Theatre Review

DreamPlay. Conceived and directed by Tracy Young. Performed in Los Angeles, June 2002. The ensemble: Daniel T. Parker, Angela King, Evie Peck, Scott Proudfit, Chris Wells, Daniel Passer, Will McFadden, Cynthia Ettinger, Don Luce, Melanie Lora, Alison Tatlock, Gary Kelley     

The Constitutional Theatre

Constitutionalism is a typically modernist project in that it seeks to dictate social order by means of institutional design. This project, however, fails in two ways. Empirically, constitutionalism is confronted with the fact that constitutions have limited control over their social environment. Epistemologically, constitutionalism has great difficulty in finding a convincing foundational relation between abstract constitutional provisions and constitutional norms for concrete situations. On the basis of this poor record, it is hard to comprehend how constitutionalism remains such an influential factor in our polity. This article tries to explain our adherence to the philosophy of constitutional ordering by analysing its function in constitutional discourse. This revised version was published online in August 2006 with corrections to the Cover Date.     

The Analytical Theatre: Freud and Ibsen

The author describes how an illusion of timelessness was manifested in the psychoanalytic process with a four and a half year old boy. This illusion turned out to serve as a protection against overwhelming death-anxiety and an intolerable experience of separateness. Development in the direction of a perception of time as linear appeared to be connected to the relinquishment of a two-dimensional, adhesive mode of identification, simultaneously with the development of a conception of three-dimensionality. This change seemed to be brought about by the introjection of the holding and boundary-shaping skin-function of the analyst, which implied the conception of a closed space, a container, and the realization of an essential third instance. The psychoanalytical process made explicit the paramount importance which the symbolic presence of the paternal function in the mother has for her capacity for holding and containment and as the premise for the infant's perception of reality, including the development of the dimensions of time and space.     

Theatre and Research in the Reproductive Sciences

This paper explores the power of theatre to engage the public and my personal journey using theatre as a research tool in reproductive science. I argue that the capacity of theatre to simultaneously engage the minds and hearts of audience members qua research participants affords audience members the capacity to provide researchers with insightful comments informed by the scientific, social and tacit knowledge derived from the performance, integrated with their lived experience. Theatre is a particularly important research strategy when investigating public understandings and desires about complex issues such as those related to reproductive and genetic science.     

The Theatre of National Identity in Modern Sport

ABSTRACT

The oil-rich nation-states of the Arabian Peninsula are investing large sums in the development of an international sports industry for the region. In an effort to field its own national sports teams for this industry, Qatar, who will host the 2022 FIFA World Cup, has relied upon the practice of naturalizing foreign athletes. It is not a new practice, but Qatar’s wholesale use of the practice amounts to annexing its national sports teams and seems to miss the point of a national team. Certainly, the practice raises questions about the nature of a distinctively national sports team. As I take up some of these questions, my discussion leads to the larger question of international sport as a conversation on the differentiation of national identities. The practice of annexing national sports teams, therefore, raises questions both about nationalism and internationalism.     

Women, AIDS, and Theatre: Representations and Resistances

The plays written about AIDS in the past dozen years form a radical canon establishing gay men as the locus for public attention. These plays have been all but silent in their representation of women with AIDS. This article examines the marginalized women in early plays such as The Normal Heart and As Is, and the women more central to later plays such as The Baltimore Waltz, Before It Hits Home, and Patient A. It foregrounds some of the most problematic issues surrounding the AIDS virus: the perception of women as vectors of disease for men and unborn children, the insistent representation of women as mothers and caregivers, and the denial of patterns of abuse, sexual exploitation, and poverty which contribute to the marginalization of woman and people of color.     

Grafting Orchids and Ugly: Theatre, Disability and Arts-Based Health Research

Theatre-based health policy research is an emerging field, and this article investigates the work of one of its leaders. In 2005, prominent medical geneticist and playwright Jeff Nisker and his collaborators produced Orchids, his play concerning pre-implantation genetic diagnosis, to research theatre as a tool for engaging citizens in health policy development. Juxtaposing Orchids with a concurrent disability theatre production in Vancouver entitled Ugly, I argue that disability theatre suggests important means for building inclusiveness in this kind of research and complicates Nisker’s own call for international guidelines to delimit how journalists, playwrights, filmmakers, physicians and other media authors share genetics-based narratives in public.     

Willingness to Pay for Local Public Goods: Some Evidence From the Nonprofit Theatre Sector

It is clearly the case that many people may derive option benefits from the embodiment of creativity in cultural products. This article describes a method that can be used to offer more support for a local public good—namely local theatre. This is the application of willingness to pay (WTP) pricing. Survey evidence from two nonprofit regional theatres in the UK were used to examine determinants of the WTP function for local theatre. A WTP equation was estimated and showed the following: Female respondents offered much lower prices; there was a positive influence of income on willingness to pay with a small elasticity; loyalty to the theatre contributed to higher price offers and perceived characteristics poverty of the theatre productions was so strong that it would cancel this out where a person has such feelings. The price terms show that the offered price is linked positively to perceptions of the normal price at the theatre and reasonable prices for other events.     

Activist Theatre: The Effects of Community Performance on System Justification and Willingness to Engage in Activism

System justification is a motivation to legitimize the status quo that disables individuals from changing oppressive social systems. Community performance has long been used as a tool to illuminate and challenge such systems of power. The goal of the present study was to provide an empirical test of the effectiveness of community performance in the context of gender‐based oppression. Specifically, the present study tested whether a community performance could decrease audience members' system justification and increase intentions to engage in collective and virtual action to correct these oppressive systems. The performance consisted of 18 community‐created pieces performed by 11 actresses before an audience of 165 members of the college and local communities across three days. A total of 153 audience members participated in the study. Results indicated that a 50‐min performance reduced system justification while increasing willingness to take collective and virtual‐based action. Limitations and implications are discussed. Copyright © 2016 John Wiley & Sons, Ltd.