THE VISUAL EXPERIENCE OF CAUSATION

The thesis that we can visually perceive causal relations is distinct from the thesis that visual experiences can represent causal relations. I defend the latter thesis about visual experience, and argue that although they are suggestive, the data provided by Albert Michotte's experiments on perceptual causality do not establish this thesis. Turning to the perception of causality, I defend the claim that we can perceive causation against the objection that its arcane features are unlikely to be represented in experience.     

Learning and the Development of Meaning: Husserl and Merleau‐Ponty on the Temporality of Perception and Habit

In this paper, I argue that the temporal openness of perceptual experience provides insight into the basic structure of learning. I draw on Husserl's account of the mutability of the retained past in Analyses Concerning Passive and Active Synthesis, and Merleau‐Ponty's account of the perceptual field, as well as his remarks on habit, in Phenomenology of Perception, in order to elucidate the relation between the perceptual past and the future it portends. More specifically, I argue that retention and habituation in perceptual experience open dimensions of meaning that transform the initial, initiating, experiences in which meaning is first established. As a result, our experience of meaning is always subject to further development that we cannot anticipate. This temporal openness has consequences for our learning to navigate a perceptual field, but also, I argue, for our developing more complex ways of engaging with the world. Specifically, I show how learning requires that we commit ourselves to an object or task before we are in a position to recognize the implications or significance of our commitment. I further consider the role that others play in the inherent openness of learning to the development of new meaning.     

The particularity and phenomenology of perceptual experience

I argue that any account of perceptual experience should satisfy the following two desiderata. First, it should account for the particularity of perceptual experience, that is, it should account for the mind-independent object of an experience making a difference to individuating the experience. Second, it should explain the possibility that perceptual relations to distinct environments could yield subjectively indistinguishable experiences. Relational views of perceptual experience can easily satisfy the first but not the second desideratum. Representational views can easily satisfy the second but not the first desideratum. I argue that to satisfy both desiderata perceptual experience is best conceived of as fundamentally both relational and representational. I develop a view of perceptual experience that synthesizes the virtues of relationalism and representationalism, by arguing that perceptual content is constituted by potentially gappy de re modes of presentation.     

From idiots savants to Albert Einstein: A brain-algorithmic explanation of savant and everyday performance

In this journal, Spitz (New Ideas in Psychology, 13, 167–182, 1995) proposed that calendar-calculating savants achieved their astonishing performances by concentrative efforts that developed “smart” unconscious brain algorithms. In this paper I offer argument and examples that support Spitz's contentions. Within the context of a brain algorithm based position I call Neurological Positivism (NP), I argue that all problem solving performances, whether those of savants or anyone else (including Albert Einstein), are the result of common self-organizing, self-referential algorithmic dynamics that connect the powerful algorithms of the phylogenetic brain (for example, those of perception) with algorithmic retoolments developed during ontogeny. Savant performances are described as abnormal outcomes of the evolutionary-driven transformation of phylogenetic algorithms into cultural-level problems. Albert Einstein's experiential account of personal discovery, which he termed intuition, is offered as corroborative support for NP's position that cultural-level performance arises from perceptual algorithms. It is concluded that culture is driven into existence by evolutionary dynamics that are immanent in the phylogenetic brain.     

Perceptual Knowledge Derailed

The tracking theory treats knowledge as counterfactual covariation of belief and truth through a sphere of possibilities. I argue that the tracking theory cannot respect perceptual knowledge, because perceptual belief covaries with truth through a discontinuous scatter of possibilities. Perceptual knowledge is subject to inner derailing: there is an inner hollow of perceptual incompetence through which the differences are too small to track. Perceptual knowledge is subject to outer derailing: there are outlying islands of perceptual competence that extend well past skeptical sinkholes.     

Moral Perception

Abstract: In this paper, I defend the view that we can have perceptual moral knowledge. First, I motivate the moral perception view by drawing on some examples involving perceptual knowledge of complex non‐moral properties. I argue that we have little reason to think that perception of moral properties couldn't operate in much the same way that our perception of these complex non‐moral properties operates. I then defend the moral perception view from two challenging objections that have yet to be adequately addressed. The first objection is that the moral perception view has implausible commitments concerning the morally blind, people who would claim not to perceive wrongness. The second objection is that the moral perception view is not really compatible with a wide range of the main candidate moral theories. I argue that the moral empiricist has plausible responses to both of these objections. I then address three residual concerns that my defense raises.     

Feeling and representing: Computational theory and the modularity of affect

In this paper I review some leading developments in the empirical theory of affect. I argue that (1) affect is a distinct perceptual representation governed system, and (2) that there are significant modular factors in affect. The paper concludes with the observation thatfeeler (affective perceptual system) may be a natural kind within cognitive science. The main purpose of the paper is to explore some hitherto unappreciated connections between the theory of affect and the computational theory of mind.     

The Mystery of Direct Perceptual Justification

In at least some cases of justified perceptual belief, our perceptual experience itself, as opposed to beliefs about it, evidences and thereby justifies our belief. While the phenomenon is common, it is also mysterious. There are good reasons to think that perceptions cannot justify beliefs directly, and there is a significant challenge in explaining how they do. After explaining just how direct perceptual justification is mysterious, I considerMichael Huemer’s (Skepticism and the Veil of Perception, 2001) and Bill Brewer’s (Perception and Reason, 1999) recent, but radically different, attempts to eliminate it. I argue that both are unsuccessful, though a consideration of their mistakes deepens our appreciation of the mystery.     

Depicting Depictions

How is it possible for a picture to depict a picture? Proponents of perceptual theories of depiction, who argue that the content of a picture is determined, in part, by the visual state it elicits in suitable viewers, that is, by a state of seeing‐in, have given a plausible answer to this question. They say that a picture depicts a picture, in part, because, under appropriate conditions of observation, a suitable viewer will be able to see a picture in the picture. In this article, I first argue that this answer is in conflict with the way in which some of the most influential perceptual theories of depiction – Robert Hopkins's version of the experienced resemblance theory and Dominic Lopes's version of the recognition theory – construe seeing‐in. I then formulate a version of the recognition theory that avoids this conflict and show how it can explain the depiction of pictures.     

Perceptual Justification and Warrant by Default

As I use the term, ‘entitlement’ is any warrant one has by default—i.e. without acquiring it. Some philosophers not only affirm the existence of entitlement, but also give it a crucial role in the justification of our perceptual beliefs. These philosophers affirm the Entitlement Thesis: that an essential part of what makes our perceptual beliefs justified is our entitlement to the proposition that I am not a brain-in-a-vat. Crispin Wright, Stewart Cohen and Roger White are among those who endorse this controversial claim. In this paper, I argue that the Entitlement Thesis is false.     

Perceptual Content Defended

Recently, the thesis that experience is fundamentally a matter of representing the world as being a certain way has been questioned by austere relationalists. I defend this thesis by developing a view of perceptual content that avoids their objections. I will argue that on a relational understanding of perceptual content, the fundamental insights of austere relationalism do not compete with perceptual experience being representational. As it will show that most objections to the thesis that experience has content apply only to accounts of perceptual content on which perceptual relations to the world play no explanatory role. With austere relationalists, I will argue that perceptual experience is fundamentally relational. But against austere relationalists, I will argue that it is fundamentally both relational and representational.     

Phenomenology without Representation

I criticise a recent variety of argument for the representational theory of experience, which holds that the very idea of perceptual experience entails the representational view. I argue that the representational view is not simply obvious, nor is it contained in the mere idea of the world looking some way. I also clarify and re‐present an argument against the representational view due to Charles Travis.     

Varieties of Pictorial Illusion

This article focuses on a potentially perplexing aspect of our interactions with pictorial representations (including film, paintings, pictures, drawings, photographs, even video games): in some cases, it seems that visual representations can play tricks on our cognitive faculties. We may either come to believe that objects represented in pictures are real or perhaps perceive them as such. The possibility of widespread pictorial illusions has been oft discussed, and discarded, in the aesthetics literature. I support this stance. However, the nature of the illusion is more complicated than is usually considered. I argue that there are five different types of potential illusions and present reasons for rejecting each. I also explore in detail the most persistent illusion: the “object recognition perceptual illusion thesis,” which states that we undergo a perceptual illusion while viewing pictorial representations simply in virtue of seeing objects in the representation. I contend that a rejection of this thesis depends on the nature of perceptual content, an issue with far‐reaching consequences in aesthetics.     

Representation,Presentation and the Epistemic Role of Perceptual Experience

Abstract

In this paper I argue that the representational theory of perception, on which the world is represented as being a certain way in perceptual experience, cannot explain how there can be a genuinely epistemic connection between experience and belief. I try to show that we are positively required to deny that perceptual consciousness is contentful if we want to make its fitness for epistemic duties intelligible. (So versions of the representational theory on which experience has a merely causal purchase on belief are not considered.) But my aim is not just negative. I try to defeat representationalism in such a way as to motivate a robustly presentational theory of perception. According to such a theory, perceptions are relations not between a subject and a content but between a subject and an ordinary object (such that if the relation holds at t, an appropriate subject and object must exist at t, and the object must be presented to the subject). I end by sketching an account of perceptual experience that is meant to show that, contrary to a very popular misconception, there is a way to conceive perceptual consciousness as relational and presentational (not intentional and representational) that does not succumb to the celebrated ‘myth of the Given’.     

A limited defense of moral perception

One popular reason for rejecting moral realism is the lack of a plausible epistemology that explains how we come to know moral facts. Recently, a number of philosophers have insisted that it is possible to have moral knowledge in a very straightforward way—by perception. However, there is a significant objection to the possibility of moral perception: it does not seem that we could have a perceptual experience that represents a moral property, but a necessary condition for coming to know that X is F by perception is the ability to have a perceptual experience that represents something as being F. Call this the ‘Representation Objection’ to moral perception. In this paper I argue that the Representation Objection to moral perception fails. Thus I offer a limited defense of moral perception.     

The weight of facts: A puzzle about perception,reasons and deliberation

How should we understand the epistemic role of perception? According to epistemological disjunctivism (ED), a subject’s perceptual knowledge that p is to be explained in terms of the subject believing that p for a factive and reflectively accessible reason. I argue that ED raises far‐reaching questions for rationality and deliberation; I illustrate those questions by setting up a puzzle about belief‐suspension, and I argue that ED does not have the resources to make sense of the rationality of belief‐suspension in cases in which suspending is clearly rational. The conclusion that I draw from the puzzle is mainly negative: the epistemic contribution of perception cannot be explained in terms of a warrant‐conferring relation between perception and belief. However, toward the end, I sketch a positive picture of the epistemic role of perception in terms of a direct explanatory relation between perception and knowledge.     

On the Perception of Structure

Many of the objects that we perceive have an important characteristic: When they move, they change shape. For instance, when you watch a person walk across a room, her body constantly deforms. I suggest that we exercise a type of perceptual constancy in response to changes of this sort, which I call structure constancy. In this paper I offer an account of structure constancy. I introduce the notion of compositional structure, and propose that structure constancy involves perceptually representing an object as retaining its compositional structure over time. I argue that compositional structure is represented in visual phenomenology, and I also assemble empirical evidence in support of the claim that compositional structure is recovered by the visual system. Finally, I draw out consequences of this account. I argue that structure constancy has implications for the predictive capacities of perception, and that the phenomenon places important constraints on viable accounts of both the format and reference frame of visual experience.     

Sisyphus,happiness and transcendence

What is the relation between transcendence and happiness? What type of transcendence can still be part of the concept happiness in our modern age? To answer these questions, I analyse the myth of Sisyphus from the existentialist perspective of Albert Camus, and investigate whether Sisyphus is (or can be) ‘truly’ happy and what role transcendence plays in this kind of happiness. This prompts a question about the relation between the concepts transcendence, meaning of life, and happiness. Taking Sisyphus as an exemplar, I argue that, although our contemporary culture has a flattening tendency regarding transcendence, various types of transcendence remain inextricably related to happiness.     

Hornsby and Baker on the physicalist orthodoxy

I examine some recent claims put forward by L. A. Paul, Barry Dainton and Simon Prosser, to the effect that perceptual experiences of movement and change involve an (apparent) experience of ‘passage’, in the sense at issue in debates about the metaphysics of time. Paul, Dainton and Prosser all argue that this supposed feature of perceptual experience – call it a phenomenology of passage – is illusory, thereby defending the view that there is no such a thing as passage, conceived of as a feature of mind-independent reality. I suggest that in fact there is no such phenomenology of passage in the first place. There is, however, a specific structural aspect of the phenomenology of perceptual experiences of movement and change that can explain how one might mistakenly come to the belief that such experiences do involve a phenomenology of passage.     

Grounding Perceptual Dogmatism: What are Perceptual Seemings?

Perceptual Dogmatism (PD) holds that if it perceptually seems to S that p, then S has immediate prima facie justification for the belief that p. Various philosophers have made the notion of a perceptual seeming more precise by distinguishing perceptual seemings from both sensations and beliefs to accommodate a) the epistemic difference between perceptual judgments of novices and experts, and, b) the problem of the speckled hen. Using somewhat different terminology, perceptual seemings are supposed to be high‐level percepts instead of low‐level sensations. I argue that although it is right that perceptual seemings should not be identified with sensations, they should also not be identified with percepts. There is no strong reason to assume that sensations and percepts exist as separate conscious states, and it appears therefore best to identify perceptual seemings simply with perceptual experiences interpreted as entities incorporating aspects from both sensations and percepts. However, even with this plausible identification in hand, the speckled hen will remain problematic for PD.