Xiong Shili on the Nature,the Mind and the Origin of Badness as Evidenced in Ming Xin Pian 明心篇 (Explaining the Mind )

The question of the origin of badness is a core problematic in New Confucian philosopher Xiong Shili’s 熊十力 (1885–1968) Ming Xin Pian明心篇 (Explaining the Mind; 1959), a work representative of his thought towards the end of his life. In this essay, I examine how Xiong uses the concepts of the nature (xing 性) and the mind (xin 心) to explain the origin of moral badness. Xiong asserts that the Buddhists never concerned themselves with the problem of the origin of ignorance and delusion, afflictions that in turn lead to suffering and wrongdoing. Xiong sets out to redress what he claims the Buddhists had failed to do. I argue that the conceptual structure of both Xiong Shili’s and Zhu Xi’s 朱熹 (1130–1200) theoretical approaches to this problem are isomorphic. The isomorphism is significant because it suggests that Xiong consciously drew on Zhu Xi and/or the Buddhist models that Zhu in turn drew on. I provide evidence to show that even as late as 1959, and despite his increasingly entrenched criticisms of Buddhism, Xiong continued to draw on key concepts and models drawn from Buddhist philosophy of mind.     

BOOK REVIEW——Brook Ziporyn,Ironies of Oneness and Difference： Coherence in Early Chinese Thought

If there is one thread running through the history of Chinese philosophy, Ziporyn would identify it as the concept of ＂coherence.＂ It is no exaggeration to say that Ironies of Oneness and Difference is a gronndbreaking work, in which Ziporyn makes a case for the primacy of coherence in Chinese ontology. This is the first installment of a two part study. The second volume, Beyond Oneness and Difference.＂ Li and Coherence in Chinese Buddhist Thought and Its Antecedents, examines explicit articulations of the concept li ~, traditionally translated as ＂principle,＂ ＂reason,＂ or ＂pattern,＂ but which he argues should be understood as a form of coherence. The first volume examines the discourses in pre-Qin texts that prefigure its development. Ziporyn attempts to plot continuities of meaning and usage over time that may be interpreted as stages in the emergence of an explicit concept of li. He makes his case with impeccable sinological scholarship, extensive familiarity with the relevant texts, and mastery of philosophical concepts, discourses, and methodologies.     

Li Zehou and Moritz Schlick on the Roots of Beauty

Beginning from the Enlightenment view that beauty or art is ＂useless,＂ the attempts to explain how aesthetic experience and judgment are possible presented by Moritz Schlick and Li Zehou are examined, compared and contrasted. The paper treats three main subjects, the anthropological origins of beauty, the origins of aesthetic judgments and the problem of the purpose or function of beauty or aesthetic experience. In the first--the historical-causal roots of beauty--the problem discussed is how to account for aesthetics in light of the practical needs and pursuits of human beings. For Schlick, the problem is couched in terms of how aesthetic experience can be made consistent with natural selection. The second main subject-the philosophical roots of beauty-is a discussion of the origin in the sense of justification of aesthetic judgments. And the third examines the problem of assigning some purpose to aesthetic feelings and attitudes. An apparent contrast is made, and perhaps resolved, between the respective views of Schlick and Li.     

菩提达摩和禅

Bodhidharma,(6thcentury),semilegendary In-dian Buddhist monk,28thin the line of transmissionfrom the disciple Kasyapa(a student of the Buddha。the founder of Buddhism)and the founder of the Zen(called Chan in Chinese)school of Buddhism.He issaid to have come from     

语言产生过程中信息加工的眼动研究(中文)

Researchers have recently turned to eye tracking to study the complex cognitive processes underlying speech production. The present paper provides a brief overview of studies of sentence production and eye movements. A review then follows of research using eye tracking to investigate eye movements during multiple object naming and differences between findings in reading research. The majority of these studies attempt to determine the extent to which object naming can happen in serial or parallel. Lastly, I provide a brief comparison between seriality and parallelism in reading and multiple object naming.     

James Legge's Hermeneutical Methodology as Revealed in His Translation of the Daxue

With a focus on The Great Learning (Daxue大學),this paper explores the specific exegetical or hermeneutical methodology adopted by James Legge in his translation of this Confucian canonical text.It begins with an analysis of the translation theory endorsed by Legge,comparing his translation with those of Ku Hung-ming and Wing-tsit Chan.The second part aims to explicate the hermeneutic dilemma faced by Legge in his dealing with this text.It looks at the intellectual context in which Legge's scholarship on the Chinese classics had developed,as well as the academic standard he was required to maintain throughout his translation.Overall,Legge's familiarity with Qing scholarship makes it interesting to determine where and why he follows or rejects Zhu Xi.Given Legge's Christian missionary background and the sense of mission pervading Zhu Xi's commentary,we conclude that Legge's affinity with Zhu Xi is much more subtle and complex than previously speculated:the difference in their approach to Confucian texts cannot be reduced to a contrast between construction and deconstruction or between canonization and decanonization.     

Between Mind and Trace — A Research into the Theories on Xin 心 (Mind) of Early Song Confucianism and Buddhism

From Han Yu’s yuan Dao 原道 (retracing the Dao) to Ouyang Xiu’s lun ben 论本 (discussing the root), the conflicts arising from Confucianists’ rejection of Buddhism were focused on one point, namely, the examination of zhongxin suo shou 中心所守 (something kept in mind). The attitude towards the distinction between mind and trace, and the proper approach to erase the gap between emptiness and being, as well as that between the expedient and the true, became the major concerns unavoidable for various thinkers to integrate the two teachings and to propel academic development. “To understand by mind” and “to blame for matter” were of crucial methodological significance for transcendence in both Confucianism and Buddhism. The arguments of Confucian scholars like Zhang Zai and the Cheng brothers on the identity of mind and trace and the unity of void and solid are mutually manifested. The same mind with the same principle means “mind is principle.” The “common axis of Confucianism and Buddhism” exists in the emphasis on mind beyond trace. The unification of mind and trace or the accordance of body and function has actually become the cardinal foundation for the possible mergence of the Three Teachings.     

Sign,Image and Language in The Book of Changes CYijing 易经）

It is challenging to estimate the degree to which the system of the Trigrams and Hexagrams in The Book of Changes （Yijing） had an impact on the whole history of Chinese thought. The universal paradigm from which it was derived formed the basis of a semiotic theory of evolution which, because of structural analogies, was applied to all fields and aspects of human life where decision making and action in correspondence with a cosmic principle was required. To achieve that goal, countless commentaries on and interpretations of the Yijing have been written. They can be divided into two schools. The first used the Yijing as a book for divination, in combination with manifestations of the universe and nature. The second interpreted it with a philosophical background, making it part of the tradition of Confucian thought. Modem scholars have also contributed some new approaches to the Yijing. My paper is based on the assumption that the Trigrams and Hexagrams of the Yijing cannot be understood in a purely representational way. They do not represent things apart from their relation to human needs or consciousness. Because of the co-determination of text and reader as a task without determinate end-points, it proves to be a unique case of effective-history. In the Yijing, there is no real line between culture and nature, sign/image/language and fact, the universe of semiosis and other universes. With its use of signs, images and language, the Yijing confirms that the universe of semiosis is the universe of heaven, earth and man. Against this background, my explanations will not only focus on the Trigrams and Hexagrams. My paper will also deal with the following topics： （1） interpenetration of linguistic meaning and objective reality and （2） the social nature of verbal or literary expression.     

Paradoxes in the Textual Development of the Laozi: A Closer Examination of Chapters Eight and Twenty-Four

In light of the recently published Western Han period bamboo-slip Laozi,now in the collection of Peking University,this paper explores several paradoxes in the textual development of the Laozi.Specifically,it presents two examples suggesting that since the wording in the Laozi was originally intended to be ambiguous and paradoxical,during the transmission of the text,the compilers or commentators modified some of the paradoxes to make better sense.Eventually those modifications came to replace the original text.In the first part of this article examines certain contrasting differences in Chapter Eight from the Beida Laozi,the Mawangdui Laozi,and the received Laozi.The second part,I examine certain other contrasting differences from these same versions from Chapter Twenty-Four are discussed.This paper argues that these differences among the various versions are not the product of transcribal error;rather,they are the result of compilers or commentators who revised these passages against their earliest versions in order to make the meaning clearer and more explicit.     

Create a Bright Future for Children

It is a common understanding in worldwide that takingcare of children means the attentions to the human beings'tomorrow and protecting children means safeguarding thehuman beings' future. The ideas had become a veryimportant mark to the developing level of human societyas well as the progress of its civilization.retarded children. The Foundation presented the equip-ments of 1,380,000 Yuan RMB to the blind children'schools or the special education centers concerned, andoffered scholarships to…     

Effacements of Form

The theme of this essay is expressed in a line from the Dao De Jing： ＂The great image has no form.＂ The essay shows how this effacement, annulment, or withdrawal of form is realized in ancient Chinese painting （Song and Ming Dynasties） and in the conception of the natural elements to which much of this painting is related. Certain resonances with this effacement of form are identified in the way that recent Continental thought focuses on an effacement of form as it was determined in ancient Greek philosophy.     

民族本质论对民族认同和刻板印象的影响

The simple understanding of ethnicity by lay people is called the lay people’s theory of ethnicity, two theories are used to interpret the ethnicity by lay people in their everyday life. One of the theories contends that ethnicity is determined by nonmalleable, deep-seated essence and the essence would give rise to stable personality traits and abilities across situations, this is called the essentialist theory of ethnicity. The other theory, however, denies the real existence of ethnic essence, ethnicity is a social construction that is arbitrarily created due to social and political reasons in historical contexts, which is termed the social constructivist theory. Some western studies have shown that people have different interpretation about ethnicity cause different group perceptions and group relations. It is necessary to test and extend these results in another social background, like the Chinese one. First, 351 students from different ethnic groups participated in Study 1. They completed a questionnaire aimed at assessing their attitudes towards inter-group perception, ethnic identity, lay people’s theory of ethnicity, and out-group contact attitude. The results showed that: (1) the stronger essentialist belief a participant has, the more sensitive he or she is about group difference; (2) essentialist theory affects people’s inter-group identity, i.e. the deeper one believes in essentialism, the tenser he or she feels about in-group identity and bias, the more passive attitude is hold towards out-group contact. Second, 104 Han students participated in Study 2. An experimental method was used to test stereotyping differences against the minorities in relationship to lay people’s ethnic theories. Participants were randomly assigned to read the article advocating the essentialist view of ethnicity or the article advocating the social constructionist view of ethnicity. The result illustrates that: participants in the essentialist ethnicity condition showed stronger stereotyped impressions, especially negative stereotyping than did those in the social constructionist condition, but participants in the two conditions did not differ significantly on their positive stereotyping. In conclusion, the essentialist theory of ethnicity has a great influence on ethnic identity and ethnic stereotyping. Practical implications of these results imply that lay people’s theory of ethnicity can be used as a vehicle for reducing prejudice. Specifically, we can teach people to hold more social constructivist belief and less essentialist belief.     

The Earth Garden: Going Back or Going Forward to Nature?

Against the background of a short meditation on the contrasting ways in which landscape has been represented and idealized in Eastern and Western painting traditions,the article will try to show,using some striking examples,that the development of landscape painting in the last two centuries reflects the changing relationship of humanity and nature,leading in both the East and in the West to either the expression of a nostalgic longing for nature to be back as it once was,or to a gloomy expression of the vanishing of nature amidst the modern,technological world.Connecting to both the concept of "harmony," which is a key concept in Eastern aesthetics,and to some recent reflections in Western philosophy on the relationship of nature and technology,a post-nostalgic conception of nature and natural beauty is defended,in which nature and technology are no longer seen as opposing categories,but rather as poles that are intertwined in an ever-lasting process of co-evolution.It is argued that we should not so much strive to go "back to nature," but rather to go "forward to nature" and establish a new harmony between human and non-human nature and technology.The article ends with some reflections on the role artists and aestheticians may play in this transformation.     

The Enjoyment of the Sage and the Common People: A New Perspective on the Cosmology of the Laozi

The Laozi laughs at the joy of those who violate the Dao and praises the suffering of those who attain it,yet this does not mean that the political philosophy of the Laozi does not encompass a notion of happiness,a notion that is grounded in the "enjoyment of something together" (gong le共樂) by the sag and the common people.The philosophical foundation of the Laozi's view of happiness is its cosmology,of which there are two sequences:one is generation and the other is growth.With the influences of Wei/Jin-era metaphysics and Western philosophy,Chinese scholars used to overemphasize generation,tracing only the origin.But in the cosmology of the Laozi,both generation and growth are indispensable,and this is part of the reason why the Dao and the De are equally important in the Laozi.The happiness of the common people does not come from a psychological dependence on or attachment to certain form of domination,but from the full development of each individual's initiative and action affected by Mysterious De.     

Principle,Knowledge, and Personality： Some Reflections on ＂the Good＂ according to Plato

This paper focuses on Plato＇s ＂Form of the Good,＂ or ＂the Good,＂ with an interest in Plato＇s riddle that ＂the Good is the One.＂ Unlike the traditional approach to explaining the Good in the Republic as ＂rational order＂ or a unity of Forms, this ]paper argues that the Good is the unique transcendent principle, like the apex of a hierarchy, but does not encompass the whole structure. According to its Ontological position, its multiple facets （functions） include the Ontological foundation of uniting ＂to be＂ and ＂ought to be,＂ the ultimate source of knowledge, and the Ideal goal of uniting the common good and individual goods. The practical dimension of the Good is highlighted in exploring the lifelong study of the Philosopher-Kings and their political personality. It is also pointed out that ＂sudden enlightenment＂ plays an important role in their path toward the Good. Finally, this paper proposes that the Good should be the a priori beginning of education and the end of the practice of virtues in the community.     

Original mind and cosmic consciousness in the co-creative process

This article will investigate the issue of accessing benxin 本心 (original mind), subsequent operation from Self and, in that process, union with the “greater universe” or benti 本体 (original substance)—a state expressed in the West as “cosmic consciousness.” It is proposed that this allows one to participate as a partner in the creative process of one’s own life and the surrounding world. The equally important question of how to gain contact with original mind will also be addressed, as well as the consequences of doing so with regard to the human condition. The concept of original thought is introduced, being important here as it is held to be that thought which is generated in the pure condition of original mind, devoid of influence from finite physical existence.     

The Symbolism of the Body in Daoism

The body is the center of Daoist practice.In addition to being the carrier of feelings,experiences,and actions,it also plays a major role in the construction and interpretation of religious meanings.What is important here is how it serves as the starting point and springboard for practitioners seeking either to obtain the ideal state of being or acquire transcendent powers.This article explores the formation of the body as a symbol in Daoism,and analyzes its corresponding implications.I attempt to do this through a close textual reading of Daoist texts and a critical review of previous academic work on the Daoist conception of body.Within Daoism,the body is neither some physical object,nor a spirit-flesh hybrid that is the subject of theological reflection.It is the vehicle to immortality,and is in itself a small pantheon to be discovered and promoted.As such,it is an open and rich symbol that both generates and integrates meanings on different levels.The symbol of the body not only brings together diverse meanings,but it also provides a conduit through which these meanings are expressed.After taking on religious meaning,the body comes to actualize its potentiality through Daoist practice and cultivation.     

Goblet Words and Indeterminacy：A Writing Style that Is Free of Commitment

The Zhuangzi is a collection of ancient Chinese anecdotes and fables that serves as a foundational Daoist text. The style in which it is written is significant because it obscures rather than reveals the text’s philosophic positions. If the text cannot be translated into plain language while preserving its content, as the Mozi or the Mencius generally can be, then the writing style is not merely rhetorical. The style is itself indispensable to the content. In this study, I analyse a linguistic device mentioned in the Zhuangzi and use it to reflect the text’s writing style—namely, “goblet words” (zhi yan 巵言). I argue that various logical forms of goblet words defy the act of fixing a definite answer in any conceptual distinction or disputation. The forms, which include dilemmatic questions, oxymora and double denial, all serve to preserve indeterminacy. Reading goblet words may affect readers by making them more open-minded towards distinctions. However, readers cannot ascertain that the text’s authors produced this effect intentionally. Therefore, the text may cause readers to be open-minded while the authors remain free of commitment.