The phenomenology of self-presentation: describing the structures of intercorporeality with Erving Goffman

Self-presentation is a term that indicates conscious and unconscious strategies for controlling or managing how one is perceived by others in terms of both appearance and comportment. In this article, I will discuss the phenomenology of self-presentation with respect to the phenomenological insights of Edmund Husserl and Merleau-Ponty regarding the visibility of the body within intercorporeal relations through ‘behaviour’ and ‘expression.’ In doing so, I will turn to the work of the Canadian sociologist and social theorist Erving Goffman. Goffman’s account of self-presentation suggests why embodied subjects adopt certain styles of ordered bodily behaviour as determined by the broader social order, giving existential and social significance to the ontological structures of intercorporeal bodily communication. Following Goffman, I will suggest that the embodied subject is continuously—and constitutionally—engaged in implicit and explicit strategies to manage how the body is presented to others. In articulating self-presentation as a feature of intercorporeality, my aim in this article is to use Goffman’s insights to extend Husserl’s and Merleau-Ponty’s accounts of bodily communication by demonstrating that bodily communication that is instantiated at the level of intercorporeality is always expressed through social life with its various historical, cultural and linguistic dimensions.     

The body maledict: Understanding the method of standpoint phenomenology through the work of Frantz Fanon

In this article, I examine the phenomenological methodology at work in Fanon's revision of the body schema. I argue that he implicitly utilizes a methodology I call standpoint phenomenology and show how this methodology emphasizes experiences that are not “universal” but specific to certain social groups in order to uncover shared ontological structures of experience. Fanon's work illustrates two key theses of standpoint phenomenology: (1) the thesis of situated phenomenology and (2) the thesis of inverted phenomenological privilege. I also draw a deep connection between classical and standpoint phenomenology by showing that it is the phenomenological analysis of breakdown experiences (e.g., corporeal malediction) that enables a standpoint approach to phenomenology. This breakdown methodology is explicitly developed by Heidegger and utilized implicitly by Merleau-Ponty. If I am right, standpoint phenomenology is both a natural development of and a considerable advance on the traditional methodology. This article, then, provides a better understanding of Fanon's place in the phenomenological tradition and, more broadly, makes explicit a new methodology for advancing phenomenological research.     

Blurred vision: Marion on the ‘possibility’ of revelation

In this paper I challenge Merold Westphal’s claim that Jean-Luc Marion’s hermeneutical phenomenology is especially useful for theology. I argue that in spite of his explicit allegiance to Husserl’s “principle of all principles,” Marion fails to embody a commitment to phenomenological seeing in his analyses of revelation. In the sections of Being Given where he discusses revelation, Marion allows faith-based claims to bleed into his phenomenological analyses, resulting in what I call his ‘blurred vision’—the pretension that phenomenological seeing can be extended to theological matters. This pretension undermines Marion’s phenomenological aspirations, because it invests his analyses with a theological content that phenomenological intuition cannot account for or clarify. At the same time, this blurring of the line between theology and phenomenology also makes Marion’s work theologically ineffective. For it furnishes the theologian and believer with the false assurance that faith-based commitments can be grounded in phenomenological knowledge—a claim that he simply cannot make good on. In light of these problems, I propose an alternative Heideggerian approach that maintains the boundary between philosophical and theological discourse and thereby safeguards the integrity of both.     

Phenomenological reduction in Merleau‐Ponty's The Structure of Behavior: An alternative approach to the naturalization of phenomenology

Approaches to the naturalization of phenomenology usually understand naturalization as a matter of rendering continuous the methods, epistemologies, and ontologies of phenomenological and natural scientific inquiry. Presupposed in this statement of the problematic, however, is that there is an original discontinuity, a rupture between phenomenology and the natural sciences that must be remedied. I propose that this way of thinking about the issue is rooted in a simplistic understanding of the phenomenological reduction that entails certain assumptions about the subject matter of phenomenology and its relationship to the natural sciences. By contrast, Merleau‐Ponty's first work, The Structure of Behavior, presents a radically different approach to the phenomenological reduction, one that traverses the natural sciences and integrates them into phenomenology from the outset. I outline the argument for this position in The Structure of Behavior and then discuss consequences for current methodological issues surrounding the naturalization of phenomenology, focusing on the relationship between empirical sciences of mind, phenomenological psychology, and transcendental phenomenology. This novel exegesis of Merleau‐Ponty's view on the reduction offers new insight into his oft‐quoted remark that the phenomenological reduction is impossible to complete.     

A POSITIVE PHENOMENOLOGY: THE STRUCTURE OF MAURICE BLONDEL'S EARLY PHILOSOPHY

Given recent developments in Franco‐German phenomenology with its so‐called ‘theological turn’, there has been a concomitant renewal of interest in Maurice Blondel's thought. In this paper I consider the phenomenological structure of Blondel's early philosophy. Blondel defended and published his controversial thesis in 1893 and with this work presented a highly original phenomenology that was deeply indebted to the positive tradition and yet went beyond this same tradition to include even religious practice as part of its inquiry. Keen to engage the rationalist philosophers of the French academy, Blondel proposed a phenomenological project that was geared to engage the critical spirit of an age that was already deemed to be post‐metaphysical. It is in clarifying the manner in which Blondel conceives such a positive phenomenology that I indicate how his thought may contribute to contemporary debates in the phenomenology of religion.     

The lived experience of disability

In this paper I reflect upon my personal experience of chronic progressive multiple sclerosis in order to provide a phenomenological account of the human experience of disability. In particular, I argue that the phenomenological notion of lived body provides important insights into the profound disruptions of space and time that are an integral element of changed physical capacities such as loss of mobility. In addition, phenomenology discloses the emotional dimension of physical disorder. The lived body disruption engendered by loss of mobility includes a change in the character of surrounding space, an alteration in one's taken-for-granted awareness of (and interaction with) objects, the disruption of corporeal identity, a disturbance in one's relations with others, and a change in the character of temporal experience. The loss of upright posture is of particular significance since it not only concretely diminishes autonomy but affects the way one is treated by others. Such a change in posture is, therefore, particularly disruptive in the social world of everyday life. An understanding of the lived body disruption engendered by disability has important applications for the clinical context in devising effective therapies, as well as for the social arena in determining how best to resolve the various challenges posed by chronic disabling disorders.I should like to thank Frances Chaput Waksler for her helpful comments on my work.     

Expressivity and performativity: Merleau-Ponty and Butler

Until now post-structuralism and phenomenology are widely regarded as opposites. Contrary to this opinion, I am arguing that they have a lot in common. In order to make my argument, I concentrate on Judith Butler’s poststructuralist concept of performativity to confront it with Maurice Merleau-Ponty’s phenomenological concept of expressivity. While Butler claims that phenomenological theories of expression are in danger of essentialism and thus must be replaced by non-essentialist theories of performativity, I hold that Merleau-Ponty’s concept of expressivity must strictly be understood in anti-essentialist terms. Following this line of interpretation, “expressivity” and “performativity”—as well as phenomenology and post-structuralism—are not opposites but partners in the search for an anti-essentialist gender concept. Consequently, feminist phenomenology turns out to be a non-essentialist approach that combines phenomenological and post-structural insights.     

Constructivism and Technology Critique: Replies to Critics

1. Thomson's critique: Despite the efforts of his followers to show that Heidegger had a progressive theory of technology, his work is clouded by nostalgia. His positive contribution is a fragmentary opening toward a phenomenology of daily technical practice, which I use to develop de Certeau's distinction between the strategic control of technical systems and their tactical usage by subordinates. Heidegger himself made no such application of his own phenomenological approach. 2. Stump's critique: Can an ontological essentialism and a historically oriented constructivism be combined as Questioning Technologyattempts to do? Stump claims they cannot, but assumes that I accept far more ontological and epistemological baggage from each position than I do. In fact, what I retain from essentialism is primarily the analysis of the basic technical relation to reality, and from constructivism, historical and hermeneutic methods of analysis of the realization of that relation in actual systems and devices. These elements of the two theories are compatible.     

Merleau-Ponty’s Gordian knot: Transcendental phenomenology,science, and naturalism

In this paper I explore a series of fertile ambiguities that Merleau-Ponty’s work is premised upon. These ambiguities concern some of the central methodological commitments of his work, in particular his commitment (or otherwise) to transcendental phenomenology and how he transforms that tradition, and his relationship to science and philosophical naturalism and what they suggest about his philosophical methodology. Many engagements with Merleau-Ponty’s work that are more ‘analytic’ in orientation either deflate it of its transcendental heritage, or offer a “modest” rendering of its transcendental dimensions. This is also true, albeit perhaps to a lesser extent, of the work of the more empirically-minded phenomenological philosophers who engage very seriously with Merleau-Ponty—e.g. Hubert Dreyfus, Shaun Gallagher, Evan Thompson, Alva Noë, and others. At the same time, many other scholars contest these proto-scientific and more naturalistic uses of Merleau-Ponty’s work on hermeneutical and exegetical grounds, and they likewise criticise the deflated reading of his transcendental phenomenology that tends to support them. By working through some of the key passages and ideas, this paper establishes that the former view captures something pivotal to Merleau-Ponty’s philosophy. I also extend these interpretations by arguing that, at least around the time of Phenomenology of Perception, his philosophy might be reasonably regarded as a form of minimal methodological naturalism.     

自闭症儿童是心灵盲吗?——Gallagher的互动理论述评

在自闭症研究领域占主导地位的心灵盲理论是建立在心灵主义假设和普遍性假设基础上的。这两个假设将他人的心理视为封闭的、隐藏在行为后面的,且我们主要使用读心的方式理解他人。互动理论拒绝这两个基本假设,并整合来自发展心理学和现象学的研究证据将人类社会互动的形式划分为三个层次:原初交互主体性、次级交互主体性与叙事能力。在个体发生学层面上三者前后相继,在成熟个体的社会互动层面上,三者互为补益,但基于感觉-运动的直觉式社会互动是理解他人心理的主要方式。自闭症儿童在原初与次级交互主体性上存在障碍。目前,互动理论既面临诸多挑战,也具有较大的发展与完善空间。     

Existential Phenomenology and the Conceptual Problem of Other Minds

We ordinarily think that self and other coexist as subjects with mutually exclusive mental lives. The conceptual problem of other minds challenges this common thought by raising doubts that coexistence and mutual exclusivity come together in a coherent idea of others. Existential phenomenology is usually taken to be exempt from skeptical worries of this sort because it conceives of subjects as situated or embodied, offering an inclusive account of coexistence. I submit that this well‐entrenched view faces a serious dilemma: either the ordinary distinction between self and other has to be given up, or accounts of situated and embodied coexistence presuppose a non‐phenomenological solution to (a close relative of) the conceptual problem of other minds. I then propose a way out for existential phenomenology by sketching a Sartre‐inspired phenomenological response to the problem.     

Appresentation and Simultaneity: Alfred Schutz on Communication between Phenomenology and Pragmatics

In his theory of communication Schutz exhibits a significant tension between two fundamental perspectives, phenomenology and pragmatism, and in the long run he fails to reconcile the contradictory implications these perspectives have with regard to his model of interaction.The main problem seems to be the notion of sense-constitution. Schutz develops two distinguishable accounts of constitution: an egological one and a model based on the phenomenon of direct interaction of empirical subjects. Two key concepts are related to these different modes of constitution: the model of appresentation with regard to language, symbols and signs, and the model of synchronisation as triangulation of streams of consciousness and outward action sequences. They are analyzed as significant for two different methods and two different theories of communication. I propose some reasons for Schutz's insistence on a phenomenological account of the ego and the constitution of sense, and offer a brief sketch of an alternative strategy that is implicit in Schutz's theory.     

Musicologia e fenomenologia in F. Joseph Smith

In the last two decades an increasing number of musicians, musicologists and philosophers in the United States of America have dealt with questions of philosophy of music on a phenomenological basis. F. Joseph Smith certainly deserves mention as one of the first and most innovative of these authors. Sections 1 and 2 of the paper sketch a portrait of Smith against the background of the current situation in America, where there is a strong awareness of the need to overcome the present limits imposed by historical musicology in order to develop a new phenomenological approach. Section 3 expounds Smith's critique against traditional theory of musical form and his attempt to redefine musical form on the basis of Husserl's treatise on passive synthesis. This, in the author's opinion, is Smith's most important contribution to a phenomenologically oriented philosophy of music. Finally, section 4 tries to draw some critical conclusions concerning Smith's work, with special regard to the merits and demerits of his idea of phenomenology as applied to music.     

Merleau‐Ponty on painting and the problem of reflection

The challenge of “catching experience in the act” is commonly recognized as a problem for phenomenological reflection. After tracing this “problem of reflection” to its origin in Natorp's Allgemeine Psychologie and discussing Husserl's critical response, I argue that Merleau‐Ponty recognizes that a version of it poses a genuine problem for phenomenology in the form of what he calls “objective thought.” Seen in light of his concern for the distortion of objective thought, his attention to indeterminacy and distortion in the portraits and still lifes of Cézanne takes on philosophical significance. I analyze how Merleau‐Ponty sees phenomenological concepts such as style, horizons, and coherent deformation at work in a number of paintings and suggest how such features remedy objective thought by resisting the tendency for reflection on ordinary perception to mistake objective properties of objects for properties of the experience in which they are given.     

Animal Experience: A Formal-Indicative Approach to Martin Heidegger’s Account of Animality

In the present paper I attempt an interpretation of Martin Heidegger’s analysis of animality, developed in winter semester 1929/1930. My general purpose is to examine Heidegger’s analysis in the wider context of formal-indicative phenomenology as such. Thus I show that in order to develop a phenomenology of animality, Heidegger must tacitly renounce the re-enactment of animal experience in which the formal-indicative concepts of his analysis could gain concreteness, and he resorts instead to scientific concepts and concrete experiments in biology or zoology. This is due to the fact that what I call the a-logical bursts into the field of the phenomenological regard when it is oriented toward animality. I therefore argue that the phenomenology of animality presents us with a paradigmatic case of a tension that is at work in any phenomenon, one between logos and a-logos, between hiddenness and unhiddenness—constituting a basic problem of future research in phenomenology and its approach to intersubjectivity and alterity.     

From the “metaphysics of the individual” to the critique of society: on the practical significance of Michel Henry’s phenomenology of life

This essay explores the practical significance of Michel Henry??s ??material phenomenology.?? Commencing with an exposition of his most basic philosophical intuition, i.e., his insight that transcendental affectivity is the primordial mode of revelation of our selfhood, the essay then brings to light how this intuition also establishes our relation to both the world and others. Animated by a radical form of the phenomenological reduction, Henry??s material phenomenology brackets the exterior world in a bid to reach the concrete interior transcendental experience at the base of all exteriority. The essay argues that this ??counter reduction,?? designed as a practical orientation to the world, suspends all traditional parameters of onto(theo)logical individuation in order to rethink subjectivity in terms of its transcendental corporeality, i.e., in terms of the invisible display of ??affective flesh.?? The development of this ??metaphysics of the individual?? anchors his ??practical philosophy?? as he developed it??under shifting accents??throughout his oeuvre. In particular, the essay brings into focus Henry??s reflections on modernity, the industry of mass culture and their ??barbaric?? movements. The essay briefly puts these cultural and political areas of Henry??s of thinking into contact with his late ??theological turn,?? i.e., his Christological account of Life and the (inter)subjective self-realization to which it gives rise.     

形式显示的现象学--海德格尔早期弗莱堡讲座研究

本文讨论海德格尔早期弗莱堡讲座中的现象学。作者从题域和方法两个角度上探讨海德格尔这个时期的形式显示现象学。就题域来说,海德格尔试图突破胡塞尔现象学的“知识”或“理论”局限,深入到“前理论的”层面,即所谓前理论的“原始东西”;就方法来说,海德格尔沉思和实践了他所谓的“形式显示”的思路和言路,以此力求与传统哲学的形式化思想方法划界。作者认为,“形式显示”的现象学方法乃是海德格尔在《存在与时间》之前的现象学哲思的最富特色和创意的成分;而由于这种方法上的探索也影响到后期海德格尔的思想道路,因此一般而言,它也标志着海德格尔全部思想的现象学特质。     

Toward a new transcendental aesthetic: Merleau-Ponty’s appraisal of Kant’s philosophical method

ABSTRACT

In light of the central role scientific research plays in Merleau-Ponty’s phenomenology, the question has arisen whether his phenomenology involves some sort of commitment to naturalism or whether it is better understood along transcendental lines. In order to make headway on this issue, I focus specifically on Merleau-Ponty’s method and its relationship to Kant’s transcendental method. On the one hand, I argue that Merleau-Ponty rejects Kant’s method, the ‘method-without-which’, which seeks the a priori conditions of the possibility of experience. On the other hand, I show that this does not amount to a methodological rejection of the transcendental altogether. To the contrary, I claim that Merleau-Ponty offers a new account of the transcendental and a priori that he takes to be the proper subject matter of his phenomenological method, the method of ‘radical reflection’. And I submit that this method has important affinities with aesthetic themes in Kant’s philosophy.     

Reduction,externalism and immanence in Husserl and Heidegger

This paper argues that the Husserl–Heidegger relationship is systematically misunderstood when framed in terms of a distinction between internalism and externalism. Both philosophers, it is argued, employ the phenomenological reduction to immanence as a fundamental methodological instrument. After first outlining the assumptions regarding inner and outer and the individual and the social from which recent epistemological interpretations of phenomenology begin, I turn to the question of Husserl’s internalism. I argue that Husserl can only be understood as an internalist on the assumption that immanence equates with internal. This, however, is not the case as can be seen once the reduction is understood not as setting aside the existence of the world, but rather a reflection on its meaning. Turning to Heidegger, I argue that his commitment to a form of the phenomenological reduction precludes him from being either a semantic or a social externalist. The place of authenticity and the first person perspective in his work derive from his phenomenological commitments, which can be seen in his accounts of discourse and language and of falling (Verfallen). I then go on to briefly outline a more plausible basis for understanding the difference between Husserl’s and Heidegger’s phenomenologies in terms of their respective emphases on logic and on poetics.