Individual and Environmental Influences on Chinese Student Creativity

Primarily using self-report questionnaires and psychometric tests in a sample of 357 Chinese high school students, this study examines how both individual and environmental factors can independently predict student creativity as measured by three different methods, including two product-orientated measures (story completion and collage making), two divergent thinking measures (circle task and picture completion), and one self-report inventory on divergent thinking attitudes. Two different types of theoretical models — the cognitive approach and confluence approach — are compared and contrasted. Based on previous research, this study uses the confluence approach to investigate the influences of individual (i.e. intelligence, personality, motivation, thinking styles, and knowledge) and environmental (i.e., school and family environment) factors on creativity. The results have confirmed the major hypothesis that both individual and environmental factors play decisive roles in Chinese student creativity. Implications of these findings are discussed. This paper also calls for a serious consideration of research on environmental influence on creativity and various mechanisms of this influence.     

Satisfaction with Creativity: A Study of Organizational Characteristics and Individual Motivation

In answering the question of what influences satisfaction with creativity in the workplace, this work takes into account the extent to which the organization supports human aspiration to act creatively. The work throughout reflects a pragmatist approach to creativity and fulfillment, bridging it with needs theory in psychology. The empirical model uses survey data encompassing over 4,000 workers in Italian social enterprises. Results show that satisfaction with creativity is supported, at organizational level, by teamwork, autonomy, domain-relevant competences, as well as by inclusive, fair processes and relationships. At the individual level, satisfaction with creativity is enhanced by the strength of intrinsic initial motivations. The analysis of interaction terms shows that teamwork and workers’ initial motivations are complementary in enhancing satisfaction with creativity, while a high degree of domain-relevant competences appears to substitute advice and supervision by superiors in accomplishing the desired level of creative action.     

The Notion of Creativity Revisited: A Philosophical Perspective on Creativity Research

This article is a critical, yet constructive, review of some recent attempts to define and understand creativity, informed by the methods and debates of contemporary philosophy. I argue that the definitional project is not essential to creativity research, but important nevertheless. The standard definition of creativity as the production of something that is both novel and appropriate is on the right track, but needs further qualification and tends to be elaborated in ways that make it either too narrow or too broad. I argue that the product, and not the person or process, should be viewed as the primary bearer of creativity and criticize some influential theorists for making creativity too strongly dependent on social acceptance, while also recognizing that the realist alternative tends to widen, and thus threatens to trivialize, the central notion of an appropriate product. The notion of response‐dependence might be of some help to find the proper balance between the two extremes, and some comparisons with evolutionary theory also help to shed further light on the problem. Finally, I try to spell out the practical consequences of my investigation for creativity research.     

Creativity in Perspective: A Sociocultural and Critical Account

This article starts from the premise that creativity is a social construction and focuses on historical and scientific accounts of this phenomenon. Using a perspectival model in a pragmatist key, it outlines three historical perspectives on creativity—the He-, I-, and We-paradigms—differentiated internally by two positions—artist and engineer. It then argues that, instead of dialogues between perspectives, fruitful for creativity research, we are often facing monological relations. In the end, possibilities for “thirdness” are explored, including the position of the craftsman, in developing a sociocultural as well as critical account of what it means to create.     

Voices from the Street: How Structural and Individual Factors Influence Homelessness

This study compared structural and individual factors related to persons who are homeless and how these factors affected their ability to utilize and benefit from available services. A qualitative case study design was used to conduct in-depth interviews with two participants receiving hospice care in a residence for the homeless. Results support previous findings that chronic homelessness is the result of multiple structural and individual factors that occur over time. Contrary to the literature on chronic homelessness, however, both participants were unique in their history of employment and strong desire to work, despite having limited work skills. Responses from both participants underscored the value of daily structure and meaningful occupation in residential addiction treatment.     

音乐与个体发展

人类对音乐的感知体验起始于生命早期。近年来认知神经科学领域的研究表明, 音乐对个体发展具有深远的影响。在大脑发育的过程中, 音乐经验主要调节大脑加工信息的方式, 同时会影响语言、空间、以及运动能力的发展。本文回顾了近年来研究者们在音乐认知领域的新发现, 重点关注于音乐对脑发育的影响。     

Sexual Content on Mainstream TV Advertising: A Cross-cultural Comparison

A content analysis of 1,785 American ads and 1,467 Israeli ads maps the representation of sexual content on mainstream TV advertising in the two countries. This content appears in less than 5% of the advertisements. Most of it is mild and portrayed in the conservative context of an established relationship. Explicit material, socially discouraged practices, references to sexual responsibility and complete nudity are extremely rare. Israeli advertisements tend to present a higher share of sexual content than American ads, and male models are more likely to be partially nude than female models—but these differences are minor in extent.     

环境和个体因素与青少年吸烟行为的发生

选择追踪调查中前测从不吸烟的659个初一、初二、高一和高二学生为本研究的有效被试,考察环境和个体因素与青少年吸烟行为发生的关系.结果表明:(1)在半年期间,约9%的青少年开始出现吸烟行为,男生、成绩较差的学生开始吸烟的人数显著地多于女生和成绩较好的学生;(2)同伴吸烟行为和吸烟态度、同伴直接和常规压力、母亲吸烟行为、父母吸烟态度以及青少年自我肯定、反叛性和抵制技能的变化与其吸烟行为的发生显著相关;(3)逻辑回归表明,前测中同伴直接压力、父亲吸烟态度和反叛性可以显著地预测青少年吸烟行为的发生.     

Parents' and Teachers' Implicit Theories of Children's Creativity: A Cross-Cultural Perspective

ABSTRACT: A social validation methodology was applied across two cultures to examine the implicit theories of parents and teachers. Adults (N = 150) from the United States and India were rated on 68 adjectives for creativity and desirability. The results indicated that all groups distinguished between indicative and contraindicative aspects of creativity and, for the most part, viewed creative traits desirably. These results were qualified by the adjectives that received high ratings for creativity but significantly lower ratings for desirability. These provided evidence that creativity and desirability are related yet separate constructs and that parents and teachers recognize that some traits associated with creativity may be undesirable. Multiple analysis of variance (MANOVA) revealed significant differences between the United States and India for intellectual and attitudinal clusters of adjectives, p < .001; however, parent and teacher differences were not found, p > .05. These findings support the notion that implicit theories are influenced by cultural traditions and expectations.     

Individual Resiliency Factors from a Genetic Perspective: Results from a Twin Study

This article is part of the Twin Mother's Study, a study that examines influences on maternal adjustment. A number of studies have investigated the importance of genetic factors for mental health, but few of these examine how genes and the environment influence resiliency/salutogenic factors. This article investigates the relative importance of genetic and environmental influences on resiliency/salutogenic factors. This study includes 326 twin pairs (150 monozygotic and 176 dizygotic) who are mothers, who are living with their spouse, and who are part of the Swedish twin register. Using self‐report structured questionnaires, we assessed salutogenic factors, depression, and quality of life; however, we analyzed the questionnaires completed by the mothers. Statistical analyses were conducted using structural equation modeling. We conclude that nonshared environmental components were of principal importance in individual resiliency/salutogenic factors in a genetically informative design, but we also noted that genetic influences were important. The shared environment had mainly no effect.     

Creativity across Cultures: A Comparison between Ugandan and Italian Students

The purpose of this research was to compare the creative performance of students belonging to 2 different cultures, Italian and Ugandan. The participants were 462 children between the ages of 6 and 14 (231 in each group). The children were distributed across the age groups, between the 1st and 7th years of primary school. This study used a quantitative methodology and an intercultural perspective to explore the socio-cultural variables involved in defining and expressing creative action. To evaluate creative performance, Williams’s TCD (Test of Creativity and Divergent Thinking, 1996) was used along with a questionnaire to identify socio-anagraphical characteristics. An analysis of variance (ANOVA) revealed no statistically significant difference between the averaged total scores of the two groups on creativity and divergent thinking tests. However, Ugandan and Italian students had statistically significant differences in the flexibility (FS) category, with Italian students earning higher scores than the Ugandan students, and also in fluency (FL), where the Ugandan children achieved higher scores than the Italian ones.     

Visual Creativity Across Cultures: A Comparison Between Italians and Japanese

Culture-related differences in visual creativity were investigated, comparing Italian and Japanese participants in terms of divergent (figural completion task) and product-oriented thinking (figural combination task). Visual restructuring ability was measured as the ability to reinterpret ambiguous figures and was included as a covariate. Results showed that in divergent thinking, Italians only outperformed Japanese participants in elaboration and in product-oriented thinking in terms of originality of products. Visual restructuring ability was found to play a key role both in originality and practicality of products. Both groups scored the same in terms of fluency, originality, and flexibility of visual divergent thinking, as well as in term of practicality of creative products. These findings are consistent with the idea that Italians and Japanese have the same creative potential, although from the early stages of the design Japanese seem to show a greater tendency to take practicality constraints into account when creating in the visual domain.     

Use of the Torrance Tests of Creative Thinking in an Exploratory Study of Creativity in Hong Kong Primary School Children: A Cross-cultural Comparison

This exploratory study reports an empirical attempt to (1) establish inter-scorer and parallel-forms reliabilities as well as convergent validity of the Chinese version of the TTCT, (2) measure the level of fluency, flexibility, and originality in 10–12 year-old Hong Kong children, and (3) compare the scores of the Hong Kong sample with those from other studies. The Figural and Verbal Forms A and B were administered. The overall results showed high inter-rater reliability of the Chinese version of the Test. The parallel-forms reliability between the Verbal Forms (P > 0.001) of the Test was higher than that between the Figural Forms (P > 0.05). The Hong Kong results on the Figural Test were generally higher than those obtained in Taiwan, Singapore, and USA, but slightly lower than the German results. This trend in the results was reversed on the Verbal Forms. The absence of sex differences on the TTCT was noted.     

Creativity through Connectedness: The Role of Closeness and Perspective Taking in Group Creativity

Achievements in various fields of creativity are resulting more and more from collaborative teams. This research investigated the role of interpersonal process variables, namely closeness and perspective taking in group creativity, with a 2 by 2 experimental design. Sixty-one 3-person groups assigned to 4 conditions (a: closeness and perspective taking, b: perspective taking, c: no closeness and no perspective taking, d: closeness). Group members collaboratively wrote stories that were rated by 3 independent expert judges. There was a positive main effect of closeness and negative main effect of perspective taking on group creativity scores. Moreover, the significant interaction between perspective taking and closeness displayed that combination of closeness with perspective taking negatively affect group creativity. These results indicate that closeness might be beneficial for group creativity only when it is not accompanied with perspective taking.