Motion parallax as an independent cue for depth perception.

The perspective transformations of the retinal image, produced by either the movement of an observer or the movement of objects in the visual world, were found to produce a reliable, consistent, and unambiguous impression of relative depth in the absence of all other cues to depth and distance. The stimulus displays consisted of computer-generated random-dot patterns that could be transformed by each movement of the observer or the display oscilloscope to simulate the relative movement information produced by a three-dimensional surface. Using a stereoscopic matching task, the second experiment showed that the perceived depth from parallax transformations is in close agreement with the degree of relative image displacement, as well as producing a compelling impression of three-dimensionality not unlike that found with random-dot stereograms.     

Motion parallax driven by head movements: conditions for visual stability, perceived depth, and perceived concomitant motion

Yoking the movement of the stimulus on the screen to the movement of the head, we examined visual stability and depth perception as a function of head-movement velocity and parallax. In experiment 1, for different head velocities, observers adjusted the parallax to find (a) the depth threshold and (b) the concomitant-motion threshold. Between these thresholds, depth was seen with no perceived motion. In experiment 2, for different head velocities, observers adjusted the parallax to produce the same perceived depth. A slower head movement required a greater parallax to produce the same perceived depth as faster head movements. In experiment 3, observers reported the perceived depth for different parallax magnitudes. Perceived depth covaried with smaller parallax without motion perception, but began to decrease with larger parallax and concomitant motion was seen. Only motion was seen with the larger parallax.     

Motion parallax judgements of depth as a function of the direction and type of head movement

We compared the relative effectiveness of rotating or translating the head, either horizontally or vertically, on the perception of depth resulting from motion parallax. Using Rogers and Graham's (1979) paradigm, we yoked the movement of random dots on a screen to movements of the head, simulating a corrugated surface. In two experiments, subjects nulled the apparent depth or motion seen in the display. Horizontal head movements yielded the most precise depth judgements, irrespective of whether the head translated or rotated. Motion thresholds were higher than those for depth and were independent of direction of head movement. In a third experiment, suprathreshold stimuli that simulated differing amounts of depth were used, and the subjects' perception of depth was virtually the same for all types and directions of head movement. In our stimulus situation, rotating or translating the head either vertically or horizontally produced motion parallax cues for depth that were equally effective. Our results also showed that, within a range, retinal image motion from head movement is converted into a depth signal and that above that range location constancy breaks down and motion is seen.     

Perception of relative depth interval: systematic biases in perceived depth

Given an estimate of the binocular disparity between a pair of points and an estimate of the viewing distance, or knowledge of eye position, it should be possible to obtain an estimate of their depth separation. Here we show that, when points are arranged in different vertical geometric configurations across two intervals, many observers find this task difficult. Those who can do the task tend to perceive the depth interval in one configuration as very different from depth in the other configuration. We explore two plausible explanations for this effect. The first is the tilt of the empirical vertical horopter: Points perceived along an apparently vertical line correspond to a physical line of points tilted backwards in space. Second, the eyes can rotate in response to a particular stimulus. Without compensation for this rotation, biases in depth perception would result. We measured cyclovergence indirectly, using a standard psychophysical task, while observers viewed our depth configuration. Biases predicted from error due either to cyclovergence or to the tilted vertical horopter were not consistent with the depth configuration results. Our data suggest that, even for the simplest scenes, we do not have ready access to metric depth from binocular disparity.     

Perception of relative depth interval: Systematic biases in perceived depth

Given an estimate of the binocular disparity between a pair of points and an estimate of the viewing distance, or knowledge of eye position, it should be possible to obtain an estimate of their depth separation. Here we show that, when points are arranged in different vertical geometric configurations across two intervals, many observers find this task difficult. Those who can do the task tend to perceive the depth interval in one configuration as very different from depth in the other configuration. We explore two plausible explanations for this effect. The first is the tilt of the empirical vertical horopter: Points perceived along an apparently vertical line correspond to a physical line of points tilted backwards in space. Second, the eyes can rotate in response to a particular stimulus. Without compensation for this rotation, biases in depth perception would result. We measured cyclovergence indirectly, using a standard psychophysical task, while observers viewed our depth configuration. Biases predicted from error due either to cyclovergence or to the tilted vertical horopter were not consistent with the depth configuration results. Our data suggest that, even for the simplest scenes, we do not have ready access to metric depth from binocular disparity.     

Seeing Motion and Apparent Motion

In apparent motion experiments, participants are presented with what is in fact a succession of two brief stationary stimuli at two different locations, but they report an impression of movement. Philosophers have recently debated whether apparent motion provides evidence in favour of a particular account of the nature of temporal experience. I argue that the existing discussion in this area is premised on a mistaken view of the phenomenology of apparent motion and, as a result, the space of possible philosophical positions has not yet been fully explored. In particular, I argue that the existence of apparent motion is compatible with an account of the nature of temporal experience that involves a version of direct realism. In doing so, I also argue against two other claims often made about apparent motion, viz. that apparent motion is the psychological phenomenon that underlies motion experience in the cinema, and that apparent motion is subjectively indistinguishable from real motion.     

Relation matters: relative depth order is stored in working memory for depth

Psychonomic Bulletin & Review - Working memory is considered as a cognitive memory buffer for temporarily holding, processing, and manipulating information. Although working memory for verbal...     

Cogency in Motion: Critical Contextualism and Relevance

If arguments are to generate public knowledge, as in the sciences, then they must travel, finding acceptance across a range of local contexts. But not all good arguments travel, whereas some bad arguments do. Under what conditions may we regard the capacity of an argument to travel as a sign of its cogency or public merits? This question is especially interesting for a contextualist approach that wants to remain critically robust: if standards of cogency are bound to local contexts of evaluation, then how may arguments legitimately travel at all? The key to a contextualist conception of cogent travel, I argue, lies in the way local contexts are linked to broader contexts of evaluation by relations of relevance. The burden of the article is to elaborate the different forms these relations can take in the travel of scientific arguments.     

Displacement in depth: Representational momentum and boundary extension

Memory for targets moving in depth and for stationary targets was examined in five experiments. Memory for targets moving in depth was displaced behind the target with slower target velocities (longer ISIS and retention intervals) and beyond the target with faster target velocities (shorter ISIS and retention intervals), and the overall magnitude of forward displacement for motion in depth was less than the overall magnitude of forward displacement for motion in the picture plane. Memory for stationary targets was initially displaced away from the observer, but memory for smaller stationary targets was subsequently displaced toward the observer and memory for larger stationary targets was subsequently displaced away from the observer; memory for the top or bottom edge of a stationary target was displaced inside the target perimeter. The data are consistent with Freyd and Johnson's (1987) two-component model of the time course of representational momentum and with Intraub et al.'s (1992) two-component model of boundary extension.     

Pictorial depth: intensity and aesthetic surface

Philosophers seldom ask questions regarding how certain phenomena occur, because such questions tend to be the province of the sciences or of technology. However, the question how pictures have depth requires philosophical reflection because it takes place on the surface of pictorial objects and involves both physical and phenomenal, i.e. aesthetic, features of those surfaces. This essay examines how pictures have depth by first separating the aesthetic question from interpretive considerations, and thereby refining the question how pictures have depth. Next it explicates two sorts of conceptual tools required to understand the question: several complex concepts needed to understand surfaces, and the concept of intensity. These are then used to understand how pictures can have depth by showing how intensities produce both an aesthetic surface and depth within it.     

A Comparison of Time Estimations in Driving With Target-Only in Motion,Self-Only in Motion,and Self-and-Target in Motion

Using an occlusion paradigm, estimates of the time taken to reach a point with the target-only in motion (approaching vehicle judged by a stationary observer), self-only in motion (moving observer judgment of a stationary target), and both self-and-target in motion (moving observer judgment of an approaching vehicle), were contrasted. Judgments were made in built-up urban and textureless rural roadsides and on straight and curved roads. Thirty drivers with an average experience of 3.3 years drove a simulator and estimated when they should have passed vehicles that were occluded when the vehicles were 2.5 sec away. Target-only in motion estimates were more accurate (less underestimated) than self-only and self-and-target in motion estimates, which in turn were more accurate than self-only in motion judgments. The roadside manipulation only influenced estimates when participants were moving. Judgments were more accurate in the urban environment when other vehicles were stationary, but in the rural environment accuracy was greater when the other vehicles were approaching. Self-and-target in motion judgments were less accurate on curves than on straight roads. Possible theoretical explanations for the results are highlighted.     

Religion in Motion: Continuities and Symbolic Affinities in Religion and Sport

One of the major transformations in religion in contemporary societies has been the decline of church institutions and their reconstruction within a diverse network of associations, therapies, markets and other unconventional spiritual services. Based on extensive ethnographic fieldwork on religious behaviours and dynamics in sports contexts, and taking the similarities between sport and religion as the point of departure, this paper analyses, reflects on and theorises about the symbolic affinities of these two contemporary social institutions. The results show that symbolism converges in the religious element, tending to improve aspects related to sports ethics and establishing affective experiences among participants, with positive results for their physical and mental wellbeing. The findings indicate that a symbolic analysis of the various facets of sport is a useful approach for gaining a better understanding of this phenomenon, since besides being biological, diseases are also cultural and social, and thus, disease, religion and ritual are emotionally related.     

Form and depth in global stereopsis

Three experiments were performed to investigate the role of vergence and the relationship between form and depth processes in global steropsis by comparing global and classical stereopsis. In the first experiment, the speed of stereoscopic resolution as a function of initial fixation-target distance was measured to discover the role of vergence in stereopsis with the random-dot and contoured stereograms. In the second experiment, the accuracy of form and depth discrimination as a function of fixation-target distance was measured using brief stimulus exposure (150 ms) to examine the nature of form and depth processing in global stereopsis. In the third experiment, the speed of resolving random-dot stereograms in the presence or absence of juxtaposed contoured stereograms was observed to examine the interaction of global stereopsis and classical stereopsis. The conclusions of these studies are summarized as follows: First, vergence plays a critical role in the solution of the random-dot stereograms but not in the solution of contoured stereograms. Second, performance with the contoured stereograms is better than with the random-dot stereograms in terms of both speed and accuracy. Third, in random-dot stereograms, discrimination of form is independent of and more accurate than discrimination of depth. Fourth, again for random-dot stereograms, the disparity of target relative to fixation systematically affects discrimination of form but not discrimination of depth. Fifth, a rapid reduction in reaction time over practice occurs for both types of stereograms. Finally, strong interference with the solution of the random-dot stereograms by the monocular contour occurs when the two kinds of stimuli are present simultaneously.