Moral boundaries and deviant music: public attitudes toward heavy metal and rap

Since the mid-1980s, collective efforts to define deviant music have focused increasingly on two genres-heavy metal and rap music. Most of these claims assert that heavy metal and rap music represent a type of audio pornography that endorses sexist, violent, and anti-religious behaviors. While scholarly research has addressed a number of issues related to this controversy, few, if any, have examined negative attitudes toward heavy metal and rap music within the general public. Our research uses data from the 1993 General Social Survey to examine the determinants of public attitudes against heavy metal and rap music. Along with selected control variables, we include a number of measures that reflect the claims-making rhetoric of social movement organizations and other moral entrepreneurs. Our analysis focuses on evaluating the degree to which these claims are related to shared attitudes within the general population.     

Ambivalent Sexism and Misogynistic Rap Music: Does Exposure to Eminem Increase Sexism?1

We evaluate the oft‐repeated but typically untested claim that rap music encourages sexism. We randomly assigned participants to 1 of 3 conditions: no music, misogynistic rap music, and nonmisogynistic rap music. The first study (treated as a pilot; N = 232) weakly demonstrated the differential impact of exposure on male and female participants, but our measures of sexism were unreliable. We then conducted a second study (N = 175) employing well‐validated (and more subtle) measures taken from the Ambivalent Sexism Inventory (ASI). While we replicated the weak differential impact of participants' sex, we also find that sexism increased after listening to nonmisogynistic rap music, especially among males. Implications for the debate about labeling and censoring rap music are discussed.     

Genre of Music and Lyrical Content: Expectation Effects

This study was designed to examine whether people's expectations differ regarding how music lyrics affect individual behavior as a function of music genre. Because legislative attention and media publicity have been biased against certain types of popular music (i.e., heavy metal and rap), the authors expected that those genres of music would be viewed more negatively than other genres of popular music, for which there has been little or no negative publicity (i.e., pop and country). Participants (N = 160 college students) rated their perceptions of how the lyrical content of a song would affect listeners' behavior. The authors presented prosocial or antisocial lyrical passages to students (N = 160) under the guise of four musical genres (heavy metal, rap, pop, and country). Participants rated the potential impact of the lyrics on listeners' behavior. Findings indicated that lyrics labeled as heavy metal or rap were perceived as less likely to inspire prosocial behavior but not more likely to inspire antisocial behavior than the same lyrics labeled as country or pop.     

Who's Afraid of Rap: Differential Reactions to Music Lyrics1

This research examines the recent public outcry against violent rap songs. It was hypothesized that rap music receives more negative criticism than do other types of music, regardless of the actual content of the lyrics. Participants read a violent lyrical passage and were led to believe that it was either a rap song or a country song. They then responded to how offensive and dangerous they thought the song was. The results support the hypothesis. When a violent lyrical passage was represented as a rap song, reactions to the lyrics were significantly more negative. Age, whether or not the participants had children, and the participants’ music tastes and buying habits were all significantly related to whether or not this biased judgment occurred. The findings are briefly discussed in terms of various models of racism and stereotyping.     

Integrating Hip‐Hop Culture and Rap Music Into Social Justice Counseling With Black Males

In this article, the author suggests that Hip‐Hop culture and rap music, in particular, can be integrated into individual counseling interactions with Black male clients to discuss the social injustices (e.g., hypercriminalization) they face. Literature examining the history of Hip‐Hop culture and how rap music has been used therapeutically with Black males is presented. The article concludes with a vignette illustrating how Elligan's ( 2000 ) rap therapy framework can help explore experiences Black male clients encounter.     

THE INFLUENCE OF SEXUALLY VIOLENT RAP MUSIC ON ATTITUDES OF MEN WITH LITTLE PRIOR EXPOSURE

This article is among the first to focus on commercially available, sexually violent rap music, so-called "gangsta" rap (GR) and its influence on attitudes toward women. Collegiate males with little experience with GR were exposed to GR music, lyrics, both, or neither. Thus the effect of GR music and lyrics were isolated from each other and from acculturation to GR. Collapsing across all attitude measures, neither lyrics alone nor lyrics with music resulted in significantly more negative attitudes toward women than music-only or no-treatment control conditions. Participants in the lyrics conditions had significantly greater adversarial sexual beliefs than no-lyrics participants, however.     

Rap,rhythm and recognition: Lyrical practices and the politics of voice on a community music project for young people experiencing challenging circumstances

Given the prominence of rap music and its influence in debates about the moral status of young people, this paper seeks to highlight young people's own lyrical practices and interpretations of the genre. Evidence gathered by the National Foundation for Youth Music has found that such lyrical modes of music making can serve as a vital means of self-expression, particularly for those children and young people who otherwise lack confidence, self-esteem and cultural validation. This paper centres on a detailed case study of a community music project called Ustudios, which drew on peer-mentoring practices to develop and record rap lyrics with local young people who were identified as experiencing a range of challenging circumstances while residing on two adjacent council estates on the outskirts of Brighton, England. By tracing the lyrical practices of a group of young participants, this paper establishes a clear sense of their potential to explore their own voice, both as means to enhance their emotional expression and development, and as a way of supporting their participation as active members within their community. Taken alongside wider evidence, this case develops an emerging thesis on the political significance of voice, listening and recognition for reframing understandings of the emotional geographies of young people.     

Stereotyping Effect of Black Women's Sexual Rap on White Audiences

White female and male students were exposed to a set of videos featuring popular music performed by female Black artists. The videos presented either songs of devoted love or rap designed to be sexually titillating. Purportedly, in an unrelated person-perception test, the students then evaluated a series of White and Black women presented in portrait format on slides. A control group performed the person-perception test without prior exposure to music videos. Significant effects of music exposure on the evaluation of Black women, but not on White women, were obtained. Specifically, exposure to rap laden with sexual imagery fostered distinctly unfavorable evaluations of Black women. Following exposure to sexual rap, as compared with exposure to popular romantic music or to no music exposure, the assessment of these women's personality resulted in a general downgrading of positive traits and a general upgrading of negative ones.     

Portrayals of Intimate Partner Violence in Music Videos: Effects on Perceptions of IPV Warning Signs

The present research examined the effects of viewing music videos containing intimate partner violence (IPV) on minimization of warning signs of IPV, that is, perceiving that psychologically controlling and demeaning behaviors are not abusive. One video portrayed overt IPV in a narrative form and the other contained overt IPV but no identifiable narrative. Lyrics for both included violent content, but the music was distinctly different—one song was rap interspersed with somber singing and the other had an upbeat pop sound. The video and audio channels were combined in a 2-×-2 factorial design with an external control group so that all combinations of narrative and non-narrative video with the rap and pop music were presented to college student participants (153 participants, 53% female) in a between-subjects design. Participants showed greater minimization, that is, they were less likely to perceive the psychologically controlling and demeaning behaviors as abusive to the extent that they were transported into the video and enjoyed it. Minimizing perceptions of abuse as a function of viewing music videos that portray IPV is discussed as a negative consequence of such videos.     

Violent Attitudes and Deferred Academic Aspirations: Deleterious Effects of Exposure to Rap Music

The purpose of this study was to assess the effects of exposure to rap music on the attitudes and perceptions of young African-American males. Subjects u were exposed to violent rap music videos, nonviolent rap music videos, or no music videos (controls). They read two vignettes, involving: (a) a violent act perpetrated against a man and a woman, and (b) a young man who chose to engage in academic pursuits to achieve success, whereas his friend, who was unemployed, "mysteriously" obtained extravagant items (i.e., a nice car, nice clothes). Results indicated, first, that when compared to subjects in the nonviolent exposure and control conditions, subjects in the violent exposure conditions expressed greater acceptance of the use of violence. Second, when compared to subjects in the control condition, subjects in the violent condition 'reported a higher probability that they would engage in violence. Third, when compared to the controls, subjects in the violent exposure condition expressed greater acceptance of the use of violence toward the woman. Finally, when compared to the controls, subjects in the rap video exposure conditions were more' likely to say that they wanted to be like the materialistic young man and were less confident that the other young man would achieve his educational goals. Possible basis for and implications of these findings are discussed.     

Bad Rap for Rap: Bias in Reactions to Music Lyrics1

This research examines the recent public outcry against violent rap songs such as Ice T's “Cop Killer.” It was hypothesized that rap lyrics receive more negative criticism than other types of lyrics, perhaps because of their association with Black culture. Two experiments were conducted to examine the effect of musical genre and race of singer on reactions to violent song lyrics. The results support the hypothesis. When a violent lyrical passage is represented as a rap song, or associated with a Black singer, subjects find the lyrics objectionable, worry about the consequences of such lyrics, and support some form of government regulation. If the same lyrical passage is presented as country or folk music, or is associated with a White artist, reactions to the lyrics are significantly less critical on all dimensions. The findings are briefly discussed in terms of various models of racism and stereotyping.     

THE INFLUENCE OF MISOGYNOUS RAP MUSIC ON SEXUAL AGGRESSION AGAINST WOMEN

The purpose of this study was to determine the effects of cognitive distortions concerning women on sexually aggressive behavior in the laboratory. Twenty-seven men listened to misogynous rap music and 27 men listened to neutral rap music. Participants then viewed neutral, sexual-violent, and assaultive film vignettes and chose one of the vignettes to show to a female confederate. Among the participants in the misogynous music condition, 30% showed the assaultive vignette and 70% showed the neutral vignette. In the neutral condition, 7% showed the sexual-violent or assaultive vignette and 93% showed the neutral vignette. Participants who showed the sexual-violent or assaultive stimuli reported that the confederate was more upset and uncomfortable in viewing these stimuli than did participants who showed the neutral vignette. These findings suggest that misogynous music facilitates sexually aggressive behavior and support the relationship between cognitive distortions and sexual aggression.     

Differences in Aggression,Attitudes Toward Women,and Distrust as Reflected in Popular Music Preferences

This article examines the complex relationship between dispositions, popular music preferences, and attitudes. In accordance with selective-exposure and excitation-transfer theories, it was expected that anger and self-esteem dispositions would influence popular-music preferences and attitudinal differences. Using a sample of 243 persons, we examined hypotheses and research questions seeking to link music preferences with three attitudes: aggression, attitudes toward women, and trust/distrust. Anger and self-esteem were treated as covariates. Multivariate analysis of covariance showed significant attitudinal differences among those who preferred different music genres. As compared with most other genres, heavy-metal music listeners exhibited more aggression and lesser regard for women, and rap listeners showed more aggression and distrust. Implications of these findings were discussed.     

Keepin’ it Real: London Youth Hip Hop as an Authentic Performance of Belief

Abstract

Hip hop is a global cultural phenomenon that encompasses rap music, dance, graffiti art, and fashion as well as particular ways of being. One sub-genre of hip hop is Gospel rap, in which Christian rappers attempt to ‘represent’ the truth of God as a tangible reality, thereby ‘keepin’ it real’. This study investigates how young British Jamaican male adults in the Brixton area of London appropriate hip hop for their own ends. Based on original raps authored and performed by these young people, the research finds that their representations of spiritual reality are influenced by the conventions and boundaries of professional Gospel rap. The study describes how youth incorporate religious hip hop into their everyday lives and argues that in some cases hip hop performance becomes a method for pedagogically reshaping the body, giving religious beliefs an ‘embodied authenticity’.     

音乐训练对大脑前注意加工的影响

前注意加工(pre-attentive processing)是发生在注意之前不依赖于意识的一种认知过程, 它反映了大脑对刺激的无意识的、自动的加工。失匹配负波(mismatch negativity, MMN)是研究前注意加工最常用的指标。MMN波幅降低已成为精神分裂症、抑郁症等精神类疾病的重要临床指征。MMN的研究范式主要包括经典oddball范式和多特征范式等。音乐训练对于人脑结构和功能有重要的影响, 对于增加灰质体积、改善注意记忆功能都有着显著的功效。音乐训练对MMN也有显著影响, 并表现在由各类声音特征构建的范式上。未来研究应进一步比较东西方音乐对MMN的影响, 探索更具生态化效度的研究范式, 揭示音乐训练对老年人MMN的影响及机制。     

背景音乐对消费者的影响：音乐契合度的视角

音乐契合度指的是背景音乐与广告、消费环境及商品特征等消费要素的契合程度。背景音乐与消费要素的契合可以体现在音乐特性、社会隐义和文化意蕴三个方面,这些契合程度能够对消费者的认知、情绪和行为等方面产生影响。若背景音乐的音乐特性与消费要素之间存在较高契合度,则能够提升消费者的注意效果、加强对商品的记忆并提升购买意图;背景音乐的社会隐义也能与消费要素产生契合关系,两者之间的契合程度决定了消费者对品牌的态度、情绪状态、对商品的记忆和选择;背景音乐与消费要素在文化意蕴方面的高度契合则能够促进消费者对品牌的态度、提升购买意愿、促进购买行为。未来研究应探索背景音乐更多的结构属性,进一步挖掘背景音乐影响消费者的边界条件,突破现有理论探索更深入的理论机制,并进一步探索音乐契合对于消费者认知和情绪的影响效应及其影响机制。     

音乐与个体发展

人类对音乐的感知体验起始于生命早期。近年来认知神经科学领域的研究表明, 音乐对个体发展具有深远的影响。在大脑发育的过程中, 音乐经验主要调节大脑加工信息的方式, 同时会影响语言、空间、以及运动能力的发展。本文回顾了近年来研究者们在音乐认知领域的新发现, 重点关注于音乐对脑发育的影响。     

Rap on ��l��Avenue��; Islam, aesthetics, authenticity and masculinities in the Tunisian rap scene

This paper presents research findings from fieldwork in the rap scene of Tunis. Although the scene is relatively small, especially when compared to its Algerian counterpart, the number of young men involved in rap is expanding rapidly, particularly with the internet as a networking and promoting tool. Throughout the discussion I explore some of the ways that (Sunni) Islam intersects with rap in the artists’ lives, lyrics and identities, and the ways that their particular locatedness informs their position within what has been termed the ‘transglobal hip hop nation’. Whilst interpreting religion has long been a contested area in Tunisia, it seems that rap here functions as a route to articulating alternative interpretations of Islam, ones which not only unite the artists but offer potential for pan-umma and transglobal connectivities. These potentialities resonate with the idea of a ‘transglobal hip hop ummah’ and provide the artists with arenas for personal, political, collective and spiritual expression.     

Can music lessons increase the performance of preschool children in IQ tests?

The impact of music on human cognition has a distinguished history as a research topic in psychology. The focus of the present study was on investigating the effects of music instruction on the cognitive development of preschool children. From a sample of 154 preschool children of Tehran kindergartens, 60 children aged between 5 and 6 were randomly assigned to two groups, one receiving music lessons and the other (matched for sex, age and mother’s educational level) not taking part in any music classes. Children were tested before the start of the course of music lessons and at its end with 4 subtests of the Tehran-Stanford-Binet Intelligence Scale (TSB). The experimental group participated in twelve 75-min weekly music lessons. Statistical analysis showed significant IQ increase in participants receiving music lessons, specifically on the TSB verbal reasoning and short-term memory subtests. The numerical and visual/abstract reasoning abilities did not differ for the two groups after lessons. These data support studies that found similar skills enhancements in preschool children, despite vast differences in the setting in which the instruction occurred. These findings appear to be consistent with some neuroimaging and neurological observations which are discussed in the paper.     

探寻巫乐舞对道教音乐的影响

中国道教音乐在千百年的历史演变中,由于其宗教自身发展的需要,吸纳了多种音乐素材,最终形成了形式完备、内涵丰富、中华文化底蕴深厚的传统音乐。本文经过大量音乐史料的深入分析研究,在古代历史史料的考证后认为,虽然至今现存的道教音乐内容丰富,构成成分纷繁复杂,但通过梳理甄别发现古代巫乐舞即是道教音乐的起源,也极大的影响着道教音乐的发展。