Reason unbound: Kant's theory of regulative principles

It is an essential part of Kant's conception of regulative principles and ideas that those principles and ideas are in a certain sense indeterminate. The relevant sense of indeterminacy is cashed out in a section in the Antinomies where Kant says that the regress of conditions of experience forms not a “regressus in infinitum” but a “regressus in indefinitum.” The mathematics that Kant appears to rely on in making this distinction turns out to be problematic, as Jonathan Bennett showed long ago. But I suggest that despite this, there is another mathematically legitimate way to make Kant's point, one enunciated by, among others, Michael Dummett. This reading is corroborated, I suggest, by Kant's conception of reason as a radically open‐ended endeavor.     

Kant's Pragmatism

This article offers a definition of the term ‘pragmatic’, as it is used in Kant's Critique of Pure Reason. The definition offered does not make any reference to the affinities between Kant's pragmatism and the philosophies of the American or other pragmatists but draws its definiens entirely from the Kantian conceptual framework. It states that the term ‘pragmatic’ denotes imperatives, laws and beliefs of a specific type: an imperative is pragmatic if and only if it is concerned with the choice of means to individual or universal happiness; a law is pragmatic if and only if our willingness to presuppose it results from our obedience to a pragmatic imperative; and a belief is pragmatic if and only if it relates to the objective validity of pragmatic laws. This article also discusses two rival definitions of the term ‘pragmatic’ (as used by Kant) that have been brought forward by Sidney Axinn and Nicholas Rescher.     

Kant's Theory of Value: On Allen Wood's Kant's Ethical Thought

Karl Ameriks has recently devoted an entire volume to defending what he calls "orthodox" Kantianism against what he judges to be the "errors" of such post-Kantian idealists as K. L. Reinhold and J. G. Fichte and to exposing what he claims is the frequently unnoticed but always deleterious influence of post-Kantianism upon certain prominent strands of contemporary philosophy. In response, this paper challenges Ameriks' interpretation of Kantianism itself and of the "post-Kantian project", as well as his construal of transcendental idealism. This is followed by some remarks concerning Reinhold's and Fichte's actual "arguments" for transcendental idealism and a rejection of Ameriks' characterizations of the same. Ameriks' interpretation of "the primacy of the practical" within Fichte's philosophy is also analyzed and criticized, as are his unsubstantiated claims concerning the powerful "indirect" influence of the writings of Reinhold and Fichte upon contemporary philosophy.     

Kant's Musical Antiformalism

According to the orthodox view of Kant's philosophy of music, Kant is the founder of musical formalism, the view that music is pure, contentless form, and appreciated as such. On this orthodox view, Kant is an innovator in philosophy of music, though his views are confused and sometimes contradictory. Sometimes, we are told, Kant indicates that music is a fine art and sometimes that it is merely an agreeable art. None of the orthodox position is correct. Kant's views on music are familiar, even a little old fashioned for their time. His views are consistent. He believes that some music is fine art and that the fine arts are imitative arts. Imitative arts have content, and Kant believes that at least some music has content. Our views on Kant's philosophy of music ought to be thoroughly revised.     

康德的德性理论

康德的德性论聚焦于人的道德而非一般的理性存在的道德,在理性与经验情感、规范与性情、神性与人性等方面有着系统的论述,对于理解康德伦理学的完整面貌、澄清多年来的一些误解,有着重要的意义.