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For more than forty-five years as a Carmelite nun in the sixteenth century, Teresa of Avila suffered from great physical pain. We see in her life how disciplined prayer can become a healing experience that moves from minimal psychic representation to full symbolic representation. After a brief examination of Teresa's life, two theoretical perspectives on somatic manifestation will be reviewed: the theory of conversion hysteria of the classical Freudian school, and the differentiation Joyce McDougall draws between hysterical and psychosomatic phenomena. For the psychosomatic, as the mystic, the void of wordless space has significance. Following after McDougall on the suffering body, a third perspective will be offered: the concept of conscious body suffering as a means to inner change.  相似文献   

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Utilizing concepts from self psychology, the author demonstrates the ways in which God functioned as a selfobject for Teresa of Avila. In addition, parallels are drawn between the spiritual journey as described by Teresa of Avila and the psychotherapeutic journey. Building bridges between the psychological and spiritual realms of experience can greatly increase our understanding of each, and enable us to help our clients become more integrated, whole persons.  相似文献   

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Teresa of Avila's desire for suffering cannot be interpreted as the mere passive assumption of a feminine sacrificial role. On the contrary, Teresa was able to transform her suffering into the incarnated performance of her relationship with God: By desiring suffering and by understanding it and her ability to confront it as proof of divine love, she was able to reinforce her self‐confidence and strength. This article discusses Teresa of Avila's experience and interpretation of suffering in the context of the female ascetic‐mystic Christian tradition. It criticizes Teresa's positive conceptualization of suffering but examines in depth the potential of her ability to actively manage and control it. Although Teresa was able to affirm her personality through ascetic practices such as self‐humiliation and mortification, the general applicability of such practices to the management of suffering is fraught since they leave the suffering individual in a vulnerable position. Although Teresa of Avila finds fulfillment and, paradoxically, self‐actualization through self‐denial and the surrender of her will, such practices entail the substantial risk of total self‐annihilation.  相似文献   

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In several works Teresa Brennan examines how, contrary to social notions of the separate and contained self, all that exists in the natural world is connected energetically. She identifies a “foundational fantasy” whereby the ego comes into existence and is maintained by the notion that it controls the mother. The effects of this fantasy are socially oppressive and, in the technological era, environmentally disastrous. M;y examination of narratives and images in ancient myth, popular culture, literature, and art suggest ways to counteract the destructive fantasy through re‐symbolization of the relation to what Brennan understands as the original/living nature, which is correlated to the mother's body.  相似文献   

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In this June 2004 interview, Julia Kristeva takes us through her long and extraordinary career as a writer, an intellectual, and an academic. She speaks of her early years as a radical poststructuralist, postmodern feminist, and discusses how her scope has broadened with the addition of psychoanalytical theory and practice. She answers questions about her work on the abject, melancholy, motherhood, and love, and reveals how personal experiences, like the death of her father, have shaped parts of her literary output.  相似文献   

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This essay is about Hans Urs von Balthasar’s critical appropriation of Nietzsche as a prophetic and apocalyptic thinker whose thought presents a challenge to a tired European culture and a petrified form of Christianity. But it is also about a particular expiration date for this critical appropriation which can be dated to the 1940s. The bulk of the essay deals with two early texts of Balthasar in which Nietzsche is a dominant figure, that is, Balthasar’s dissertation, Geschichte des eschatologischen Problems in der modernen Literatur (1928) and Apokalypse der deutschen Seele (1939). The centrality of Nietzsche in these texts makes it all the more shocking that by the mid 1940s Balthasar’s engagement has essentially come to an end. The hypothesis put forward is not that the questions raised by Nietzsche have ceased to have pertinence, but that Heidegger, who had also from the beginning been an important figure for Balthasar, essentially takes over Nietzsche’s apocalyptic provocation and thereby eclipses him. Thereafter, Heidegger becomes not only the emblem of the best that Phenomenology can do, but also of a form of Nietzschianism that is more subtle and complex in its negotiations with Christianity and precisely for that reason more dangerous.  相似文献   

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The contemporary crisis in AmericanEducation that has resulted in Bush sponsoredfederal legislation for accountability andstandardized testing is the setting for anessay introducing the work of Frenchphilosopher, Julia Kristeva. The comparison isbetween an ``educated subject'' that might wellcome to be constituted in schooling at presentand a ``subject-in-process.'' In a strikinglydifferent vision of human potential, the latterindividual, with open-ended, non-perfectdevelopment, entails the possibility ofpersonal, societal and educational change.Kristeva's theory, based greatly in areinterpretation of Freud, and incorporatingthe semiotic, abjection and love, and revolt iscentral.  相似文献   

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《Theology & Sexuality》2013,19(3):293-304
Abstract

This article examines the relatively neglected fiction of Julia Kristeva, especially her ‘gothic roman noir’ The Old Man and the Wolves, in relation to her theories of violence and abjection. It focuses on the various kinds of excitement and anxiety provoked by notions of border-crossing and metamorphosis in her fiction, and explores her critique of the banality of secular modernity and her nostalgic evocations of sacred space. I also discuss the paradox of her problematic use of detective fiction—a direct product of secular modernity—as a vehicle for this critique.  相似文献   

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Abstract:  In the first volume of The Glory of the Lord , Hans Urs von Balthasar asks how the crucified Christ can be considered an icon of a beautiful God. Because the crucifixion initially confronts us as morally and aesthetically ugly, no authentic analogy between worldly beauty and the beauty of divine revelation seems to obtain. In arguing to the contrary, Balthasar presents us with an original interpretation of Thomas Aquinas that yields fresh insights into the Christian doctrine of God. By placing the cross at the center of intramundane aesthetics, Balthasar forces us to rethink, not only the meaning of the divine simplicity, but the relation in God among being, beauty and love.  相似文献   

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The relationship envisioned by Hans Urs von Balthasar between the Trinity and the events of Christ's passion and death has elicited concern from various theologians that he has muddled the important distinction between God's eternal life ad intra and his interaction with the world through the economy of his actions. This article argues that such a reading of Balthasar's theology is ultimately a serious misconstrual of his work since it overlooks the aesthetic categories established early in The Glory of the Lord through which his narration of the cross‐event must ultimately be interpreted. By interpreting Balthasar in this manner, this article clarifies the content of what is perhaps Balthasar's most important theological contribution, and provides a creative alternative for how best to situate the relationship (oft‐discussed in twentieth‐century theology) between the Trinity and the crucifixion.  相似文献   

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This esssay originated from discussions with Bojana Mladenovic.  相似文献   

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This article examines Julia Kristeva's theories of language, subjectivity, and faith. Kristeva's perspectives contain surprising resources for feminist theologians concerned about gender-inclusive language for God. Her concept of the Imaginary father offers a way to understand how God-language functions for person in relation to their subjectivity. Such an understanding can assist feminist thinkers to move beyond contemporary stalemates in theological appropriations of object relations theory, toward new feminist perspectives on subjectivity and new practices for transforming gendered language about God.  相似文献   

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Martin explores divine simplicity according to the twentieth‐century Catholic theologian Hans Urs von Balthasar. She grants that Balthasar does not provide a traditional presentation of the attribute of divine simplicity. In his doctrine of the Trinity, Balthasar emphasizes such themes as distance, “hiatus,” and infinite difference, none of which seems to promise a robust doctrine of divine simplicity. Indeed, some have suggested that Balthasar's Trinitarian theology does not allow for traditional claims about divine simplicity. Martin argues, however, that one finds in Balthasar's Trinitarian theology the doctrine of divine simplicity, assumed as an internalized starting point and rooted in his understanding of the analogia entis. This can be seen, for example, in his various engagements with Aquinas as well as with contemporary thinkers such as Gustav Siewerth and Erich Przywara. Likewise, when addressing the issue of whether the Trinitarian Persons can be “counted” according to our normal understanding of number, he insists with Evagrius that God is simple. In the same context, he similarly draws upon Plotinus, Basil of Caesarea, Gregory of Nyssa, Gregory Nazianzen, Tertullian, Ambrose, and Aquinas. Martin therefore gives particular attention to the Theo‐Logic and to Balthasar's affirmation in his Trinitarian theology of the points that the divine Persons are fully God, the divine attributes are identical with each other in God, and the distinction of Persons has to do not with three parts of God but with opposed subsistent relations.  相似文献   

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