Social and political activism amongst British Sikhs: Responses to issues of equality and human rights – a new way forward?

ABSTRACT

This article discusses two key issues relating to activism amongst British Sikhs. The exploration focuses upon the mobilisation of Sikhs at rallies and protests surrounding human rights issues, as well as their overall objection to caste legislation in British Law. The revelations surrounding the British Government’s involvement in Operation Bluestar came as a huge shock not only to British Sikhs but also to Sikhs worldwide. This paper will discuss whether the British Sikh community has taken on a fresh approach when confronted with issues surrounding equality and human rights and will explore how youth led Sikh groups and organisations have responded to contemporary challenges by using Sikhi to encourage activism amongst British Sikhs.     

THE POLITICS OF INTIMACY: (RE)THINKING 1984

The year 1984 is deeply ingrained in the collective Sikh memory. The attack on the Sri Harmandir Sahib and the subsequent pogrom in Delhi fundamentally challenged the manner in which the Sikh population in India and the diaspora engaged with the state. Indeed, these two events represented the culmination of a first phase of a war that began in the 1970s and continued well into the 1990s with the clearest effect on the Sikhs in Punjab. Nevertheless, 1984 continues to evoke a series of questions that are addressed in this paper. It examines how lives become precarious and grievable as well as how societies descend into barbarism. Finally, it seeks to understand how we memorialise grievable lives.     

COMMEMORATING HURT: MEMORIALIZING OPERATION BLUESTAR

The storming of Sikhism's most sacred shrine, the Darbar Sahib at Amritsar by the Indian army in June 1984 has become a commemorative event in the ritual calendar of the Gurdwara. Memorialized every year in June, Ghallughara Dihara (Day of Genocide) fuses the modern event with medieval Sikh history. The remembrances of Bluestar and its martyrs are primarily viewed as an anti-state ritual, evoking the devastation of the Akal Takht as the hurt remembered. But over time ritual performances have altered the meaning of memorializing, subtly discounting the pre-eminence of particular Khalistani leaders killed in the army action, telescoping them within the generalized category of martyrs. Within Darbar Sahib celebrations a sense of a restoration of ‘order’ and divine authority embodied in the Akal Takht prevail over the memory of charismatic leaders who were central to the movement for Khalistan. Ritual enactments among the Sikh Diaspora in London on the other hand, continue to bracket together claims for asylum with political persecution in the ‘homeland’.     

Trauma,cultural survival and identity politics in a post-9/11 era: Reflections by Sikh youth

This article presents findings from an ethnographic study of Sikh immigrant communities after 9/11. Notions of ‘belonging’ and ‘home’ are deeply fragmented for the Sikh families, especially the youth, and these complex social processes are explored. The post 9/11 backlash was pivotal in this community as it created more barriers for the youth in their schools as they became victims of racist slurs, threats and physical assault that were treated with apathy from teachers and administrators. Students stopped going to school, changed their physical appearances, displayed ‘patriotic’ American sentiment to promote an appearance of belonging, became depressed and were even suicidal as a result of the 9/11 backlash. The sense of persecution and of being labeled ‘suspect’ in the eyes of the public was detrimental to the families and the ensuing ‘fear’ for their safety in public spaces provoked many violent memories from India that these families experienced during the Hindu–Sikh riots from 1984 to the mid-1990s. The role of memory and the diasporic imaginary of Khalistan in the Sikh diaspora are understood throughout the article, as well. The findings of the study reveal immeasurable hardships for the Sikh youth in their schools and challenge assumptions about immigrant rigor and the resilience of immigrant youth in the face of hostile experiences and interactions. These hardships that stemmed from the trauma of migration and downward social mobility, the 9/11 backlash and their struggle to find a place led to challenges in identity formation and preservation.     

Inside the Guru's Gate: ritual uses of texts among the Sikhs in Varanasi

The images and representations of Sikhs in contemporary Mumbai cinema and popular culture, rife with portrayals of eccentricities that the audience loves to disregard eventually, point to a cultural turn that has become a power-laden strategy to regulate Sikh otherness and consequently, re-present it through a predominant, controlling gaze. In tracing such sense of carnivelesque otherness with which Sikhs have been portrayed in most Bollywood films, this paper aims to explore the configuration and re-configurations of Sikh subjectivity as an Other that remains marginalized by their difference and can only be acknowledged through a Hindu-centric lens of approval. Through depictions of what I call as Bolly Sikhs, a dubious space is created which is filled with contextual disjunctures and inconsistencies, a bricolage where Sikh identities and practices are jumbled up or deliberately misrepresented; sometimes the Sikh is presented only through subtractions and absences. The discursive limits of Sikh representation, presence and absence, when examined in context of cultural analyses offered by cultural critics as Edward Said, Stuart Hall, Frantz Fanon, Foucault and Homi Bhabha, among many others, enable us to understand the neo-Orientalist rhetoric whereby Sikhs can be seen as displaced or assimilated, if not betrayed in creative/visual representations. The Sikh thought/mind is nullified and/or absorbed within the hegemonic implications of Hindu thought and the Sikh body is at times, a fashionable icon of vibrant, colorful excess and at others, an object framed in terms of weaker ethos unable to achieve any accomplishment by itself.     

The Harmonium in Sikh Music

The harmonium has become the standard instrument in all Sikh musical worship (kirtan) performances and it seems inseparable from the Sikh musical experience. In the mid-nineteenth century, however, the kirtan experience was considerably different. Until the early twentieth century, kirtanis performed kirtan on stringed instruments and adhered to a number of complex traditional musical themes and structures. Following the introduction of the harmonium, kirtanis became attracted to this instrument and in the space of 50 or 60 years, the harmonium became their instrument of choice. This paper explores this theme and attempts to deconstruct the history of the harmonium and the reasons why it became so attractive as an instrument of choice for Sikh kirtanis. We explore the popularity of the harmonium amongst Indian musicians in general before attempting to understand why Sikh kirtanis rejected stringed instruments and chose the harmonium.     

GURBANI KIRTAN RENAISSANCE: REVIVING MUSICAL MEMORY,REFORMING SIKH IDENTITY

This article examines the modes of revival within the contemporary renaissance of traditional Gurbani Kirtan (Sikh devotional music) in an effort to differentiate historically operative practices from modern products being sold as tradition. Modern reformist tendencies have attempted to institutionalize a normative Sikh musical identity into one homogeneous ‘Gurmat Sangeet’ genre through codifying Sikh raga forms and promoting a particular Sikh musical orthopraxy and history. The process of institutionalization privileges written sources as authoritative, erasing the memory of operative practices passed down orally since the time of the Sikh Gurus through the Gurbani Kirtan parampara (tradition). In questioning how Sikh musical knowledge has been propagated and authenticated since modernity, I propose a reassessment of what values and musical modes are indelible to the fabric of Gurbani Kirtan, what aspects are modern derivatives, and what aspects are negotiable. I believe such an approach will not limit Sikh musical expression to a past identity subsumed by orthodox rigidity. Instead it will move toward a phenomenological epistemology that recognizes how orality and embodied experience are intrinsic to the Gurbani Kirtan parampara that remembers, practices, and teaches a particular methodology to embody the Bani as Guru for newly creative Sikh subjectivities.     

Sikh diasporic negotiations: Indian and Canadian history in Can You Hear the Nightbird Call?

The perceived interconnection of Sikh religion and extremism, and the mistaken association of Sikhism with Islam impacted Sikh consciousness and historically, these have presented challenges to Sikh identity, representation, and intercultural negotiations in Canada. With reference to Anita Rau Badami’s Can You Hear the Nightbird Call? (2010), this article investigates Canadian Sikh diaspora’s collective memories, specifically: (i) the return of the Komagata Maru ship from Vancouver (1914) (ii) partition of India (iii) the death of passengers in Air India 182 (23 June 1985) from Toronto to India; (iv) Operation Blue Star (1984) and (v) the 1984 Sikh carnage.     

MUSIC OF THE SIKH DIASPORA: DEVOTIONAL SOUNDS,MUSICAL MEMORY AND CULTURAL IDENTITY

This paper explores the role of devotional music in the construction of Sikh identity in diasporic contexts. In particular, it examines a heterodox Sikh community in the UK and an orthodox Sikh community in Hong Kong from a comparative perspective, showing how music helps to clarify continuities and discontinuities in Sikhism worldwide. I provide ethnographic accounts of musical performances in different locales within gurdwara-s. Following a summary of current conventions in Sikh music performance and pedagogy, two ethnographic accounts are provided. The first is a musical ethnography of the Namdhari Gurdwara in Leicester where Hindustani classical music is performed alongside traditional ritual genres. The second site is a similar ethnographic study of the Khalsa Diwan Gurdwara in Hong Kong where the issues of diasporic identity and musical memory are foregrounded.     

REPRESENTATION OF SIKHS IN BOLLYWOOD CINEMA

Like other ethnic minorities, Sikhs have been conventionally represented in popular Hindi cinema either as brave warriors or as uncouth rustics. In the nationalist text in which the imagined subject was an urban North Indian, Hindu male, Sikh characters were displaced and made to provide comic relief. Since the mid-1990s, Hindi filmmakers have genuflected to the rising economic and political power of the Sikh diaspora through token inclusions of Sikhs. Although 1990s films like Kuch Kuch Hota Hai (1998) included attractive images of Sikhs, Hindi cinema could introduce a Sikh protagonist only in the new millennium in Ghadar: Ek Prem Katha (2001) and featured a turbaned Sikh as a protagonist only two decades later in the film Singh is Kinng (2009). Ever since the film became a superhit, top Bollywood stars such as Akshay Kumar, Saif Ali Khan, Ranbir Kapoor and even Rani Mukherjee have played Sikh characters in films like Love Aaj Kal (2009), Rocket Singh: Salesman of the Year (2009) and Dil Bole Hadippa (2009). Even though Bollywood stars have donned the turban to turn Sikh cool, Sikhs view the representation of the community in Hindi cinema as demeaning and have attempted to revive the Punjabi film industry as an attempt at authentic self-representation. This paper examines images of Sikhs in new Bollywood films to inquire if the romanticization of Sikhs as representing rustic authenticity is a clever marketing tactic used by the film industry to capitalize on the increasing power of the Sikh diaspora or if it is an indulgence in diasporic techno-nostalgia that converges on the Sikh body as the site for non-technologized rusticity. It argues that despite the exoticization of Sikhs in the new Bollywood film, the Sikh subject continues to be displaced in the Indian nation.     

Auseinandersetzung,Colonialism and Heidegger’s Oblivion of Other Beginnings

ABSTRACT

This article attempts to enact a creative confrontation (Auseinandersetzung) between Heidegger and Sikh spirituality. Heidegger’s idea of confrontation did not stay the same throughout his career. It goes through multiple transformations. The earliest iteration of this idea in the 1930s can be linked to his ethno-centrism. In the Black Notebooks, Heidegger performs a confrontation with himself, which marks his attempts to go beyond his prior position. Later in the 1960s and 1970s, Heidegger gets a glimpse of what a different confrontation might look like. However, he fails to enact it. This failure can be located in his inability to build a profound connection between his quest and non-European traditions. The article concludes with a fleeting glance at what such a connection between Heidegger’s quest and Sikh spirituality might look like.     

SIKHI(SM)

This essay examines recent memorial practices and projects among the global Sikh community. These memorials range in form and scale from purpose-built museum buildings to candlelight vigils. Their peculiar placement as repositories of Sikh memory is juxtaposed with the memorial role already implicit in the architectural, spatial, and theoretical program of gurdwaras. By examining recently constructed memorial projects in and outside of Punjab, this essay calls for critical questioning of what (and who) is on display in Sikh museums and exhibits. The essay is essentially a study of the dialogue that is created as a result of the spatialization of Sikh identity and thought through memorial projects: (How) can a Sikh museum or memorial be as much a statement of Sikh socio-political identity as a gurdwara?     

PAKISTAN AND SIKH NATIONALISM: STATE POLICY AND PRIVATE PERCEPTIONS

The paper will examine Pakistan policies and perceptions of Sikh nationalism in the period from 1947 until the present day. The policies, it will be argued, have been opportunistic rather than strategic and have embraced both covert support for militancy against the Indian state in the 1980s and the attempt to use Sikhs and East Punjab as a bridge between Pakistan and India in the post-2001 period of composite dialogue. Private perceptions will be explored first through the accounts of partition survivors. They contain a typical mixture of romanticized views of Muslim–Sikh rural harmony before 1947 and of the Sikhs as an aggressive ‘Other’ in the ‘War of Religions’ at the time of the massacres and mass migrations. Their official counterpart is the attempt to ‘blame’ Sikhs for the violence and to understand the attacks in East Punjab as part of a Sikh Plan of ethnic cleansing. Secondly, private perceptions will be examined in terms of accounts written at the time of the 1980s Punjab crisis. These Pakistani works support the view of Sikhs as an ‘aggrieved minority’. Sympathy for Sikh nationalist struggle stops short of overt support for the militants in such texts. They frequently indulge, however, in attacks on the ‘Brahminical’ hegemony within India, thus echoing Sikh ethno-nationalist writings. Contemporary writings are suffused with romanticist imaginings of the Punjab, bringing harmony to the region in which the ‘love’ aspect of the love/hate relationship between Punjabi Muslims and Sikhs is emphasized. The extent to which the two Punjabs have drifted away from each other since partition is seldom acknowledged; nor the history of competing Muslim and Sikh nationalisms in the region.     

The Sikh faith and its encounter with the humanities within the contemporary secular university*

This article is an exploration of contemporary themes within the humanities and how they apply within the context of teaching the Sikh Faith within the contemporary secular University. It explores the contemporary crisis within the humanities and in a critical engagement with Edward Said's notion of secular criticism it offers a different perspective which is located within a notion of Sikh ethics.     

‘Second generation’ Sikh autobiographies and authobiographical novels in European languages: Turning towards and away from traditions

ABSTRACT

The article analyzes autobiographies and autobiographical novels by Sikh authors who were born and grew up in Europe and North America as sources for understanding developments of Sikh religion. It uses the concepts panjabiat (Punjabi-ness), Sikh religion and modernity/Western society to understand the tensions and conflicts described in these books. The authors had to work out the differences between panjabiat, Sikh religion and modernity/Western society. They had to figure out what place the Sikh religion should have in their new identity and for this they were looking for similarities between the Sikh religion and Western society. In the autobiographies Sikh religion emerges as an ideology employed to criticize Punjabi culture and society and Sikh religion is reinterpreted and often comes to refer to some general principles that are compatible and supportive of Western modernity.     

Sikhs of Nagaon in Assam (India): Dilemmas of language and religion*

Sikhs are a widely scattered community found both in India and far beyond. They have historically been a hardworking people who have sought out economic opportunity in a wide variety of places. In the state of Assam, there are Sikhs who had settled there for the past two centuries, exclusively in the villages of one district of Nagaon. They claim to be the progeny of Sikh soldiers sent there by Maharaja Ranjit Singh in support of the Ahom king. After they lost the battle and dispersed to the forested areas clearing the jungle and cultivating the land. While they have kept Sikh tradition in its entirety and believe fully in Guru Granth, they do not understand Punjabi. The Punjabi Sikhs, as later day migrants, have subjected them on these grounds and refer to them as ‘duplicates.’ This article will seek to present a full account, however, of their immersion into the culture of Assam and how they came to call themselves Axomiya, a distinct type of Sikhs from this state.     

Rethinking Sikh Nationalism in the Twenty-First Century

This article seeks to draw attention to some of the core issues which beset the study of Sikh nationalism as a coherent phenomenon in an increasingly globalized and socially fragmented world. First, it highlights the importance of revisiting the debate about the community's religious boundaries, arguing that in contrast to the new conventional wisdom informed by poststructuralism, Sikh identity has exhibited a remarkable degree of continuity from the establishment of the Khalsa in comparison with other South Asian religio-political communities. The second key issue highlighted is the role of the Sikh diaspora in the development of Sikh nationalism and statehood. It critically examines the extent to which diaspora may be regarded as an instrument of ‘long-distance’ nationalism. Third, it argues that the existing literature on Sikh nationalism is remarkably community-centric and needs to engage with theories of nationalism. Finally, while acknowledging the cleavages which fragment the Sikh nation, it concludes that Sikh nationalism has been remarkably cohesive.     

INVENTING HOME: (Re)Membering the nation

This paper examines how identity is constructed and given meaning, especially for diasporic subjects. It focuses on a recent documentary film My Mother India by the Sikh-Australian, Safina Uberoi, whose work is a powerful mechanism to interpolate questions that are germane to considerations of identity, trauma and memory that have been characteristic of the Sikh condition. Safina Uberoi's film makes one confront civil violence through a personal narrative, centring on the experiences of an ordinary family. It illustrates what happens when neighbours perpetrate violence on their fellow citizens. Such violence fundamentally alters the way in which communities function. There is little wonder that the trauma which arises from such carnage is hardly talked about. A silence pervades the most horrific instances of violence that have marked Sikh identity in the last century.     

MEMORY,INVISIBILITY, AND THE OAK CREEK GURDWARA MASSACRE

The racist terrorism experienced by Sikh, Muslim, Arab, and South Asian American communities after 9/11 has never abated, although it has disappeared from the nation's contemporary discourse and its memory of that traumatic time. The intensely stressful and personal violence still plaguing the Sikh American community makes farcical any discussion of a ‘post-racial’ society. The erasure of its experience during and since 9/11 is well illustrated and symbolized by the disappearance of Balbir Singh Sodhi from our national memory of the time. The national hate crime epidemic has been fed and sustained by white Christian Americans who demonize racialized non-Christians, sometimes in racialized terms. The hate crime wave against Sikh Americans has been largely ignored by the media since 9/11, preventing wider understanding of the ongoing problem, and ensuring Sikh Americans were still largely unknown to their fellow Americans when the Oak Creek massacre occurred. What images the media did offer of turbaned, bearded men after 9/11 exacerbated the situation, exemplifying the prototypical images of a terrorist already deeply embedded in the national psyche, as seen in the mistreatment of Sher Singh. The politics of racial division must end, and we must drive those who divide us from the public realm with demands for patriotic integrity.     

Sikh historical memory as an ideological justification for Khalistan

The Khalistan movement was an armed secessionist struggle carried out by the Sikhs of Punjab, northern India, which spanned the period between 1981 and 1993. In parallel with other such insurgencies around the world, it is evident that the Khalistan movement had a strong ideological underpinning which not only helped to fuel its rise, but also helped to sustain it throughout its tenure. In this regard, the reference point for ideological justification was very much the past experiences and episodes of the Sikh community, or, to be precise, their ‘historical memory’ of these. This article focuses its attention on identifying, describing and interrogating the strength of the ideological justifications that were extracted from Sikh historical memory in support of Khalistan.