创造性智力的验证性因素分析

本研究旨在以心理测最的方法构建创造性智力的维度。在理论构想的基础上自编创造性智力测试,以大学生为被试,然后时测试结果进行验证性因素分析。经过修正得到创造性智力结构的二阶四维同质性模型,由此创造性智力的结构可以从四个维度去描述,即假设检验、顿悟思维、创新设计和定势-批判。     

视觉表象扫描的概念控制

将表象扫描和概念提示范式相结合, 在三个实验中通过考察概念控制下表象扫描加工中的参照系冲突效应以及概念参照系的优先性, 进而揭示表象扫描加工中的自上而下控制机制。结果发现：(1) 正立或旋转方位汉字提示下表象扫描加工中出现了参照轴效应, 箭头提示下不存在这种效应, 表明不同提示引发了不同空间关系计算过程; (2) 在表象扫描概念控制过程中, 概念参照系、环境(重力)参照系及提示汉字内在参照系同时被激活, 它们可能处于不同冲突状态, 解决这些冲突具有不同认知代价; (3) 在解决不同参照系冲突过程中, 反映自上而下加工的概念参照系总能通过抑制其它参照系而取得优先地位, 表明人的认知系统能够对表象加工进行自上而下的主动控制, 这种主动控制反映了一种执行功能。     

Examining Positive Affect and Job Performance in Sport Organizations: A Conceptual Model Using an Emotional Intelligence Lens

In this conceptual article we introduce a model examining emotional intelligence (EI) and its effects on job performance in team sport. Moreover, we propose that both coaches and athletes actively engage in emotional labor (EL) as a means to performing in their respective job roles. A conceptual model linking EI to EL, positive affect, and subsequently job performance is introduced to serve as a conceptual foundation for better understanding the role of EI in sport. Concurrently, research propositions are introduced linking EI to job performance. Finally, implications for future research and practice, as well as potential limitations, are discussed.     

Creative Interpretations of Novel Conceptual Combinations in Aging

Conceptual combinations may be interpreted by 3 main strategies: by attributing a feature of the modifying (head) noun into the modified noun (property interpretation); by establishing a relation between the 2 concepts (relational interpretation); or by combining properties of both nouns into a concept with new identity (hybridization). There exists limited evidence regarding the quality of interpretations older adults provide to novel conceptual combinations, and especially to novel metaphoric phrases. This study aimed to evaluate and compare age differences in strategies adopted for comprehending conceptual (noun noun) combinations. The aim of this study was, therefore, to examine the impact of aging on the ability to generate novel and creative semantic interpretations to unfamiliar word pairs. Participants included 41 healthy younger (mean age = 25.1) and 40 healthy older adults (mean age = 75.3). Participants were asked to write interpretations to novel metaphoric and meaningless noun-noun phrases. Relative to young adults, older participants generated more creative (hybridization) interpretations to novel metaphor and meaningless combinations. The second finding indicated that older adults generated fewer relational interpretations to the meaningless compounds. The results suggest that, relative to young adults, older adults generate more creative and highly integrative interpretations to conceptual combinations.     

A Creative Model: The Three-Selves

This article presents a Three-Selves Model illuminating ways the self can be expressed: closed, absorbent, and flexible. This model integrates three counseling approaches which are described, and a creative poster is offered to illustrate the model. Then, the model is applied to a hypothetical case to reveal how the model can promote awareness, congruence, and choice.     

A Model of Chinese Adolescents' Creative Personality

Since the 1950s, there has been a systemic development of research on creative personality. Three themes are apparent in this literature: individual differences of creative people, the construct of creative personality, and longitudinal studies about creative personality. However, little research has been conducted in any of these areas with Chinese samples, and the purpose of this study is to study the construct of Chinese adolescents' creative personality. Confirmatory factor analyses were conducted with data from 1,300 Chinese adolescents. The results provide evidence that adolescents' creative personality consists of three largely independent dimensions: Internal, External, and Self. The internal factor includes self-confidence, norm-doubt, internal motivation, and persistence; the external factor includes curiosity, risk-taking, openness and independence; the self factor pertains to self-acceptance.     

一种新的智力观--塞西的智力生物生态学模型述评

美国心理学教授塞西在对传统智力心理测量学理论批评的基础上于1990年提出了信息加工取向的智力的生物生态学模型。这一模型主要有四个基本假设,即智力是一个多种资源系统;生物潜能与环境力量的相互作用;适宜的“最近过程”是智力发展的“引擎”;把“动机”整合到智力发展中。塞西智力的生物生态学模型为我们揭示人的智力的本质提供了一个新的视角。     

A Cultural Model of Creative and Conforming Behavior

This study investigated the cultural influences on creative and conforming behavior. Three sets of hypotheses were developed. First, it was predicted that there was a negative association between creative and conforming behavior (Hypothesis 1). Second, it was predicted that cultural individualism-collectivism had a positive impact on independent self-construal (Hypothesis 2A) and a negative impact on interdependent self-construal (Hypothesis 2B). Third, it was predicted that independent self-construal had a positive impact on creative behavior (Hypothesis 3A) and a negative impact on conforming behavior (Hypothesis 3B) and that interdependent self-construal had a negative impact on creative behavior (Hypothesis 3C) and a positive impact on conforming behavior (Hypothesis 3D). These hypotheses were embedded in a theoretical model of behavior with cultural individualism/collectivism as the antecedent variable, independent and interdependent self-construals as the mediating variables, and creative and conforming behaviors as the outcome variables. To test this theoretical model of behavior, 158 White undergraduates from Australia (who represented individualistic members) and 186 Chinese undergraduates from Singapore (who represented collectivistic members) responded to a survey containing relevant scales to measure the constructs in this study. SEM results provided support for this theoretical model of behavior, as well as for the various hypothesized relationships embedded within it. On the basis of these significant findings, the need to consider the cultural context when promoting individual creativity was highlighted.     

The Creative Process in Visual Art: A Longitudinal Multivariate Study

The purpose of this research was to study the creative process in real-life settings and in a multicomponential perspective of creativity. Relations between the creative process and other important variables (mood, personality, and the creative product) were investigated. The data analyzed were collected in four applied art schools (n = 41) in Switzerland, during mandatory workshops. The creative process was operationalized through 2 subprocesses: generation (idea production) and selection (idea evaluation), both repeatedly measured across the workshops. The trajectories of theses subprocesses were modeled with a commonly used statistical model for longitudinal data (Latent Growth Models). Results showed that generation had an overall decreasing pattern through time, whereas selection had an inverted U-shaped pattern. Important individual differences in both subprocesses and related variables were also found, many of which had strong predictive validity. Indeed, process and personality variables explained 70% of the variance of the evaluation of the final product.     

具有创造成就的科学家关于创造的概念结构

运用Q分类及多尺度分析方法,研究具有创造成就的科学家关于创造成就的概念结构。被试是30名来自物理、化学、数学、地学和生命科学领域的具有创造成就的科学家。研究发现,具有创造成就的科学家关于创造成就的概念结构由“成就取向/内心体验取向”、“主动进取/踏实肯干”两个维度构成;取得科学创造成就的重要特征是“成就取向”和“主动进取”。作者进一步讨论了主动进取对于取得创造性成就的意义     

Intelligence Level and the Allocation of Resources for Creative Tasks: A Pupillometry Study

This pupillometry study examined the relationship between intelligence and creative cognition from the resource allocation perspective. It was hypothesized that, during a creative metaphor task, individuals with higher intelligence scores would have different resource allocation patterns than individuals with lower intelligence scores. The study also examined the influence of intelligence in language and visuo-spatial domains on the resource allocation mechanism of verbal and visual creativity. The results suggested that individuals with higher intelligence scores allocated more cognitive resources for creative tasks than those with lower intelligence scores but not for non-creative tasks. The findings of this study support the view that creativity requires allocation of several cognitive faculties and may share underlying cognitive and neural mechanisms with intelligence. Domain-specific intelligence did not seem to play a significant role in the same domain, as individuals with higher scores in both domains showed similar resource allocation patterns. However, individuals with higher intelligence scores in the visuo-spatial domain generated more creative metaphorical interpretations in both verbal and visual creative metaphor tasks suggesting its importance in creative cognition.     

Conceptual Metaphors in Internship: Creative Journeys in Counselor Development

The use of metaphors is considered a cognitive and affective process in which individuals can creatively explain and understand unfamiliar experiences. Through the Metaphor Identification Procedure, 453 metaphors were identified within semester-long reflective journals from 49 students enrolled in a clinical mental health internship course. Six overarching categories resulted, highlighting creativity used in processing, understanding, and describing events within internship. Implications for supervision and counselor education are provided.     

Perceiving Affective Content in Ambiguous Visual Stimuli: A Component of Emotional Intelligence

Emotional intelligence involves the accurate appraisal and expression of emotions in oneself and others and the regulation of emotion in a way that enhances living. One aspect of emotional intelligence is the ability to recognize the consensually agreed upon emotional qualities of objects in the environment. One hundred thirty-nine adults viewed 18 reproductions of faces, color swatches, and abstract designs and rated the emotional content of these visual stimuli. Three scores were extracted, including consensual accuracy, amount, and range of emotion perceived. These scores were compared with other aspects of emotional intelligence such as empathy and related to constructs such as alexithymia and neuroticism. A general ability to perceive consensual emotional content in visual stimuli was found, and it was most strongly associated with the ability to respond empathically to others.     

A Developmental Neural Model of Visual Word Perception

A neurally plausible model of how the process of visually perceiving a letter in the context of a word is learned, and how such processing occurs in adults is proposed. The model consists of a collection of abstract letter feature detector neurons and their interconnections. The model also includes a learning rule that specifies how these interconnections evolve with experience. The interconnections between neurons can be interpreted as representing the spatially redundant, sequentially redundant, and transgraphemic information in letter string displays. Anderson, Silverstein, Ritz, and Jones's (1977) “Brain-State-in-a-Box” (BSB) neural mechanism is then used to implement the proposed model. The resulting system makes explicit qualitative predictions using both letter recognition accuracy and reaction time as dependent measures. In particular, the model offers an integrated explanation of some experiments involving manipulations of orthographic regularity, masking, case alternations, and experience with words. The similarities and differences between the model and models proposed by Adams (1979) and McClelland and Rumelhart (1981) are also discussed.