The Trio of Time: On Merleau-Ponty’s Phenomenology of Time

Human Studies - The transition from “natural” sensation to “phenomenological” perception is revealed since the dynamic temporality within perception is elaborated by...     

Depth as Nemesis: Merleau-Ponty’s Concept of Depth in Phenomenology of Perception,Art and Politics

Human Studies - The concept of depth is central to Merleau-Ponty’s phenomenology and informed not only his philosophy of perception but also his thinking about psychology, art and politics....     

“In the Face,a Right Is There”: Arendt,Levinas and the Phenomenology of the Rights of Man

This paper examines the differences between the thought of Hannah Arendt and Emmanuel Levinas concerning the “Rights of Man”, in relation to stateless persons. In The Origins of Totalitarianism, Arendt evinces a profound scepticism towards this ideal, which for her was powerless without being tethered to citizenship. But Arendt’s own idea of the “Right to have Rights” is critiqued here as being inadequate to the ethical demand placed upon states by refugees, in failing to articulate just what states might be responsible for. I argue that the ethical philosophy of Levinas meets this lacuna in Arendt’s thought, via his concept of the Face as the locus of human dignity and to which states can be recalled to responsibility. Levinas wrote several papers on what he called “the phenomenology of the Rights of Man”, and in his phrase, which provides a summation of precisely what is lacking in Arendt’s arguments: “In the face – a right is there”.     

“The indestructible,the barbaric principle”: The Role of Schelling in Merleau-Ponty’s Psychoanalysis

The aim of this paper is to examine Merleau-Ponty’s idea of a “psychoanalysis of Nature” (Merleau-Ponty in The visible and the invisible. Northwestern University Press, Evanston, 1968). My thesis is that in order to understand the creation of a Merleau-Pontean psychoanalysis (together with the role the unconscious plays in this psychoanalysis), we need to ultimately understand the place of Schelling in Merleau-Ponty’s late thought. Through his dialogue with Schelling, Merleau-Ponty will be able to formulate not only a psychoanalysis of Nature, but also fulfil the ultimate task of phenomenology itself; namely, of identifying “what resists phenomenology—natural being, the ‘barbarous’ source Schelling spoke of” and situating it precisely at the heart of phenomenology (Merleau-Ponty in Signs. Northwestern University Press, Evanston, p 178, 1964b). The plan for studying this natural psychoanalysis is threefold. First, I provide an overview of the role psychoanalysis plays in the 1951 lecture, “Man and Adversity,” focusing especially on this lecture as a turning point in his thinking. Second, I chart how Merleau-Ponty’s psychoanalysis is informed by the various ways in which the unconscious is formulated in his thought, leading eventually to a dialogue with Schelling. Accordingly, in the final part of the paper, I trace the role of Schelling’s thought in the creation of a Merleau-Pontean psychoanalysis. As I argue, what distinguishes this psychoanalysis is the centrality of Schelling’s idea of the “barbaric principle,” which manifests itself as the notion of an unconscious indexing an “excess of Being” resistant to classical phenomenology (Merleau-Ponty in Nature: course notes from the college de France. Northwestern University Press, Evanston, p 38, 2003).     

The Man of the House: Commentary on Thomas Burkhalter’s “Foregrounding Masculinities in Psychoanalytic Psychotherapy”

Thomas Burkhalter is complemented on so vividly bringing the reader into his personal struggles to find a true masculinity in the unforgiving context of contemporary South Africa where White masculinity is associated with apartheid. The struggle to be free of old identifications with the patriarchal order and gender binaries saturate the paper, and attention is drawn to the lingering presence of older conceptions of masculinity as a monolithic concept that leaves women as victims and nurturers and the male as dominant. Burkhalter’s clinical vignette is examined and found to illustrate well his struggle and to capture the vulnerability to genderized enactments and the enduring presence of the old order manifested by a reliance on defense analysis that constrains his construal of Mr. Jones’s statement that he is “after all the man in the house.” Potential alternative meanings of this phrase that foreground grief, hope, and a plea for companioning in pain are offered and a deeper engagement with Mr. and Mrs. Jones’s conscious and unconscious worlds is encouraged.     

The Anticipation of the Present: Phenomenology of déjà vu

This paper analyses the déjà-vu experience in order to deepen the understanding of the complex nature of time-consciousness from a phenomenological point of view. The paper is divided into two sections: the first section focuses on Bergson’s research on déjà vu in order to assess the validity of his position; the second section describes a specific form of déjà-vu experience from a phenomenological perspective. This investigation will question the widespread assumption according to which déjà vu should be conceived as a disturbance of the memory of the past. On the contrary, the author shows that the disturbance primarily pertains to the dimension of the future. In order to understand this phenomenon, it is necessary to focus on the coherent deformation of the immediate expectation of the imminent future.     

The Disarticulation of Time: the Zeitbewußtsein in Phenomenology of Perception

In an effort to reassess the status of Phenomenology of Perception and its relation to The Visible and the Invisible, this essay argues that Merleau-Ponty's engagement with Husserl's text and his discussion of the “field of presence” in La temporalité are intended to think through the field in which time makes its appearance as one of passage. Time does not show itself as presence or in the present but manifests itself as Ablauf, as lapse or flow, an écoulement that is simultaneously an explosion, an éclatement. Merleau-Ponty's account of temporality in these pages is thus legible as recovering the primordial experience of time as a self-differentiating déhiscence in its dual power of articulation and erosion. Time is thus simultaneously the vehicle of the world's appearance and of its “disarticulation”, the passage of a rhythm of affirmation and disintegration.     

Exploring the Promise of Eudaimonic Well-Being Within the Practice of Health Promotion: The “How” is as Important as the “What”

A brief historical and philosophical analysis suggests that the biomedical model and prevention have been the pillars of health promotion practices with the underlying assumption that these concepts provide answers to people’s health woes. Another observation resulting from this analysis is that biomedical, prevention, and more recently, wellness, do not differ much from each other paradigmatically (e.g., instrumental rationality) and, hence, are severely restricted in their short- and long-term effectiveness for helping people with healthy living and quality of life. It is proposed that eudaimonic well-being—if explored, understood, and implemented in a manner that holds true to the purity of the concept—offers significant promise for shifts in health promotion practices that may lead to transformative health experiences and enhanced quality of life.     

Speaking like a Man: Women’s Pitch as a Cue for Gender Stereotyping

Sex Roles - Women’s average voice pitch has decreased in recent years, reducing the gap between men on this vocal dimension. The present study examined whether a woman speaking at a lower...     

“The Postilion’s Horn Sounds”: A Complementarity Approach to the Phenomenology of Sound-Consciousness?

In the phenomenology of the consciousness of internal time, Edmund Husserl has frequent recourse to sound and melody as illustrations of the processes that give rise to immanent temporal objects. In Husserl’s analysis, there is a philosophically pregnant tension between the geometrical diagrams representing multiple dimensions of immanent time and his intuition that time-points might be no more than fictions leading to absurdities. In this paper, I will address this tension in order to motivate a complementarity approach to temporal objects such as sound and melody that might illuminate the phenomenology of sound-consciousness.     

First insights on “neuropedagogy of reasoning”

Statements that share an explanation tend to lend inductive support to one another. For example, being told that Many furniture movers have a hard time financing a house increases the judged probability that Secretaries have a hard time financing a house. In contrast, statements with different explanations reduce one another s judged probability. Being told that Many furniture movers have bad backs decreases the judged probability that Secretaries have bad backs. I pose two questions concerning such discounting effects. First, does the reduction depend on explanations being mutually incompatible or does it occur when explanations are deemed irrelevant to one another? I found that a small discounting effect occurred with statements that were blatantly unrelated. However, the discounting effect also depended on a factor external to the argument being judged; the composition of the argument set. Second, are explanation effects attributable to changes in the belief afforded statements or to response-specific changes resulting from misunderstanding of the probability rating task or response bias? The results implicate changes in belief. Prior belief influenced conditional probability more than argument strength judgements, as it would if participants understood the tasks in the same way as the experimenter. Also, conditional probability true and false judgements were complementary, suggesting no response bias.     

The Living Body as the Origin of Culture: What the Shift in Husserl’s Notion of “Expression” Tells us About Cultural Objects

Husserl’s philosophy of culture relies upon a person’s body being expressive of the person’s spirit, but Husserl’s analysis of expression in Logical Investigations is inadequate to explain this bodily expressiveness. This paper explains how Husserl’s use of “expression” shifts from LI to Ideas II and argues that this shift is explained by Husserl’s increased understanding of the pervasiveness of sense in subjective life and his increased appreciation for the unity of the person. I show how these two developments allow Husserl to better describe the bodily expressiveness that is the source of culture. Husserl’s account of culture is thoroughly intentionalistic, but it does not emphasize thought at the expense of embodiment. Culture originates not in an abstract subjectivity, but by persons’ expressing themselves physically in the world. By seeing how Husserl develops his mature position on bodily expressiveness, we can better appreciate the meaningfulness and the bodily concreteness of cultural objects.