‘PRINCESSES’ AMONG THE ‘LIONS’: THE MILITANT CAREERS OF SIKH FEMALE FIGHTERS

For the first time in Sikh historiography, this article deals with the definition, institutionalization, canonization and commodification of modern Sikh music (kirtan) since the so-called Singh Sabha reformation. On the whole, it takes Sikh music as a suitable lens through which to examine societal and intellectual change, assuming that it is closely embedded in society and formative to its construction, negotiation and transformation in terms of (moral) consensus and conflict. Specifically, it discusses the influence of Western Orientalism (Max Arthur Macauliffe) and musicology, staff notation, Princely patronage (Maharaja Bhupinder Singh of Patiala), Christian missionaries and the introduction of new instruments (the harmonium, brass bands) to the making of modern Sikh music. Moreover, it investigates its relationship with what I have elsewhere labelled the Singh Sabha ‘moral language’ in terms of identity politics, for example in connection to popular culture (Punjabi bhangra), the notion of ‘authenticity’ and the British civilizing mission.     

VIOLATIONS OF PAROLE: LANGUAGE,RELIGION, AND POWER AMONG THE MODERN UDASI MOVEMENT AND THE SGPC

This article explores a subaltern framework to examine language, religion, and power among contemporary Sikh movements, such as the Udasis, that oppose the Shiromani Gurudwara Prabhandak Committee (SGPC). From the late nineteenth century, the Punjab environment progressively communalized as religious groups competed internally and externally to win supporters and define outsiders. Emblematic of these processes in Sikhism are those affirming ties to Hinduism, such as the Udasis, and those seeking a separate religious identity, such as the Tat Khalsa Singh Sabha. This paper begins with an overview of constructions of Hinduism and Sikhism in the colonial period. Next, the theory of parole is developed to trace the relationships among language, religion, and power transacted through speech. Finally, the SGPC's portrayals of the Udasis and modern Udasi responses are presented. The Udasis exemplify how certain sects fell outside of epi-colonial religious demarcations in the Punjab that progressed toward a single Sikh identity. As a theory linking language and power, parole surpasses the classification of religious groups as ‘orthodox’ and ‘heterodox’ to uncover histories where communities define Self and Other.     

(EN)Gendered Sikhism: The iconolatry of manliness in the making of Sikh identity

Among the most insidious regimes of control inaugurated by the British in India was the identification of a fundamental affinity between themselves and manly ‘races’ such as the Sikhs. I will suggest that this apparent commensurability of colonial and native traditions depended upon the Sikhs readily accepting a masculine signature which restricted the ambiguous organization of the Khalsa Sikh body to the muscular piety prescribed by colonial discourse. Thus, far from inscribing ontological parity between the British and the Sikhs, this advocacy of ‘racial’ kinship actually communicated a censorious judgement about Sikh identity. The significance of interventions by Sikh reformers, such as Bhai Kahan Singh Nabha (1861–1938) and Bhai Vir Singh (1872–1958), will be highlighted as key influences in the disciplining of a native semiotics of the body. This reformist ideology encouraged the representation of Sikh corporeality as not-effeminate, signalling not only the insinuation of a colonial iconolatry of manliness at the heart of Sikh tradition, but also the disingenuousness of received opinion concerning the progressive nature of Sikh sexual politics.     

Sikhs and Sikhism in Bihar: Their distinctiveness and diversity

Medieval Bihar served as an important corridor for Sikh dispersal to other areas in eastern and north-eastern India. It stimulated the birth of native Sikh groups who significantly differ from their Punjabi-speaking counterparts in physical presentation and mother tongue. The essay examines why the native Sikhs’ perception of Sikhism differs from Singh Sabha’s (1873–1909) narrative of a monolithic Sikh identity, distinct from Hinduism. The study debates whether it is the perceived centrality of Sikhism’s self-representation in Punjab that stimulates fissures in the Punjabi-Bihari Sikh relationship – fissures that periodically surface and rupture an imagined, homogenized Sikh identity within the sacred precincts of twenty-first-century Patna city.     

Four generations of Sikh studies: A personal view1

This perspective on the development of Sikh Studies over the twentieth century intersperses personal reminiscences from the past four decades with a chronological overview of the modern development of the subject. Beginning with an outline of some of the pioneering achievements of the great Singh Sabha scholars and of subsequent developments in the Punjab in the succeeding generations, it then discusses some of the tensions between traditional scholarship and the different emphases which have typically marked the work of western academics. While critical of some of the infighting which has characterized Sikh Studies in the West, it concludes with an overview of the exciting contemporary developments of the subject by young Sikh scholars working in North America and Britain (of which the appearance of Sikh Formations is itself such an encouraging sign), and with a plea for the urgent necessity of informed interfaith understandings.     

Promoting Sikhi among Malaysian youth: A case study of the Sikh Naujawan Sabha Malaysia (SNSM)

ABSTRACT

The Sikh Naujawan Sabha Malaysia (SNSM) has been an important vehicle in keeping the tenets of the Sikh faith alive for the Malaysian Sikh community. It is primarily a Sikh youth organization, initiated with the blessings of the Malaysian Sikh community elders in the 1960s, who decided that starting the activity of prayer and contemplation on Sikhi was crucial from a young age. Over the decades, the SNSM has been adept in evolving its activities and organization to cater to the altering needs and self-conceptions of the various generations of Sikh youth. This paper documents the trajectory of SNSM activities and reinvention to cater to the generations of Sikhs post-Independence.     

Songs to the Jinas and of the Gurus: historical comparisons between Jain and Sikh devotional music

ABSTRACT

Jain worship has always been accompanied by music and likewise for Sikhs the performance of and listening to the singing of hymns, as composed by several of their Gurus, continuously has been central to the community’s spiritual experience. For different reasons, however, Sikh and Jain devotional music, known as kirtan and bhakti respectively, until recently were neglected subjects in historiography. This article investigates the parallels and differences among the two genres from a historical comparative perspective against the successive backgrounds of the bhakti movement and Indic culture, the imperial encounter and globalization. In doing so, it particularly emphasizes the importance of identity politics to the making of modern Sikh and Jain devotional music, as well as the fact that, in comparison to Jain bhakti, Sikh kirtan generally remains North Indian ‘Hindustani’ art music, rather than regional folk music.     

GURBANI KIRTAN RENAISSANCE: REVIVING MUSICAL MEMORY,REFORMING SIKH IDENTITY

This article examines the modes of revival within the contemporary renaissance of traditional Gurbani Kirtan (Sikh devotional music) in an effort to differentiate historically operative practices from modern products being sold as tradition. Modern reformist tendencies have attempted to institutionalize a normative Sikh musical identity into one homogeneous ‘Gurmat Sangeet’ genre through codifying Sikh raga forms and promoting a particular Sikh musical orthopraxy and history. The process of institutionalization privileges written sources as authoritative, erasing the memory of operative practices passed down orally since the time of the Sikh Gurus through the Gurbani Kirtan parampara (tradition). In questioning how Sikh musical knowledge has been propagated and authenticated since modernity, I propose a reassessment of what values and musical modes are indelible to the fabric of Gurbani Kirtan, what aspects are modern derivatives, and what aspects are negotiable. I believe such an approach will not limit Sikh musical expression to a past identity subsumed by orthodox rigidity. Instead it will move toward a phenomenological epistemology that recognizes how orality and embodied experience are intrinsic to the Gurbani Kirtan parampara that remembers, practices, and teaches a particular methodology to embody the Bani as Guru for newly creative Sikh subjectivities.     

MAKING MEANING OF 1984 IN CYBERSPACE

VANCOUVER –A group of B.C. Sikh students who wore controversial T-shirts to school have sparked a debate within their community and left some wondering why a group of youths would latch onto a divisive movement dating from before they were born.

The students showed up to Surrey's Princess Margaret Secondary School earlier this month wearing shirts emblazoned with the word Khalistan, referring to a Sikh separatist movement advocating for a Sikh homeland in India's Punjab region that was often linked to violence in the 1980s.

On the back was a quote from Jarnail Singh Bhindranwale, a Khalistan advocate who was killed during India's 1984 raid on the Golden Temple.

School administrators told the students not to wear the shirts again.

Some have brushed off the T-shirts as youthful rebellion or dismissed the students as naive and uninformed.

The teens, however, insist they know the history and wanted to make a statement that would be heard.

‘When people see this, they'll look at it and be like, “Wow, there's people still out there that still believe in this stuff. And it's not just the older generation, it's the youth”,’ one of the boys said last week during a call-in show on a local multicultural radio station.

Another student – they didn't provide their names – made it clear the group was, in fact, advocating for an independent Sikh state.

‘We want freedom in Punjab’, he said.

Students at Surrey's Princess Margaret High School wear T-shirts some say are controversial, Friday, April 18th, 2008.

The Canadian Press. April 27 2008 12:53 PM ET     

‘Our periodic table of hate’: The archive of 1984 Punjab in Jaspreet Singh’s Helium

Highly critical of the Indian government's cover up of the 1984 Sikh pogroms, Indian-Canadian author Jaspreet Singh offers a scathing expose of the anti-Sikh violence in his 2013 novel Helium. Singh experienced first-hand the ‘holocaust’ of 1984 in Delhi, and as a diasporic Indian since 1990, he is also intimately familiar with the burdens of postmemory among Sikhs in the west, many of whom sought asylum abroad in the wake of 1984. Influenced by Primo Levi and W.G. Sebald, Singh constructs a multi-generic ‘archive’ of the crimes of 1984 in Helium, which articulates the lingering trauma of the Sikhs and challenges the image of a unified, multiculturalist, secular-humanist postcolonial Indian state. Drawing on exhaustive research, Helium is a hybrid of fiction, survivor and relief worker testimonials, photographs, drawings, documentary, thriller, and inter-textual narrative—because the horror of 1984 cannot be recounted through a single medium or genre or voice. In considering its archival form and political intent, my article establishes Helium as a bold, ethical attempt to record the anti-Sikh violence of 1984 in order to bring justice to both the dead and the survivors.     

REPRESENTATION OF SIKHS IN BOLLYWOOD CINEMA

Like other ethnic minorities, Sikhs have been conventionally represented in popular Hindi cinema either as brave warriors or as uncouth rustics. In the nationalist text in which the imagined subject was an urban North Indian, Hindu male, Sikh characters were displaced and made to provide comic relief. Since the mid-1990s, Hindi filmmakers have genuflected to the rising economic and political power of the Sikh diaspora through token inclusions of Sikhs. Although 1990s films like Kuch Kuch Hota Hai (1998) included attractive images of Sikhs, Hindi cinema could introduce a Sikh protagonist only in the new millennium in Ghadar: Ek Prem Katha (2001) and featured a turbaned Sikh as a protagonist only two decades later in the film Singh is Kinng (2009). Ever since the film became a superhit, top Bollywood stars such as Akshay Kumar, Saif Ali Khan, Ranbir Kapoor and even Rani Mukherjee have played Sikh characters in films like Love Aaj Kal (2009), Rocket Singh: Salesman of the Year (2009) and Dil Bole Hadippa (2009). Even though Bollywood stars have donned the turban to turn Sikh cool, Sikhs view the representation of the community in Hindi cinema as demeaning and have attempted to revive the Punjabi film industry as an attempt at authentic self-representation. This paper examines images of Sikhs in new Bollywood films to inquire if the romanticization of Sikhs as representing rustic authenticity is a clever marketing tactic used by the film industry to capitalize on the increasing power of the Sikh diaspora or if it is an indulgence in diasporic techno-nostalgia that converges on the Sikh body as the site for non-technologized rusticity. It argues that despite the exoticization of Sikhs in the new Bollywood film, the Sikh subject continues to be displaced in the Indian nation.     

Sikh millennials of the ‘kirtan generation’ in the making of an ‘American Sikhism’

ABSTRACT

This essay focuses on the millennial generation of Sikhs in the United States. Based on extended ethnographic research in Sikh communities, the author explores the role of Sikh millennials in the making of an ‘American Sikhism’, the contours of which are taking shape having followed after the explosive growth of gurdwara communities – and the educational, social, and other resources they provide – which were largely made possible by the affluence of Sikh communities beginning with the previous ‘Brain Drain’ generation. In particular, the author discusses this ‘kirtan generation’ of Sikhs, educated in gurdwara schools, and their growing leadership of Sikh communities.     

The morning after: Trauma,memory and the Sikh predicament since 1984

This article examines the possibilities opened up by critical international theory for the articulation of a post-nationalist diasporic Sikh identity which seeks to go beyond Khalistan. Critical theories of international relations contest the hegemony of realism within international relations (IR) by examining the origins, development and potential transformation of the bounded territorial state and the Westphalian order of territorialized nation-states. It is argued that realism, based on a positivist methodology, ‘naturalizes’ the Westphalian order by recognizing the nation-state as the only significant actor in IR. This, consequently, serves to ‘territorialize’ Sikh identity and stimulates the demand for an independent Sikh homeland, Khalistan. However, the twin processes of globalization and fragmentation have made the notion of a bordered, self-contained community that is at the heart of international political theory difficult to sustain in the post-Cold War world. This has created space for the articulation of a deterritorialized Sikh identity which challenges the Westphalian order in its rejection of sovereign statehood and its assertion of the sovereignty of the Khalsa Panth.     

Creating a Pindh: Place-Making within a Sikh Diasporic Community in Malaya

This paper examines a diaspora group's claiming and contesting of physical space and actively engaging in host country multiracial spaces, I co-opted the Pindh, a Sikh concept incorporating relationships with the landscape and social structure, re-defining its original meaning to encompass this unique consolidation of identity, home and belonging. Addressing the use and meaning of space and the transformation of Peraktown, the geographical location, I explore this transformation to a place of meaning through the practices of everyday life within the Sikh community. It describes the concepts of spatial relationships and their impact on the construction and solidification of the Peraktown Sikh community in contrast to their inherited connection to the land and inherent romantic nostalgia for Punjab, as they recreated the meanings it contained and inscribed these on the physical map of the town. In the four spaces addressed, the home, the Gurdwara, the school and the gendered work spaces, I demonstrate the ways that space altered, through claiming, adoption and subversion. The lens of the Pindh offers a uniquely Sikh way to view and analyse the constitution of common identity and a place to belong. The Peraktown Sikhs extend the discourse of diaspora beyond postcolonial and Western modes of thought of being ‘other’ yet simultaneously belonging ‘here', ‘back there’ and to multiple places of home.     

‘So people know I'm a Sikh’: Narratives of Sikh masculinities in contemporary Britain

This article examines British-born Sikh men's identification to Sikhism. In particular, it focuses on the appropriation and use of Sikh symbols amongst men who define themselves as Sikh. This article suggests that whilst there are multiple ways of ‘being’ a Sikh man in contemporary post-colonial Britain, and marking belonging to the Sikh faith, there is also a collectively understood idea of what an ‘ideal’ Sikh man should be. Drawing upon Connell and Messerschmidt's discussion of locally specific hegemonic masculinities (2005. “Hegemonic Masculinity: Rethinking the Concept.” Gender and Society 19 (6): 829–859), it is suggested that an ideal Sikh masculine identity is partly informed by a Khalsa discourse, which informs a particular performance of Sikh male identity, whilst also encouraging the surveillance of young men's activities both by themselves and by others. These Sikh masculinities are complex and multiple, rotating to reaffirm, challenge and redefine contextualised notions of hegemonic masculinity within the Sikh diaspora in post-colonial Britain. Such localised Sikh masculinities may both assert male privilege and reap patriarchal dividends (Connell, W. 1995. Masculinities. Cambridge: Polity Press), resulting in particular British Sikh hegemonic masculinities which seek to shape the performance of masculinity, yet in another context these very same performances of masculinity may also signify a more marginalised masculinity vis-à-vis other dominant hegemonic forms.     

The Sikh ‘Political Prisoner’ Issue and Hunger Strikes

This article contributes to answering the question: What has happened to Sikh ethnonationalism? I argue that the decline of this phenomenon can best be explained by examining the changing interests, incentive structures, and patterns of dominance and legitimacy of various Sikh political actors in Punjab – that is, the institutional structures on which mass community mobilization occurs. More specifically, I argue that the sustained mass mobilization of Sikhs is not possible without the active encouragement of the components of the institutionalized ‘Sikh political system’ including the dominant Akali Dal, Shiromani Gurdwara Prabandhak Committee, and Akal Takht. All of these are currently under the leadership of Parkash Singh Badal, and remain committed to moderation and non-confrontation with the central state. This conceptual argument is illustrated through detailed empirical analysis of the trajectory and eventual failure of the 2013 and 2014–2015 hunger strikes by Gurbaksh Singh Khalsa for the release of Sikh ‘political prisoners’ in India.     

The millennial generation of Sikhs in North America

ABSTRACT

Millennial Sikhs are second- or in some cases third-generation children born in North America in the last two decades of twentieth century. They have been actively involved in the process of ‘renewal and re-definition’ of the Sikh tradition. Cross-cultural encounters heighten their sense of identity. They constantly draw from their Sikh inheritance the universal values of social justice and equality to reach out to their non-Sikh neighbors and to fight against discrimination and injustice. Their principal strategy has been to downplay the Punjabi cultural traditions of their parents and to highlight the universal aspects of their faith in their dealings. Although they have consciously stayed away from the ‘factional politics’ of gurdwaras, they have made incredible strides in Sikh activism and political arena.     

THE ‘UNIVERSAL DHARMA FOUNDATION’ OF MINDFULNESS-BASED STRESS REDUCTION: NON-DUALITY AND MAHĀYĀNA BUDDHIST INFLUENCES IN THE WORK OF JON KABAT-ZINN

ABSTRACT

The discussion on the Buddhist roots of contemporary mindfulness practices is dominated by a narrative which considers the Theravāda tradition and Theravāda-based ‘neo-vipassanā movement’ as the principal source of Buddhist influences in mindfulness-based stress reduction (MBSR) and related mindfulness-based programmes (MBPs). This Theravāda bias fails to acknowledge the significant Mahāyāna Buddhist influences that have informed the pioneering work of Jon Kabat-Zinn in the formation of the MBSR programme. In Kabat-Zinn’s texts, the ‘universal dharma foundation’ of mindfulness practice is grounded in pan-Buddhist teachings on the origins and cessation of suffering. While MBSR methods derive from both Theravāda-based vipassanā and non-dual Mahāyāna approaches, the philosophical foundation of MBSR differs significantly from Theravāda views. Instead, the characteristic principles and insights of MBSR practice indicate significant similarities and historical continuities with contemporary Zen/S?n/Thi?n and Tibetan Dzogchen teachings based on doctrinal developments within Indian and East Asian Mahāyāna Buddhism.     

Lost in translation? The emergence of the digital Guru Granth Sahib

ABSTRACT

This article explores the impact of the digital online environment on the religious lives of Sikhs with a particular focus on the emergence of the ‘Digital Guru’, i.e. digital versions of the Guru Granth Sahib. Using data gathered through interviews and an online survey, I examine how the ‘Digital Guru’ is impacting on the transmission of the Sikh tradition and on Sikh religious authority. I then explore some of the issues faced in engaging with the ‘Digital Guru’ and the consequences of the emergence of online translations. Given that ‘going online’ has become an everyday practice for many, this article contributes to understandings of the impact of the online environment on the religious adherents in general, and on Sikhs in particular.