Surreptitiously projecting different movies to two subsets of viewers

A new technique (manipulation of overlapping rivalrous images by polarizing filters, or MORI) has been invented for presenting on the same screen two different images that can be seen separately by two groups of viewers without their noticing the overlap. It can easily create desired artificial conflicts among viewers. Two perpendicular polarizing filters provide separate invisible channels from dual video projectors to two groups of viewers on a single screen. The basic principle of the presentation technique, details of the apparatus, and limitations are introduced. As an example of the application of this technique, an eyewitness experiment is briefly reported. The results of experiments conducted by the author and colleagues provide evidence of the effectiveness of this technique with various projectors, video materials, group sizes, and ages of participants.     

Why cast shadows are expendable: insensitivity of human observers and the inherent ambiguity of cast shadows in pictorial art

The kinds of visual cues artists choose to use or not use in their work can offer insight into perceptual processes. On the basis of the observed paucity of the use of cast shadow in pictorial art, we hypothesized that cast shadows might be relatively expendable as pictorial cues. In this study, we investigated two potential reasons for this expendability: first, viewers might be insensitive to much of the information that cast shadows provide; and, second, ambiguities about what is shadow and what is pigment can often be resolved only through motion-something that static media are ill-equipped to deal with. In experiment 1, we used a visual-search paradigm in which viewers had to determine if there were odd cast shadows in sets of 4, 8, 16, and 32 objects. In experiment 2, viewers had to discriminate between shadow/pigment ambiguities in both still and moving images. Our results demonstrate that viewers are neither particularly sensitive to static cast-shadow incongruities, nor are they able to disambiguate cast shadow from pigment without continuous motion information. Taken together, these results may help explain why cast shadows are relatively rare in static pictorial work.     

Approach and avoidance: the influence of proprioceptive and exteroceptive cues on encoding of affective information

In 3 experiments, the authors tested the assumption that perceived movements toward a person trigger the approach system and thereby facilitate the processing of positive affective concepts, whereas perceived movements away from a person trigger the avoidance system and thereby facilitate the processing of negative affective concepts. In the 1st study, participants categorized positive words more quickly than negative words while flexing the arm and negative words more quickly than positive words while extending the arm. The 2nd study revealed that positive words were categorized more rapidly than negative words if viewers had the impression that they were moving toward the computer screen, whereas negative words were categorized faster if viewers had the impression that they were moving away from the screen. These findings were replicated in Experiment 3 using a lexical decision task instead of an adjective evaluation task.     

2～3岁儿童对视频信息的理解

选取2岁、2．5岁和3岁儿童72名,比较儿童通过窗口、视频和模型三种条件观看藏玩具过程,然后正确找到玩具的表现,考察了2～3岁儿童对视频信息的理解特点。结果表明：（1）与通过直接经验获得信息相比,2岁与2.5岁儿童从视频获得表征信息存有一定困难;3岁儿童能够顺利地从视频获得并运用表征信息。（2）2～3岁儿童在视频条件下获取表征信息的能力要强于模型条件。研究认为3岁前儿童完成将视频图像视为真实物向视为表征信息的转换,双重表征并非儿童将视频图像作为表征信息加以理解的先决条件。     

Self‐Disclosure and the Liking of Participants in Reality TV

Reality TV shows are characterized by the very intimate self‐disclosure of their participants early on in the shows. In everyday interactions, however, such intimate self‐disclosure is welcomed only when it evolves gradually. This discrepancy between reality shows and real life apparently contradicts previous research documenting the similarity between real relationships and relationships with media characters. The current research explores this apparent contradiction by examining whether the relationship between self‐disclosure and liking and the rules about the timing of self‐disclosure that apply in everyday interactions apply in reality TV. Study 1 shows that viewers prefer characters who make early intimate disclosures, and Study 2 shows that they prefer this disclosure to evolve gradually and become more intimate, as in real relationships.     

Not looking yourself: The cost of self‐selecting photographs for identity verification

Photo‐identification is based on the premise that photographs are representative of facial appearance. However, previous studies show that ratings of likeness vary across different photographs of the same face, suggesting that some images capture identity better than others. Two experiments were designed to examine the relationship between likeness judgments and face matching accuracy. In Experiment 1, we compared unfamiliar face matching accuracy for self‐selected and other‐selected high‐likeness images. Surprisingly, images selected by previously unfamiliar viewers – after very limited exposure to a target face – were more accurately matched than self‐selected images chosen by the target identity themselves. Results also revealed extremely low inter‐rater agreement in ratings of likeness across participants, suggesting that perceptions of image resemblance are inherently unstable. In Experiment 2, we test whether the cost of self‐selection can be explained by this general disagreement in likeness judgments between individual raters. We find that averaging across rankings by multiple raters produces image selections that provide superior identification accuracy. However, benefit of other‐selection persisted for single raters, suggesting that inaccurate representations of self interfere with our ability to judge which images faithfully represent our current appearance.     

Toddlers' representations of space: the role of viewer perspective

In the present study, we examined how people code object location when an object is hidden in an enclosed space. On object location tasks involving disorientation, viewers must code the location of an object in relation to the spatial environment because they cannot directly track their changing relation to the object. Recently, we showed that viewers also code their perspective relative to the entire space (inside vs. outside) in such tasks. To determine whether viewers code perspective whenever they must locate an object, we examined young children's performance on a task in which coding perspective would be difficult. Our task involved both disorientation and translation (i.e., movement from inside to outside the space or vice versa). When translation preceded disorientation, performance was comparable to performance on tasks with no translation. However, when disorientation preceded translation, performance was at chance. The implications of these findings for location coding are discussed.     

Face learning with multiple images leads to fast acquisition of familiarity for specific individuals

Matching unfamiliar faces is a difficult task. Here we ask whether it is possible to improve performance by providing multiple images to support matching. In two experiments we observe that accuracy improves as viewers are provided with additional images on which to base their match. This technique leads to fast learning of an individual, but the effect is identity-specific: Despite large improvements in viewers’ ability to match a particular person's face, these improvements do not generalize to other faces. Experiment 2 demonstrated that trial-by-trial feedback provided no additional benefits over the provision of multiple images. We discuss these results in terms of familiar and unfamiliar face processing and draw out some implications for training regimes.     

Interpretations of Messages

This research examined interpretations of messages as a function of whether they are equivocal or unequivocal, whether they protect self‐face or other‐face, and whether the perceivers of the messages are directly involved in the conversation or overhear it. The role of self‐monitoring and gender were also assessed. Results of Study 1 (N=463) revealed that equivocation is perceived as more polite but less honest and less competent than unequivocal criticism. Equivocation addressing other‐face is the most polite, and criticism of the other is the least polite. Females perceive equivocation as more polite than do males. Ego‐involvement influences perceptions independently and through its interaction with equivocation. No support was found for the role of self‐monitoring or the notion that equivocation conveys a more positive meaning than unequivocal criticism. Study 2 (N = 496) replicated the findings concerning the politeness, honesty, self‐other differences, gender differences, self‐monitoring, and meaning associated with equivocation.     

Suffering by comparison: Twitter users’ reactions to the Victoria's Secret Fashion Show

Social comparison theory suggests that evaluating the self in comparison with others (e.g., peers, celebrities, models) can influence body image. Experimental studies that have tested effects of viewing idealized images in the media often show that women feel worse about themselves after seeing images that illustrate the beauty ideal. Twitter presents a naturally occurring opportunity to study viewers’ reactions. An analysis was conducted of 977 tweets sent immediately before and during the 2011 Victoria's Secret Fashion Show that reference the show. Although the majority were idiosyncratic remarks, many tweets contain evidence of upward social comparisons to the fashion models. There were tweets about body image, eating disorders, weight, desires for food or alcohol, and thoughts about self-harm. The results support social comparison theory, and suggest that vulnerable viewers could experience negative affect, or even engage in harmful behaviors, during or after viewing the show or others like it.     

Examining the Interface of Family and Personal Traits,Media, and Academic Imperatives Using the Learning Habit Study

Using the Learning Habit Study dataset of 21,145¹46,125 viewers took part in the Learning Habit Study. The analysis of this article was limited to parents of children who were in kindergarten through twelfth grade and who answered all items. This figure was 21,145. parent respondents, this study examined the interactions of three core variables – parenting style, family time, and screen time – on various common concerns of families. (“Screen time” is time spent using an electronic device that has a screen, such as: a computer, television, game console, tablet, or cell phone.) Analysis of the data suggested that parents using empowerment parenting, closely aligned with authoritative techniques, had children with better academic performance, reduced sleep onset latency (SOL), and healthier social and emotional behaviors than children of parents who practiced traditional parenting, more closely aligned with authoritarian techniques. Further, increased family time was found to have benefits to children on par with those of empowerment parenting.     

Progress Takes Work: Effects of the Locomotion Dimension on Job Involvement,Effort Investment,and Task Performance in Organizations1

This research examined the relation between individual differences in the tendency toward locomotion, which is defined as a proclivity toward psychological movement; and job involvement, effort commitment, and performance in organizational contexts. Four separate studies found support for the notion that locomotion is related positively to effort investment in work activities. Locomotion also was related positively to job involvement and successful performance, as assessed by a self‐report measure and by manager ratings. Finally, the positive relation between locomotion and effort was mediated partially by job involvement, and the positive relation between locomotion and performance was mediated by effort investment. These findings are discussed in reference to the varied implications of the locomotion dimension for human functioning in organizations.     

How Self‐Image and Compassionate Goals Shape Intrapsychic Experiences

Self‐image goals focus on constructing, maintaining, and defending desired public and private images of the self, whereas compassionate goals focus on being supportive and not harming others. We suggest that these goals shape construals of others in relation to the self, which in turn, shape affective experiences. We review research showing that when people have self‐image goals, they construe others as competitors, which leads to feeling uneasy with others (i.e., conflicted, confused, and fearful), and that when they have compassionate goals, they construe others as collaborators and have more constructive approaches to interpersonal problems, which leads to feeling at ease with others (i.e., peaceful, clear, and loving) and less upset with them. Thus, interpersonal goals shape construals of others, which in turn shape intrapsychic experiences of the world and of the self.     

Powered by Imagination: Nanobots at the Science Photo Library

Nanobots have been a key image deployed in nanoscience and nanofiction. At present nanobots are still largely ‘imaginary’. But what do ‘imaginary’ nanobots look like, how are they visually and imaginatively constructed and what functions are they envisioned to have? And what can such images tell us about the aesthetic and cultural conventions and metaphors that are employed, and expectations and visions created or engineered, in the process of ‘visualizing’ nanoscience and nanotechnology for science and society? To answer these questions images of nanobots available at the Science Photo Library were studied. Nanobots were envisioned as ‘working’ mostly in futuristic domains of health and medicine. Most nanobots were artistically rendered as familiar objects or animals, as fulfilling useful functions in healthcare, rather than as running wild and causing harm. Such images were displayed mostly to engage lay publics with biotechnology and nanotechnology. By selectively using metaphors, images of nanobots tended to assimilate the unknown into the known and the unfamiliar into the familiar. This assimilation invites viewers to react to these images as if nanobots already existed and as if they were normal. Thus the images open up a space for ‘normalizing’ this new, rather speculative technology; it is framed in such a way as to invite public acceptance and even excitement.     

Can Multiple Biases Occur in a Single Situation? Evidence From Media Bias Research

This study explored multiple biases—the possibility that different biases would concurrently occur in a given situation, and each would exert its influence independently on people's judgments. The study focused on media bias through nonverbal (NV) behavior, where viewers judged an interviewed politician after they viewed the interview with a nonverbally friendly or hostile interviewer. In a meta‐analysis of several replications, 2 independent biases were found: media bias (viewers rated the interviewee more favorably when the interviewer's NV behavior was friendlier); and halo effect (viewers rated the interviewee according to the degree that they personally liked him). Regression analyses indicated that these 2 biases operated independently and additively on viewers' judgments. Implications for the study of multiple biases are discussed.     

The effect of feature displacement on face recognition

Human beings possess a remarkable ability to recognise familiar faces quickly and without apparent effort. In spite of this facility, the mechanisms of visual recognition remain tantalizingly obscure. An experiment is reported in which image processing equipment was used to displace slightly the features of a set of original facial images to form groups of modified images. Observers were then required to indicate whether they were being shown the "original" or a "modified" face, when shown one face at a time on a TV monitor screen. Memory reinforcement was provided by displaying the original face at another screen position, between presentations. The data show, inter alia, the very high significance of the vertical positioning of the mouth, followed by eyes, and then the nose, as well as high sensitivity to close-set eyes, coupled with marked insensitivity to wide-set eyes. Implications of the results for the use of recognition aids such as Identikit and Photofit are briefly discussed.     

More than a Media Moment: The Influence of Televised Storylines on Viewers’ Attitudes toward Transgender People and Policies

Numerous studies have demonstrated the power of entertainment narratives to influence attitudes and behaviors; fewer have examined the effects of TV portrayals on attitudes toward marginalized groups. The present study is among the first to explore how entertainment narratives depicting transgender individuals influence viewers’ attitudes toward transgender people and related policies. The study examines the impact of exposure to a TV storyline on Royal Pains (USA Network) and cumulative effects of viewing other TV series featuring transgender individuals. An online survey of 488 U.S. viewers of Royal Pains was conducted (391 had seen the relevant episode). ANCOVAs revealed exposure to both the Royal Pains’ storyline and other storylines portraying transgender individuals were associated with more supportive attitudes toward transgender people and policies. Mediation models revealed that for viewers of the Royal Pains’ storyline, the relationships between political ideology and attitudes toward transgender people and policies were mediated by identification with the main characters and the emotion of hope. Disgust mediated viewers’ attitudes toward transgender people, but not policies. Post hoc analyses revealed that exposure to transgender narratives reduced the influence of viewers’ political ideology on their attitudes. The attitudes of more conservative viewers became increasingly positive as they saw more media portrayals of transgender individuals. These findings highlight the potential for entertainment narratives to influence attitudes toward marginalized groups, and they demonstrate the importance of emotion in the context of divisive topics. Social, political, and public health implications are discussed.     

The Effect of Sport Commentator Framing on Viewer Attitudes

An experimental analysis was conducted to determine the effects of involvement, commentator framing, and gender on viewer attitudes toward female athletes. The sample was comprised of 112 students at a mid-western university in the United States. Hypotheses and research questions were tested through a 2 × 3 multivariate analysis of covariance (MANCOVA). Results indicated the overall MANCOVA was significant. Involvement was positively related to viewer attitudes’ towards the dependent variables and explained 27.8% of the variance. Gender explained 39.3% of the variance in attitudes as male viewers had significantly lower mean scores on all dependent variables. Male viewers had significantly lower scores than female viewers in the positive framing condition; the interaction explained 8% of the variance in viewers’ perceptions of respectability of female athletes.     

Model scenes: implications for psychoanalytic treatment.

Model scenes are constructed by analyst and patient to organize puzzling information, integrate previous understanding, and initiate further exploration of experience. They are derived from a variety of sources: literature (oedipal myth); transference; ordinary or traumatic childhood events that occupy a pivotal position. Model scenes may conceptualize experiences of any age and motivational system, and are contrasted with screen memories and "telescoping" of events. Two clinical examples are used to illustrate the relation between the model scene and the transference. Model scenes provide a valuable clinical tool for moving from general to specific experience. They afford empathic entry into the transference experience and the opportunity through which the experience of motivations representative of past and present can be conceptualized and integrated into a cohesive self organization.     

Dwelling in the Nearness of Gods: The Hermeneutical Turn from M<Emphasis Type="SmallCaps">ou</Emphasis> Zongsan to T<Emphasis Type="SmallCaps">u</Emphasis> Weiming

This article argues that, as far as the problem of Confucian religiosity is concerned, there is an interpretative turn from Mou Zongsan’s moral metaphysics to Tu Weiming’s religious hermeneutics. Some concluding remarks are made: First, Tu’s hermeneutics is rooted in the ontology of self as interrelatedness, which is completely different from Mou’s theory of true self as transcendental subjectivity. Second, Tu’s hermeneutics of self can be better illuminated with the help of Heidegger’s notion of Dasein as Being-with (Mitsein). For Tu and Heidegger, self cannot be seen as something separate from community. This article also points out that the paradigmatic shift is evidenced in another similarity between the four categories of self, community, nature, and the transcendent in Tu’s hermeneutics on the one hand, and the four symbols of earth, sky, divinities, and mortals employed by Heidegger to interpret the meaning of dwelling, on the other. In such a primordial situation of dwelling, gods are not supposed to be intellectually known; they are rather to be neighbors in community.