‘At home in the uncanny’: Freud's account of das Unheimliche in the context of his theory of religious belief

This paper serves as an exploration of Freud's comment that one of the functions of religious belief is to make humanity feel ‘at home in the uncanny’ (heimisch im Unheimlichen). The first section examines the context of Freud's comment within The Future of an Illusion. Attention is then shifted to Freud's essay on ‘The ‘‘Uncanny’’’, and to his conclusion that the ‘uncanny’ is the name for everything that ought to have remained secret and hidden but has come to light. A number of interpretations of the ‘at home’ remark are discussed, and it is suggested that religion might fruitfully be viewed as an attempt to come to terms with humanity's ‘transcendental homelessness’.     

Freud with Charcot: Freud's discovery and the question of diagnosis

Although Charcot's seminal role in influencing Freud is widely stated, although Freud's trip to Paris to study with Charcot is well recognized as pivotal in his shift from neurological to psychopathological work, a key fact of the Freudian heuristic remains largely underestimated: namely, that Freud's psychopathological breakthrough, which gave birth to psychoanalysis, cannot be separated from his ‘diagnostic preoccupation’, which is a crucial and at times the first organizing principle of his earliest writings. The purpose of this article is therefore to reopen the question of diagnosis by following its development along the path leading from Charcot to Freud. The authors demonstrate that Freud's careful attention to diagnostic distinctions follows strictly in the direction of Charcot's ‘nosological method’. More importantly, the article intends to identify the precise way in which his ideas operate in Freud's own work, in order to understand how Freud reinvests them to forge his own nosological system. If the authors trace the destiny of Charcot's lessons as they reach Freud's hands, it is the importance granted to mixed neuroses in Freud's psychopathology that allows them to pinpoint the role played by the diagnostic process in the rationality of psychoanalysis.     

Sabina Spielrein: out from the shadow of Jung and Freud

Abstract: Since the 1982 publication of Aldo Carotenuto's book, A Secret Symmetry: Sabina Spielrein Between Jung and Freud, there has been renewed interest in the life and work of Sabina Spielrein. She was Jung's first psychoanalytic case at the Burghölzli Hospital in 1904, and was referred to several times in The Freud/Jung Letters. Spielrein recovered, enrolled in medical school, and went on to become a Freudian analyst. Her most famous paper, published in 1912, ‘Destruction as a cause of coming into being’, was referred to by Freud in 1920 in relation to his Death Instinct theory. In the few Freudian publications on this controversial theory since 1920, Spielrein's contribution is consistently omitted. Jung also neglected to refer to her ‘Destruction’ paper in his early 1912 version of ‘Symbols of transformation’, even though he had edited her paper and had promised to acknowledge her contribution. He did refer extensively to Spielrein's first paper, her medical thesis, ‘On the psychological content of a case of schizophrenia’, published in 1911, as yet unpublished in English. In her paper Spielrein sought to understand the psychotic delusions of Frau M, a patient at the Burghölzli, much in the style of Jung's ‘Psychology of dementia praecox’ (1907). The purpose of this paper is to explore to what extent Spielrein's Frau M paper, and its companion ‘Destruction’ paper, make an original contribution to both Jung and Freud's emerging theories on the possible creative versus destructive outcomes of neurotic or psychotic introversion, culminating in Jung's concept of the ‘collective unconscious’ (1916) and Freud's concept of a ‘Death instinct’ (1920).     

The uses of humor in life,neurosis and in psychotherapy: Part 2

Abstract

The first part of the paper focused on the dynamics of wit in life, literature, and psychoanalysis; the second part of this paper is devoted to the use of humor in therapy. The central concept is Freud's psychoanalytic method, as distinguished from Freud's various theories of disorder, or neurosis, with a further elaboration of Freud's inherently interpersonal conception of the analytic process, already present in the cathartic phase of the therapeutic technique. The cathartic, or discharge, function of humor is connected to reciprocal free association (a term coined by the author) to define the mutual and reciprocal free association in analysand and analyst, playing an essential role in the genesis of insight and interpretation. Humor has its role in loosening repression, facilitating the emergence of unconscious emotions and ideas, bringing to light character defenses, and thus driving the process of analysis.     

Mourning the dead,mourning the disappeared: The enigma of the absent–presence

Freud's interest in the impact of death on the living goes back further than Mourning and Melancholia (1917e, [1915]). In Totem and Taboo (1912–13) Freud noted the ambivalence of the emotions we experience in relation to the dead. In this paper, I focus on Mourning and Melancholia as a landmark in the understanding of both the normal and psychopathological aspects of mourning and depressive processes in human beings. Mourning and Melancholia bridges Freud's first and second topographic theories of the psychic apparatus and constitutes for many authors the foundation of his theory of internal object relations. With this psychoanalytic understanding of mourning as a framework, I discuss ‘special mourning processes,’ such as the those confronted by psychoanalysts in Argentina when treating the relatives of thousands of people who were ‘disappeared’ by the military dictatorship in the 1970s; they are ‘special’ in the sense that the external reality [which] constitutes the starting point of the psychic mourning process, as described by Freud, is absent. I argue that the ‘absent–presence’ of the body as an enigmatic message initiates a special mourning process that bears certain characteristics of, and is isomorphic to, Laplanche's seduction theory.     

AFFECT IN PSYCHOANALYTIC THEORY: DISCUSSION OF ANDRÉ GREEN'S “ON DISCRIMINATING AND NOT DISCRIMINATING BETWEEN AFFECT AND REPRESENTATION”1

André Green's 1999 programmatic essay on affect and representation, an attempt to extend Freud's model of the neuroses (where affect and representation have different vicissitudes) to non‐neurotic cases is submitted to critical reading. Green wishes to restore the importance of representation; to use the second topographical theory, where id, psychical impulse and object‐cathexis replace the unconscious and the ideational representation in order to conceptualise borderline disturbance, and to show how ultimately the ‘non‐discrimination’ affect‐representation obtains in non‐neurotic cases as well. The author, interested in the question posed in Green's essay as to what we have to sell our borderline patients, addresses the various reasons why this project fails. Among the problematic points are the paradox of Green's model of unconscious affect, that does not allow the analyst to generate meaning with borderline patients, the view of ‘representation’ as replacing presence and perception of the object that does not allow the analyst to be a nonabsent object, and the inabilty to conceptualise affect‐representatives and to work out the definition of affect as ‘the anticipation of a meeting with the other's body’ which does not allow the analyst to function as an ‘anticipatory object’ or ‘an object of affect’.     

DEN TÄNKANDE KROPPEN

In this paper, the author thematizes guilt through a reading of Camus' novel “The Fall”. The first part of the novel is presented as describing a state of mind in which the main character has not been able to become his own self, and this is conceptualised through Kierkegaard's concepts “sickness unto death” and “sickness of despair”. The second part of the novel is described as picturing a “fall”, i.e., the coming into being of a self that realizes itself and becomes conscious of its own guilt. This guilt is finally described through Freud's “scientific myth” of patricide, and the “nachträglich” realization of this ancient deed.     

Mysticism,Reality, Illusion,and the Freudian Critique of Religion

Freud's critique of religion cannot be fully understood if his ontogenetic perspective is explored outside of his phylogenetic perspective. The former allows for illusionistic thought processes that are orthogonal to reality claims. The latter requires consideration of empirical claims to truth within a social psychological perspective. It is only the phylogenetic perspective that allows Freud to maintain that religion is delusional, whether or not it is also illusional. Freud's rejection of "as if" philosophies as exemplified by Vaihinger is based upon his refusal to allow religious truth claims to escape their empirical, social foundations. Recent efforts to revive psychological theories of religion rooted only in illusionistic thought, as exemplified in the use of Winnicott's conceptualization, must confront social psychological issues similar to those articulated within Freud's phylogenetic view. A mystical reading of Freud is suggested in which claims to truth within psychoanalysis, science, and religion can be confronted in an empirical and inherently social manner.     

The ‘Matchbox School’ (1927–1932): Anna Freud and the idea of a ‘psychoanalytically informed education’∗

Of all the applications of psychoanalysis to various fields, perhaps none has been as important – or as fraught – as the application of psychoanalytic insights to education. This paper re-constructs some of the early debates around psychoanalysis and pedagogy that Anna Freud engaged with during the 1920s in Vienna, when the whole question of what education should be became a central issue for politicians, pedagogues and psychoanalysts alike. The paper focuses on the period leading up to the creation of the so-called ‘Matchbox School’, operating under Anna Freud's guidance between 1927 and 1932, and describes the influence of pioneers such as Seigfried Bernfeld and August Aichhorn. Compared to her more well-known work at the Hampstead War Nurseries during the Second World War, Anna Freud's involvement with this earlier educational experiment is relatively neglected. Yet one can argue that this short-lived project not only laid the foundation for much of Anna Freud's later work; it also had some far-reaching consequences, both for psychoanalysis and for the practice of progressive education.     

THE BIRTH OF PSYCHOANALYSIS FROM THE SPIRIT OF TECHNIQUE1

The author aims to demonstrate, through a textual analysis of Freud's work, how the creation of psychoanalysis as a plausible set of understandings of the human mind has a methodological origin that has sometimes been overlooked: in the Greek concept of techne. Freud, an acknowledged pupil of Brentano, was well versed in Aristotelian rhetoric, and selected this instrument of investigation, dependent on language, from the outset of his efforts to describe, understand and treat the world of the unconscious mind. Working in the tradition of techne Freud actually rehabilitated ‘guessing’ (zu erraten) ‐ although it became a largely overlooked concept in Freud's work ‐ and so sought to place conjectural reason as the definitive form of knowledge for the investigation and treatment of the mind. This explains why the 1895 ‘Project’ could not succeed and why technique became irreplaceable as the via regia in ‘The Interpretation of Dreams’. Its model is founded in Aristotelian rhetoric, whose conception of language was first rediscovered by Nietzsche and was used therapeutically by Freud. Freud's view is apparent in his 1923 definition of psychoanalysis which is compared to the current IPA definition, a definition which, the author suggests, gives a misleading prominence to ‘theory’ and which shows how far a questionable rationality has removed conjectural reason from the field, to its detriment. From this point of view it is argued that the ‘precious conjunction’ (Freud) between investigation and treatment has been abandoned, and the concept of historical truth and its significance for psychoanalysis obscured.     

Review Essay: The Vicissitudes of Freud's Surgical Metaphor

Paul Stepansky's study of Freud's surgical metaphor provides an illuminating chapter in the intellectual history of psychoanalysis. He first describes the context and development of the surgical metaphor in Freud's early theorizing. He then develops a complex aftermath that includes on the one hand Freud's own abandonment of the metaphor and on the other hand the post-Freudian history of surgery and psychoanalysis, including psychoanalytic responses to those psychiatric concretizations of the metaphor in shock therapy and lobotomy. Following an exposition of Stepansky's study of the surgical metaphor, the reviewer comments on the twin questions of why Freud adopted the metaphor and why he abandoned it, questions on which Stepansky dwells at length. Regarding the first, the reviewer suggests that Stepansky's historical analysis can be expanded to include Freud's use of the metaphor to sustain misogynistic impulses of 19th-century gynecologists. Regarding the second, the reviewer further develops Stepansky's point that, because of its inherent limitations, the metaphor outlived its usefulness and was thus abandoned.     

On ‘the fear of death’ as the primary anxiety: How and why Klein differs from Freud

It is well known that Melanie Klein held the view that ‘fear of death’ is the primary source of anxiety and that her position is explicitly opposed to that of Sigmund Freud, who maintained that that fear cannot in any way or form be a source of anxiety. In a previous article on Freud's Inhibitions, Symptoms and Anxiety (Blass, 2013), the author argued that, counter to what is commonly portrayed in the literature, Freud's considerations for rejecting the fear of death as a source of anxiety were based on relational and experiential factors that are usually associated with Kleinian psychoanalysis. In light of this affinity of Freud with Klein a question arises as to the actual source of their differences in this context. The present paper offers an answer to this question. The author first presents some of her earlier findings on what led Freud to reject the fear of death as a source of anxiety and then turns to investigate Klein's considerations for accepting it. This takes us beyond her explicit statements on this matter and sheds new light on the relationship of her views regarding death and anxiety and those of Freud. In turn this deepens the understanding of the relationship of Freud and Klein's conceptualizations of the psyche and its internal object relations, pointing to both surprising common ground and foundational differences.     

Reader and story,viewer and film: On transference and interpretation2

Two sides in Freud's attitude towards literature and art are presented: Freud the sensitive listener, whose interest in art is a potential springboard for a rich interdisciplinary dialogue; and Freud the conquistador, whose wish for power in ‘invaded’ territories is related to troublesome aspects of ‘pathography’ and ‘applied analysis’. The unique contribution of psychoanalysis may not be discovering objectively the true unconscious content of works of art, but rather enriching the exploration of the potential transitional space evolving between artist, work of art and readers or viewers, enhancing our sensitivity to multiple meanings and complex emotional influences of art. This requires exploring our own subjective experiences of art, which may be described as transferences (when art is mostly perceived as a source of insight) or countertransferences (when artists and their work are basically experienced as troubled patients). Transference (broadly defined) and interpretation tend to intermingle, both in the clinical analytic encounter, and in any reading/viewing of art, be it by laymen, analysts or other scholars. Several examples from the psychoanalytic study of literature and film are given, and three pairs of contrasting interpretations are studied, concerning Kafka's The metamorphosis, Minghella's The English Patient and Polanski's Chinatown.     

The psychogenesis of the ego: notes on Freud's 'case of homosexuality in a woman'

This paper examines Freud's (1920) case study 'The psychogenesis of homosexuality in a woman' in the light of the second topography that was being elaborated in his theoretical writing at that time. The analysis of the ego and its defence mechanisms, which was to become such an important part of clinical technique in Anglo-American psychoanalysis, psychoanalytic psychotherapy and psychodynamic counselling, is not set out explicitly in any of Freud's case studies. However, in this last case study presented by Freud, it is possible to see how an attention to family dynamics, Oedipal structures and patterns of identification set the stage for the new notion of the ego to emerge. This 'turning point' in theory and clinical technique is also, in this case, intimately related to theories of sexuality, and Freud's own assumptions about homosexuality and heterosexuality are considered here in relation to his account of the ego.     

Scientific activities of the associazione di studi psicoanalitici (ASP) (Milan) for the years 1995 and 1996

This paper discusses Freud's "Oedipus complex" both in its elaboration of the "u¨ber-ich" and from a broader point of view, which relates to the development of man's moral sense. It is a disturbing experience to watch the continuous twilight of the function of the father, either as the head of the family or as the belief in a God or in a Truth that establishes a well-defined morality. At the same time, the function of the father as Lawgiver is supplanted by the function of money as the only value and the measure of all things. Since Freud's days, the field of morality has been increasingly invaded by the discourse of experts and administrators who determine Good and Evil with the intention of reaching a maximization of the profits and a more complete domination of our bodies. This paper questions the actual validity of the Oedipus complex as the organizer of modern man's sense of morality through its provocative title: "do we still have anything to do with the old blind man?"     

The freud-jones letters

Abstract

Despite over a hundred years of writings about the history of psychoanalysis, from the point of view of professional intellectual historians this field remains amateurish in terms of solid scholarship. This edition of the Freud-Jones letters illustrates many of the long-standing problems. Although Jones was never one of Freud's personal favorites, it takes a subtle reading of the evidence to see the full nature of the tensions between the two. It is surprising, given the length of this text, how much additional surviving material might profitably been added.

Aside from serious shortcomings to this edition of Freud's correspondence, for example the longstanding orthodox tilt against Sandor Ferenczi, nothing like the tendentiousness associated with other editions of Freud's letters has taken place here. Future generations who get to see the full volumes of Freud's letters are going to have trouble recreating the human circumstances under which he was working. The Freud-Jones letters will remain of key interest to specialists. By now most know certain key historiographical failings on Jones's part, and it may be time now to underline how much he succeeded in accomplishing.     

The Activities of The Scandinavian Societies

Freud's concept of the death instinct has given rise to many different interpretations which have often been contradictory. It is in fact already possible to discern two diametrically opposite meanings of this concept in Freud's work from 1920—Beyond the Pleasure Principle—in which he first introduced the concept of the death instinct. In this paper, it is argued that both these meanings are relevant in describing psychical life, although only one of these meanings actually qualifies for the concept “death instinct”. Beyond the Pleasure Principle was written in order to try to understand some everyday, as well as clinical phenomena which could not be explained by the so-called pleasure principle. Freud postulated something beyond the pleasure principle, which initially seemed to have to do with binding energy. I will preserve this idea and attempt to develop it within the context of a phenomenological analysis of time. The temporalization of the subject involves a very basic affirmation of existence, in that the subject experiences something constant, something that can be said to possess the quality of a gestalt. I propose that that which is beyond the pleasure principle—this binding of energy—should be understood as the opposite of the idea of a primordial death instinct striving towards death. In this case, that which is beyond the pleasure principle reflects an original affirmation of existence, which could be said to correspond to Freud's first meaning of the death instinct. The second meaning—for which the name “death instinct” seems to be applicable—concerns the discharge of energy, which from a temporal point of view shows itself as a tendency to dissolution. The concept of the death instinct in its various meanings is discussed in connection with phenomenological reflections on time, which is a different approach from Freud's attempt to ground the death instinct in biology.