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1.
罗文波  齐正阳 《心理学报》2022,54(2):111-121
具体性和抽象性是词汇同一特性的两极, 是直接影响词汇加工过程的重要因素。本研究采用快速序列视觉呈现范式, 结合脑电技术探讨在有限注意资源内, 词汇具体性对情绪名词加工过程的影响。结果发现:名词加工早期和晚期阶段的ERP成分受到情绪效价的调节, 情绪词比中性词诱发了更大的N170和LPC波幅; 名词加工早期和晚期阶段的ERP成分也受到词汇具体性的调节, 具体词比抽象词诱发了更大的N170和LPC波幅; 词汇具体性影响情绪名词加工的晚期阶段, LPC波幅能够分辨出不同情绪效价的抽象词, 对于具体词仅能区分出情绪与非情绪, 这说明抽象词可能比具体词负载了更多的情绪信息, 反映出对情绪信息的精细加工过程。  相似文献   

2.
This article explores my thought and emotional growth following a difficult, yet very common, teaching moment. By exploring the bifurcation between thought and feeling, and making a theoretical distinction between feelings and emotion, I reposition emotion as a critical window into learning that works alongside cognition and suggest that a commitment to good teaching requires continual reflection on the emotive aspects of teaching and learning. This piece combines Laura Micciche's (2007: 47) idea that “emotion is central to what makes something thinkable”, with Robert Kegan's theory of orders of consciousness, to make an argument for what is lost in classrooms when teachers dichotomize thinking and emotion. A strong dose of emotional vulnerability is necessary for classrooms to sponsor individual and collective growth. The conclusion offers some examples of assignments that re-center emotion in the classroom.  相似文献   

3.
In this paper, I focus on the spatial and emotional constitution of protest in the context of gay and lesbian public activism in Poland, on the basis of a case study of the Poznan March of Equality. The event took place on 19 November 2005, despite an earlier ban issued by the mayor of the city, following the recent rise of right-wing parties in power. The brutal break-up of the peaceful demonstration by the police sparked a discussion on broader issues of freedom of assembly and the state of Polish democracy. Through the narratives of March organizers, I look at the ways in which the activists engaged in the practices of collective memory work and emotion work, focusing specifically on anger, fear and euphoria. I call for discussion of emotions of public protest in the context of sexual citizenship as well as argue that it is necessary to examine the space-time scale of these emotions. In particular, I look at the ways in which the spatial and emotional context of collective memory work enabled the activists to inscribe the event into the narrative of Polish 1980s Solidarity activism and sustain activism despite an unfavourable political context.  相似文献   

4.
This article discusses the question of truth claims in psychoanalysis, revolving around the concepts “construction”, “reconstruction”, “historical truth” and “narrative truth”. In Part I of the article, these concepts are discussed in an historical context, in particular, Freud's view, the narrative tradition and some of Bion's ideas. In Part II, an attempt is made to synthesize these concepts. It is argued that the constructed character of the unconscious has to be integrated into the patient's reconstruction of his/her life story. The psychoanalytic project enables the patient to create a new narrative that claims to possess historical validity. It is important in this context not to understand the notion of “history” objectivisticallv as if it were a question of revealing certain objective historical facts. Instead, it is suggested that the connection between the present understanding of the past and the past as it was experienced in the past should be understood as a fusion of horizons. Finally, the necessary function of consciousnesslself-consciousness for the psychoanalytic project of acquiring knowledge about one's unconscious is pointed out.  相似文献   

5.
As an alternative to using the concepts of emotion, fear, anger, and the like as scientific tools, this article advocates an approach based on the concepts of core affect and psychological construction, expanding the domain of inquiry beyond “emotion”. Core affect is a neurophysiological state that underlies simply feeling good or bad, drowsy or energised. Psychological construction is not one process but an umbrella term for the various processes that produce: (a) a particular emotional episode's “components” (such as facial movement, vocal tone, peripheral nervous system change, appraisal, attribution, behaviour, subjective experience, and emotion regulation); (b) associations among the components; and (c) the categorisation of the pattern of components as a specific emotion.  相似文献   

6.
Research in psychology has demonstrated that people have a shared knowledge of emotion categories. Building on this research and our understanding of categorization processes, this article proposes a mechanism by which consumers utilize information about a brand's “emotion benefits” in forming attitudes. The results of 2 experimental studies show that (a) consumers’ processing of a brand's emotion benefit information is consistent with categorization processes such that emotion category congruity effects are large in basic—versus subordinate—level conditions, (b) associating a brand with certain emotions can influence brand and ad attitudes without necessarily eliciting emotions during exposure to advertising, (c) emotion category congruity “works” through attitude‐toward‐the‐ad and emotion benefit beliefs in influencing brand attitudes, and (d) subjective product category knowledge moderates the strength of these effects. Taken together, these results explicate the process by which a knowledge‐based consideration of a brand's emotional benefits can influence consumers’ beliefs about the brand and brand attitudes.  相似文献   

7.
Abstract

The concept of “appraisal” has been used in the literature in a dual way: to refer to the content of emotional experience, as well as to the cognitive antecedents of emotions. I argue that appraisal in the former sense is what is contained in information in self-reports and that this information is of limited use for making inferences on emotion antecedents. This is so because emotional experience may contain appraisals that are part of the emotional response rather than belonging to its causes. They often result from elaboration of the experience after it has begun to be generated. Although in most or all emotions some cognitive appraisal processes are essential antecedents, these processes may be much simpler than self-reports (and the semantics of emotion words) may suggest. The appraisal processes that account for emotion elicitation can be assumed to be of a quite elementary kind.  相似文献   

8.
I have tried to build on O'Neill's thought-provoking paper by examining two influences that shape and define ethical dilemmas in the community: our personal agendas and the broader context. The first influence is the way in which our personal and professional values shape our agendas for community work. The way these agendas frame the choices for action are a force to be recognized separate from the question of who constitutes our community constituency. Our values may push us into proactive roles and we must face the way our actions make personal/political statements. The broader context of the community situation and the ways in which resource limitations frame the ethical question also need to be actively recognized. Otherwise there is a danger of making the psychologist the victim by posing the ethical dilemma as a question of how they alone should find a solution. The nature of our personal agenda must be clear before we ask “responsible to whom?” The broader context must be considered before we ask “responsible for what?”  相似文献   

9.
10.
词语后情绪环境对其中的事件记忆产生影响,但是事件后情绪环境如何影响记忆加工仍不清楚。不同的情绪环境理论—“唤醒偏向竞争理论”,“拓宽-建构理论”,“记忆中心的积极情绪促进理论”支持情绪促进的不同本质。已有的研究表明,注意在情绪记忆中有重要作用。实验一、实验二分别探讨词语后情绪环境对其语义加工与内源源加工和外源源加工的影响。与中性环境相比,积极与消极情绪环境阻碍了外源源特征的加工; 与中性环境和积极情绪环境相比,消极情绪环境阻碍了内源源特征的加工。实验结果支持“唤醒偏向竞争理论”,同时表明“评估”和“注意放置”在情绪环境影响中的重要作用。  相似文献   

11.
We sometimes experience emotions which are directed at past events (or situations) which we witnessed at the time when they occurred (or obtained). The present paper explores the role which such “autobiographically past‐directed emotions” (or “APD‐emotions”) play in a subject's mental life. A defender of the “Memory‐Claim” holds that an APD‐emotion is a memory, namely a memory of the emotion which the subject experienced at the time when the event originally occurred (or the situation obtained) towards which the APD‐emotion is directed. On this view, APD‐emotions might play an important role in our acquiring knowledge about our own past emotions, which renders the view rather attractive. However, as I show in the present paper, none of the various possible versions of the Memory‐Claim are tenable. This leaves us with the “Universal‐New‐Emotion‐Claim”, according to which all APD‐emotions are new emotional responses to the past events (or situations) towards which the relevant APD‐emotions are directed. Further consideration of the “Universal‐New‐Emotion‐Claim” shows that while APD‐emotions do not play the epistemological role they could have played had some version of the Memory‐Claim turned out to be true, a subject's APD‐emotions nevertheless do play a vital role in a subject's mental life: they help the subject to develop a balanced sense of self.  相似文献   

12.
《Psychoanalytic Inquiry》2012,32(3):330-335
Recent formulations on the psychology of creativity in the analytic context, such as Albert Rothenberg's “homospacial thinking,” Arnold Modell's “unconscious metaphoric thought,” and Thomas Ogden's “transformational thinking,” are discussed. These concepts enable previously unconnected experiences to be combined within the mind, while emphasizing interpersonal imaginative processes such as identification and empathic knowledge; the dual cognitive features of these formulations permit awareness of the complexity of feelings in oneself and others, essential for psychoanalytic creativity. Further, the articles in this issue are synthesized, highlighting the importance of the analyst making creative (new and valuable) use of his or her entire life experience, feelings, attitudes, and fantasies in treatment. From this dicussion, it is evident that the analyst's creative use of self should be more systematically incorporated into psychoanalytic theory of technique.  相似文献   

13.
I expand upon Kristie Dotson's concept of “epistemic violence” by identifying another type of epistemic violence that arises in the context of nonverbal communication. “Emotional misperception,” as I call it, occurs when the following conditions are met: (1) A misreads B's nonlinguistic expression of emotion, (2) owing to reliable ignorance, (3) harming B.  相似文献   

14.
Abstract

When unequivocal examples of emotion adjectives occur in the linguistic context of “being” (e.g. being angry) they can be seen to refer to emotions as readily as when they occur in the linguistic context of “feeling” (e.g. feeling angry). This is not true of poor 'or non-examples of emotion words. A psycholinguistic analysis of this phenomenon is proposed, in the light of which it is suggested that words such as “abandoned” and “guilty” do not refer to emotions. The possibility that the word “guilty” has a distinct emotional sense meaning “feeling guilty” is discussed, and the implications of this proposal for theories of emotions are examined. Also discussed are the implications of the inclusion of poor or non-examples of emotions in lists of “basic” emotions. Data are presented indicating that many of the states that emotion theorists have included as emotions, and in some cases as “basic” emotions, are not generally rated as such, and that they fail to exhibit the patterns using the feel-be test that characterise unequivocal examples. It is suggested that a problem in delimiting the domain of theories of emotions may reside in a confusion between emotions on the one hand, and their typical causes and concomitants on the other.  相似文献   

15.
Shared emotions     
Existing scientific concepts of group or shared or collective emotion fail to appreciate several elements of collectivity in such emotions. Moreover, the idea of shared emotions is threatened by the individualism of emotions that comes in three forms: ontological, epistemological, and physical. The problem is whether or not we can provide a plausible account of “straightforwardly shared” emotions without compromising our intuitions about the individualism of emotions. I discuss two philosophical accounts of shared emotions that explain the collectivity of emotions in terms of their intentional structure: Margaret Gilbert's plural subject account, and Hans Bernhard Schmid's phenomenological account. I argue that Gilbert's view fails because it relegates affective experience into a contingent role in emotions and because a joint commitment to feel amounts to the creation of a feeling rule rather than to an emotion. The problems with Schmid's view are twofold: first, a phenomenological fusion of feelings is not necessary for shared emotions and second, Schmid is not sensitive enough to different forms of shared concerns. I then outline my own typology that distinguishes between weakly, moderately, and strongly shared emotions on the basis of the participants’ shared concerns of different degree of collectivity, on the one hand, and the synchronization of their emotional responses, on the other hand. All kind of shared emotions in my typology are consistent with the individualism of emotions, while the question about “straightforward sharing” is argued to be of secondary importance.  相似文献   

16.
姚昭 《心理科学》2016,39(1):69-76
概念如何被表征是认知科学的热点问题,其中抽象概念如何表征是当前具身认知最具争议性的话题之一。与前期概念隐喻理论(强调意象图式)和知觉符号理论(强调情境内省信息)的观点不同,语义表征具身理论强调情绪经验信息在抽象概念表征和加工中的作用。具体而言,具体概念的表征主要来自感觉运动信息,而抽象概念的表征主要来自情绪经验信息和语言信息。研究证明,抽象概念的高情绪经验信息能够促进词汇的加工,且这一促进作用受词汇情绪效价的调节。未来研究应进一步考虑影响情绪经验信息发挥作用的因素,比如语言信息的丰富性、情绪唤醒或个体的情绪状态等。  相似文献   

17.
Finding something humorous is intrinsically rewarding and may facilitate emotion regulation, but what creates humour has been underexplored. The present experimental study examined humour generated under controlled conditions with varying social, affective, and cognitive factors. Participants listed five ways in which a set of concept pairs (e.g. MONEY and CHOCOLATE) were similar or different in either a funny way (intentional humour elicitation) or a “catchy” way (incidental humour elicitation). Results showed that more funny responses were produced under the incidental condition, and particularly more for affectively charged than neutral concepts, for semantically unrelated than related concepts, and for responses highlighting differences rather than similarities between concepts. Further analyses revealed that funny responses showed a relative divergence in output dominance of the properties typically associated with each concept in the pair (that is, funny responses frequently highlighted a property high in output dominance for one concept but simultaneously low in output dominance for the other concept); by contrast, responses judged not funny did not show this pattern. These findings reinforce the centrality of incongruity resolution as a key cognitive ingredient for some pleasurable emotional elements arising from humour and demonstrate how it may operate within the context of humour generation.  相似文献   

18.
The prevailing view on positive emotions is that they correlate with and confer psychological health benefits for the individual, including improved social, physical and cognitive functioning. Yet an emerging wave of scientific work suggests that positive emotions are also related to a range of suboptimal psychological health outcomes, especially when the intensity, duration, or context do not optimize the individual's goals or meet current environmental demands. This paper provides an overview of the “other side” of positive emotion, by describing and reviewing evidence supporting the emerging field of positive emotion disturbance (PED). We review relevant emotion processes and key themes of PED and apply this framework to example emotional disorders, and discuss implications for psychological change and future research agendas.  相似文献   

19.
20.
This article analyzes the role of emotion in Leslie Feinberg's Stone Butch Blues. Widely understood as one of the first modern transgender novels, Stone Butch Blues depicts the bodily changes of its protagonist, Jess Goldberg, from living as a “he–she,” to passing as male, to living as neither male nor female. This article analyzes how Jess's body, identity, and feelings shape and are shaped by the spaces ze encounters throughout the novel. Finding that Jess experiences emotions as bodily boundaries and metaphorical geographies, I draw from the work of Sara Ahmed to argue that Jess's decision at the novel's end not to pass as female or male is a choice to push back at the gendered norms of hir world through a body and politics shaped by emotion. Turning to contemporary trans* – transgender, transsexual, and trans – movements for social change, I argue that Jess's politics of bodily and emotional abrasion can help in the development of a trans* politics of emotion.  相似文献   

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