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1.
Previous research has provided conflicting accounts of the effects of personality on creative behaviour. This study examines the issue by means of factor analysis and multivariate analysis of variance. Different measures of creative behaviour and cognitive abilities are correlated with personal characteristics such as psychoticism, extraversion and other measures of personality. The results are consistent with the idea that different forms of creative behaviour are related to distinct characteristics of personality.  相似文献   

2.
The current study set out to investigate the relationship between creativity, multi‐dimensional schizotypy and personality more generally. This was achieved by analysing scores on a range of personality scales and measures of creativity, where it was found that the creativity measures were more closely related to asocial‐schizotypy than positive‐schizotypy. The study also sought to test Eysenck's prediction ( 1993 , 1995 ) that, given the putative relationship between creativity and psychosis‐proneness, high psychosis‐prone scoring individuals and high creativity scoring individuals would demonstrate the same cognitive style of ‘overinclusiveness’ on latent inhibition. However, the results failed to demonstrate any evidence of a shared ‘widening of the associative horizon’ between high creativity and high psychosis‐prone scorers. The findings are discussed in relation to multi‐dimensional schizotypy. Copyright © 2006 John Wiley & Sons, Ltd.  相似文献   

3.
Participants completed the Big Five NEO-FFI (Costa & McCrae, 1992) as a personality measure, the Wonderlic Personnel Test (Wonderlic, 1992) as an intelligence measure, and four measures of creativity: Guilford’s (1967) unusual uses divergent thinking test; the Biographical Inventory of Creative Behaviours; a self-rated measure of creativity; and the Barron–Welsh Art Scale to measure creative judgement. Extraversion was significantly related to all four measures of creativity. Intelligence failed to add any incremental variance in predicting the creativity scores. Multiple regression indicated that up to 47% of the variance in divergent thinking scores can be accounted for by the Big Five personality traits. Personality correlates to creativity vary as a function of the creativity measure.  相似文献   

4.
Pearson correlations for scores on scales of the 1975 version of the Eysenck Personality Questionnaire with measures of schizotypy, hypomania, and creative traits are reported for 625 undergraduates. The Psychoticism scores are correlated .30 with Hypomanic traits, .25 with Perceptual Aberration, and .20 with the How Do You Think, a test of attitudes and activities related to creativity. Extraversion is also related to creativity-relevant scores. Results support a broad and nonspecific role for the Psychoticism scale in relation to both creativity and subclinical symptomatology.  相似文献   

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This exploratory research was designed to investigate personality correlates of creativity among a sample of 275 Jamaican adolescents, selected randomly from the fifth forms of eight high schools. A battery of 19 measures—8 tapping creativity and 11 tapping personality—was administered to this sample. Correlational analysis showed a number of significant relationships between the creativity and personality variables for the entire sample and few differences in the pattern of relationships when comparisons were made between the sexes. The outcomes of the investigation were in many ways supportive of international trends in creativity research.  相似文献   

6.
Historical and empirical data have linked artistic creativity to depression and other affective disorders. This study examined how vulnerability to experiencing negative affect, measured with biological products, and intense negative emotions influenced artistic creativity. The authors assessed participants' baseline levels of an adrenal steroid (dehydroepiandrosterone-sulfate, or DHEAS), previously linked to depression, as a measure of affective vulnerability. They then manipulated emotional responses by randomly assigning participants to receive social rejection or social approval or to a nonsocial situation. Participants then completed artistic collages, which were later evaluated by artists. Results confirmed a person-by-situation interaction. Social rejection was associated with greater artistic creativity; however, the interaction between affective vulnerability (lower baseline DHEAS) and condition was significant, suggesting that situational triggers of negative affect were especially influential among those lower in DHEAS, which resulted in the most creative products. These data provide evidence of possible biological and social pathways to artistic creativity.  相似文献   

7.
Despite much research on how interests are related to personality and creativity, comparatively little work has focused on how different college majors as categorized by the RIASEC model compare on these constructs. In this study, 3295 college students (207 Realistic, 1945 Investigative, 447 Artistic, 480 Social, and 216 Enterprising) completed a five-factor personality measure, a brief self-report of creativity, and the Compound Remote Associates Task (CRAT). Investigative and Artistic majors scored higher on openness and self-assessed creativity than Realistic and Social majors, and Investigative majors were much more agreeable than other majors.  相似文献   

8.
The personality and misconduct correlates of body modification (e.g., tattoos, piercings) and other markers of cultural deviance (Goth or provocative appearance) were examined in a sample of 279 undergraduate students. Participants completed a comprehensive battery of personality questionnaires and provided detailed self-reports of any unusual appearance markers. In addition, participants provided anonymous self-reports of five categories of misconduct. Three personality variables (openness to experience, subclinical psychopathy, and low self-esteem) independently predicted the likelihood of having deviance markers. After controlling for personality, however, the positive association between deviance markers and overall misconduct was eliminated. This finding undermines the allegation that acquiring deviance markers directly increases the likelihood of misconduct. One exception was a significant positive association between deviance markers and drug abuse that remained after controlling for personality. Our personality analysis provides a three-facet organizational framework for understanding the psychological significance of deviance markers.  相似文献   

9.
This project investigated the predictors of Addiction-Prone Personality (APP) scores in youth and young adults from biological (N = 328, 53% female) and adoptive (N = 77, 53% female) families. The development of offspring’s APP traits was examined from three different angles: (1) patterns in biological and adoptive families, (2) offspring’s vs. parent’s perceptions of familial environment, and (3) different points in the life span. The offspring’s APP scores were found to be significantly predicted by parents’ APP scores in both biological and adoptive families. Parents’ APP scores and offspring’s gender consistently showed significant direct influences on offspring’s APP scores in biological families. The familial care factor (maternal and paternal care, family cohesion, and family adaptability) was found to be the consistent significant predictor of offspring’s APP scores in adoptive families even when offspring became older. These results are consistent in showing that the social environment plays an important role in the development of Addiction-Prone Personality traits.  相似文献   

10.
"生生之谓易"既是哲学家对宇宙相状的揭示,也是"易"本身的性质。从"天地之大德日生"到"易简"之善和"复其见天地之心",贯穿的都是同一个"生"意。理学继承前人又广加扩展,天地生物之心既是静与动的综合集成,又是天地生物与仁德流行的统一。从静体到动用,从"动之端"到"动之机",现象存在虽有生死显微,"生"之理却通贯不息。  相似文献   

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Psychoticism and creativity   总被引:1,自引:0,他引:1  
Eysenck and Eysenck (1976) cited a number of studies showing that creativity and originality are associated with high scores on their Psychoticism factor, P. In this study, we examined the generality of this claim by using a different set of creativity measures, scales from the Comprehensive Ability Battery (Hakstian & Cattell, 1976) and the Eysenck Personality Questionnaire (Eysenck & Eysenck, 1975), with a sample of 173 students. No appreciable overlap was found between the creativity scales and P. A number of possible explanations for this result are discussed, and we concluded that this finding may cast doubt on the generality of the link between creativity and P.  相似文献   

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