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1.
Two hundred twenty-five console video game covers obtained from online retail sites were examined for portrayals of men and women. We hypothesized that males would be portrayed more often, but that females would be portrayed in a more hyper-sexualized manner. Male characters were almost four times more frequently portrayed than female characters and were given significantly more game relevant action. However, in spite of their less frequent appearance, female characters were more likely to be portrayed with exaggerated, and often objectified, sexiness. Further, violence and sexiness was paired more frequently for female characters than violence and muscular physiques for the male characters. The potential influence these negative portrayals could have on gamers is discussed.  相似文献   

2.
Andrew Welsh 《Sex roles》2010,62(11-12):762-773
The slasher horror film has been deplored based on claims that it depicts eroticized violence against predominately female characters as punishment for sexual activities. To test this assertion, a quantitative content analysis was conducted to examine the extent to which gender differences are evident in the association between character survival and engagement in sexual activities. Information pertaining to gender, engagement in sexual activities, and survival was coded for film characters from a simple random sample of 50 English-language, North American slasher films released between 1960 and 2009. Results indicated that sexual female characters were less likely to survive and had significantly longer death scenes as compared to those female characters who did not engage in sexual behaviors.  相似文献   

3.
The relationship of sex, gender role attitudes, and sexual orientation to blame attributed to rape victims by 168 male and 220 female undergraduates was examined. Participants responded to a scenario that depicted the rape of a heterosexual male or female, a gay male, or a lesbian and completed the Case Reaction Questionnaire, the Attitudes Toward Women Scale—Short Form, the Attitudes Toward Lesbians and Gay Men Scale—Short Form, and the Male Role Norm Scale. Men assigned more blame to victims than did women, and they assigned greater blame to male than to female victims. Traditional gender role attitudes were positively related to victim blame and to more negative attitudes toward gay men and lesbians, which in turn, was related to more blame being assigned to homosexual victims.  相似文献   

4.
In this study we investigated the effects of emotional desensitization to films of violence against women and the effects of sexually degrading explicit and nonexplicit films on beliefs about rape and the sexual objectification of women. Male subjects viewed either two or five R-rated violent "slasher," X-rated nonviolent "pornographic," or R-rated nonviolent teenage-oriented ("teen sex") films. Affective reactions and cognitive perceptions were measured after each exposure. Later, these men and no-exposure control subjects completed a voir dire questionnaire, viewed a reenacted acquaintance or nonacquaintance sexual assault trial, and judged the defendant and alleged rape victim. Subjects in the violent condition became less anxious and depressed and showed declines in negative affective responses. They were also less sympathetic to the victim and less empathetic toward rape victims in general. However, longer film exposure was necessary to affect general empathy. There were no differences in response between the R-rated teen sex film and the X-rated, sexually explicit, nonviolent film, and the no-exposure control conditions on the objectification or the rape trial variables. A model of desensitization to media violence and the carryover to decision making about victims is proposed.  相似文献   

5.
The content of games is an understudied area in social scientific research about video games. The purpose of the present study is to contribute to the understanding of the portrayal of gender and race in games. Previous research on game content has revealed that stereotypical masculine characters dominate video games and that those characters are generally White. Nowadays, quite a few video games have women in leading parts; Tomb Raider’s Lara Croft is the prototypical example. In our study we investigated the so-called ‘Lara phenomenon,’ that is, the appearance of a competent female character in a dominant position. We also studied the portrayal of men and the race of both male and female characters. We did a content analysis on the introductory films of 12 contemporary video games. Our results show that female characters appeared as often in leading parts as male characters did. They were portrayed with a sexualized emphasis on female features. Most game characters belonged to the dominant White race, the heroes exclusively so.  相似文献   

6.
This research examined the creative writing of 180 elementary school children for evidence of sex difference and sex-role perceptions. Stories were analyzed for frequency of male and female characters, attributes, and roles. Writers were equally divided by sex and into three age groups—grades 1–2, 3–4, and 5–6. Results suggest that the total number of characters, roles, and attributes was equivalent. However, the distribution of male and female characters, roles, and attributes differed with male and female writers. Female writers included significantly more female characters and assigned more attributes and roles to these characters. Nevertheless, in the stories of both male and female writers, there was a predominance of male characters and assignment of attributes and roles to male characters. The findings support the development and implementation of a nonsexist curriculum.  相似文献   

7.
We examine the implication of adversary effects for target choice, lethal intent, and the use of weapons and allies in violent incidents. Adversary effects refer to the tendency of offenders to make tactical decisions based on the coercive power of victims and potential victims. Using the victim's gender as a proxy for coercive power, we analyzed violent incidents from the National Incident‐Based Reporting System (2005–2014). The sample included over six million assaults, robberies, and homicides. Consistent with adversary effects, offenders who attack males (vs. females) are more likely to (a) kill victims; (b) use guns, knives, blunt objects, poison, and automobiles; (c) use male (but not female) allies; and (d) use multiple allies. The evidence for target choice is mixed: unarmed female offenders, but not unarmed male offenders, are more likely to target females than males. The evidence shows how a simple theoretical principle can parsimoniously account for basic patterns of violence in society related to gender, weapons, and group violence.  相似文献   

8.
An analysis of the top 100 domestic grossing films of 2002 found evidence of a lingering double standard for aging female and male characters. Overall, major male characters outnumbered major female characters (73% vs. 27%); the majority of male characters were in their 30s and 40s, and the majority of female characters were in their 20s and 30s. Both women and men in their 60s and older were dramatically underrepresented compared to their representation in the US population. For male characters, leadership and occupational power increased with age. Men in their 40s, 50s, and 60s were more likely to play leadership roles and wield occupational power than were their female counterparts. As female characters aged, they were less likely to have goals.  相似文献   

9.
Katy Gilpatric 《Sex roles》2010,62(11-12):734-746
This research is a content analysis of violent female action characters (“VFAC”) shown in American action films from 1991 through 2005. The analysis focused on three aspects of VFACs: (1) gender stereotypes, (2) demographics, and (3) quantity and type of violence. Findings showed that 58.6% of VFACs were portrayed in a submissive role to the male hero in the film, and 42% were romantically linked to him. The average VFAC was young, white, highly educated, and unmarried. VFACs engaged in masculine types of violence yet retained feminine stereotypes due to their submissive role and romantic involvement with a dominant male hero character. The findings suggest continued gender stereotypes set within a violent framework of contemporary American cinema.  相似文献   

10.
We investigated the extent to which male characters outnumber female characters on cereal boxes, and the extent to which male and female characters are portrayed in gender stereotypical ways. Cereal boxes (N?=?217) from a large grocery store in the northeastern United States were examined. Characters on the front and back of the boxes were coded for gender, species (person, animal, object), age (child/adolescent, adult), and activity level (passive/sedentary, active). Male characters outnumbered female characters by more than 2 to 1. Female characters were more likely than male characters to be depicted as people and as children/adolescents, whereas male characters were more likely than female characters to be portrayed as animals and as adults. Suggestions for further research are discussed.  相似文献   

11.

Depictions of gender in media are often scrutinized for stereotypical patterns. Disney films are of particular interest, as they are often watched by children and may play a role in children’s gender socialization. The purpose of this paper is twofold: first, to assess gender depictions of characters in animated Disney films (released between 1937 and 2019; 61 films with 323 characters total), and second, to explore depictions of gender in Disney animated films coupled with an analysis of the gender of those involved in the production of these films (producers, directors, and writers). We found a significant difference in the number of male and female characters (roughly 60% male, 40% female), which did not significantly differ by decade. Female characters were more consistently depicted as attractive compared to male characters, although character’s intelligence, ability, popularity, activity level, family role, story role, and romantic engagement did not differ by gender. Male characters were more often represented as parents or children in films written by women, and female characters were more often represented as the antagonist in films written by men. Male characters were over-represented as overly active in films produced by women, and female characters were over-represented as grandparents in films produced by women. These findings revealed few stereotypical gendered depictions of characters in Disney films over nine decades and that the inclusion of women in the production process resulted in more nuanced depictions of both male and female characters.

  相似文献   

12.
The study investigated 277 college men's reactions to a vignette in which they were to imagine receiving an uninvited sexual advance from a casual female acquaintance. Subjects were predominantly middle-class Caucasian students. The vignette varied in the degree of coercion used (low — touch, moderate — push, high — threat, and very high — weapon). For each coercion level, the initiator was described as either very attractive or very unattractive. Subjects rated acceptability of the act, feelings of being pleased, violated, and negatively affected by the incident, and indicated if they would consent to further sexual activity. Results showed that men had significantly more negative reactions to advances that employed high and very high levels of force as compared to low and moderate levels. A beauty bias was found in that men had more positive (or less negative) reactions to the actions of an attractive vs. an unattractive initiator. Men had generally positive reactions to the sexual advance of an attractive woman who used low or moderate levels of coercion. Reactions to all other vignette situations were predominantly negative. As a model for future research, it is proposed that male and female reactions to sexual coercion can be predicted by levels of violation of sexual standards, force used, initiator sexual desirability, and romantic relationship with the initiator.  相似文献   

13.
Female victims of intimate partner violence (IPV) have been the focus of a substantial amount of research. However, the subject of male victims of IPV remains a controversial topic, and one which has been comparatively neglected within the literature, despite some findings suggesting that men are victimized by intimate partners at an equivalent, or even higher rate than women. This paper reviews the literature on male victims of IPV, both within opposite and same-gender relationships, focusing on the prevalence and correlates of IPV, as well as exploring the relationship between IPV and ethnicity. According to the literature reviewed, the prevalence of female perpetrated IPV against heterosexual male victims ranges from 0.2% to 93%, homosexual male victimization ranges between 1.8% and 93.7%, and heterosexual female victimization ranges between 1.3% and 86% depending on the type of IPV included, whether the reference period includes the past 12 months, or lifetime experience, and the method used to assess IPV. These data indicate that victimization is as much an issue for men as it is for women. In addition, it appears that men of certain ethnicities may be more at risk than others. Finally, the empirical literature which examines the correlates of male victimization indicates that male victims in heterosexual and gay relationships share many correlates. Unfortunately however, methodological weaknesses in the available literature and a lack of research in some areas restrict the extent to which conclusions can be drawn, and findings generalized. Recommendations for future research are made.  相似文献   

14.
Using data from the National Violence Against Women Survey, this study explored the role of gender and other demographic and historical factors that influence initiating threats or use of violence among a sample of intimate partner violence (IPV) victims—an element of bidirectional violence. For this study, involvement in a relationship marked by bidirectional violence was defined as an affirmative response to this question: Were you the first person to use/threaten physical force? after respondents self-identified as IPV victims. The hypothesized model to predict initiating threats or use of violence among male victims was not significant, but marital status, income, employment status, and childhood victimization experiences did significantly predict female behavior. Age, race, education, alcohol use, drug use, and posttraumatic stress disorder (PTSD) symptoms were not useful in explaining model variance for men or women. The rates of perpetration were equivalent for males and females; however, these findings suggest that gender is still an important context to consider when theorizing about bidirectional IPV.  相似文献   

15.
Studies show that, in violent relationships, both partners suffer from higher levels of depression than in non-violent relationships. Most of these studies were based on samples of battered women. Very little research has examined the depression levels of women who physically assault a marital or dating partner or men who assault or are victims of female assaults. Moreover, the association between intimate partner physical violence and depression does not provide a theoretical framework or an explanation for the differences in depression levels of male and female perpetrators and victims. This article presents a preliminary, yet empirically grounded, foundation for explaining research findings on depression levels for males and females in three “Dyadic Types” of intimate partner physical violence: Male-Only, Female-Only, and Both Violent. The theoretical framework involves identifying the relation of intimate partner physical violence to be of greater male than female concern with status enhancement and greater female than male concern with risk reduction, and how these play out in each of the Dyadic Types.  相似文献   

16.
17.
Good  Glenn E.  Porter  Michael J.  Dillon  Mark G. 《Sex roles》2002,46(11-12):419-427
The media have been widely criticized for promoting unhealthy images of masculinity. To better understand how men are portrayed on television, we analyzed male characters' self-disclosures on television. From the 11 most highly rated situation comedies, 1,320 min of programming were examined, in which 328 incidents of self-disclosure were identified. Results indicated that male characters disclosed an average of once every 4.08 min (5.96 times per 24-min episode), disclosed more often to male than to female characters, and expressed negative emotions more frequently to male than to female characters. Male characters self-disclosed freely and comfortably, and they were moderately emotionally expressive and personally revealing. They typically received somewhat favorable responses from others to their disclosures. However, the demographic characteristics of the characters failed to represent the diversity of U.S. society. Potential implications for television and society are discussed, and directions for future research are suggested.  相似文献   

18.
Nancy Henley argues that nonreciprocal touch in male—female relations is used by men as a status reminder to keep women in their place. This study examines Henley's argument by exposing 60 observers to photographs of male—female interactions and asking them to rate the pictured actors on the degree to which each dominates the interaction. The interactions differ across two dimensions: status differences evident in the age and dress of the participants (female higher vs. equal vs. male higher) and who is touching whom (female toucher vs. no toucher vs. male toucher). Results of the study support but qualify the status reminder argument. Nonreciprocal touch reduces the perceived power of the person being touched whether the high-status or the low-status person is doing the touching and whether the man or the woman is being touched. Thus, nonreciprocal touch can be used by high-status men to remind lower-status women of their subordinate positions. But it can also be used by lower status women to undermine the status claims of higher status men. In the equal status interactions, nonreciprocal touch does not alter power perceptions as systematically. This finding suggests that without other status cues evident in the relationship, touch alone is insufficient to establish a power advantage for either party.  相似文献   

19.
Two hundred seventy-one male and female students served as subjects in an experiment on the effects of exposure to films that portray sexual violence as having positive consequences. Some of these subjects had signed up to participate in a study ostensibly focusing on movie ratings. They were randomly assigned to view, on two different evenings, either violent-sexual or control feature-length films. These movies were viewed in theaters on campus and two of the movies (i.e., one experimental and one control) were being shown as part of the regular campus film program. Members of the classes from which subjects had been recruited but who had not signed up for the experiment were also used as a comparison group. The dependent measures were scales assessing acceptance of interpersonal violence against women, acceptance of rape myths, and beliefs in adversarial sexual relations. These scales were embedded within many other items on a Sexual Attitude Survey administered to all students in classes several days after some of them (i.e., those who signed up for the experiment) had been exposed to the movies. Subjects were not aware that there was any relationship between this survey and the viewing of the movies. The results indicated that exposure to the films portraying violent sexuality increased male subjects' acceptance of interpersonal violence against women. A similar nonsignificant trend was found on acceptance of rape myths. For females, there were nonsignificant tendencies in the opposite direction, with women exposed to the violent-sexual films tending to be less accepting of interpersonal violence and of rape myths than control subjects. Explanation of the data on the basis of “attitude polarization” and “reactance” effects are discussed. Also discussed are the conditions of the present research in terms of the type of stimuli used, the “dosage levels” of exposure, and the duration of effects in relation to future research and a general social climate promoting a sexist ideology.  相似文献   

20.
Prior studies of dangerousness have confirmed that the combination of high antisociality and low IQ is associated with male criminal violence and that the same combination can discriminate within a group of violent male criminals by level of severity. My study continued the validation of this two-component measure by showing that men convicted of murder and given the death sentence for their more heinous crimes were more dangerous than murderers who received life sentences. Men who had been extended the death penalty, who selected female victims, and whose murders were judged to have been especially cruel received extraordinarily high dangerousness scores relative to all other murderers. The assumption that high antisociality and low IQ would lead to serious violence because of the criminal's inability to deal with complications that arise in confronting the victim received some support. The murders of more dangerous men followed stronger victim resistance than the murders committed by less dangerous men.  相似文献   

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