Phonetic categorization in auditory word perception

To investigate the interaction in speech perception of auditory information and lexical knowledge (in particular, knowledge of which phonetic sequences are words), acoustic continua varying in voice onset time were constructed so that for each acoustic continuum, one of the two possible phonetic categorizations made a word and the other did not. For example, one continuum ranged between the word dash and the nonword tash; another used the nonword dask and the word task. In two experiments, subjects showed a significant lexical effect--that is, a tendency to make phonetic categorizations that make words. This lexical effect was greater at the phoneme boundary (where auditory information is ambiguous) than at the ends of the condinua. Hence the lexical effect must arise at a stage of processing sensitive to both lexical knowledge and auditory information.     

Change perception in complex auditory scenes

In four experiments, we examined the role of auditory transients and auditory short-term memory in perceiving changes in a complex auditory scene comprising multiple auditory objects. Participants were presented pairs of complex auditory scenes that were composed of a maximum of four animal calls delivered in free field; participants were instructed to decide whether the two scenes were the same or different (Experiments 1, 2, and 4). Changes to the second scene consisted of either the addition or the deletion of one animal call. Contrary to intuitive predictions based on results from the visual change blindness literature, substantial deafness to the change emerged without regard to whether the scenes were separated by 500 msec of masking white noise or by 500 msec of silence (Experiment 1). In fact, change deafness was not even modulated by having the two scenes presented contiguously (i.e., 0-msec interval) or separated by 500 msec of silence (Experiments 2 and 4). This result suggests that change-related auditory transients played little or no role in change detection in complex auditory scenes. Instead, the main determinant of auditory change perception (and auditory change deafness) appears to have been the capacity of auditory short-term memory (Experiments 3 and 4). Taken together, these findings indicate that the intuitive parallels between visual and auditory change perception should be reconsidered.     

Age-related changes in auditory temporal perception

The discrimination of signal and silence duration was evaluated in 6-month-old infants, 5 1/2-year-old children, and adults. Listeners were tested with a conditioned-discrimination procedure in which they were presented a sequence of 18 white-noise bursts and trained to discriminate a change in duration of the middle 6 signal or silence elements. There were no differential effects on performance for changes in signal compared to silence duration. At each age, performance varied only as a function of magnitude of duration change. Infants discriminated duration changes of 20 ms or greater, children discriminated 15 ms, and adults discriminated changes as small as 10 ms. These findings are consistent with other research in revealing age-related improvements in auditory temporal perception.     

Selective mechanisms in visual perception

The notion of perceptual tuning is investigated by presenting alternatives either before, after, or both before and after a tachistoscopic stimulus. Study 1 (N = 12) showed that identification accuracy is best with alternatives both before and after the stimulus, poorest with alternatives after the stimulus, and intermediate with alternatives only before the stimulus. Study 2 (N = 3) indicated that performance with alternatives both before and after the stimulus varies according to where S is permitted to fixate prior to each exposure. The possibility of a central tuning mechanism was not strongly supported.     

Selective perception of events

Two hundred and twelve subjects were given one of two interpretive sets prior to viewing an event. Following observation, the first interpretation was discredited, and subjects were asked to interpret the event they had seen under the contrasting set. Some subjects were only provided with the alternate interpretation, while others were also given an opportunity to view the event a second time. Both the perceptual segmentation and the subjects' impressions of the participants in the event were assessed. Results disclosed that (1) the two sets produced both differing perceptual organization and differing impressions of the participants; (2) reversing the sets produced a reversal of the impressions of the participants only when accompanied by a second viewing; and (3) the reversal of the impressions was accompanied by a shift in the perceptual organization of the event. It was concluded that observers may differ in their initial perception of an event as the result of differences in prior expectations, and that the resulting biased sample of information they acquire may limit their retrospective reinterpretation of the event.     

Feature assignment in perception of auditory figure

Because the environment often includes multiple sounds that overlap in time, listeners must segregate a sound of interest (the auditory figure) from other co-occurring sounds (the unattended auditory ground). We conducted a series of experiments to clarify the principles governing the extraction of auditory figures. We distinguish between auditory "objects" (relatively punctate events, such as a dog's bark) and auditory "streams" (sounds involving a pattern over time, such as a galloping rhythm). In Experiments 1 and 2, on each trial 2 sounds-an object (a vowel) and a stream (a series of tones)-were presented with 1 target feature that could be perceptually grouped with either source. In each block of these experiments, listeners were required to attend to 1 of the 2 sounds, and report its perceived category. Across several experimental manipulations, listeners were more likely to allocate the feature to an impoverished object if the result of the grouping was a good, identifiable object. Perception of objects was quite sensitive to feature variation (noise masking), whereas perception of streams was more robust to feature variation. In Experiment 3, the number of sound sources competing for the feature was increased to 3. This produced a shift toward relying more on spatial cues than on the potential contribution of the feature to an object's perceptual quality. The results support a distinction between auditory objects and streams, and provide new information about the way that the auditory world is parsed.     

Subliminal speech perception and auditory streaming

Current theories of consciousness assume a qualitative dissociation between conscious and unconscious processing: while subliminal stimuli only elicit a transient activity, supraliminal stimuli have long-lasting influences. Nevertheless, the existence of this qualitative distinction remains controversial, as past studies confounded awareness and stimulus strength (energy, duration). Here, we used a masked speech priming method in conjunction with a submillisecond interaural delay manipulation to contrast subliminal and supraliminal processing at constant prime, mask and target strength. This delay induced a perceptual streaming effect, with the prime popping out in the supraliminal condition. By manipulating the prime-target interval (ISI), we show a qualitatively distinct profile of priming longevity as a function of prime awareness. While subliminal priming disappeared after half a second, supraliminal priming was independent of ISI. This shows that the distinction between conscious and unconscious processing depends on high-level perceptual streaming factors rather than low-level features (energy, duration).     

Infant auditory perception: Tonal masking

The results of an earlier study (Olsho, 1984) indicated that 5- to 8-month-old infants were relatively better at discriminating among high-frequency pitches than low. In the present study, sensory and nonsensory explanations for that effect were evaluated by examining infants' performance in a task requiring similar sensory processing but differing in the demands placed on processes such as memory. Infants' ability to resolve frequency was tested using a tonal masking paradigm, the psychophysical tuning curve. Twenty-four infants were tested at probe frequencies ranging from 500 to 4000 Hz; a group of young adults served as a comparison. Masked and unmasked thresholds were estimated using the visually reinforced head turn procedure in conjunction with an adaptive psychophysical method. Although infants' tuning curves fell below those of adults (indicating poorer performance), the widths and slopes of the infants' curves were not different from the adults'. Moreover, the difference between age groups remained constant across probe frequencies. These findings imply that by 5 months of age, the infant's ability to resolve sound frequency is similar to the adult's.     

Infants' perception of multiple-group auditory patterns

Six- and 12-month-old infants were tested for their perception of a variety of features of multiple-group auditory patterns. Each pattern comprised nine pure tones organized as three groupings each of three elements. The features examined included: (1) features having to do with frequency composition, designated as “local” pattern features; and (2) features involving relations between pattern components, designated as “global” pattern features. Infants were tested with a Go/No-Go conditioned head-turn procedure. Twelve-month-olds readily performed all discriminations. By contrast, 6-month-olds had greater difficulty discriminating local than global pattern features and showed limitations in their ability to organize three distinct groupings of elements into a unified pattern. Results are discussed with reference to infants' perception of features of single-group patterns and the notion of developmental changes in auditory information-processing capacities.     

Two types of auditory sequence perception

It has been suggested recently that there are two fundamentally distinct types of auditory sequence perception in man: (1) hofistic pattern recognition (HPR), operating for component item durations from a few milliseconds up to about 200 msec; and (2) direct identification of components and their order (Direct ICO), requiring verbal encoding of names for constituent sounds and requiring item durations roughly 200 msec and above for extended sequences. The present study, using only the very first judgments from 795 untrained participants presented with recycled three-item sequences, provided data consistent with this dichotomous formulation. In addition, it appeared that separate bursts of a noise band generated on-line were treated as different components in HPR and could not be used for sequence matching; “frozen” noise bursts having identical microstructure were treated as the same component and permitted HPR. On-fine noise bursts permitted Direct ICO, with naming based on long-term spectral characteristics of noise.     

The role of vision in auditory distance perception

In humans, multisensory interaction is an important strategy for improving the detection of stimuli of different nature and reducing the variability of response. It is known that the presence of visual information affects the auditory perception in the horizontal plane (azimuth), but there are few researches that study the influence of vision in the auditory distance perception. In general, the data obtained from these studies are contradictory and do not completely define the way in which visual cues affect the apparent distance of a sound source. Here psychophysical experiments on auditory distance perception in humans are performed, including and excluding visual cues. The results show that the apparent distance from the source is affected by the presence of visual information and that subjects can store in their memory a representation of the environment that later improves the perception of distance.     

Beat gestures modulate auditory integration in speech perception

Spontaneous beat gestures are an integral part of the paralinguistic context during face-to-face conversations. Here we investigated the time course of beat-speech integration in speech perception by measuring ERPs evoked by words pronounced with or without an accompanying beat gesture, while participants watched a spoken discourse. Words accompanied by beats elicited a positive shift in ERPs at an early sensory stage (before 100 ms) and at a later time window coinciding with the auditory component P2. The same word tokens produced no ERP differences when participants listened to the discourse without view of the speaker. We conclude that beat gestures are integrated with speech early on in time and modulate sensory/phonological levels of processing. The present results support the possible role of beats as a highlighter, helping the listener to direct the focus of attention to important information and modulate the parsing of the speech stream.     

Selective perception by dynamic touch

Perceiving the length of a rod by dynamic touch is tied to the inertia tensorIij, a quantification of its resistance to rotational acceleration. Perception of the portion extending in front of the grasp has previously been ascribed to decomposing one component ofIij by attention. The tensorial nature of dynamic touch suggests that this ability must be anchored wholly in the tensor. Three experiments show that perceived partial length is a function of two components of the tensor, one tied primarily to magnitude and the other tied primarily to direction, whereas perceived whole length is a function of a magnitude component alone. Dynamic touch is characterized in terms of a haptic perceptual instrument that softly assembles to exploitIij differently depending on the intention, producing 1:1 maps that are appropriately scaled for each intention.     

Lifespan differences in cortical dynamics of auditory perception

Using electroencephalographic recordings (EEG), we assessed differences in oscillatory cortical activity during auditory‐oddball performance between children aged 9–13 years, younger adults, and older adults. From childhood to old age, phase synchronization increased within and between electrodes, whereas whole power and evoked power decreased. We conclude that the cortical dynamics of perceptual processing undergo substantial reorganization from childhood to old age, and discuss possible reasons for the inverse relation between age trends in phase synchronization and power, such as lifespan differences in neural background activity, or a lifespan shift from rate coding in children to temporal coding in adults.     

Phasic auditory alerting improves visual conscious perception

Attention is often conceived as a gateway to consciousness (Posner, 1994). Although endogenous spatial attention may be independent of conscious perception (CP) (Koch Tsuchiya, 2007), exogenous spatial orienting seems instead to be an important modulator of CP ( [Chica et al., 2010] and Chica, Lasaponara, et al., 2011). Here, we investigate the role of auditory alerting in CP in normal observers. We used a behavioral task in which phasic alerting tones were presented either at unpredictable or at predictable time intervals prior to the occurrence of a near-threshold visual target. We find, for the first time in neurologically intact observers, that phasic alertness increases CP, both objectively and subjectively. This result is consistent with evidence showing that phasic alerting can ameliorate the spatial bias exhibited by visual neglect patients (Robertson, Mattingley, Rorden, & Driver, 1998). The alerting network may increase the activity of fronto-parietal networks involved in top-down amplification required to bring a stimulus into consciousness (Dehaene, Changeux, Naccache, Sackur, & Sergent, 2006).     

Dividing attention between auditory and visual perception

To what extent is simultaneous visual and auditory perception subject to capacity limitations and attentional control? Two experiments addressed this question by asking observers to recognize test tones and test letters under selective and divided attention. In Experiment 1, both stimuli occurred on each trial, but subjects were cued in advance to process just one or both of the stimuli. In Experiment 2, subjects processed one stimulus and then the other or processed both stimuli simultaneously. Processing time was controlled using a backward recognition masking task. A significant, but small, attention effect was found in both experiments. The present positive results weaken the interpretation that previous attentional effects were due to the particular duration judgment task that was employed. The answer to the question addressed by the experiments appears to be that the degree of capacity limitations and attentional control during visual and auditory perception is small but significant.     

Anxiety sensitivity and auditory perception of heartbeat

Anxiety sensitivity (AS) is the fear of sensations associated with autonomic arousal. AS has been associated with the development and maintenance of panic disorder. Given that panic patients often rate cardiac symptoms as the most fear-provoking feature of a panic attack, AS individuals may be especially responsive to cardiac stimuli. Consequently, we developed a signal-in-white-noise detection paradigm to examine the strategies that high and low AS individuals use to detect and discriminate normal and abnormal heartbeat sounds. Compared to low AS individuals, high AS individuals demonstrated a greater propensity to report the presence of normal, but not abnormal, heartbeat sounds. High and low AS individuals did not differ in their ability to perceive normal heartbeat sounds against a background of white noise; however, high AS individuals consistently demonstrated lower ability to discriminate abnormal heartbeats from background noise and between abnormal and normal heartbeats. AS was characterized by an elevated false alarm rate across all tasks. These results suggest that heartbeat sounds may be fear-relevant cues for AS individuals, and may affect their attention and perception in tasks involving threat signals.