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Up to now Chinese academia has been addicted to inviting the twin goddesses of democracy and science, but has regrettably ignored the innate incongruity between them, which has led to the rise of scientism. May 4th pioneers first introduced this value system, but tension between these values subsequently led to a prevailing preference for science over freedom. The early Marxists defined freedom as obedience to social laws formulated in Marxist ‘science’, while Maoism finalized the Sinicization of Marxism with a belief in iron‐bound social laws and in human beings as mere political means, mercilessly suppressing any expression of free will.  相似文献   

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An effort is made in this essay to show the intrinsic hermeneutic nature of the natural sciences by means of a critical reflection on data taken from the history of classical mechanics and astronomy. The events which eventually would lead to the origin of Newton's mechanics are critically analyzed, with the aim of showing that and in what sense the natural sciences are essentially interpretive enterprises.  相似文献   

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In this paper I use the concept of forbidden knowledge to explore questions about putting limits on science. Science has generally been understood to seek and produce objective truth, and this understanding of science has grounded its claim to freedom of inquiry. What happens to decision making about science when this claim to objective, disinterested truth is rejected? There are two changes that must be made to update the idea of forbidden knowledge for modern science. The first is to shift from presuming that decisions to constrain or even forbid knowledge can be made from a position of omniscience (perfect knowledge) to recognizing that such decisions made by human beings are made from a position of limited or partial knowledge. The second is to reject the idea that knowledge is objective and disinterested and accept that knowledge (even scientific knowledge) is interested. In particular, choices about what knowledge gets created are normative, value choices. When these two changes are made to the idea of forbidden knowledge, questions about limiting or forbidding lines of inquiry are shown to distract attention from the more important matters of who makes and how decisions are made about what knowledge is produced. Much more attention should be focused on choosing directions in science, and as this is done, the matter of whether constraints should be placed on science will fall into place.  相似文献   

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Many of the central theses of Hume's philosophy – his rejection of real relations, universals, abstract objects and necessary causal relations – had precedents in the later medieval nominalist tradition. Hume and his medieval predecessors developed complex semantic theories to show both how ontologies are apt to become inflated and how, if we understand carefully the processes by which meaning is generated, we can achieve greater ontological parsimony. Tracing a trajectory from those medieval traditions to Hume reveals Hume to be more radical, particularly in his rejection of abstraction and abstract ideas. Hume's denial of general, abstract ideas is consistent with his philosophical principles but fails to appreciate the more sophisticated nominalist approaches to abstraction, the result of which is a theoretically impoverished account of our capacity for generalization.  相似文献   

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Nietzsche and Modern Times: A study of Bacon, Descartes and Nietzsche. Laurence Lampert. New Haven: Yale University Press, 1993. Pp. xii + 475. £35.00

Nietzsche and Metaphysics. Peter Poellner. Oxford: Clarendon Press, 1995. Pp. xi + 320.  相似文献   

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Abstract

Political philosophers, like all philosophers, can be divided into roughly two camps. There are those who are principally metaphysical in their conclusions; feeling that there is something in the nature of things to find or locate to settle the disputes commonly considered to be political disputes, and those others who explicitly reject that type of formulation. Placing the work of John Rawls into one of these categories is, I think, rather challenging; crudely, Rawls can be seen as having made noises of both sorts. The attempt to situate Rawls’s A Theory of Justice both within and beyond the grand metaphysical tradition lies at the center of this paper’s ambitions. This paper also aims to reflect, more generally, on the strengths and weaknesses of Rawls’s Theory. While it will be argued that John Rawls’s early conception of justice is, for the most part, admirable, it will be shown that firstly, Rawls does not fully leave behind the metaphysical inclination that he, as a self-declared non-metaphysical philosopher, is adamant on setting aside, and secondly, although this is very much related to the first point, Rawls’s theory of justice is too heavily grounded in and dependent on the truth of liberalism and thus fails to be adequately mindful of historicism. An examination of the metaphysical flavors in the early articulation of Rawls’s Theory is significant for two main reasons (1) such an examination compels us to ask whether or not Rawls’s Theory was successful, given what we assume were Rawls’s non-metaphysical ambitions, and (2) that the legacy of John Rawls should probably be better off, philosophically speaking (ceterus paribus and by our present lights), if metaphysics were absent in his Theory.  相似文献   

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The aesthetic illusion is the subjective experience that the content of a work of art is reality. It has an intrinsic relation to magic, an intrapsychic maneuver oriented toward modification and control of the extraspyschic world, principally through ego functioning. Magic is ontogenetically and culturally archaic, expresses the omnipotence inherent in primary narcissism, and operates according to the logic of the primary process. Magic is a constituent of all ego functioning, usually latent in later development. It may persist as an archaic feature or may be evoked regressively in global or circumscribed ways. It causes a general disinhibition of instincts and impulses attended by a sense of confidence, exhiliration, and exuberance. The aesthetic illusion is a combination of illusions: (1) that the daydream embodied by the work of art is the beholder's own, the artist being ignored, and (2) that the artistically described protagonist is a real person with a real "world." The first illusion arises through the beholder's emotional-instinctual gratification from his or her own fantasy-memory constellations; the second comes about because the beholder, by taking the protagonist as proxy, mobilizes the subjective experience of the imaginary protagonist's "reality." The first illusion is necessary for the second to take place; the second establishes the aesthetic illusion proper. Both illusions are instances of magic. Accordingly, the aesthetic illusion is accompanied by a heady experience of excitement and euphoria. The relation among the aesthetic illusion, magic, and enthusiasm is illustrated by an analytic case, J. D. Salinger's "The Laughing Man," Woody Allen's Play It Again, Sam, Don Quixote, and the medieval Cult of the Saints.  相似文献   

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This essay points out that Popper's theory of the objectivity of science is ambiguous: it is not clear whether it provides a guarantee of correct evaluations of theories or only a means of uncovering errors in such evaluations. The latter approach seems to be a more natural extension of Popper's fallibilist theory and is needed if his learning theory is adopted. But this leads to serious problems for a fallibilist theory of science.  相似文献   

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