色-词Stroop任务中的冲突类型述评

在认知控制领域中, 色-词Stroop任务常被用于研究冲突加工的内在机制。本文首先简述色-词Stroop任务中的刺激冲突和反应冲突及研究这两类冲突常用的实验范式。然后介绍这两类冲突的神经动力学特征：事件相关电位研究显示, N450的波幅调整反映了大脑对冲突的监测, 持续电位(sustained potential, SP)的波幅调整反映了大脑对反应冲突的解决; 核磁共振成像研究显示, 前扣带回、背外侧前额叶分别在反应冲突的监测、认知控制的执行上扮演着重要的角色。文章最后针对目前研究范式存在的问题提出了改进方法和认知神经研究的新方向。     

Lack of sex differences on the Stroop Color-Word Test across three age groups

The present study investigated recent reports of sex differences on the Stroop Color-Word Test by age. Present results indicate no sex differences at 7-8 years, 9-10 years, and 18-24 years. The two school-age samples reported similar amounts of interference and significantly more than the college-age sample. Inconsistencies in the literature may be a function of response modality rather than interference.     

Semantic Competition as the Basis of Stroop Interference:Evidence From Color-Word Matching Tasks

Abstract—A color-word matching task was used to investigate the basis of Stroop interference. Subjects were shown a pair of stimuli: an ink color (e.g., a red bar) and a colored word (e.g., RED printed in red or blue) and decided whether the two items had the same meaning (meaning decisions) or whether they had the same surface color (visual decisions). In Experiment 1, the two stimuli were shown simultaneously, and conflicting visual information of the word (e.g., RED printed in blue, against a red bar) led to interference in meaning decisions, whereas conflicting verbal information (e.g., BLUE printed in red, against a red bar) produced no interference in visual decisions. In Experiment 2, as an increasing time interval was imposed between presentation of the color bar and the colored word, interference in meaning decisions diminished, whereas interference in visual decisions was established. These results suggest that semantic competition, not response competition, is the major source of Stroop and Stroop-like interference.     

Concurrent validity of a children's version of the Stroop Color-Word Test: the Fruit Distraction Test

To assess the concurrent validity of the Fruit Distraction Test, the Stroop Color-Word Test and the Fruit Distraction Test were administered to two groups of boys aged 12 yr. (N = 63) and 8 yr. (N = 52). Partial correlations, with IQ controlled, based on time and error scores derived from both tests, provided no convincing evidence that the Fruit Distraction Test is a valid downward extension of the Stroop.     

Effects of auditory feedback on a musical performance task

Two experiments examined the effects of various feedback conditions on performance by 12 Ss on an electronic organ. Playing time scores showed complete absence of auditory feedback to have little or no detrimental effect; in fact, some Ss played fastest under this condition. Delayed auditory feedback (DAF), as expected, caused considerable performance decrement when compared with immediate auditory feedback (IAF). Extraneous prerecorded input as a distractor in the absence of auditory feedback ranked between mixed DAF-with-IAF, and pure DAF, which showed the greatest disruption. The possible role of auditory imagery in musical performance was discussed, together with four components which perhaps contribute to the standard DAF effect: distraction, error repetition, conflict with expectancies and auditory imagery, and presentation of two competing and conflicting signals (IAF and DAF).     

A developmental study of the auditory Stroop effect

A pediatric auditory version of the Stroop procedure was developed and administered to 48 normal children from 3 to 6 years of age. Our purpose was to define the developmental course characterizing interaction between auditory and semantic speech dimensions in young children. The procedure was a reaction time (RT) task that required children to respond as quickly and as accurately as possible to words spoken by a male or a female voice. Children were instructed to ignore what was said and to push the "Mommy" button if Mommy was talking or the "Daddy" button if Daddy was talking. Performance was obtained for words with neutral, congruent, and conflicting semantic content. Preschool children manifested processing dependencies that were similar to those observed in adults on the visual Stroop procedure. Conflict between semantic and auditory dimensions significantly increased RT and congruence between the two dimensions significantly decreased RT relative to the neutral condition. The pattern of results indicated that the meaning of words was processed automatically in the normal children. The magnitude of the Stroop effect reflected developmental change with increasing age.     

On the role of stimulus-response and stimulus-stimulus compatibility in the Stroop effect

Stroop effects might be due to differences in stimulus-response compatibility (SRC) and/or to differences in stimulus-stimulus compatibility (SSC). Recent evidence for the role of SSC is inconclusive, because there were no controls for effects of SRC that are based on short-term associations between stimuli and responses (i.e., associations set up as the result of task instructions). In two experiments, SRC effects were controlled for. Regardless of whether the irrelevant and the relevant stimulus features were separated (Experiment 1) or integrated in one stimulus (Experiment 2), the results revealed an effect of SSC and an effect of SRC that was based on short-term associations. The results thus confirm that both processes at the level of encoding and processes at the level of response selection contribute to the Stroop effect.     

Effects of delayed auditory feedback on timing of music performance

Three experiments examined effects of delayed auditory feedback (DAF) on music performance as a function of the temporal location of feedback onsets within produced inter-onset intervals (IOIs). In Experiment 1, pianists performed isochronous melodies at two production rates with different amounts of DAF. Timing variability decreased for DAF amounts that caused feedback onsets to occur halfway through IOIs (binary subdivisions) in a 500-ms, but not 600-ms, IOI rate condition. In Experiment 2, pianists performed melodies with DAF delays and chose a preferred rate. Performers chose slower rates for larger delays; preferred rates approximated twice the amount of DAF. Experiment 3 tested the possibility that subjects deliberately conceptualized subdivisions in Experiments 1 and 2. Performers were given (1) no instructions, (2) instructions to mentally subdivide produced events in two, or (3) instructions to mentally subdivide produced events in three, in different blocks. Instructions to subdivide reduced timing variability for larger feedback delays. These experiments indicate that DAF disruption is reduced by subdividing instructions and sometimes by coincidences of feedback onsets with subdivisions of produced intervals. Such facilitation may reflect the use of hierarchical cognitive plans in production.     

Effects of sleep deprivation on Color-Word, Emotional, and Specific Stroop interference and on self-reported anxiety

The aim of this study was principally to assess the impact of sleep deprivation on interference performance in short Stroop tasks (Color-Word, Emotional, and Specific) and on subjective anxiety. Subjective sleepiness and performance on a psychomotor sustained attention task were also investigated to validate our protocol of sleep deprivation. Twelve healthy young subjects were tested at four-hourly intervals through a 36-h period of wakefulness under a constant routine protocol. Analyses of variance for repeated measurements revealed that self-assessment of sleepiness on a visual analogue scale as well as mean reaction time performance on the sustained attention task, both for the first minute and for 10 min of testing, were worsened by sleep deprivation. Analyses revealed an increase in self-reported anxiety scores on the STAI questionnaire but did not reveal any significant effect after sleep deprivation either on indexes of interference or on accuracy in Stroop tasks. However, analyses showed sensitivity to circadian effect on verbal reaction times in the threat-related (Emotional) and sleep-related (Specific) Stroop tasks. We concluded that 36 h of prolonged wakefulness affect self-reported anxiety and Emotional Stroop task resulting in a cognitive slowing. Moreover, total sleep deprivation does not affect interference control in any of the three short Stroop tasks.     

Meta-analysis of the reduced relative feedback frequency effect on motor learning and performance

A fundamental motor learning principle conveyed in textbooks is that augmented terminal feedback frequency differentially affects motor learning and performance. The guidance hypothesis predicts that relative to a reduced frequency of feedback, providing learners with feedback following every practice trial enhances practice performance but degrades subsequent motor learning. This change in effectiveness for each relative feedback frequency is called a reversal effect, and because it is thought that practice variables can have distinct impacts on learning and performance, delayed retention tests are considered the gold standard in motor learning research. The objectives of this meta-analysis were to a) synthesize the available evidence regarding feedback frequency, performance, and motor learning to test whether there are significant changes in effectiveness from acquisition and immediate retention to delayed retention, b) evaluate potential moderators of these effects, and c) investigate the potential influence of publication bias on this literature. We screened 1662 articles found in PubMed and PsycINFO databases as well as with reference tracing and a targeted author search. A final sample of 61 eligible papers were included in the primary analysis (k = 75, N = 2228). Results revealed substantial heterogeneity but no significant moderators, high levels of uncertainty, and no significant effect of reduced feedback frequency at any time point. Further, multilevel analyses revealed no evidence of a significant change in effect from acquisition or immediate retention to delayed retention. Z-curve analysis suggested the included studies were severely underpowered. These results suggest that robust evidence regarding feedback frequency and motor learning is lacking.     

The role of goal orientation following performance feedback

This study examined the relationship of goal orientation and performance over a series of 2 challenging performance events. After providing performance feedback on the 1st event, the authors found that the relationship between a learning goal orientation and performance remained positive for the 2nd event, the relationship between a proving goal orientation and performance diminished from a positive to a nonsignificant level, and the relationship between an avoiding goal orientation and performance remained negative. Data analysis also indicated that the relationships between the 3 goal orientation dimensions and the performance event were differentially mediated by goal setting, self-efficacy, and effort.     

On the role of space and time in auditory processing

Unlike visual and tactile stimuli, auditory signals that allow perception of timbre, pitch and localization are temporal. To process these, the auditory nervous system must either possess specialized neural machinery for analyzing temporal input, or transform the initial responses into patterns that are spatially distributed across its sensory epithelium. The former hypothesis, which postulates the existence of structures that facilitate temporal processing, is most popular. However, I argue that the cochlea transforms sound into spatiotemporal response patterns on the auditory nerve and central auditory stages; and that a unified computational framework exists for central auditory, visual and other sensory processing. Specifically, I explain how four fundamental concepts in visual processing play analogous roles in auditory processing.     

Delayed auditory feedback in repetitive tapping: A role for the sensory goal

The open-loop model by Wing and Kristofferson has successfully explained many aspects of movement timing. A later adaptation of the model assumes that timing processes do not control the movements themselves, but the sensory consequences of the movements. The present study tested direct predictions from this “sensory-goals model”. In two experiments, participants were instructed to produce regular intervals by tapping alternately with the index fingers of the left and the right hand. Auditory feedback tones from the taps of one hand were delayed. As a consequence, regular intervals between taps resulted in irregular intervals between feedback tones. Participants compensated for this auditory irregularity by changing their movement timing. Compensation effects increased with the magnitude of feedback delay (Experiment 1) and were also observed in a unimanual variant of the task (Experiment 2). The pattern of effects in alternating tapping suggests that compensation processes were anticipatory—that is, compensate for upcoming feedback delay rather than being reactions to delay. All experiments confirmed formal model predictions. Taken together, the findings corroborate the sensory-goals adaptation of the Wing–Kristofferson model.     

Effect of different delayed auditory feedback intervals on a music performance task

The effects of 12 different delay intervals were studied in a musical task involving performance on an electronic organ. Disruption was found to occur to a degree comparable to similar studies involving verbal and rhythmic tasks under DAF. Maximal disruption was found with a delay of 0.27 sec, a value rather greater than that typically found to be most disruptive in speech. Three of the 12 Ss showed speeded performance under part of the range of DAF intervals, as compared with performance under immediate feedback; however, their performance also reached a peak of slowing at a delay of about 0.27 sec. No significant differences were found between male and female Ss’ performance. These findings were discussed without the context of control processes operating in music performance, and compared with the possibly analogous mechanisms of speech.     

ERP correlates of language-specific processing of auditory pitch feedback during self-vocalization

The present study investigated whether the neural correlates for auditory feedback control of vocal pitch can be shaped by tone language experience. Event-related potentials (P2/N1) were recorded from adult native speakers of Mandarin and Cantonese who heard their voice auditory feedback shifted in pitch by −50, −100, −200, or −500 cents when they sustained the vowel sound /u/. Cantonese speakers produced larger P2 amplitudes to −200 or −500 cents stimuli than Mandarin speakers, but this language effect failed to reach significance in the case of −50 or −100 cents. Moreover, Mandarin speakers produced shorter N1 latencies over the left hemisphere than the right hemisphere, whereas Cantonese speakers did not. These findings demonstrate that neural processing of auditory pitch feedback in vocal motor control is subject to language-dependent neural plasticity, suggesting that cortical mechanisms of auditory-vocal integration can be shaped by tone language experience.     

Auditory feedback in music performance: the role of transition-based similarity

Past research has suggested that the disruptive effect of altered auditory feedback depends on how structurally similar the sequence of feedback events is to the planned sequence of actions. Three experiments pursued one basis for similarity in musical keyboard performance: matches between sequential transitions in spatial targets for movements and the melodic contour of auditory feedback. Trained pianists and musically untrained persons produced simple tonal melodies on a keyboard while hearing feedback sequences that either matched the planned melody or were contour-preserving variations of that melody. Sequence production was disrupted among pianists when feedback events were serially shifted by one event, similarly for shifts of planned melodies and tonal variations but less so for shifts of atonal variations. Nonpianists were less likely to be disrupted by serial shifts of variations but showed similar disruption to pianists for shifts of the planned melody. Thus, transitional properties and tonal schemata may jointly determine perception-action similarity during musical sequence production, and the tendency to generalize from a planned sequence to variations of it may develop with the acquisition of skill.     

Stroop interference based on the multimodal correlates of haptic size and auditory pitch

In a preliminary experiment subjects were asked to explore three wooden knobs of different sizes and to rate each one on a series of 7-point scales. The results confirmed that an object may possess a number of multimodal qualities that are contingent on its haptic size. The pattern of intercorrelations between the qualities was consistent with the pattern that is observed when subjects respond to pure auditory tones varying in pitch. For example, small (high-pitched) sounds, like small objects, are judged to be sharp, thin, light, weak, fast, tense, and bright. The main experiments used a paradigm based on the Stroop interference effect. Subjects were required to press one of two keys as quickly as possible depending on which of four possible words appeared in the centre of the screen. A 50 Hz or a 5500 Hz tone accompanied each test word, and subjects responded on two keys that differed in size. Subjects were found to respond more slowly when either the pitch of the incidental sound or the size of the key on which they responded was incongruent with the multimodal features represented by the test word. The results confirm that people are automatically and immediately sensitive to the multimodal features of a stimulus when direct sensory evidence for the features is absent.     

The basis of Stroop interference involving the multimodal correlates of auditory pitch

A pure auditory tone has a range of multimodal qualities that are determined by its pitch. A reaction-time task was used to demonstrate that subjects respond immediately and automatically to these qualities. Subjects were required to press one of two keys depending on which word, from a limited set, appeared on a microcomputer screen. The words were antonyms that represented multimodal stimulus qualities, and they were assigned to alternative responses so that the two words that shared the same response were correlated in the same way with pitch. As an incidental stimulus, either a 50 Hz tone or a 5500 Hz tone accompanied the presentation of each word. Subjects were found to respond more slowly when the multimodal qualities of the tone were incongruent with the qualities represented by the test word. When the stimulus-response mapping rules were changed, however, the Stroop effect did not occur; suggesting that a polarised semantic code of the incidental tone, that embraces its multimodal features, accesses the same semantic register as the equivalent code for the test word itself.     

The effect of gender on the N1-P2 auditory complex while listening and speaking with altered auditory feedback

The effect of gender on the N1-P2 auditory complex was examined while listening and speaking with altered auditory feedback. Fifteen normal hearing adult males and 15 females participated. N1-P2 components were evoked while listening to self-produced nonaltered and frequency shifted /a/ tokens and during production of /a/ tokens during nonaltered auditory feedback (NAF), frequency altered feedback (FAF), and delayed auditory feedback (DAF; 50 and 200 ms). During speech production, females exhibited earlier N1 latencies during 50 ms DAF and earlier P2 latencies during 50 ms DAF and FAF. There were no significant differences in N1-P2 amplitudes across all conditions. Comparing listening to active speaking, N1 and P2 latencies were earlier among females, with speaking, and under NAF. N1-P2 amplitudes were significantly reduced during speech production. These findings are consistent with the notions that speech production suppresses auditory cortex responsiveness and males and females process altered auditory feedback differently while speaking.