Size of human figure drawing and Goodenough-Harris scores of pediatric oncology patients: a pilot study

Human figure drawings of 12 pediatric oncology patients were significantly smaller in height, width, and area than were drawings of 12 school children and 12 pediatric general surgery patients paired for sex and age. The Goodenough-Harris scores of the cancer patients' drawings were also significantly lower than those of both school and general surgery groups. It is hypothesized that anxiety, lowered self-esteem, and the effects of chemotherapy contributed to these findings.     

Using the Bender-Gestalt test to predict graphomotor dimensions of the Draw-A-Person test

The investigators examined four correlated aspects of the Bender-Gestalt and the Draw-A-Person tests. Subjects were 41 boys and 14 girls classified as seriously emotionally disturbed or seriously behavior disordered by their school system in southwest Georgia. Each subject's Bender-Gestalt and human figure drawings were placed on a digitizing pad and encoded to provide information relative to the width, height, average point of location on the fourth quadrant abscissa and ordinate of each drawing. The widths of Bender Figures 2 and 8 correlated significantly with the widths of human drawings; the heights of Figures A, 5, and 7 were significantly correlated with the heights of the human drawings. Bender Figure 1 was significantly correlated with average points of location on the abscissa of human figure drawings (distance from the left margin of the page), but correlations between the average points of location from the top of the page were nonsignificant. Comparison of these results with data from other samples might refine diagnosis.     

Artistic Quality of Drawings and Judges' Evaluations of the DAP

Summary: When art quality varied for a set of figure drawings, judges were unable to differentiate hospitalized schizophrenic females from a matched nonpatient group. Both trained and naive judges erroneously tended to see drawings of low art quality as of patient origin, and drawings of high overall quality as of nonpatient origin. When art quality was held constant judges did slightly better than chance in differentiating the patient vs. nonpatient drawings. Psychologists were no more accurate than untrained judges. Results support the position that art quality of drawings influences judges' evaluations, and, in terms of the present investigation, represents a major source of error in drawing interpretation. Even when art quality was controlled, however, judges' rate of success was low, casting doubt on the status validity of the Draw-A-Person test (DAP).     

Drawing self and others: How do children with autism differ from those with learning difficulties?

When children draw pictures of human beings, they reveal things not only about their general intellectual and artistic abilities, but also about their awareness and conception of themselves and others. What might the human figure drawings of children with autism reveal about their images of self and other – and what might they disclose about social factors that shape the drawings of children who do not have autism? On the basis of an hypothesis about the restricted social awareness of children and adolescents with autism, we predicted that there would be little differentiation between their drawings of themselves and other people. To test this prediction, we investigated a group of children and adolescents with autism and a group with learning difficulties but not autism (N = 14 per group) who were individually matched for both chronological age and verbal mental age. Participants with autism mostly drew human figures that were little distinguished from one another, but introduced clear contrasts among their houses, whereas most of those with learning difficulties drew distinctive human figures as well as houses. These different profiles of performance occurred despite similarities in the numbers and kinds of feature included in the drawings, and the individuality of participants' drawing styles. Although the results were in keeping with our hypothesis that human figure drawings might reflect abnormalities in the way that children with autism mentally represent themselves and others, we conclude by stressing our tentativeness over this interpretation of the findings.     

Rorschach Variables and Big Five Scales as Predictors of Military Training Completion: A Replication Study of the Selection of Candidates to the Naval Special Forces in Norway

Thirty-nine undergraduate male college students drew five figures — an automobile, a clothed male, a clothed female, a nude male, a nude female — while a continuous record of their GSR activation was obtained. Analysis of GSR data showed that activation differed significantly from the relatively neutral but equally difficult drawing (i.e., the automobile). Nude figure drawings differed significantly in GSR activation from clothed figure drawings. GSR responses of largest amplitude showed significant shifts from the largest responses occurring to secondary sexual bodily areas in the clothed drawings to primary sexual areas in the nude drawings. Only the clothed male and the nude male drawings differed significantly between groups judged different in psychosexual adjustment.     

基于IRT模型的儿童图形推理能力动态评估研究

MRMLC模型是一种常见的动态评估项目反应理论模型。本研究结合小学儿童图形推理能力发展的特点,采用前测-干预-后测的动态评估模式,对来自江西省北部的四到六年级共177名儿童的图形推理能力进行了基于MRMLC模型的动态评估。研究结果表明通过动态评估我们不仅可以获知儿童图形推理能力的当前水平;而且,还可以进一步分析和比较儿童在各测量情景所测的潜在水平。     

Sex of Free Choice Figure Drawings by Homosexual and Heterosexual Subjects

This article reports the findings from studies investigating the relationship between: (a) sex of free choice figure drawings and sexual inversion and (b) sex of free choice figure drawings and gender identity. Both relationships were found to be statistically nonsignificant.     

Children's drawings of significant figures for a peer or an adult audience

The present study assessed if children would present different information in their drawings of emotion eliciting stimuli when they believed that an adult or a child audience would view their drawings. Seventy‐five 6‐year‐olds (44 boys and 31 girls) were allocated to three groups: the reference group, the child audience group and the adult audience group. All children completed a drawing session where they first drew a neutral uncharacterised figure, followed by drawings of a sad and a happy figure in counterbalanced order. Findings demonstrated that children did consider who would be viewing their drawings when communicating emotional affect and included different features within their drawings. In particular, almost all happy drawings included a smile, but only those drawings where an audience was specified included a wave, and only the adult drawings included flower giving. Within the sad drawings tears and frowns were drawn regardless of audience type, whereas stomping was more likely to be portrayed in drawings with a child audience and thumbs down were more likely to be portrayed in drawings with adult audiences. The findings are discussed in terms of the need to further examine communicative aspects of children's drawings. Copyright © 2011 John Wiley & Sons, Ltd.     

The Representation of the Body Self in Human Figure Drawings

The matching of 25 frontal drawings of the female human figure with 25 frontal photographs of the college women who drew the figures was attempted by 30 male graduate psychology students and 30 women religious graduate students of art. The drawings and photos were arranged in envelopes according to a balanced lattice design, and presented to each of the judges in different envelopes in an order determined by randomized latin squares. Both groups matched the drawings with the photographs of the same Ss at significantly higher than chance expectancy (p<.01). These findings suggest that this matching technique may be of some value in testing the hypothesis of objective body self projection in human figure drawings.     

HUMAN FIGURE DRAWINGS BY NORMAL AND PHYSICALLY HANDICAPPED CHILDREN: DRAW-A-PERSON TEST

N ielsen , H elle H. Human figure drawings by normal and physically handicapped children. Scand. J. Psychol ., 1961, 2 , 129–138.—Cerebral palsied children (spastic hemiplegia and paraplegia) were compared with normal children on nineteen formal variables of Draw-a-Person Test. Contrary to prediction, no differences were found between the experimental and matched control group, but one variable (Extremities lacking) was scored more frequently on hemiplegic than on paraplegic children. A comparison of the two groups showed that a significantly larger number of spastic drawings than normal drawings had a Goodenough IQ that was more than 10 points lower than their Binet IQ. A clinical psychologist, with much experience of figure drawings, sorted the drawings better than chance, only informed about age and IQ of the subject.     

Human figure drawings of adjudicated and nonadjudicated adolescents

We investigated differences between human figure drawings of adjudicated and nonadjudicated adolescents. In addition, the relationship between human figure drawings and crime category (person, property, other, none) was examined for the adjudicated adolescents. Subjects consisted of four groups of adolescents (n = 25 each): adjudicated males, adjudicated females, nonadjudicated males, and nonadjudicated females. Human figure drawings were obtained from all subjects; they were scored using a system that was developed for use with adolescents. Kruskal-Wallis one-way analyses of variance (ANOVAs) were used to assess the effects of adjudication status and gender. There were 11 significant differences between adjudicated and nonadjudicated adolescents and 11 differences among the four groups. Results of Kruskal-Wallis ANOVAs also showed two significant differences among crime categories.     

Rorschach Indices of Perceptual and Conceptual Disorganization

Figure drawings were obtained from 97 preadolescent males who differed in self and behavioral assessments of self-esteem. These subjects had been selected from a much larger sample and represented five different types of self-esteem. The figure drawings were scored for 15 variables, dealing with formal characteristics, content, and global-interpretations of the total drawings. Five significant differences were obtained, with the content and global-interpretative categories proving more differentiating between self-esteem groups than did the formal characteristics. Behavioral expressions of self-esteem were more associated with figure drawing characteristics than were subjective evaluations. Discussion focuses on the nature of self-concept and self-esteem in children as a sensorimotor rather than symbolic expression.     

Elementary School Counseling with Unstructured Play Media

The need for utilizing unstructured play media in counseling with elementary school children is discussed. The suggestion is made that through play activities the child learns ways of operating in social situations, tests various roles, and expresses his frustrations and concerns. Limiting the child to verbal expression in counseling is seen as being as inappropriate as limiting an adult to the use of puppets. The elementary school counselor's use of play in counseling is designed to facilitate the expression and communication of the normal child rather than to provide data for analytical purposes. Responses to verbal and nonverbal clues, therefore, include reflection and summarization more often than interpretation. Advantages of unstructured over structured materials are discussed; illustrations show the need children feel for amorphous materials in communicating feelings.     

What colour is the car? Implicit memory for colour information in children

Three experiments were conducted to examine age-related differences in colour memory. In Experiment 1, preschool age and elementary school age children were given a conceptual test of implicit colour memory (a colour-choice task). They were presented with the names or achromatic versions of previously studied coloured line drawings and asked to select an appropriate colour. Significant priming could be demonstrated: The children chose the previously seen colours more often than was expected by chance. Equivalent priming was found for both versions (pictorial and verbal) suggesting that colour priming may be conceptually mediated. Moreover, colour priming proved to be age invariant. Experiment 2 replicated and extended this finding by using a wider age group (preschool, elementary school, and young adults) and by giving a perceptual implicit task (picture identification) in addition to a verbal colour-choice task. Colour did not affect priming in the perceptual task. Whereas priming showed no developmental change, agerelated improvements were observed on an explicit colour memory task that differed only in the test instructions from the implicit colour-choice task (Experiments 2 and 3). Taken together, the results suggest that implicit colour memory may be mediated by conceptual processes that are age invariant.     

The effect of affective characterizations on the size of children's drawings

Previous research has yielded conflicting findings about the existence and the direction of the size changes which occur in children's drawings when they are asked to draw topics which have been given an affective characterization. The present study was designed to investigate whether children scale up the size of drawings of topics which have been given a positive characterization, and scale down the size of drawings of topics which have been given a negative characterization. The participants were 258 children aged between 4 and 11 years who completed three drawings of either a man, a dog or a tree. Each child drew a baseline drawing of a neutrally characterized figure, and two further drawings of a positively and a negatively characterized version of the same figure. It was found that the children drew the positively characterized topics larger than the neutrally characterized topics, and reduced the size of the negatively characterized topics relative to the baseline drawings. These patterns occurred at all ages and with all three drawing topics. Two possible explanations of the findings are discussed: the operation of an appetitive‐defensive mechanism in children, and the acquisition of pictorial conventions.     

Quality of drawing as a factor in the interpretation of figure drawings

Examined the drawings of 32 poliomyelitis patients and their matched controls to see whether figure drawings primarily reflect the subject's projection of psychological state, ability to draw, or some combination of these two factors. An overview of the literature is also given. Drawings from disabled and nondisabled subjects were reliably rated for quality, with no significant quality difference found between groups. Analyses of variance were then used to compare the drawings on several different measures of drawing size, completion and movement that might be assumed on the basis of the literature, to reflect the subjects' projection of disability status. Results showed that quality of drawing was a significant factor in 13 of the 17 comparisons while disability status proved to be a significant factor in only one of the 17 comparisons. There were no significant interactions. Therefore, the overall findings are consistent with the hypothesis that quality of drawing-rather than projective mechanisms-may at times be the overwhelming determinant of clinical and research findings with figure drawings.     

Pupils' over‐reliance on linearity: A scholastic effect?

Background. From upper elementary education on, children develop a tendency to over‐use linearity. Particularly, it is found that many pupils assume that if a figure enlarges k times, the area enlarges k times too. However, most research was conducted with traditional, school‐like word problems. Aims. This study examines whether pupils also over‐use linearity if non‐linear problems are embedded in meaningful, authentic performance tasks instead of traditional, school‐like word problems, and whether this experience influences later behaviour. Sample. Ninety‐three sixth graders from two primary schools in Flanders, Belgium. Method. Pupils received a pre‐test with traditional word problems. Those who made a linear error on the non‐linear area problem were subjected to individual interviews. They received one new non‐linear problem, in the S‐condition (again a traditional, scholastic word problem), D‐condition (the same word problem with a drawing) or P‐condition (a meaningful performance‐based task). Shortly afterwards, pupils received a post‐test, containing again a non‐linear word problem. Results. Most pupils from the S‐condition displayed linear reasoning during the interview. Offering drawings (D‐condition) had a positive effect, but presenting the problem as a performance task (P‐condition) was more beneficial. Linear reasoning was nearly absent in the P‐condition. Remarkably, at the post‐test, most pupils from all three groups again applied linear strategies. Conclusions. Pupils' over‐reliance on linearity seems partly elicited by the school‐like word problem format of test items. Pupils perform much better if non‐linear problems are offered as performance tasks. However, a single experience does not change performances on a comparable word problem test afterwards.     

Bullying in elementary school, high school, and college

This study investigated the continuity in being a bully, victim, or bully-victim from elementary school through college in 119 undergraduates. Of 25 who bullied in college, 18 (72%) had been bullied in high school and elementary school. Of 26 bullies in college, 14 (53.8%) had been bullies in high school and elementary school. Of 12 bully-victims in college, 5 (41.6%) had been bully-victims in high school and elementary school. There were significant positive correlations between being a bully in college, high school, and elementary school, and being bullied in college and high school, and high school and elementary school, and between being both a bully and victim in elementary school, a bully and victim in high school, and a bully and victim in college.     

Social Emotions in Children's Human Figure Drawings: Drawing Shame,Pride and Jealousy

The study examines children's ability to convey social – as opposed to basic – emotions in their human figure drawings. One hundred children aged 4‐, 6‐ and 8‐years were asked to draw a person experiencing shame, pride, jealousy, happiness, sadness and fear as well as a baseline figure ‘feeling nothing’. Drawings were rated in terms of (i) overall emotional expressiveness and (ii) variety and types (face, body/posture and context) of graphic cues used to convey emotion. The effect of age on overall expressiveness and use of these graphic cues was also investigated. The results showed that drawings depicting social emotions were rated as less expressive and presented fewer graphic cues than those conveying basic emotions. Children's developing ability to depict pride, shame and jealousy was largely driven by an increased use of contextual cues in their human figure drawings. As regards the effect of age, it was found that 6‐ and 8‐years old produced more expressive drawings containing a larger range of graphic cues than the 4‐year olds. Copyright © 2015 John Wiley & Sons, Ltd.