Attention-switching and grouping in counting interaurally presented clicks.

The present study tests the hypothesis that attention-switching is time-consuming and performance-limiting. Analysis of previous research on counting interaurally presented clicks shows that estimates of ‘switch-times’ can be made, based on the data of Guzy and Axelrod (1972). In the earlier click-counting studies, however, the number of clicks to be counted and the number of physical switches between the ears were confouned. Hence the number of clicks, number of physical switches and interval between clicks were independently varied. The results showed that (a) counting performance did not decrease monotonically with increasing number of switches in the click sequence; (b) no difference in counting performance could be found between the monaural and completely alternating interaural presentation; (c) when the number of switches in the sequence was small and equal groups of clicks alternated between ears, performance dramatically improved. With these kinds of sequences, subjects presumably do not count the clicks one at a time, but subitize a group of clicks.     

The subjective tempo difference between interaural and monaural sequences as a function of sequence length

Previous research has demonstrated that the subjective tempo of sequences of clicks that alternate between ears is slower than that of nonalternating sequences. Although the stimulus onset asynchronies (SOAs) between the clicks are the same in both conditions, their perceptual onset asynchronies (POAs) differ by 25 msec at all SOA values between 40 and 2,130 msec. It has been suggested that this subjective tempo difference originates only after a few clicks have been processed. The present study shows this not to be the case: The POA difference between interaural and monaural click sequences could also be established with sequences comprising only a few clicks.     

Effects of the build-up and resetting of auditory stream segregation on temporal discrimination

The tendency to hear a tone sequence as 2 or more streams (segregated) builds up, but a sudden change in properties can reset the percept to 1 stream (integrated). This effect has not hitherto been explored using an objective measure of streaming. Stimuli comprised a 2.0-s fixed-frequency inducer followed by a 0.6-s test sequence of alternating pure tones (3 low [L]-high [H] cycles). Listeners compared intervals for which the test sequence was either isochronous or the H tones were slightly delayed. Resetting of segregation should make identifying the anisochronous interval easier. The HL frequency separation was varied (0-12 semitones), and properties of the inducer and test sequence were set to the same or different values. Inducer properties manipulated were frequency, number of onsets (several short bursts vs. one continuous tone), tone:silence ratio (short vs. extended bursts), level, and lateralization. All differences between the inducer and the L tones reduced temporal discrimination thresholds toward those for the no-inducer case, including properties shown previously not to affect segregation greatly. Overall, it is concluded that abrupt changes in a sequence cause resetting and improve subsequent temporal discrimination.     

Age-specific problems in rhythmic timing

The authors investigated performance in 2 rhythm tasks in young (M = 23.8 years) and older (M = 71.4 years) amateur pianists to test whether slowing of a central clock can explain age-related changes in timing variability. Successive keystrokes in the rhythm tasks were separated by either identical (isochronous) time intervals or varying (anisochronous) intervals. Variability was comparable for young and older adults in the isochronous task; pronounced age effects were found for the anisochronous rhythm. Analyses of covariances between intervals rule out slowing of a central clock as an explanation of the findings, which instead support the distinction between target specification, timekeeper execution, and motor implementation proposed by the rhythm program hypothesis (D. Vorberg & A. M. Wing, 1996). Age stability was found at the level of motor implementation, but there were age-related deficits for processes related to target-duration specification.     

“Perceptual centers” in speech production and perception

Morton, Marcus, and Frankish (1976) report that listeners hear acoustically isochronous digit sequences as anisochronous. Moreover, given a chance to adjust intervals in the sequences until they are perceptually isochronous, the listeners introduce systematic deviations from isochrony. The present series of studies investigates these phenomena further. They indicate that when asked toproduce isochronous sequences, talkers generate precisely the acoustic anisochronies that listeners require in order tohear a sequence as isochronous. The acoustic anisochronies that talkers produce are expected if talkers initiate the articulation of successive items in the sequence at temporally equidistant intervals. Items whose initial consonants differ in respect to manner class will have acoustic consequences (other than silence) at different lags with respect to their articulatory onsets thereby generating the observed acoustic anisochronies. The findings suggest that listeners judge isochrony based on acoustic information aboutarticulatory timing rather than on some articulation-free acoustic basis.     

Some articulatory correlates of perceptual isochrony

Given sequences of digits with temporally equidistant acoustic onsets, listeners do not perceive them as isochronous (Morton, Marcus, & Frankish, 1976). In order for the sequences to be perceptually isochronous, systematic departures from acoustic isochrony must be introduced. These acoustic departures are precisely those that talkers generate when asked to produce an isochronous sequence (Fowler, 1979), suggesting that listeners judge isochrony based on acoustic information about articulatory timing. The present experiment was an attempt to test directly whether perceptually isochronous sequences have isochronous articulatory correlates. Electromyographic potentials were recorded from the orbicularis oris muscle when speakers produced sequences of monosyllables “as if speaking in time to a metronome.” Sequences were devised so that lip-muscle activity was related to the syllable-initial consonant, the stressed vowel, or the stressed vowel and final consonant. Results indicate that isochronous muscular activity accompanies both isochronous and anisochronous acoustic signals produced under instructions to generate isochronous sequences. These results support an interpretation of the perceptual phenomenon reported by Morton et al. to the effect that listeners judge isochrony of the talker’s articulations as they are reflected in the acoustic signal.     

The relation between auditory temporal interval processing and sequential stream segregation examined with stimulus laterality differences

In this study, we examine the effects of laterality differences between noise bursts on two objective measures of temporal interval processing (gap detection and temporal asymmetry detection) and one subjective measure of temporal organization (stream segregation). Noise bursts were lateralized by presentation to different ears or dichotic presentation with oppositely signed interaural level (ILD) or time (ITD) differences. Objective thresholds were strongly affected by ear-of-entry differences, were moderately affected by ILD differences, but were unaffected by ITD differences. Subjectively, A and B streams segregated well on the basis of ear-of-entry or ILD differences but segregated poorly on the basis of ITD differences. These results suggest that perceptual segregation may be driven more effectively by differential activation of the two ears (peripheral channeling) than by differences in perceived laterality.     

Spatial stimulus cue information supplying auditory saltation

Auditory saltation is a misperception of the spatial location of repetitive, transient stimuli. It arises when clicks at one location are followed in perfect temporal cadence by identical clicks at a second location. This report describes two psychophysical experiments designed to examine the sensitivity of auditory saltation to different stimulus cues for auditory spatial perception. Experiment 1 was a dichotic study in which six different six-click train stimuli were used to generate the saltation effect. Clicks lateralised by using interaural time differences and clicks lateralised by using interaural level differences produced equivalent saltation effects, confirming an earlier finding. Switching the stimulus cue from an interaural time difference to an interaural level difference (or the reverse) in mid train was inconsequential to the saltation illusion. Experiment 2 was a free-field study in which subjects rated the illusory motion generated by clicks emitted from two sound sources symmetrically disposed around the interaural axis, ie on the same cone of confusion in the auditory hemifield opposite one ear. Stimuli in such positions produce spatial location judgments that are based more heavily on monaural spectral information than on binaural computations. The free-field stimuli produced robust saltation. The data from both experiments are consistent with the view that auditory saltation can emerge from spatial processing, irrespective of the stimulus cue information used to determine click laterality or location.     

Preferred perceptual tempo for sound sequences: comparison of adults, children, and infants

Previous motor and perceptual tasks have found optimal processing for sound sequences of a rate of around 600 msec. IOI (Interonset Interval). This zone of optimal processing (the rate at which discrimination is optimal) slows with age and is also found with infants. The current work investigated whether listeners "prefer" sequences at the rate for which they demonstrate optimal processing. In the present study, three experiments were done. Exp. 1 measured tempo preferences in adults who listened to pairs of isochronous sound sequences varying in tempo (from 100- to 1500-msec. IOI) and were required to indicate which they preferred. As expected, highest preferences were expressed for the intermediate tempi, supporting the hypothesis of a zone of preferred tempi comparable to the zone of optimal processing. Moreover, this preference for intermediate tempi was not affected by the temporal context (absence of differences between a fast, a slow, and a wide set of tempi). In Exp. 2, the same procedure was applied to 6- and 10-yr.-olds. Children in both groups had systematic preferences for the fastest tempi within a set, and the older children generally preferred slower sequences. Exp. 3 used a preference paradigm for sound sequences with 4-mo.-old infants, comparing sequences of 100- vs 300-msec. IOI, 300- vs 900-msec. IOI, and 100- vs 900-msec. IOI. No systematic tempo preferences were observed. We conclude that tempo discrimination and tempo preference may have some commonality (perhaps related to a zone of optimal processing), especially in adults, but that they also involve quite distinct processes which undergo different developmental sequences. Whereas adults prefer what they process the best, children prefer what is fastest (and therefore more attention-getting), and we have not been able to detect preferences in infants.     

Diotic and dichotic frequency recognition in a single-interval temporal interference procedure

The frequency discriminability of a 70-dB SPL, 20-msec test tone followed 5 msec later by an equally intense 500-msec, 800-Hz interference tone was studied in a single-interval procedure for one diotic condition and three dichotic conditions. The test tone (T) and interference tone (I) were presented the same to both ears (ToIo, diotic condition) and in three dichotic conditions: (1) the interference tone was presented to the right ear (R) and the test tone to the left ear (L) (T_LI_R), (2) the interference tone was presented the same to both ears and the test tone to one ear (TmIo), and (3) the interference tone was presented the same to both ears and the test tone to both ears with an interaural phase reversal (TπIo). The threshold value for test tone frequency discrimination in the diotic temporal interference condition was approximately six times greater than that obtained without an interference tone. The three dichotic temporal interference conditions yielded essentially equivalent threshold values which were approximately 2.4 times that obtained when the test tone was presented without an interference tone. Therefore, although never equaling interference-free conditions, dichotic test tone presentations can improve frequency recognition relative to diotic conditions at intensities well above threshold. It is postulated that this improvement may be due to the spatial separation of test and interfering tones, rather than to possible differences in diotic vs. dichotic subjective intensities. Dichotic-diotic frequency recognition differences did not occur when a 100-msec interval separated the test and interfering tone or when the interfering tone preceded the test tone.     

Dichotic sequence discrimination: The effect of stimulus intensity and background noise level

Dichotic temporal discrimination of clicks over the range of separation of 2 ≤ Δt ≤ 96 msec is nonmonotonic, being V- or U-shaped with two maxima, one at very short separations (?t≤4 msec) and one at long separations (Δt ≥ 64 msec). Decreasing the level of the stimuli or increasing the level of background noise results in an overall decrement in discrimination level and a widening of the base of the function to make it more U-shaped. These effects are expressed in shorter Δt thresholds for the left limb of the function and longer Δt thresholds for the right limb of the function     

Rhythm implicitly affects temporal orienting of attention across modalities

Here we present two experiments investigating the implicit orienting of attention over time by entrainment to an auditory rhythmic stimulus. In the first experiment, participants carried out a detection and discrimination tasks with auditory and visual targets while listening to an isochronous, auditory sequence, which acted as the entraining stimulus. For the second experiment, we used musical extracts as entraining stimulus, and tested the resulting strength of entrainment with a visual discrimination task. Both experiments used reaction times as a dependent variable. By manipulating the appearance of targets across four selected metrical positions of the auditory entraining stimulus we were able to observe how entraining to a rhythm modulates behavioural responses. That our results were independent of modality gives a new insight into cross-modal interactions between auditory and visual modalities in the context of dynamic attending to auditory temporal structure.     

The perceived tempi of coherent and streaming tone sequences

Previous research has demonstrated that a sequence of tones that is alternated between ears is stretched out in echoic memory, as compared with monaural sequences. Although the stimulus onset asynchronies (SOAs) were the same in the interaural and monaural conditions, the perceptual onset asynchronies (POAs) differed by 24 msec. The present study investigated whether an analogous perceptual phenomenon exists for frequency-alternating tone sequences. It turned out that the POAs of coherent and even of streaming tone sequences were precisely the same as with nonalternating tone sequences.     

Lateralization of two-transient stimuli

In this study of the precedence effect in binaural hearing, subjects adjusted the interaural delay of a wideband acoustic pointer to match the perceived intracranial position of transient test stimuli presented over headphones. The test stimuli had leading and lagging components (either brief noise bursts or clicks), each with its own interaural delay. In some test conditions, the leading and lagging stimuli were coherent copies of one another, whereas in others, they were independent samples of noise. The duration of the stimuli and the delay from the leading component to the lagging component were also varied. All the stimulus conditions showed a moderate or strong precedence effect (i.e., covariation of perceived lateral position of the composite two-transient stimulus with the interaural delay of the leading component). Predictions of the lateralization data are presented for variants of models based on temporal weighting and/or bandpass correlation. In one model variant, the binaural stimuli are temporally weighted to emphasize the onset and then subjected to bandpass correlation analysis. In another variant, it is assumed that the onset mechanism provides a rough estimate of the initial interaural delay that guides a slower and more focused bandpass correlation analysis. The accuracies of these two model's predictions were equivalent and superior to those of models that either represent leading and lagging cues equally (bandpass correlation with no onset effect) or do not represent lagging cues at all (a complete precedence effect). The results of these analyses show the need for both a strong onset effect and for bandpass correlation analysis and suggest two modeling approaches for achieving that goal.     

Discrimination of restrictions in sequentially blocked auditory displays: Shifting block designs

Finite-state Markov sequences were generated by a digital computer, translated to electrical pulse trains, and converted to sound by earphones. The sequences were constrained in terms of the maximum number of occurrences of any state within any block of successive items. The discriminability among such sequences was measured in terms of the threshold interstate interval difference that is required to achieve a given level of discrimination among the sequences. These thresholds are closely related to the number of selections available to the source generator for each position of the sequence.     

Temporal control of movements in sensorimotor synchronization.

Under conditions in which the temporal structure of events (e.g., a sequence of tones) is predictable, performing movements in synchrony with this sequence of events (e.g., dancing) is an easy task. A rather simplified version of this task is studied in the sensorimotor synchronization paradigm. Participants are instructed to synchronize their finger taps with an isochronous sequence of signals (e.g., clicks). Although this is an easy task, a systematic error is observed: Taps usually precede clicks by several tens of milliseconds. Different models have been proposed to account for this effect ("negative asynchrony" or "synchronization error"). One group of explanations is based on the idea that synchrony is established at the level of central representations (and not at the level of external events), and that the timing of an action is determined by the (anticipated) action effect. These assumptions are tested by manipulating the amount of sensory feedback available from the tap as well as its temporal characteristics. This article presents an overview of these representational models and the empirical evidence supporting them. It also discusses other accounts briefly in the light of further evidence.     

Temporal representation impairment in developmental dyslexia for unisensory and multisensory stimuli

Dyslexia has been associated with a problem in visual–audio integration mechanisms. Here, we investigate for the first time the contribution of unisensory cues on multisensory audio and visual integration in 32 dyslexic children by modelling results using the Bayesian approach. Non‐linguistic stimuli were used. Children performed a temporal task: they had to report whether the middle of three stimuli was closer in time to the first one or to the last one presented. Children with dyslexia, compared with typical children, exhibited poorer unimodal thresholds, requiring greater temporal distance between items for correct judgements, while multisensory thresholds were well predicted by the Bayesian model. This result suggests that the multisensory deficit in dyslexia is due to impaired audio and visual inputs rather than impaired multisensory processing per se. We also observed that poorer temporal skills correlated with lower reading skills in dyslexic children, suggesting that this temporal capability can be linked to reading abilities.     

A comparison of thresholds for 1/3-octave filtered clicks and noise bursts in infants and adults

Behavioral thresholds of 6-month-old infants and adults were determined for 1/3-octave filtered clicks and 300-msec noise bursts with center frequencies ranging from .5 to 8 kHz. For noise bursts, differences between infant and adult thresholds were largest at low frequencies and smallest at 8 kHz. For clicks, infants’ thresholds were most like adults’ at 4 kHz, and age differences increased at both lower and higher frequencies. Differences between click and noise thresholds were significantly larger for infants than for adults at .5, 1, and 8 kHz, but not at 2 and 4 kHz. These results suggest that improvements in threshold for long-duration stimuli during infancy may not be accompanied by comparable changes in threshold at short durations. The delayed development of sensitivity to low- and high-frequency clicks appears consistent with maturational trends recently described for the auditory brainstem response.     

节律性时间期待效应不受注意控制的影响

采用双任务范式探讨当听觉节律刺激序列以较慢速度呈现时,其诱导产生的时间期待效应是否受到同时进行的视觉工作记忆任务的影响。结果发现,无论目标刺激是呈现在听觉通道还是视觉通道,双任务和单任务条件下目标刺激出现在规律听觉刺激序列之后被试的反应时均快于目标出现在非规律听觉刺激序列之后,即节律性刺激序列诱导产生的时间期待效应不受工作记忆任务的影响。该结果表明节律性时间期待效应不受注意控制的影响。     

Weber’s law,the “near miss,” and binaural detection

Weber functions (ΔI/I in dB) for gated 250-Hz tones were studied for monaural and several binaural stimulus configurations (homophasic, and antiphasic with varying phase angle for addition of signal to masker). The various cues for discrimination of signal plus masker from masker alone are functions of intensity increments at one or both ears, an intensity increment at one ear coupled with a decrement at the other, or the introduction of a phase difference between the ears. The decline of the Weber fraction with increasing masker level (the “near miss” to Weber’s law) was confirmed for monaural discrimination over the entire 40-dB range, and a similar rate of decline was found for various binaural stimuli over the lower half of that range. The data also confirm the individual differences found in other studies for sensitivity favoring either interaural amplitude or interaural phase shifts.