Another reason why adults find it hard to draw accurately

Misperception of objects is a major cause of inaccuracies in adults' drawing. It has previously been established that participants' drawings are biased by their knowledge of the drawn object. We hypothesised that additional inaccuracy arises because drawings are biased towards participants' idiosyncratic canonical representations of the object. We report that participants' free drawings of a cylinder are correlated with their observational drawings of the same shape, providing evidence that people's observational drawings are distorted by their individual schematic representations of the objects in question. It is unclear whether this reflects a perceptual distortion or a bias in drawing production; in either case, this result provides a further explanation why people are poor at drawing from observation.     

Children's drawings of significant figures for a peer or an adult audience

The present study assessed if children would present different information in their drawings of emotion eliciting stimuli when they believed that an adult or a child audience would view their drawings. Seventy‐five 6‐year‐olds (44 boys and 31 girls) were allocated to three groups: the reference group, the child audience group and the adult audience group. All children completed a drawing session where they first drew a neutral uncharacterised figure, followed by drawings of a sad and a happy figure in counterbalanced order. Findings demonstrated that children did consider who would be viewing their drawings when communicating emotional affect and included different features within their drawings. In particular, almost all happy drawings included a smile, but only those drawings where an audience was specified included a wave, and only the adult drawings included flower giving. Within the sad drawings tears and frowns were drawn regardless of audience type, whereas stomping was more likely to be portrayed in drawings with a child audience and thumbs down were more likely to be portrayed in drawings with adult audiences. The findings are discussed in terms of the need to further examine communicative aspects of children's drawings. Copyright © 2011 John Wiley & Sons, Ltd.     

The relationship between children's drawings and preferences for alternative depictions of a familiar object

Little attention has been paid to children's evaluations of their own drawings and those of others. This study aimed to determine whether young children are satisfied with their own method of portraying a familiar object, or whether they would ideally like to draw in a more advanced way, but are hampered by production deficiencies from achieving this aim. Children aged 4 to 9 years produced drawings of a house and expressed preferences concerning an experimental series of house drawings, in which features typically found in drawings by children of different ages were systematically varied. It was found that children of all ages preferred those drawings which had most features in common with their own productions, suggesting that they are satisfied with their own drawings and may actually choose to draw in the way that they do. The conclusions of other studies using this paradigm are questioned on the grounds that they contain methodological weaknesses, particularly with respect to design of their preference stimuli.     

The effect of affective characterizations on the size of children's drawings

Previous research has yielded conflicting findings about the existence and the direction of the size changes which occur in children's drawings when they are asked to draw topics which have been given an affective characterization. The present study was designed to investigate whether children scale up the size of drawings of topics which have been given a positive characterization, and scale down the size of drawings of topics which have been given a negative characterization. The participants were 258 children aged between 4 and 11 years who completed three drawings of either a man, a dog or a tree. Each child drew a baseline drawing of a neutrally characterized figure, and two further drawings of a positively and a negatively characterized version of the same figure. It was found that the children drew the positively characterized topics larger than the neutrally characterized topics, and reduced the size of the negatively characterized topics relative to the baseline drawings. These patterns occurred at all ages and with all three drawing topics. Two possible explanations of the findings are discussed: the operation of an appetitive‐defensive mechanism in children, and the acquisition of pictorial conventions.     

儿童绘画与语言关系的发展研究综述

儿童绘画与儿童语言的关系,是儿童绘画心理及符号认知发展研究中的重点和难点问题。文章在简要回顾儿童绘画心理相关研究的基础之上,从绘画与语言都是符号、二者在发生和发展过程中的相似性以及二者心理发展阶段的一致性等方面介绍了儿童绘画与语言相互关系的研究。这些研究的结果表明,不同符号系统之间联系的焦点在于意义,意义是沟通两个符号系统的纽带。儿童绘画与语言的关系随着儿童的发展而变化。文章还分析了这些研究中存在的不足并提出了今后研究的思路。     

Children's Recognition of Emotional Facial Expressions Through Photographs and Drawings

The author's purpose was to examine children's recognition of emotional facial expressions, by comparing two types of stimulus: photographs and drawings. The author aimed to investigate whether drawings could be considered as a more evocative material than photographs, as a function of age and emotion. Five- and 7-year-old children were presented with photographs and drawings displaying facial expressions of 4 basic emotions (i.e., happiness, sadness, anger, and fear) and were asked to perform a matching task by pointing to the face corresponding to the target emotion labeled by the experimenter. The photographs we used were selected from the Radboud Faces Database and the drawings were designed on the basis of both the facial components involved in the expression of these emotions and the graphic cues children tend to use when asked to depict these emotions in their own drawings. Our results show that drawings are better recognized than photographs, for sadness, anger, and fear (with no difference for happiness, due to a ceiling effect). And that the difference between the 2 types of stimuli tends to be more important for 5-year-olds compared to 7-year-olds. These results are discussed in view of their implications, both for future research and for practical application.     

DAPs of black and white juvenile incarcerates

Two groups of male juvenile incarcerates were separated on the basis of race, matched in terms of age, recidivism, and intelligence test scores, and given a human figure drawing task. Figures drawn were male and female. The drawings were scored on 14 emotional indicators. The results of the present study offer little consistent or conclusive support for the hypothesis that differences influenced by race can be found in the projective drawings of black and white subjects. The commonly held impressions that there are more incidences of neurotic or psychotic features in the projective tests of black subjects and that the projective drawings of black subjects are generally inferior to the projective drawings of white subjects were not supported by the present study.     

Listening to the Voices of Children in Early Schooling in the South African Context of HIV/AIDS

This study explored how children in early schooling interpreted their social reality to construct vulnerable childhoods in an HIV/AIDS context. Ten males and ten females between the ages of eight and nine years from low-income families in KwaZulu-Natal participated in the study. In order to raise the voices of the children, a listening framework was created through participatory techniques. Focus group interviews, drawings, story telling and projection techniques were used in the study. The study found that children actively interpreted their social reality through engaging with circumstances that surrounded their lives in an HIV/AIDS context. Child activism is important to HIV/AIDS education.     

Core geometry in perspective

Research on animals, infants, children, and adults provides evidence that distinct cognitive systems underlie navigation and object recognition. Here we examine whether and how these systems interact when children interpret 2D edge‐based perspectival line drawings of scenes and objects. Such drawings serve as symbols early in development, and they preserve scene and object geometry from canonical points of view. Young children show limits when using geometry both in non‐symbolic tasks and in symbolic map tasks that present 3D contexts from unusual, unfamiliar points of view. When presented with the familiar viewpoints in perspectival line drawings, however, do children engage more integrated geometric representations? In three experiments, children successfully interpreted line drawings with respect to their depicted scene or object. Nevertheless, children recruited distinct processes when navigating based on the information in these drawings, and these processes depended on the context in which the drawings were presented. These results suggest that children are flexible but limited in using geometric information to form integrated representations of scenes and objects, even when interpreting spatial symbols that are highly familiar and faithful renditions of the visual world.     

An fMRI study of working memory for schematic facial expressions

Functional magnetic resonance imaging (fMRI) was used to examine neuronal activation in relation to increasing working memory load in an n-back task, using schematic drawings of facial expressions and scrambled drawings of the same facial features as stimuli. The main objective was to investigate whether working memory for drawings of facial features would yield specific activations compared to memory for scrambled drawings based on the same visual features as those making up the face drawings. fMRI-BOLD responses were acquired with a 1.5 T Siemens MR scanner while subjects watched the facial drawings alternated with the scrambled drawings, in a block-design. Subjects had to hold either 1 or 2 items in working memory. We found that the main effect of increasing memory load from one to two items yielded significant activations in a bilaterally distributed cortical network consisting of regions in the occipitotemporal cortex, the inferior parietal lobule, the dorsolateral prefrontal cortex, supplementary motor area and the cerebellum. In addition, we found a memory load x drawings interaction in the right inferior frontal gyrus in favor of the facial drawings. These findings show that working memory is specific for facial features which interact with a general cognitive load component to produce significant activations in prefrontal regions of the brain.     

The Use of Metaphor and Drawings in Case Conceptualization

The author describes a procedure whereby counselors, as part of their conceptualization for case conferences or supervision, develop metaphors and then make them concrete by constructing drawings or collages. The drawings or collages are used as the basis for case discussions.     

Category label effects on Chinese children's inductive inferences: modulation by perceptual detail and category specificity

Inductive generalization of novel properties to same-category or similar-looking objects was studied in Chinese preschool children. The effects of category labels on generalizations were investigated by comparing basic-level labels, superordinate-level labels, and a control phrase applied to three kinds of stimulus materials: colored photographs (Experiment 1), realistic line drawings (Experiment 2), and cartoon-like line drawings (Experiment 3). No significant labeling effects were found for photos and realistic drawings, but there were significant effects for cartoon-like drawings. Children made mostly (>70%) category-based inferences about photographs whether or not labels were provided (Experiment 1). Children showed a bias toward category-based inferences about realistic drawings (Experiment 2) but did so only when labels were provided. Finally, children made mostly appearance-based generalizations for cartoon-like drawings (Experiment 3). However, labels (basic or superordinate level) reduced appearance-based responses. Labeling effects did not depend on having identical labels; however, identical superordinate labels were more effective than different basic-level labels for the least informative stimuli (i.e., cartoons). Thus, labels sometimes confirm the identity of ambiguous items. This evidence of labeling effects in Mandarin-speaking Chinese children extends previous findings beyond English-speaking children and shows that the effects are not narrowly culture and language specific.     

The development of children's expressive drawing

Two studies are presented on expressive happy and sad drawings made by British 4‐ to 12‐year‐olds (n = 80 and 160, respectively) in which the drawings were assessed individually for the quantity and quality of expressive devices. Quantity was measured in the number of appropriate expressive content themes and formal properties evident in each drawing. Quality was rated on a Likert scale on the extent to which the drawing expressed the intended mood. Both the quantity and quality of expressive happy and sad drawings of predetermined and free topics increased with age. Improvements in content expression, but much less so with expressive formal properties, accounted for the development of quantity. A slower period of development between 6 and 9 years for both measures was consistently found, with a significant improvement often shown among the 12‐year‐olds. The finding that happy drawings were scored higher than sad drawings is explained in respect of adult and child expectations of pictures. Correlations between expressive scores and performance on a visual realism drawing task tentatively indicated that expressive and realism skills in drawing are only weakly related. The development of expressive drawing is considered in the context of the delivery of art education in schools.     

Rorschach Variables and Big Five Scales as Predictors of Military Training Completion: A Replication Study of the Selection of Candidates to the Naval Special Forces in Norway

Thirty-nine undergraduate male college students drew five figures — an automobile, a clothed male, a clothed female, a nude male, a nude female — while a continuous record of their GSR activation was obtained. Analysis of GSR data showed that activation differed significantly from the relatively neutral but equally difficult drawing (i.e., the automobile). Nude figure drawings differed significantly in GSR activation from clothed figure drawings. GSR responses of largest amplitude showed significant shifts from the largest responses occurring to secondary sexual bodily areas in the clothed drawings to primary sexual areas in the nude drawings. Only the clothed male and the nude male drawings differed significantly between groups judged different in psychosexual adjustment.     

Representational drawings of solid objects by young children

Two groups of children aged 6 and 8 years were given three tasks requiring graphical representations of solid geometric forms. These tasks were drawing from life models, copying from photographs, and copying from line drawings of these objects. Performance was assessed on the basis of level of approximation to correct perspective. Older children used more perspective features than younger children in their drawings. At all ages, the drawings from life were most difficult. Results on the two copying tasks were not consistent. Drawings made by copying photographs were either as advanced as or poorer than copies of line drawings. The results are explained in terms of the difficulties exhibited by young children in translating the three-dimensional scene to a two-dimensional picture plane and strategies adopted by them to cope with these problems.     

On what is bound in figures and grounds

All else being equal, regions providing a quick, good match to object memories are likely to be seen as shaped figures rather than as shapeless grounds. Good matches to object memories occur only if the parts are properly bound spatially. If object memories are accessed in the course of perceptual organization even for regions ultimately seen as shapeless grounds, then binding of parts cannot require attention to figures. Novel silhouette primes were shown immediately before real or novel line drawings. The silhouette contours of half of the primes preceding real line drawings sketched a known shape on the outside, which nevertheless appeared to be a shapeless ground. At short prime-line drawing SOAs, observers took longer to categorize real line drawings following these experimental primes than control primes, suggesting that parts are properly bound spatially for regions perceived to be shapeless grounds, and further that object memories matching grounds are inhibited.     

Quality of drawing as a factor in the interpretation of figure drawings

Examined the drawings of 32 poliomyelitis patients and their matched controls to see whether figure drawings primarily reflect the subject's projection of psychological state, ability to draw, or some combination of these two factors. An overview of the literature is also given. Drawings from disabled and nondisabled subjects were reliably rated for quality, with no significant quality difference found between groups. Analyses of variance were then used to compare the drawings on several different measures of drawing size, completion and movement that might be assumed on the basis of the literature, to reflect the subjects' projection of disability status. Results showed that quality of drawing was a significant factor in 13 of the 17 comparisons while disability status proved to be a significant factor in only one of the 17 comparisons. There were no significant interactions. Therefore, the overall findings are consistent with the hypothesis that quality of drawing-rather than projective mechanisms-may at times be the overwhelming determinant of clinical and research findings with figure drawings.     

Discriminative and associative aspects of retroactive inhibition

Original learning of paired drawings of meaningful objects or of modified Chinese characters was followed by interpolated learning in which details of drawings were changed in one of two degrees with or without rearrangement of the original pairings. Subjects were tested for accuracy of identification of the original drawings and for associative matching of the original pairs. Identification errors were attributed jointly to confusion between original and interpolated drawings, and to unlearning of those features of original drawings which were in conflict with comparable features of interpolated drawings. Rearrangement of pairs during interpolated learning produced not only associative interference on the matching test, but also additional discriminatory interference on the identification test. Effects of associative and discriminative interference upon individual drawings were uncorrelated for meaningful material and only slightly correlated for meaningless material.