The Queer Art of Biblical Reading: Matthew 25:31–46 (Caritas Christiana) Through Caritas Romana

The place of eros in Christian theology has always been a contested one, not least because it is positioned as being at odds with agape, the kind of love that embodies gospel ethics. Matthew 25:31–46 calls us to “feed the hungry,” “quench the thirsty,” “shelter the homeless,” “clothe the naked,” and “visit the imprisoned” as emblematic examples of agapic love. This essay shows how a queer act, specifically that of a woman breastfeeding a starving man as depicted in the tradition of Caritas Romana, can fulfill the ethical demands in Matthew's pericope. It demonstrates how the action first narrated by Valerius Maximus and then represented by Paul Peter Rubens beautifully fulfills the Matthean agapic demands, and concludes that queer practices have the potential to fulfill the gospel demands, situating the erotic at the core of the agapic.     

The Erotic Eucharist

Pope Benedict XVI's encyclical Deus Caritas Est continues the magisterium's twentieth‐century shift from an act‐oriented, procreative approach to sexual ethics to what I will term a heterosexually personalistic one. Situating a heterosexual anthropology within a heterosexual cosmology, Benedict argues that just as God loves humanity with heterosexual eros, so must human beings love each other heterosexually. Although Benedict depends upon the explanatory power of heterosexuality, he perhaps unwittingly ends up depicting God's love not as iconically heterosexual, but as queer. In casting God's love as queer, I do not, even analogously, impute to God a type of homosexuality as Benedict does a heterosexuality. Instead, by drawing attention to the discursive specificity and historical instability of both homosexuality and heterosexuality, I use “queer” to recognize God's love as beyond categorization and as strange; it cannot be corralled into or contained by the historically specific notions of heterosexual and homosexual. But this essay does not merely deconstruct Benedict's heterosexually personalistic cosmology. It uncovers in Benedict's Eucharistic transfiguration of marital love a new and promising way of situating discussions about the ethics of sex.     

Queer Jewish memory: André Aciman’s Call Me By Your Name

ABSTRACT

This essay brings together seminal texts evaluating Jewish memory to meet queer theory’s concern with futurity and temporality. Following a brief introduction on Yerushalmi, Hirsch, Friedlander, Améry, and Edelman, then allusion to the “postmemorial” works of Mendelsohn (on the Holocaust, the Odyssey, family secrets and gay identity), the television series “Transparent” (on Jewish and queer legacies of inherited memory) and others, the essay focuses on André Aciman’s 2007 novel Call Me By Your Name. Aciman is a Proust scholar and author of a number of works of nonfiction and fiction about memory. His story concerns a summer romance between two young Jewish men in Italy, an older and a younger, deploying an interior lens and with backdrops of ancient Mediterranean thought and family systems. Aciman brings Jewish identity to the paradigm of desire found in Plato’s Symposium to describe same-sex love and the imperative to patriarchal generation, art versus procreativity. He challenges the modern historicization of homosexual essentialism as articulated in the late nineteenth century. Leaving the reader with an anti-essentialist approach to time and transience, Aciman gestures towards continuity in his later novel Enigma Variations (2017, New York: Farrar, Straus & Giroux) even as he consistently returns to classicism, using examples such as Virgil’s Aeneid.     

The continuing relevance of “queer” theology for the rest of the field

ABSTRACT

What does it mean to queer theology? How is this task of queering theology relevant to and engaged with mainstream academic theological discourse? What is already queer about theology? What direction should queering theology take in the future? This special issue examines these key questions, among others, which are at the heart of the overall project that has been referred to as “queer theology”. In this introduction to the volume, we outline common strands of thought, and key issues and questions that undergird and interlace the essays in this volume. We also provide a brief history of queer theology, highlighting four themes that we consider essential to the study of queer theology as a whole: (1) the role of witness, (2) the project of disentangling the “real” issues from the incidentals in reactions to a queer presence in the Church, (3) the creative rereading of tradition with an eye toward emancipation and (4) the ways in which queer theology orients the field of theological studies as a whole to what really matters (or ought to matter) for Christians and others seeking to follow the witness of Jesus.     

Queer Theology and Social Transformation Twenty Years after Jesus ACTED UP†

Published in 1993, Goss's Jesus ACTED UP was one of the first attempts to articulate both a radical queer theology and a mission of mainstream social transformation. The subsequent 20 years have revealed gaps between the two, precisely as mainstream LGBT politics has embraced (or perhaps exploited) religion. I focus on four tensions for those straddling the scholarship/activism lines. First, what we are doing: queer theology, and academic discourse generally, value that which is nuanced and complex; mainstream activism prefers the simple and clear. Second, what we want: radical liberation requires systemic change, while mainstream activism works pragmatically and incrementally within the system. Third, who we are: queer theory and theology emphasize the socially constructed and mutable natures of the subject, but mainstream social transformation has “won” with essentialism (“Born This Way,” love is love, etc.). Fourth, what about God: the queer, ironic, eroticized God of queer theology remains, thus far, incomprehensible in the public square where only the unreconstructed God is known. These tensions have erupted in numerous political and social contexts in the two decades since Bob Goss tried to bring radical theology and mainstream activism together, though I conclude by noting that only now might the public square be ready for what he and other queer theologians have to offer.     

Introduction: Queer Convivialist Perspectives for Sustainable Futures

Abstract

The special issue of World Futures on “queer convivialist perspectives for sustainable futures” focuses its attention on the potential insights that queer approaches may bring to sustainability research and to the search for sustainable futures. It suggests a queering of conviviality, reaching beyond the anthroponormative limitation of the Convivialist Manifesto and its lack of attention to bodies, while taking up its focus on humans as desiring beings and its implicit invitation to queer good lives. The contributed articles share transdisciplinary (academic and arts-based) research that offers analyses and interpretations opening up new perspectives for transformation of individuals and society.     

Queer Persona and the Gay Gaze in Brokeback Mountain: Story and Film

Using Jungian and queer theory, this article examines the queer personas of Ennis and Jack, whose queer archetypes fit into a context that had not generally been thought to contain those archetypes. For perhaps the first time a major motion picture appealed to and depicted what Steven Drukman calls the “gay gaze.” Ennis and Jack conform to socially constructed gender roles (as “masculine,” married men), but they are essentially gay. The queer archetype they fit is that of likes: the double of Plato's Symposium, yet both are bereft of gay icons and supportive archetypal stories. Before Brokeback Mountain, never had a mainstream motion picture with such wide appeal directed gay men's attention to the frank love, and lovemaking, of two such nonstereotypically gay and attractive young men. When they first look each other over outside Joe Aguirre's office, Ennis and Jack are unknowingly objects of each other's gay gaze. As gazers, gay men can appreciate these two young men for who they are, not for whom we'd like them to be, as is the case in other mainstream movies. For once we and our sympathetic heterosexual sisters are bearers of the look. To gaze at images that reflect our “inner selves” is a powerful and profound experience, all the more so for its rarity among gay male viewers.     

Home and hiddenness: queer theology,domestication and institutions

ABSTRACT

This essay examines tropes of hiddenness and domestication in queer theology, particularly in light of the increasing mainstreaming of queer theologies in institutional (e.g. university, seminary, church) settings, and the inclusion of queer theologies by straight academics and teachers on their syllabi. Drawing on James C. Scott’s work on revolution as a luxury of the elite (by way of the Arab Spring, the UK riots of 2011, and the US demonstrations in 2014), and Judith Halberstam’s construction of “failure” as a strategy of queer resistance, I ask whether there will continue to be a role for “shadow queernesses” which reject institutional acceptability. However, I also suggest that the increased visibility of queer theology within mainstream institutions does not inevitably imply compromise or “toothlessness,” but may in fact testify to the pre-existing presence of queer diversity in multiple contexts and the inhabitation by queer scholars of various “homes.”     

Queer(ing) Moves: Beyond Anthropocene,Toward Convivial,Sustainable Futures

Abstract

The essay will outline possibilities for be(com)ing other-Wise convivial, interbetween. To this end, relational possibilities for embodied enlivening are described as queering practice for moving from Anthropocene toward sustainable futures. Based on exploring certain qualities of be(com)ing queer some perspectives on queer futures are discussed. Related to Merleau-Ponty’s eco-phenomenology the paper then opens up possibilities for an embodied, convivial relation with nature (“con-naturality”) and social life (“con-sociability”). Finally, queering the type of the Anthropos, provides pathways for “anthropo-decentric” transformations toward a convivial future as an “ecocene.”     

“It's Just Your Turn”: Performing Identity and Muslim Australian Popular Culture

Academic accounts of Muslim integration and inclusion in multicultural Australia are often at pains to emphasize that Muslim identity and Australian national identity are compatible with each other. While this political manoeuvre remains both important and relevant, it nevertheless chances reinscribing the very terms of debate it seeks to contest and worryingly aligns closely with prevalent governmental techniques to “domesticate” Muslim difference. Furthermore, it risks presenting both “Muslim” and “Australian” identities as self-evident, taken-for-granted categories. In this article, I consider two Muslim Australian popular cultural productions – namely, the television programme Salam Café and the stand-up comedy show Fear of a Brown Planet – in order to explore how Muslim and Australian identities, and the relationships between them, are performed, contested and rearticulated. What is most salient about both productions, the article argues, is that they present the identity of “Australian” as a site of political and cultural contestation, with the “nation” a contingent site through which multicultural politics are actualized. Such a move is salient for Australian multiculturalism more broadly, but is especially so for Muslim communities – not least because it undermines the West/Islam dichotomy altogether.     

New Foundations for Imperative Logic I: Logical Connectives,Consistency, and Quantifiers*

Imperatives cannot be true or false, so they are shunned by logicians. And yet imperatives can be combined by logical connectives: “kiss me and hug me” is the conjunction of “kiss me” with “hug me”. This example may suggest that declarative and imperative logic are isomorphic: just as the conjunction of two declaratives is true exactly if both conjuncts are true, the conjunction of two imperatives is satisfied exactly if both conjuncts are satisfied—what more is there to say? Much more, I argue. “If you love me, kiss me”, a conditional imperative, mixes a declarative antecedent (“you love me”) with an imperative consequent (“kiss me”); it is satisfied if you love and kiss me, violated if you love but don't kiss me, and avoided if you don't love me. So we need a logic of three‐valued imperatives which mixes declaratives with imperatives. I develop such a logic.     

Queering “Straight” Preaching

Abstract

Well-meaning straight preachers may approach the issue of LGBTQ equality in the church from a standpoint of compassion, but queer theorists such as Lee Edelman have critiqued “compassion-compulsion” as a subconscious selfprojection, requiring that others become just like us. This article presses straight preachers to go further than simply preaching to include “others,” instead challenging such preachers to open themselves and their congregations to the risk of transformation. Drawing from the philosophical hermeneutics of Paul Ricoeur, this article suggests that preachers move towards others in a gesture of “recognition” that resembles gratitude, and by such a gesture to receive the risky gifts others have to offer. This gratitude for the gifts of others becomes a motive for engaging in queer theory and queer theology, but this motive also puts us at risk. The risk of preaching that seriously engages the gifts of others includes queering ourselves, allowing ourselves to be scandalized by the risk of transformation asked of us by the gospel we preach.     

Jean-Luc Marion: the reinscription of heteronormativity into postmodern theology

ABSTRACT

Since the “theological turn” in continental philosophy, theologians have regularly turned to phenomenology as an authentic opening to a new mode of theological discourse. Yet, when these theo-phenomenological discourses turn to the questions of sexuality, gender, and love they often fail to live up to the radical opening promised by this turn. Taken as a case study, the work of Jean-Luc Marion is emblematic of this failure. While many of his insights might offer new openings for theological thought, his phenomenological speculations nonetheless often merely serve to re-inscribe a traditional, even reactionary heteronormativity into the heart of postmodern theological thought. In fact, it is not uncommon to catch his work offering a denigration of the body, presupposing a determinately male subject, and foreclosing the very possibility of non-heterosexual love. This critical examination of Marion’s account of sexuality shows that even the most radical phenomenological theology needs the ideological interruption of queer theory.     

Jesus ACTED UP and Any Possible Future of “Queer Theology”

What can we learn about the prospects for “queer theology” from how Goss wrote Jesus ACTED UP into the future for which he hoped? Theology seems to add four things to the book's political arguments and exhortations. It deepens the analyses of oppression, provides stronger means for re-education, invokes divine help, and doubles political theater with sacrament. These tasks of critique, re-education, invocation, and ritual will continue to define any Christian theology that might be called “queer.” Each requires the transformation of language. In order to have a future, queer theology must undertake a poiesis outside the endless prattle that sustains present power. Its poetry may first appear as silence.     

Convivial Acts for an Ecosensual Labyrinth

Abstract

This paper addresses queer conviviality across Crab & Bee’s “Plymouth Labyrinth” project (2018–19); a 6-month activity including group walks, ritual sharings, group readings, postal art, poetry groups, site-specific dance, exhibition and making workshops. Based around convivial web-walking, the account examines how, through spinning out of collaborations and unfolding new forms, a web of work and activity was generated to support intensity and connectivity. The paper attends to queer aspects of conviviality, such as attention to unhuman partners, becoming-animal, simultaneity/plateauing in haecceity, dispersals of subjectivity and relations of threads (lines of desire) to web making.     

Transgressing the father figure: performing queer theology as an act of liberation

ABSTRACT

This chapter examines the intersection of power, ritual, and the sacred through the lens of performing drag as a tool to subvert dominant notions of theological discourse. Grounded in Cheng’s assertion that queer theology is transgressive (Radical Love) and Althaus-Reid’s Indecent Theology, the foundational text which introduces the concept of theology as destabilizing and grounded in subversion, particularly in the realm of sexuality, we critique the forces of power operating within Catholicism. We ask: Whose bodies are allowed to play a powerful role in Catholicism? How has ritual performance perpetuated the colonization of the mind/spirit and how can it be used to undo that same colonization? In discussing a public drag performance using George Michael’s “Father Figure,” we suggest the possibility of liberation that exists in bringing theology into queer spaces, extending theology beyond the realm of religious institutions or the academy.     

Creating an embodied queer Judaism: liturgy,ritual and sexuality at San Francisco’s Congregation Sha’ar Zahav, 1977–1987

ABSTRACT

Gay and lesbian synagogues, unique to the American religious landscape, first appeared in the early 1970s. At the height of the gay synagogue movement in the late 1980s and early 1990s, over two dozen such congregations met the spiritual needs of gay and lesbian Jews across the United States. As they grew and expanded, these synagogues incubated a new “queer Judaism” centred on innovative rituals, liturgy, and embodied practices grounded in gay and lesbian (and later, also bisexual and transgender) experiences. In this essay, I offer a 10-year case study of the development of queer Judaism at Congregation Sha’ar Zahav (CSZ), San Francisco’s gay and lesbian synagogue, founded in 1977. Within the landscape of gay and lesbian synagogues, CSZ stands out for being founded in San Francisco when that city was the capital of American gay culture. Inspired by the Gay Liberation Movement and the flowering of grassroots Jewish community organizing in the late 1960s and 1970s, the founders of CSZ asserted a right to difference, building and promoting links between Judaism, sexuality, gender, and identity. In this context, CSZ helped build a queer, sex-positive Judaism that celebrated and politicized sexual minorities, created new forms of chosen family, and fostered an ethic of egalitarian and lay-led inclusiveness.