Psychodrama: group psychotherapy through role playing.

The theory and the therapeutic procedure of classical psychodrama are described along with brief illustrations. Classical psychodrama and sociodrama stemmed from role theory, enactments, "tele," the reciprocity of choices, and the theory of spontaneity-robopathy and creativity. The discussion focuses on key concepts such as the therapeutic team, the structure of the session, transference and reality, countertransference, the here-and-now and the encounter, the group-as-a-whole, resistance and difficult clients, and affect and cognition. Also described are the neoclassical approaches of psychodrama, action methods, and clinical role playing, and the significance of the concept of behavioral simulation in group psychotherapy.     

Rehearsal in serial memory for visual-spatial information: Evidence from eye movements

It is well established that rote rehearsal plays a key role in serial memory for lists of verbal items. Although a great deal of research has informed us about the nature of verbal rehearsal, much less attention has been devoted to rehearsal in serial memory for visual-spatial information. By using the dot task—a visual-spatial analogue of the classical verbal serial recall task—with delayed recall, performance and eyetracking data were recorded in order to establish whether visual-spatial rehearsal could be evidenced by eye movement. The use of eye movement as a form of rehearsal is detectable (Experiment 1), and it seems to contribute to serial memory performance over and above rehearsal based on shifts of spatial attention (Experiments 1 and 2).     

Rehearsal in Spatial Working Memory: Evidence From Neuroimaging

A variety of biological evidence has identified a frontal-parietal circuit underlying spatial working memory for visual stimuli. But the question remains, how do these neural regions accomplish the goal of maintaining location information on-line? We tested the hypothesis that the active rehearsal of spatial information in working memory is accomplished by means of focal shifts of spatial selective attention to memorized locations. Spatial selective attention has been shown to cause changes in the early visual processing of stimuli that appear in attended locations. Thus, the hypothesis of attention-based rehearsal predicts similar modulations of visual processing at memorized locations. We used functional magnetic resonance imaging to observe posterior visual activations during the performance of a spatial working memory task. In line with the hypothesis, spatial rehearsal led to enhanced activation in the early visual areas contralateral to the memorized locations.     

Rehearsal in immediate serial recall

We report for the first time overt rehearsal data in immediate serial recall (ISR) undertaken at three presentation rates (1, 2.5, and 5 sec/word). Two groups of participants saw lists of six words for ISR and were required either to engage in overt rehearsal or to remain silent after reading aloud the word list during its presentation. Typical ISR serial position effects were obtained for both groups, and recall increased with slower rates. When participants rehearsed, they tended to do so in a cumulative forward order up to Serial Position 4, after which the amount of rehearsal decreased substantially. There were similarities between rehearsal and recall data: Both broke down toward the end of longer sequences, and there were strong positive correlations between the maximum sequence of participants' rehearsals and their ISR performance. We interpret these data as suggesting that similar mechanisms underpin both rehearsal and recall in ISR.     

Rehearsal strategies of Alcoholic Korsakoff patients

An overt rehearsal procedure was used to monitor the rehearsal strategies that Alcoholic Korsakoff, Chronic Alcoholic, and Normal Control patients used when learning a 20-item list. It was found that Korsakoff patients spontaneously rehearse only one word at a time, that word being the one currently presented, regardless of the organizational salience of the list of words. Alcholics and Control patients, on the other hand, tended to rehearse several words in addition to the one being currently presented, and they demonstrated increasing ability to rehearse semantically related words together as the organizational salience of the list increased. This ability to rehearse in an enriched manner placed the two control groups at a distinct advantage over the Korsakoff patients at the time of recalling the list.     

心理剧中的替身概念:具身模拟的视角

替身技巧是心理剧治疗的核心技巧之一,主张通过对主角的身体模仿来理解主角。具身模拟理论认为,理解是基于镜像神经机制的心理模拟。文章梳理、分析了替身技巧和具身模拟的概念和内含,并将二者相结合,在神经生理的层面上揭示了替身技巧的治疗机制与操作原理,以期通过认知神经研究来考察和解释替身技巧的效能。     

Rehearsal dynamics in elementary school children

Several studies on free recall suggest that processes responsible for recall are analogous to processes responsible for rehearsal. In children, the relationship between cumulative rehearsal and recall performance has been proven to be critical; however, the locus of the effect of rehearsal is not yet fully understood. To unfold the mechanisms that come into play in an overt rehearsal free recall task, we assessed rehearsal and recall sequences in children between 8 and 10 years of age. These sequences give information about the context in which items are repeated and rearranged throughout the list and subsequently recalled. Rehearsal sequences consisted mainly of items from neighboring list positions in their original temporal order. The same characteristics were true for recall sequences. Qualitatively, order effects during study and recall did not differ over age groups. However, in older children who were using cumulative rehearsal more intensively, successive rehearsal and recall of items in their original order was more pronounced. Therefore, we suggest that a main feature of item rehearsal with regard to facilitating recall is the strengthening of interitem associations based on the temporal order within a list and that this characteristic develops with age.     

The Problem of Rehearsal or Mental Practice

The present study examines several methodological and conceptual problems which in the past have made it difficult to accept the hypothesis that mental practice facilitates behavioral skill. An experiment on skill in speech production is then reported which overcomes the methodological problems. Subjects practiced producing a sentence at maximal rate either mentally (mental practice) or overtly (physical practice) and then produced a transfer sentence which was either related or unrelated to the practiced sentence. The maximal rate of speech was faster for related than unrelated transfer sentences, and the degree of transfer for the mental and physical practice conditions was equivalent.

A theory was developed to explain these results and overcome the conceptual problems outlined in the introduction. Implications of the theory for several related phenomena are discussed: rehearsal, errors in action, automatization, control processes in motor skills, speed-up as a function of practice, the relative advantages of physical vs. mental practice, and the evoked potentials accompanying mental rehearsal of an action.     

Rehearsal of associations stored in long-term memory

Memory & Cognition - A 2 by 2 by 2 design in Experiment I allowed comparison of rehearsers and controls assigned to one of four types of paired associate lists differing in imagery. After...     

Rehearsal capacity and dimensional independence in retardates

Retardate use of retention strategies and the independence of color and form retention were compared with predictions of the Attention-Retention theory of retardate discrimination learning. Lists of two-choice discrimination problems were increased in length from one to capacity, which was defined through criterion retention across a 20-sec interval. It was demonstrated that (a) capacity and rate of adjustment of retentional strategy were directly related to intelligence, (b) at capacity limits the retention of problems in one dimension interfered with retention in a second dimension, and (c) results consistent with a capacity allocation strategy were obtained. The results were interpreted as reflecting short-term memory capacity constraints on the use of rehearsal.     

Consequences of a Motor Programming Deficit for Rehearsal and Written Sentence Comprehension

The role of central motor processes in rehearsal was investigated by studying a braindamaged patient with a severe articulatory impairment. Evidence is presented that his articulatory impairment is due to a disruption of motor programming rather than to peripheral muscle weakness. Despite his motor programming deficit, the patient showed normal auditory span and evidence of rehearsal for auditorily presented sequences of words. For visual presentation, span was reduced and there was no evidence of rehearsal. Also, the patient showed excellent sentence comprehension for syntactically complex sentences for both auditory and visual presentation. The results imply that central motor processes are not critical for normal short-term memory, at least for auditory presentation, and that reading comprehension does not depend on inner rehearsal.