On Freedom And Responsibility: Remarks On Sartre, Levinas And Derrida

This article looks at some main stages of contemporary thought about freedom and responsibility and outlines an account of important stages of 20th century philosophy as well. Whereas the early Sartre particularly coined the notion of infinite freedom, his later writings, Levinas and Derrida (re-)discovered the conception of infinite responsibility. The article draws attention to the questions which arise out of these understandings of both responsibility and freedom and asks whether these issues can be answered from a purely secular point of view. The last part is devoted to the role of God in current philosophical considerations about responsibility and freedom.     

Sartre and the Doctors

Abstract

This paper considers how the experience of illness fits within Sartre’s account of embodiment in Being and Nothingness. Sartre makes some remarks about illness, but does not develop a full account. I show that the anti‐naturalistic ontological framework in which Sartre’s discussion of the body is placed, which opposes my ‘being‐for‐Others’ to my ‘being‐for‐myself’, imposes a revisionary account of illness, and how Sartre’s model of interpersonal relations affects his view of doctors, and their role in the illness experience. I note and discuss the connection Sartre draws between illness and bad faith. I also point out that recent phenomenologically inspired criticisms of the medical establishment that draw on Sartre’s account of the body are limited by their failure to engage with Sartre’s ontology.     

Violence in Camus and Sartre: Ambiguities

The friendship between Albert Camus and Jean‐Paul Sartre was torn apart over the question of the justifiability of violence in the service of a desired political end. I argue that the undeniable political and moral differences between Sartre and Camus are in fact ones of emphasis and not, as they themselves came to believe, ones of total opposition. A careful consideration of points of connection, however ambiguous, allows for a more nuanced narrative of Sartre’s and Camus’s famous relationship and of debates about justice and the legitimacy of violence that remain central to our contemporary world.     

"我思":从笛卡儿到萨特

Cogito, as the first principle of Descartes’ metaphysical system, initiated the modern philosophy of consciousness, becoming both the source and subject of modern Western philosophical discourse. The philosophies of Maine de Biran, Kant, Husserl, Heidegger, Sartre, Merleau-Ponty, and others developed by answering the following questions? Is consciousness substantial or not? Does consciousness require the guarantee of a transcendental subject? Is Cogito epistemological or ontological? Am I a being-for-myself or a being-for-others? Outlining the developmental history of the idea of Cogito from Descartes to Sartre is important for totally comprehending the evolution and development of Western philosophy.     

Sartre and Bergson: A Disagreement about Nothingness

Abstract

Henri Bergson's philosophy, which Sartre studied as a student, had a profound but largely neglected influence on his thinking. In this paper I focus on the new light that recognition of this influence throws on Sartre's central argument about the relationship between negation and nothingness in his Being and Nothingness. Sartre's argument is in part a response to Bergson's dismissive, eliminativist account of nothingness in Creative Evolution (1907): the objections to the concept of nothingness with which Sartre engages are precisely those raised by Bergson. Even if Sartre's account of nothingness in its entirety is found to be flawed, I argue that the points he makes specifically against Bergson are powerful.

My discussion concludes with a brief examination of the wider philosophical background to Sartre's and Bergson's discussion of nothingness: here I point to some important aspects of Sartre's early philosophy, including some features of his conception of nothingness, that may testify to Bergson's positive influence on his thought.     

Kant and Sartre on self-knowledge

Conclusion The similarities between the Copernican and existentialist approach to self-knowledge can be clearly summarized by the combined effect they have on the correspondence model of self-knowledge. The self-knower who holds that knowledge conforms to its object is not only wrong but deceived if his goal is the complete one-to-one correspondence between, on the one hand, objectively validated propositions, and on the other an independently existing, recalcitrant reality (the Self). Both Kant and Sartre hold that we can know ourselves in terms of appearances or quasi-objects, but they both deny that we can know what we really are over and above the empirical, contingent and finite knowledge we have. For Kant, this is because we are, most fundamentally, something unknowable; for Sartre, it is because we are, most fundamentally, nothing. In both cases, the self we purport to know is in an important sense other than itself: in saying I, more is being said than we know — and less. The I is spoken only through and across that which is not I.     

Sartre and Ricoeur on Productive Imagination

Commenting on Jean‐Paul Sartre's theory of imagination, Paul Ricoeur argues that Sartre fails to address the productive nature of imaginative acts. According to Ricoeur, Sartre's examples show that he thinks of imagination in mimetic terms, neglecting its innovative and creative dimensions. Imagination, Ricoeur continues, manifests itself most clearly in fiction, wherein new meaning is created. By using fiction as the paradigm of imaginative activity, Ricoeur is able to argue against Sartre that the essence of imagination lies not in its ability to reproduce absent objects, but rather in the ability to transform reality through creative acts. Motivated by the intuition that Sartre the writer could not have forgotten to address such crucial dimensions of imagination, I examine Sartre's philosophical and literary work, showing that not only does he develop a notion of productive imagination, he also puts this notion to work by articulating the relationship between imagination, narrative, and identity formation, well before Ricoeur advanced his narrative‐identity theory. I argue that Sartre, like Ricoeur and MacIntyre, another representative of narrative‐theory whose criticism of Sartre I address in this essay, views imagination and narrativity as necessary conditions for the formation of a coherent and meaningful sense of self.     

The Look In Sartre and Rich

The relevance of Sartre's theory of “the look” for feminist philosophy is evaluated through juxtaposition of his analysis with images of women's oppression in Rich's early poetry. A theory of liberation that recognizes the existential dimensions of women's situations is presented. Following traces of feminist vision in Rich's recent work challenges the category of “woman” which lies at the root of the sexism.