Evaluating perception in driving simulation experiments

The use of driving simulation for vehicle design and driver perception studies is expanding rapidly. This is largely because simulation saves engineering time and costs, and can be used for studies of road and traffic safety. How applicable driving simulation is to the real world is unclear however, because analyses of perceptual criteria carried out in driving simulation experiments are controversial. On the one hand, recent data suggest that, in driving simulators with a large field of view, longitudinal speed can be estimated correctly from visual information. On the other hand, recent psychophysical studies have revealed an unexpectedly important contribution of vestibular cues in distance perception and steering, prompting a re-evaluation of the role of visuo-vestibular interaction in driving simulation studies.     

Perception of musical tension for nontonal orchestral timbres and its relation to psychoacoustic roughness

Can tension in nontonal music be expressed without dynamic or rhythmic cues? Perceptual theories of tonal harmony predict that psychoacoustic roughness plays an important role in the perception of this tension. We chose a set of orchestrated chords from a nontonal piece and investigated listeners' judgments of musical tension and roughness. Paired comparisons yielded psychophysical scales of tension and roughness. Two experiments established distinct levels of these two attributes across chords. A model simulation reproduced the experimental roughness measures. The results indicate that nontonal tension could be perceived consistently on the basis of timbral differences and that it was correlated with roughness, the correlation being stronger as the perceptual salience of other attributes (such as high-pitched tones or tonal intervals) was reduced.     

The role of vision in auditory distance perception

In humans, multisensory interaction is an important strategy for improving the detection of stimuli of different nature and reducing the variability of response. It is known that the presence of visual information affects the auditory perception in the horizontal plane (azimuth), but there are few researches that study the influence of vision in the auditory distance perception. In general, the data obtained from these studies are contradictory and do not completely define the way in which visual cues affect the apparent distance of a sound source. Here psychophysical experiments on auditory distance perception in humans are performed, including and excluding visual cues. The results show that the apparent distance from the source is affected by the presence of visual information and that subjects can store in their memory a representation of the environment that later improves the perception of distance.     

时间感知差异对跨期选择倾向的影响作用

本研究从人格特质差异角度出发, 采用简单跨期选择任务考察了由时距复制任务筛选的两类时距估计倾向不同的群体(时间高估者和时间低估者)在跨期选择中行为倾向的差异, 旨在探讨时间感知在跨期决策中的影响作用。结果发现：(1)无论任务难易, 与时间低估者相比, 时间高估者在跨期选择时更倾向于选择即时兑现的较小奖赏。(2)时间高估者和低估者的跨期选择反应时没有明显的差异, 但二者的反应时受任务难度的影响程度明显不同, 时间高估者的跨期选择反应时不受任务难度的影响, 而时间低估者在任务困难时的反应时比任务容易时明显增长。这些结果表明, 在跨期选择过程中, 时间感知倾向差异明显地影响了个体的选择倾向。时间高估倾向个体对时距的高估可能会导致其在跨期选择权衡中对收益成本的高估, 进而做出冲动的选择行为。     

ATTENTION AND MENTAL PAINT1

Much of recent philosophy of perception is oriented towards accounting for the phenomenal character of perception—what it is like to perceive—in a non‐mentalistic way—that is, without appealing to mental objects or mental qualities. In opposition to such views, I claim that the phenomenal character of perception of a red round object cannot be explained by or reduced to direct awareness of the object, its redness and roundness—or representation of such objects and qualities. Qualities of perception that are not captured by what one is directly aware of or by representational content are instances of what Gilbert Harman has called “mental paint” ( Block, 1990 ; Harman, 1990 ). The claim of this paper is that empirical facts about attention point in the direction of mental paint. The argument starts with the claim (later modified) that when one moves one's attention around a scene while keeping one's eyes fixed, the phenomenology of perception can change in ways that do not reflect which qualities of objects one is directly aware of or the way the world is represented to be. These changes in the phenomenology of perception cannot be accounted for in terms of awareness of or representation of the focus of attention because they manifest themselves in experience as differences in apparent contrast, apparent color saturation, apparent size, apparent speed, apparent time of occurrence and other appearances. There is a way of coping with these phenomena in terms of vague contents, but vague contents cannot save direct realism or representationism because the kind of vagueness required clashes wth the phenomenology itself.     

OBJECTIVE INDICATORS OF PERCEPTION

B okander , I. Objective indicators of perception. I. Simple reaction-time. Scand. J. Psychol ., 1962, 3, 192–195.—This paper demonstrates that simple reaction-time, viz. the time interval between the onset of a meaningful picture stimulus and a simple motor response, is dependent upon the nature of the picture in such a way that stimuli selected to produce more involvement give longer reaction-times. Two experiments were performed. In the first, involving and neutral stimuli were centered around the middle of the pictures, while the second pair of pictures differed with respect to peripheral qualities.     

Perceptual learning effect on decision and confidence thresholds

Practice can enhance of perceptual sensitivity, a well-known phenomenon called perceptual learning. However, the effect of practice on subjective perception has received little attention. We approach this problem from a visual psychophysics and computational modeling perspective. In a sequence of visual search experiments, subjects significantly increased the ability to detect a “trained target”. Before and after training, subjects performed two psychophysical protocols that parametrically vary the visibility of the “trained target”: an attentional blink and a visual masking task. We found that confidence increased after learning only in the attentional blink task. Despite large differences in some observables and task settings, we identify common mechanisms for decision-making and confidence. Specifically, our behavioral results and computational model suggest that perceptual ability is independent of processing time, indicating that changes in early cortical representations are effective, and learning changes decision criteria to convey choice and confidence.     

Direct social perception of others’ subjective time

In this paper, I deploy Gallagher et al.’s theory of Direct Social Perception (DSP) to help explain how we perceive others’ subjective time. This process of second-person temporal perception plays an important role in interpersonal interaction, yet is often glossed over in discussions of intersubjectivity. Using A.D. Craig (2009) ‘awareness’ model of subjective time to unify converging evidence that subjective time is embodied, affective, and situated, I argue that subjective time cannot be considered as a hidden or invisible aspect of a private mind, but is partially externally visible through our gestures, expressions, and other behaviours as they unfold within a particular context. My central thesis is that, in face to face interactions, we are able to directly perceive these visible components of other people’s subjective time. This is made possible by our “enculturated” (Menary, 2015) and enactive perceptual faculties. The process of social perception is not a passive, unidirectional affair where static information about one person’s subjective time is transmitted to the other, but rather inextricably linked with action (both at the personal and subpersonal level) and interaction effects produced by a dynamic coupling between participants. Such an enactive perspective reveals how others’ subjective time can be perceived in everyday interactions.     

When the Objects of Perception Are Spoken

An analysis of the auditory enhancement theory of speech perception reveals its liabilities despite its plausibility. Four points are featured in a critique of its main premise: that the objects of speech perception are sounds, and, therefore, the perception of speech relies primarily on the categorization of auditory qualities. First, this critique notes that auditory enhancement theory is conventional, despite professed differences from the accounts which it disputes, in adopting consonant and vowel inventories as the objects of perception. Second, the critique argues that auditory enhancement theory fails three empirical tests of this equa- tion of phonetic attributes and auditory qualities. Third, the critique alleges that the auditory enhancement theory seeks support from equivocal experiments on animal training, in which the limited similarity of human and nonhuman test performance remains unexplored empirically and unexplained. Last, the critique concludes that the theory of speech perception by auditory enhancement relies on parsimony and distinctiveness as organizing principles for phonetic sound pat- terns, both of which are clearly inconsistent with central findings of linguistic and psychological research on speech perception and production.     

Audio-visual simultaneity judgments

The relative spatiotemporal correspondence between sensory events affects multisensory integration across a variety of species; integration is maximal when stimuli in different sensory modalities are presented from approximately the same position at about the same time. In the present study, we investigated the influence of spatial and temporal factors on audio-visual simultaneity perception in humans. Participants made unspeeded simultaneous versus successive discrimination responses to pairs of auditory and visual stimuli presented at varying stimulus onset asynchronies from either the same or different spatial positions using either the method of constant stimuli (Experiments 1 and 2) or psychophysical staircases (Experiment 3). The participants in all three experiments were more likely to report the stimuli as being simultaneous when they originated from the same spatial position than when they came from different positions, demonstrating that the apparent perception of multisensory simultaneity is dependent on the relative spatial position from which stimuli are presented.     

The Fourier theory of vision.

The historical roots of the Fourier theory of spatial visual perception are traced. The development of the underlying concepts and the psychophysical experiments that led to them, and that they in turn spawned, are examined, as well as their relation to the current knowledge of neural substrates in the retina and primary visual cortex. Allowing nonlinearities or even substituting other types of basis functions does not eliminate the difficulties faced by any theory of visual perception that is built on the notion of fixed spatial filters.     

What's That Smell?

In philosophical discussions of the secondary qualities, color has taken center stage. Smells, tastes, sounds, and feels have been treated, by and large, as mere accessories to colors. We are, as it is said, visual creatures. This, at least, has been the working assumption in the philosophy of perception and in those metaphysical discussions about the nature of the secondary qualities. The result has been a scarcity of work on the “other” secondary qualities. In this paper, I take smells and place them front and center. I ask: What are smells? For many philosophers, the view that colors can be explained in purely physicalistic terms has seemed very appealing. In the case of smells, this kind of nonrelational view has seemed much less appealing. Philosophers have been drawn to versions of relationalism—the view that the nature of smells must be explained (at least in part) in terms of the effects they have on perceivers. In this paper, I consider a contemporary argument for this view. I argue that nonrelationalist views of smell have little to fear from this argument.     

Synesthetic perception and poetic metaphor

To explore the role of cross-modal perception in the apprehension of synesthetic metaphors, subjects read 15 short lines from poetry, each of which contained a metaphor relating visual and auditory qualities; the subjects' task was to set the loudness of a 1000-Hz tone and the brightness of a white light to match the levels implied by each metaphor. The sound settings and light settings suggest that a cross-modal equivalence between loudness and brightness largely underlay the responses to the metaphors. This general cross-modal equivalence was characterized by some notable intersubject differences and was modified, in part, by certain metaphors that resisted complete equivalence. Even so, the metaphorically induced settings of loudness and brightness are mainly governed by a cross-modality matching function that is qualitatively like the relation found in people with visual-auditory synesthesia, and that is quantitatively like the function obtained in more traditional psychophysical studies.     

The time of our lives: Psychological disorders,time perception and the practice of mindfulness

Psychological disorders are associated with a wide variety of distortions of time perception. In this paper, I briefly review what is known about time perception and its disorders and suggest that the practice of mindfulness may be effective by virtue of its effect on our relationship with time.     

Spatial stimulus cue information supplying auditory saltation

Auditory saltation is a misperception of the spatial location of repetitive, transient stimuli. It arises when clicks at one location are followed in perfect temporal cadence by identical clicks at a second location. This report describes two psychophysical experiments designed to examine the sensitivity of auditory saltation to different stimulus cues for auditory spatial perception. Experiment 1 was a dichotic study in which six different six-click train stimuli were used to generate the saltation effect. Clicks lateralised by using interaural time differences and clicks lateralised by using interaural level differences produced equivalent saltation effects, confirming an earlier finding. Switching the stimulus cue from an interaural time difference to an interaural level difference (or the reverse) in mid train was inconsequential to the saltation illusion. Experiment 2 was a free-field study in which subjects rated the illusory motion generated by clicks emitted from two sound sources symmetrically disposed around the interaural axis, ie on the same cone of confusion in the auditory hemifield opposite one ear. Stimuli in such positions produce spatial location judgments that are based more heavily on monaural spectral information than on binaural computations. The free-field stimuli produced robust saltation. The data from both experiments are consistent with the view that auditory saltation can emerge from spatial processing, irrespective of the stimulus cue information used to determine click laterality or location.     

时间知觉在老年人跨期选择中的作用

随着人口老龄化速度的加快,老年人的跨期选择问题受到越来越多的关注。时间知觉是影响跨期选择的重要因素之一。然而,目前从时间知觉的角度来探讨老年人跨期选择的研究比较有限。本文在总结国内外相关研究的基础之上,试图分析时间知觉的随龄变化如何影响老年人的跨期选择。具体而言,本文从时间长度知觉、时间成本知觉以及时间知觉相关心理动机三个方面进行探讨,并指出了时间知觉视角的局限性及今后的研究方向。     

Picture perception: An analysis of visual compensation

Although geometric information is altered when a picture’s viewing point is changed, such changes often do not affect perception. Two experiments assessed pictorial perception relative to the distortions introduced by viewing point dislocation. Results provide a psychophysical demonstration of pictorial compensation and suggest that it is based on the discrepancy between the actual and an assumed-correct viewing position. An explanation of pictorial compensation is offered that could be applied to direct picture perception and to picture-in-a-picture perception.     

权力与耐心：权力感对时间知觉与跨期决策的影响

已有研究发现高权力感会使个体更耐心,更偏好延迟的大奖励。本研究假设高权力感影响耐心也会体现在时间知觉上,并且时间知觉是高权力影响耐心的心理机制。研究通过考察权力感对时间知觉与跨期决策的影响,以及时间知觉的中介作用对此假设进行了检验。实验1通过回忆法启动权力感,检验权力感对时间知觉的影响;实验2采用角色扮演法启动权力感,考察权力感对跨期决策的影响,并检验时间知觉的中介作用。结果发现：相比低权力感,高权力感个体感觉时间过得更快,进而使个体在跨期决策中更偏好延迟的大奖励,但权力感并不直接影响跨期决策。研究揭示了权力感对时间知觉的影响,为权力感影响耐心行为的解释提供了时间知觉的新视角。     

On the nature of subjective scales

A number of problems connected with psychophysical scaling are pointed out and solutions suggested. The importance of searching for invariant relations ("laws") is stressed and the advantage of dealing with intrasubjective relations—thereby avoiding the "physicalistic trap"—is emphasized. Two series of experiments, concerning time perception and similarity, are discussed and it is concluded that they support the validity of subjective scales. Finally the role of the observer in scaling experiments is commented on.     

Consequences of Ethical Relativism

The aim of this paper is to investigate the temporal content of perceptual experience. I argue for a view according to which we must recognize the existence of perceptions the content of which cannot be spelled out simply by looking at what is the case at an isolated instant. Acts of apprehension can cover a succession of events. Howev er, a subject who has such perceptions can still fall short of having a concept of time. I compare this with arguments which have been put forward to show that a subject who has spatial perceptions can fall short of having a concept of space. In both cases, it is the fact that perception is from a point of view which stands in the way of it constituting an exercise of a concept of how things are objectively. However, I also show that the way in which perception is perspectival takes a different form in each of the two cases.