND,AND BIRD‐POLLAN

Abstract: In response to Arroyo, I explain my position on the concept of “natural goodness” and how my use of that concept compares to that of Geach and Foot. An Aristotelian or functional notion of goodness provides the material for Kantian endorsement in a theory of value that avoids a metaphysical commitment to intrinsic values. In response to Cummiskey, I review reasons for thinking Kantianism and consequentialism incompatible, especially those objections to aggregation that arise from the notion of the natural good previously described. In response to Moland, I explain why I think Hegelian worries about the supposed emptiness of the Kantian self do not apply to my account. And in response to both Moland and Bird‐Pollan, I argue that, contrary to the view of some Hegelians, the intersubjective normativity of reason is not something developed through actual social relations; rather, it is something essential to an individual's relations with himself or herself.     

Shame,Belonging, and Biopolitics: Agamben Among the Phenomenologists

How are we to understand Agamben’s philosophical anthropology and his frequent invocations of the relation between bios and zoe? In Remnants of Auschwitz Agamben evokes a quasi-phenomenological account of shame in order to elucidate this question thus implying that the phenomenon of shame carries an ontological significance. That shame has an ontological significance is also a belief held in current debates on moral emotions and the phenomenology of intersubjectivity, but despite this common philosophical intuition phenomenologists have criticized Agamben’s account of shame. In this paper, I will try to show how these criticisms often rely on misreadings of Agamben’s (at times rather confusing) terminology. Once Agamben’s analysis of shame have been properly placed in the broader context if his work, I will outline how Agamben’s analysis of shame and his ontology of life feeds into a rethinking of community and belonging.     

EVIDENCE AND FALSIFICATION: CHALLENGES TO GREGORY PETERSON

In this reply to Gregory Peterson's essay “Maintaining Respectability,” which itself is a response to my “Is Theology Respectable as Metaphysics?” I elaborate upon my claims that theology treats God's existence as an absolute certainty immune to refutation and that modern science constitutes the canons of respectable reasoning for metaphysical disciplines. I conclude with some comments on Peterson's “In Praise of Folly? Theology and the University.”     

Instantiation as Partial Identity: Replies to Critics

One of the advantages of my account in the essay “Instantiation as Partial Identity” was capturing the contingency of instantiation—something David Armstrong gave up in his experiment with a similar view. What made the contingency possible for me was my own non-standard account of identity, complete with the apparatus of counts and aspects. The need remains to lift some obscurity from the account in order to display its virtues to greater advantage. To that end, I propose to respond to those who have grappled with it in print. There are various criticisms by commentators: that it is rendered absurd by the transitivity of identity, that it makes instantiation necessary instead of contingent, that it is unclear what counts are, that aspects are simply tropes, that my view does not capture multiple location, that I make an unclear reference to a theory of composition as identity, that the account suffers from problems with polyadicity, and that it is not a realist account of universals after all. I give responses to these objections.     

THE THOUGHT SPACE OF GOD: THE HAUNTING BELOW THE I‐THOU RELATION

This essay attempts a phenomenological analysis of Descartes' statement, ‘my perception of God is prior to my perception of myself,’ and Buber's claim that God ‘is also the mystery of the self‐evident, nearer to me than my I.’ I radicalize the implications of Descartes' and Buber's claims by drawing on the thought of Husserl and Levinas, and couching the analysis in terms of Merleau‐Ponty's experiential notions of haunting and reversibility. This forces us to interrogate the subjective space in which we think God qua recognize the other, and shows us a kind of necessity that underlies the I‐Thou relation. My conclusion leaves us in a place of powerless subjective inwardness and awe.     

The Postcolonial Other

Abstract

I locate the starting point for this essay on the common ground between the traditionally conceived attribute of divine love and the moral theory known as divine command ethics. The latter assumes that something is good because God commands it; with the former, the gift of divine love requires love in return. In this light, God's command to love is recognized as goodness itself by those ‘he’ loves. In other words, those persons loved by God are morally motivated to love. However, this theistic account of divine command theory simply assumes that love is knowable, do-able and so required. The obstacles to knowing love and loving are rarely made explicit. To tackle some of these, this essay is loosely structured around a dialogue with Kantian morality. Analysis of the gendered nature of love will take place indirectly in the course of my account of duty, pure goodness and moral motivation.     

Incognito or not? the patient's subjective experience of the analyst's private life

This paper examines the meaning for the patient of the analyst's personal life and personality which are ostensibly banished from the consulting room. The therapist has a not‐always‐so‐secret “secret life”; that the patient is supposed to “not know”; about. Yet, more or less unconscious perceptions, impressions, and fantasies about extratherapeutic aspects of the analyst are omnipresent and significantly color the psychoanalytic enterprise.

Moreover the analyst as a person generally plays a critical and underacknowledged role in the patient's experience of the endeavor. Constructing multiple overlapping images of the analyst and of the analytic relationship, the patient discovers himself or herself in the matrix of these relationships with various images of the analytic other. The analysand is motivated to make sense of the analyst as wholly as possible, the better to place into context the analyst's interventions. The patient's resulting view of the analyst's subjective experience acts as a lens that filters and subtly alters the meaning of the analyst's communications.

I illustrate these points by relating my work with a patient whose dreams uncannily picked up on a (consciously) unknown aspect of my private life—my having a handicapped son. The treatment thereafter centered on the patient's identification with my child (as someone “disabled") and on the meaning of her having dreamt something so personal about her therapist.     

Reading Irigaray,Dancing

My essay incorporates Irigaray's notion of the sensible transcendental, a dynamic attempt to reconstitute the body/mind dualism which founds Western thought, into a reading of the practice of European concert dance. I contend that Irigaray's efforts toward articulating a language of the body as active agent have much to offer (feminist) analyses of dance practice, and develop this claim through a reading which reflects philosophically on the changing nature of my own dance activity.     

In Search of Authenticity: A Heideggerian Quest

Martin Heidegger's conception of authentic resoluteness gives us a picture of life as an unfolding story aimed at a fulfillment of a specific sort. Such resoluteness provides a focus and continuity to a life that can help an individual find meaning and order during times of personal difficulties. This phenomenology of an attempt to live an authentic life gives an image of how such a personal quest might be worked out. In this article, I talk about how Heidegger's concept of authenticity has affected my life ever since I learned about it from lectures and secondary sources in 1961. The narrative conception of life as a story adding up to something is an idea that has helped me through difficult times, and I continue to embrace it to this day.     

COMPARATIVE ETHICS,IDEOLOGIES, AND CRITICAL THOUGHT1

After the publication of my book and various articles about comparative religious ethics, obstacles in the field's further development seemed to mount as swiftly as practical issues seemed to trumpet the need for global ethics more loudly. Driven by impatience, I wondered if I were fiddling in unending discussion while the planet burned. As others persevered and evolved productively in addressing developmental issues in the field directly, I began to work through the lens of a less direct, but complementary, perspective: ideologies and critical thought. The following essay seeks to connect my parallel approach to ongoing obstacles and solutions within the prolific development of comparative religious ethics, especially its urgent pursuit of common moral grounds sufficient to support peaceful coexistence and living.     

The Development of Ethics: A Historical and Critical Study

Editor's Introduction When Oxford University Press sent us the three enormous volumes of Irwin's The Development of Ethics, we had two thoughts: First, the book is very important and demands a review; second, since human sacrifice is abolished in North America, it will be very difficult to find a reviewer. We handed the volumes to several interested persons, who in the end returned the books saying the task was beyond them. Then, my wife, a lifetime worker at that center of communal thought, the United Nations, suggested that we form a team to review the book. We put an announcement out on the Web, asking for reviewers to do a chapter each, at 250 words a review. We got several hundred volunteers, and chose 82 to review the 96 chapters of Irwin (reviewers got the chapters in Portable Document Format [PDFs], kindly supplied by Oxford). We got 81 of 82 reviews, 75 before the deadline, six slightly later. For purposes of completeness, I filled in the sole missing review. Would that the students in my seminars were so punctual! I would like to thank Elyse Turr at Oxford University Press for the PDFs, and my 82 reviewers for their expertise and diligence. I am grateful to all the volunteers who showed an interest in this strange and perhaps unprecedented project, and who patiently endured the vetting process. Special thanks is due to Laura di Summa, who coordinated all the pieces of this incredible puzzle. Did we accomplish something, something new, by mobilizing 82 minds to review one book? I hope so, but I can now only say what they say on television: “America, it's up to you.”     

Together in Need: Relational Selfhood,Vulnerability to Harm,and Enriching Attachments

Connections between one's own welfare and that of others abound if we pause to look for them, although philosophical theories of selfhood have only very recently begun to incorporate these connections. This essay draws on recent work on need to argue that one of the strongest expressions of these connections is to be found in the relational needs that they can generate. While paying heed to needs that arise from the relational nature of selfhood at large, this essay pays particular attention to what I call “transpersonal needs”: needs that occur when one's experience of the needs of others gives rise to certain needs of one's own. I argue that the best criterion for defining need is vulnerability to harm, but this does not mean that having a need is something that is purely harmful. Having certain needs can also enrich one's life. Further, while every need entails a corresponding vulnerability to harm, some of these potential harms are more detrimental to one's welfare than others, with some relational needs standing among those that can result in the greatest harm if unanswered.     

Farewell to certitude: Einstein's novelty on Induction and Deduction, Fallibilism

In the late 19th century great changes in theories of light and electricity were in direct conflict with certitude, the view that scientific knowledge is infallible. What is, then, the epistemic status of scientific theory? To resolve this issue Duhem and Poincaré proposed images of fallible knowledge, Instrumentalism and Conventionalism, respectively. Only in 1919–1922, after Einstein's relativity was published, he offered arguments to support Fallibilism, the view that certainty cannot be achieved in science. Though Einstein did not consider Duhem's Instrumentalism, he argued against Poincaré's Conventionalism. Hitherto, Einstein's Fallibilism, as presented at first in a rarely known essay of 1919, was left in the dark. Recently, Howard obscured its meaning. Einstein's essay was never translated into English. In my paper I provide its translation and attempt to shed light on Einstein's view and its context; I also direct attention to Einstein's images of philosophical opportunism in scientific practice.