The kidnapping of W. S. Gilbert

Gilbert's probable screen memory of having been kidnapped, along with his persistent preoccupations with babyhood, remembering and forgetting, stress the intensity of his struggle against remembering the painful experiences from his childhood. His creative efforts function as an obsessional defense; they divert his attention from the experiences themselves to a fascination with the process of remembering and forgetting, while the painful affects are reversed into playful, good-natured humor. The results are some of his most treasured anecdotes. Watson (1918) quotes Gilbert's story of the amateur burglar who badly bungled an attempted robbery and ended up being arrested and jailed under the most humiliating circumstances. For years afterward, every time he though of the incident, he felt wretchedly uncomfortable, and he tried vainly to drive the occurrence from his mind. The story concludes with a statement which, remarks Watson, only Gilbert could have written: "Gradually one detail after another slipped from my recollection, and one lovely morning last May I found to my intense delight that I had absolutely forgotten all about it" (p. 94).     

The material culture of suicidal fantasies

In this study, the author examined the content of impulsive suicidal fantasies among U.S. undergraduates. Of 546 participants, 45.6% reported incidents in which they fantasized about killing themselves. Most fantasies (95%) included explicit references to suicide methods, and most of those fantasies (98%) involved human-made tools or materials (e.g., drugs, cutlery, firearms). The methods reported in most suicidal fantasies seem to have been suggested by the mass media. The findings suggest that suicidal thoughts do not occur without explicit and detailed information about suicide methods involving material culture.     

The Time Before Us (The Unpast in W. S. Merwin,W. Benjamin,and V. Woolf)

Freud and Winnicott have expressed the opinion that if their psychoanalytic ideas are correct, then poets and writers will have thought of them first. The author of the present article, who, in a previous work, has developed the concept of “actual time” on metapsychological grounds, concurs with their opinion by showing that variants of “actual time” can be found in the works of the American poet W. S. Merwin, the British writer Virginia Woolf, and the German philosopher Walter Benjamin. Their poetry, literary prose, and philosophy, respectively, are shown to resonate with the time dimension of the psychoanalytic process.     

The Faith and Dr Gilbert Murray

Dr Gilbert Murray (1866–1957), one of the most distinguished academics of his time, was well known for his incisive criticisms of Christianity. His reconciliation to the Catholic Church shortly before his death stirred up quite a lot of controversy and the truth of it was even questioned. Canon John Crozier, who ministered to Murray during those weeks, feels he can now write a full account of how it happened.     

Exploring fantasies of TAT reliability

It has been argued that low TAT stability estimates are an artifact of retest instructions to be original and creative. This view was supported in a recent study by Winter and Stewart (1977) who found that test-retest reliability was higher when subjects were told on the second occasion to write the same stories than when they were told to write different stories. This study attempted to replicate Winter and Stewart's results and also to determine whether the similarity of stories did vary as hypothesized. The replication was only partially successful. More importantly, it was concluded that while instructions to write similar stories did improve reliability, the increase reflected only subjects' memory capabilities and not greater stability in motive expression. While true TAT stability may still be commonly underestimated, altering retest instructions to improve reliability does not appear to be the solution.     

The fall of fantasies: a Lacanian reading of lack

The purpose of this article is to explain to a non-Lacanian audience the broad philosophical foundations of Lacanian theory, particularly the relationship that Lacan draws between the human subject's ontological lack and his or her creative capacities. In an effort to explain Lacan's distaste for psychoanalytic approaches aimed at strengthening the ego, the article outlines the manner in which Lacan connects ego-driven fantasies to the constriction of the subject's psychic world. Lacan suggests that narcissistic fantasies are misleadingly seductive because they-in occluding the internal rifts and antagonisms of the subject's being-alleviate his or her anxieties about the contingent basis of existence. However, the illusory sense of plenitude and self-presence that such fantasies provide prevents the subject from effectively discerning the "truth" of his or her desire, thereby holding him or her captive in socially conventional psychic paradigms. In consequence, it is only the fall of the subject's most cherished fantasies that empowers him or her to pursue a degree of subjective singularity. The article also considers the clinical implications of Lacan's theory of lack, including the ways in which the analyst's lack enhances the patient's capacity to claim an increasingly autonomous and multidimensional mode of encountering the world.     

The pi mechanisms of W S Stiles: an historical review

The origins, development, and status of the pi mechanism theory are reviewed. The paper is divided into four sections. In the first section Stiles's general ideas about 'color mechanisms' are examined, and it is concluded that foremost amongst these is a mathematical theory that specifies certain formal rules or laws that should govern a certain class of observations. In the case of pi mechanisms, the class of observations is that of two-color thresholds, and the defining laws are the two well-known displacement laws. Five other laws that two-color increment-threshold observations should obey, if the latter are governed by ideal pi mechanisms, are abstracted from Stiles's writings. In the second section literature pertinent to the testing of the seven Stilesian laws is reviewed, and it is asked whether or not the seven pi mechanisms of Stiles do in fact obey the laws. In the third section the relation of the pi mechanism concept to physiological concepts is examined, and its relation to the 'cone fundamental' is discussed; the evidence pertinent to the question: "Are any of the pi mechanisms of the single-fundamental type?" is then reviewed. The last section is devoted to the evolution of Stiles's ideas in the period after 1959 when Stiles's own investigations and those of others propelled him to reject the initial (1953) pi mechanism theory as an adequate characterization of the data of the two-color threshold.