Development of a borderline personality disorder-relevant picture stimulus set

Individuals with borderline personality disorder (BPD) report erratic and poorly regulated emotional behavior. However, these abnormalities have not been confirmed in laboratory studies. This may be because the emotional stimuli employed have not been sufficiently relevant or evocative of psychological themes germane to BPD (e.g., threats to attachment). The aim of this study was to develop a picture stimulus set relevant to BPD that could be employed in research to examine emotion dysregulation thought to be central to BPD. Ninety pictures were initially selected from the International Affective Picture System that had putative interpersonal and social content across a range of pleasantness and intensity. The set was then rated by 19 clinical BPD research experts on two dimensions: How self-referential the picture would be to someone with BPD and the extent to which the picture represented an ideal-other to a prototypic BPD case. Two sets of pictures were generated for future research with BPD participants.     

Perceptual identification thresholds for 150 fragmented pictures from the Snodgrass and Vanderwart picture set

This paper reports perceptual identification thresholds for 150 pictures from the 1980 Snodgrass and Vanderwart picture set. These pictures were fragmented and presented on the Apple Macintosh microcomputer in a picture-fragment completion task in which identification thresholds were obtained at three phases of learning: Train (initial presentation), New (initial presentation after training on a different set), and Old (repeated presentation of the Train set). Pictures were divided into five sets of two subsets of 15 pictures each, which served alternately as the Train and New sets. A total of 100 subjects participated in the task, with 10 subjects assigned to each subset. Individual thresholds for each picture at each phase of learning are presented, along with the fragmented pictures identified by 35% of the subjects across the Train and New learning phases. This set of fragmented pictures is provided for use in experiments in which a single level of fragmented image is presented for identification after a priming phase. Correlations between the Snodgrass and Vanderwart norms and identification thresholds at the three phases of learning are also reported.     

The role of imagery-related properties in picture naming: A newly standardized set of 360 pictures for Japanese

Picture naming was investigated primarily to determine its dependence on certain imagery-related variables, with a secondary aim of developing a new set of Japanese norms for 360 pictures. Pictures refined from the original Nishimoto, Miyawaki, Ueda, Une, and Takahashi (Behavior Research Methods 37:398?C416, 2005) set were used. Naming behaviors were measured using four imagery-related measures (imageability, vividness, image agreement, and image variability) and four conventional measures (naming time, name agreement, familiarity, and age of acquisition), as well as a number of other measures (17 total). A simultaneous multiple regression analysis performed on naming times showed that the most reliable predictor was H, a measure of name diversity; two image-related measures (image agreement and vividness) and age of acquisition also contributed substantially to the prediction of naming times. The accuracy of picture naming (measured as name agreement) was predicted by vividness, age of acquisition, familiarity, and image agreement. This suggests that certain processes involving mental imagery play a role in picture naming. The full set of norms and pictures may be downloaded from http://www.psychonomic.org/archive/ or along with the article from http://www.springerlink.com.     

Bilingualism affects picture naming but not picture classification

Bilinguals named pictures in their dominant language more slowly (and with more errors) than did monolinguals. In contrast, bilinguals named the same pictures as quickly as did monolinguals on the fifth presentation (in Experiment 2) and classified them (as human made or natural) as quickly and accurately as did monolinguals (in Experiment 1). In addition, bilinguals retrieved English picture names more quickly if they knew the name in both Spanish and English (on the basis of a translation test that bilinguals completed after the timed tasks), and monolingual response times for the same materials suggested that this finding was not obtained simply because names that were easier to translate were easier in general. These findings suggest that bilinguals differ from monolinguals at a postconceptual processing level, that implicit activation of lexical representations in the nontarget language can facilitate retrieval in the target language, and that being bilingual is analogous to having a lexicon full of lower frequency words, relative to monolinguals.     

Bullies and victims: Their ego picture, ideal ego picture and normative ego picture

The ego picture, ideal ego picture and normative ego picture of bullies and their victims in a school situation were measured with semantic differentials. The bullies considered themselves to be dominant, had high ideals concerning dominance and thought this was what the social norms require. They felt themselves to be impulsive and lacking in self-control. The victims considered themselves to be depressed, lacking in intelligence and personal attractiveness, and displayed in general feelings of inferiority. These characteristics can be partly a cause and partly an effect of the bullying situation. Girls scored in general lower than boys on socially valued characteristics and higher on socially undesirable ones.     

Reichenbach's metaphysical picture

Conclusion To recapitulate, then, for Reichenbach probability is the foundation of both metaphysics and epistemology. Metaphysically, probability is fundamental because it is the probability relations among the sequences of events in the world that gives rise to causality, time, and space. Epistemologically, probability is fundamental because empirical knowledge is simply knowledge of probabilities. Even knowledge of observation sentences is considered to be probabilistic knowledge by Reichenbach (EP, pp. 183–188), because Reichenbach's fallibilism leads him to hold that no observation sentence is absolutely incorrigible, and with the advance of scientific knowledge we need to inquire into the probability that our singular observation judgments may be in error.My aim here has not been to argue that Reichenbach succeeded in his magnificent attempt any more than Carnap succeeded in his. But I hope to have convinced you that is was one of the most magnificent attempts by any empiricist philosopher of this or of any other century, and I believe that the effort to understand it and to master its details will as richly repay us as the much greater effort which has been devoted to the study of Carnap's work has already repayed us.     

Out of the picture

Photographing Medicine: Images and Power in Britain and America since 1840, by Daniel M. Fox and Christopher Lawrence (New York; Greenwood, 1988), 357 pages, hb £45/$55     

Spacing effects in picture memory

Three experiments were conducted to capitalize on the conclusion of Shaffer and Shiffrin (1972) that complex visual scenes are not rehearsed in testing the hypothesis that the effect of spacing on memory is due to rehearsal. In Experiment I, a list of vacation slides was presented in which both the number of repetitions and the spacing of repetitions were varied. Subsequent frequency judgments showed an effect of spacing much like that found using verbal materials. In Experiments II and III, effects of filled and unfilled spacing intervals were compared, and it was concluded that the spacing effect is primarily a function of the duration of the spacing interval. No evidence was found to support the notion that pictures are rehearsed. Rehearsal apparently cannot play the key role in an adequate, completely general explanation of the spacing effect.     

Category-structure effects in picture comparisons

Subjects indicated for a series of trials whether or not two pictures of common objects were from the same category. Reaction time (RT) was recorded. The pool of stimuli used in the series of trials consisted of two pictures representing each of several categories. Half were S categories, members of which were similar; the other half were D categories, which had dissimilar members (this variable is termed category structure). In Experiments 1 and 3, the similarity manipulation defining category structure was based on the concept of basic level categories (Rosch, Mervis, Gray, Johnson, & Boyes-Braem, 1976). In Experiment 2, category labels were homonyms, and the two members of S or D categories represented one or two senses of the labels, respectively. The principal finding was an effect of category structure (faster RT on trials using stimuli from S categories rather than D categories). These results are interpreted in terms of a model that postulates the use of semantic codes in the task, even on trials where the two stimuli are physically identical.     

Gobal-local precedence in picture processing

Summary Previous investigations of the global precedence hypothesis (Navon, 1977) have utilized compound letter stimuli. In these stimuli there is no predictive relationship between the global and local levels. Pictorial stimuli, however, contain mutually predictable global and local levels. This study investigated the global precedence hypothesis with pictorial stimuli using a Stroop-like interference task similar to that used by Navon. Subjects were required to respond either to the global (e.g., beach or farm) or local (e.g., boat or tractor) level of a scene. The display size and consistency of the global and local levels were varied. Response latencies supported global precedence for small scenes (4°) but local precedence for large scenes (16°). The results are interpreted by a model in which the priority of processing is determined by a critical spatial frequency sampling bandwidth.Portions of this research were presented at the meeting of the Psychonomic Society, Minneapolis, November, 1982. The authors with to express their sincere appreciation to Tom Petros for his assistance in data analysis. Requests for reprints should be addressed to James R. Antes, Department of Psychology, University of North Dakota, Grand Forks, ND 58202.     

Predictors of picture naming speed

We report the results of a large-scale picture naming experiment in which we evaluated the potential contribution of nine theoretically relevant factors to naming latencies. The experiment included a large number of items and a large sample of participants. In order to make this experiment as similar as possile to classic picture naming experiments, participants were familiarizedwith the materials during a training session. Speeded naming latencies were determined by a software key on the basis of the digital recording of the responses. The effects of various variables on these latencies were assessed with multiple regression techniques, using a repeated measures design. The interpretation of the observed effects is discussed in relation to previous studies and current views on lexical access during speech production.     

Projective invariance and picture perception

Four experiments test the assumption that, in the visual perception of pictures, observers have reliable and direct access to the equivalence of shapes in projective geometry. The assumption is that perception of projective equivalence is the basis of shape constancy ('the projective thesis'). Observers matched or reproduced abstract planar shapes under conditions of rotation in the picture plane, and pictured rotation in depth. Departure from projective equivalence was assessed in each study by measuring the planar analogue of cross ratio. Projective equivalence was not found to be perceived uniformly where Euclidean equivalence was not judged uniformly, either in recognition tasks or in production tasks. When the projective thesis is put to a suitably general test, confidence in the thesis is undermined.     

Pointing out of the picture

The eyes of portrayed people are often noticed to 'follow you' when you move with respect to a flat painting or photograph. We investigated this well-known effect through extensive measurements of pictorial relief and apparent orientation of the picture surface for a number of viewing conditions, including frontal and oblique views. We conclude that cases of both oblique and frontal viewing are very similar in that perception simply follows what is indicated by the proximal stimulus, even though this may imply that the (perceived) physical and pictorial spaces segregate. The effect of foreshortening then causes an apparent narrowing of pictorial objects. We find no evidence for any 'correction' mechanisms that might be specifically active in oblique viewing conditions.