Frequency recognition in temporal interference tasks: A comparison among four psychophysical procedures

The frequency discrimination of a 20-msec test tone was measured for the same subjects in four psychophysical paradigms: a single-interval procedure, a two-alternative forced-choice procedure, a same-different procedure, and a method-of-adjustment procedure. In each paradigm, the 20-msec test tone was preceded or followed by a 500-msec, 800-Hz interfering tone. The interfering tone occurred 50 or 5 msec before the onset of the test tone (forward interference) or 100 or 5 msec after the offset of the test tone (backward interference). In each of the four paradigms and for each of the interference conditions the value of Δf for the test tone was varied symetrically around 800 Hz to obtain an estimate of the frequency discrimination thresholds. In all psychophysical paradigms except for the single-interval procedure, there were small or no significant differences in observers’ frequency discrimination behavior among the interference conditions. The thresholds for Δf from these conditions were approximately the same as those obtained without an interfering tone. In the single-interval task, when the test tone preceded the interfering tone (backward interference) by 5 msec, an increase in the value of Δf required for discrimination over that required in the other conditions was measured. These results suggest that the effect of backward interference on a target tone does depend on psychophysical procedure.     

Proactive interference of a sequence of tones in a two-tone pitch comparison task

Subjects compared pitches of a standard tone and a comparison tone separated by 1,300–3,000 msec and responded according to whether the comparison tone sounded higher or lower in pitch than the standard tone. Three interfering tones at 300-msec intervals were presented before each pair of tones. Their pitch range varied, being either below or above the pitch of the standard tone; in some of the trials, their pitches were identical to the pitch of the standard tone (no interference). The highest error rate in performance was found when the interfering tones and the comparison tone deviated in the same direction in pitch from the standard tone. In turn, their deviations in the opposite directions resulted in the lowest error rate. This effect was not found to be dependent on whether the interfering tones were randomly ordered or monotonically ordered, together with the standard tone, into melodically ascending/descending sequences. An intermediate error rate in performance was found when the interfering tones and the standard tone were identical. The results support earlier hypotheses, presented in the context of retroactive interference, by demonstrating proactive interference of a tone sequence at the level of representations of individual tones.     

Pitch perception and retention: two cumulative benefits of selective attention

By presenting, before a "chord" of three pure tones with remote frequencies, a tone relatively close in frequency to one component (T1) of the chord, one can direct the listener's attention onto T1 within the chord. In the first part of the present study, it was found that this increases the accuracy with which the pitch of T1 is perceived. The attentional cue improved the discrimination between the frequency of T1 and that of another tone (T2) presented immediately after the chord or very shortly (300 msec) after it. No improvement was found when T1 was presented alone instead of within a chord. A subsequent experiment, in which the chord and T2 were separated by either 300 msec or 4 sec, indicated that the attentional cue improved not only the perception, but also the memorization of the pitch of T1 (especially when T1 was the intermediate component of the chord). It is argued that the positive effect of attention on memory took place when the pitch percept was encoded into memory, rather than after the formation of the pitch memory trace.     

Time course of chord priming

The time course of chord priming was explored in four experiments. In chord priming, a chord (a typical combination of simultaneously sounded tones) primes other chords that are musically related. In the present study, the prime duration and the stimulus onset asynchrony (SOA) between the prime chord and the chord to be judged were varied. Priming occurred at an SOA and prime duration as short as 50 msec, the shortest tested. When the prime duration was held constant at 50 msec, priming occurred at an SOA as long as 2,500 msec, the longest tested, and the magnitude of the priming effect did not diminish. To eliminate a possible role of sensory memory in maintaining the priming effect during the silence following the prime, a 250-msec noise mask was presented immediately following the 50-msec prime. The interpolated noise mask did not eliminate priming, thereby supporting the view that chord priming is the consequence of associative activation.     

Time course of chord priming.

The time course of chord priming was explored in four experiments. In chord priming, a chord (a typical combination of simultaneously sounded tones) primes other chords that are musically related. In the present study, the prime duration and the stimulus onset asynchrony (SOA) between the prime chord and the chord to be judged were varied. Priming occurred at an SOA and prime duration as short as 50 msec, the shortest tested. When the prime duration was held constant at 50 msec, priming occurred at an SOA as long as 2,500 msec, the longest tested, and the magnitude of the priming effect did not diminish. To eliminate a possible role of sensory memory in maintaining the priming effect during the silence following the prime, a 250-msec noise mask was presented immediately following the 50-msec prime. The interpolated noise mask did not eliminate priming, thereby supporting the view that chord priming is the consequence of associative activation.     

Effects of signal duration and masker duration on detectability under diotic and dichotic listening conditions

The detectability of a 500-Hz tone of either 32- or 256-msec duration in a broad-band 50-dB spectrum level noise was measured as a function of the duration of the noise. The noise was continuous or was gated 0, 125, or 250 msec before the onset of the signal. For the gated noise conditions the noise was terminated approximately 5 msec after termination of the signal. With a homophasic condition (NO SO), the three noise conditions led to approximately the same detectability as did the continuous masker. In an antiphasic condition (NO Sπ), detectability was poorest when signal and masker began together and improved as the delay between noise onset and signal onset increased. The difference between the simultaneous onset and the continuous noise condition was about 9 dB for the 32-msec signal and about 2 dB for the 256-msec signal. These results are compared to those reported by McFadden (1966).     

Comparison of the effect of onset asynchrony on auditory grouping in pitch matching and vowel identification

Previous experiments have shown that when a slightly mistuned harmonic of a complex tone starts more than about 80 msec before the remaining components, it makes a reduced contribution to the pitch of the complex. This contribution decreases to zero by about 300-msec onset asynchrony. In vowel perception, however, analogous experiments have shown that a much shorter asynchrony (around 40 msec) is enough to ensure that a component does not influence a vowel’s phonemic category. The three experiments reported here demonstrate that this difference in the utility of onset time as a grouping cue does not arise because of differences in stimulus structure, but rather is due to the perceptual task. They show that the onset asynchrony needed in a pitch-matching experiment to remove the contribution that a mistuned component makes to the pitch of a vowel is the same as that needed to remove the contribution to the pitch of a flat-spectrum complex tone. They further show that a much smaller onset asynchrony is needed to perceptually remove the same harmonic from a vowel for the calculation of vowel quality. The implication of this result for models of auditory grouping is discussed.     

The time course of attention in a simple auditory detection task

What is the time course of human attention in a simple auditory detection task? To investigate this question, we determined the detectability of a 20-msec, 1000-Hz tone presented at expected and unexpected times. Twelve listeners who expected the tone to occur at a specific time after a 300-msec narrowband noise rarely detected signals presented 150-375 msec before or 100-200 msec after that expected time. The shape of this temporal-attention window depended on the expected presentation time of the tone and the temporal markers available in the trials. Further, though expecting the signal to occur in silence, listeners often detected signals presented at unexpected times during the noise. Combined with previous data, these results further clarify the listening strategy humans use when trying to detect an expected sound: Humans seem to listen specifically for that sound, while ignoring the background in which it is presented, around the time when the sound is expected to occur.     

Feature processing during high-rate auditory selective attention

Auditory event-related brain potentials (ERPs) and reaction times were, analyzed in a selective attention task in which subjects attended to tone pips presented at high rates-Xinterstimulua intervals [ISIs] of 40-200 msec). Subjects responded to infrequent target tones of a specified frequency (250 or 4000 Hz) and location (left or right ear) that were louder than otherwise identical tones presented randomly to the left and right ears. Negative difference (Nd) waves were isolated by subtracting ERPs to tones with no target features from ERPs to the same tones when they shared target location, frequency, or both frequency and location cues. Nd waves began 60-70 msec after tone onset and lasted until 252–350 msec after tone onset, even for tones with single attended cues. The duration of Nd waves exceeded the ISIs between successive tones, implying that several stimuli underwent concurrent analysis. Nd waves associated with frequency processing had scalp distributions different from those associated with location processing, implying that the features were analyzed in distinct cortical areas. Nd waves specific to auditory feature conjunction were isolated. These began at latencies of 110–120 msec, some 30-40 msec after the Nds to single features. The relative timing of the different Nd waves suggests that auditory feaure conjunction begins after a brief parallel analysis of individual features but before feature analysis is complete.     

Perception without awareness: further evidence from a Stroop priming task

In the present research, we examined the influence of prime-target stimulus onset asynchrony (SOA) on Stroop-priming effects from masked words. Participants indicated the color of a central target, which was preceded by a 33-msec prime word followed either immediately or after a variable delay by a pattern mask. The prime word was incongruent or congruent with the target color on 75% and 25% of the trials, respectively. The words followed by an immediate mask produced reliable Stroop interference at SOAs of 300 and 400 msec but not at SOAs of 500 and 700 msec. The words followed by a delayed mask produced a reversed (i.e., facilitatory) Stroop effect, which reached significance at an SOA of 400 msec or longer, but never at the shorter 300-msec SOA. Such an differential time course of both types of Stroop priming effects provides further evidence for the existence of qualitative differences between conscious and nonconscious perceptual processes.     

Auditory-visual conflicts in the perceived duration of lights, tones and gaps

The perceived duration of a short tone (1,000 or 1,500 msec) was longer than that of a separately presented light of equal length. Thus, when light and tone were presented simultaneously, there was a conflict in perceived duration. In that case, the perceived duration of an interval filled with both light and tone was close to that of an interval filled with tone alone. A silent gap in otherwise continuous tone was perceived as longer than a gap in otherwise continuous light, and the perceived duration of a gap occurring simultaneously in both light and tone was close to that of a gap in tone alone. Thus, auditory dominance occurred under the preceding conditions-that is, auditory-visual conflicts in perceived duration, whether occurring between filled intervals or gaps, were resolved in favor of the auditory modality. Visual dominance occurred only under one condition, in which the intensity of tone was reduced, and in which the perceived duration of a 500-msec light was longer than that of a 500-msec tone. The finding of auditory dominance in the perception of time runs counter to the results of studies of sensory conflicts in spatial perception, where vision typically dominates audition and touch.     

Mood congruent Bias in Interpretation of Ambiguity Strategic Processes and Temporary Activation

Three experimentsinvestigated the tendency of high-anxiety individuals to interpretambiguous information in a threatening fashion. Priming ambiguous sentences (concerned with ego-threat, physical-threat, or non-threat events) were presented, followed by a disambiguating sentence in which a target word either confirmed or disconfirmed the consequence implied by the priming context. The sentences were presented word-by-word at a predetermined pace. Subjects read the sentences and pronounced the target word (naming task), which appeared either 500 msec or 1,250 msec after the onset of the last word (pre-target word) in the priming context. Results indicated that high-anxiety subjects named target words confirming threats faster than low-anxiety subjects, relative to non-threat words. Furthermore, this interpretative bias is: (a) strategic, rather than automatic, as it occurred with a 1,250-msec SOA, but not with a 500-msec SOA; (b) temporary, as it was found under evaluative stress conditions increasing state anxiety, butnot withnon-stress; and (c) specificto ego-threats, as it happened with ambiguous information concerning self-esteem and social evaluation, rather than with physical-threat-related information.     

Diotic and dichotic frequency recognition in a single-interval temporal interference procedure

The frequency discriminability of a 70-dB SPL, 20-msec test tone followed 5 msec later by an equally intense 500-msec, 800-Hz interference tone was studied in a single-interval procedure for one diotic condition and three dichotic conditions. The test tone (T) and interference tone (I) were presented the same to both ears (ToIo, diotic condition) and in three dichotic conditions: (1) the interference tone was presented to the right ear (R) and the test tone to the left ear (L) (T_LI_R), (2) the interference tone was presented the same to both ears and the test tone to one ear (TmIo), and (3) the interference tone was presented the same to both ears and the test tone to both ears with an interaural phase reversal (TπIo). The threshold value for test tone frequency discrimination in the diotic temporal interference condition was approximately six times greater than that obtained without an interference tone. The three dichotic temporal interference conditions yielded essentially equivalent threshold values which were approximately 2.4 times that obtained when the test tone was presented without an interference tone. Therefore, although never equaling interference-free conditions, dichotic test tone presentations can improve frequency recognition relative to diotic conditions at intensities well above threshold. It is postulated that this improvement may be due to the spatial separation of test and interfering tones, rather than to possible differences in diotic vs. dichotic subjective intensities. Dichotic-diotic frequency recognition differences did not occur when a 100-msec interval separated the test and interfering tone or when the interfering tone preceded the test tone.     

Reflex inhibition in humans: Sensitivity to brief silent periods in white noise

A white noise (60 dB SPL) was always present except for brief silent periods (“gaps”) which occurred just before an eyelid reflex was elicited in human volunteers by a brief innocuous shock to the forehead. In Experiment 1 (n=8), 10-msec gaps (“S1”) were given 40, 80, 120, 160, or 200 msec before the shock (“S2”). Compared with S2-alone trials, the reflex was inhibited by about 50% at intervals of 80 msec and beyond. Experiment 2 (n=12) first provided detection thresholds for gaps using a simple version of the method of limits: on average a gap of 5.4 msec duration was just detected. Then gaps of 0, 2, 4, 6, 8, and 10 msec were given in random order, each 100 msec before S2. The 4-msec stimulus was an effective inhibitor of the reflex, and inhibition further increased on to 6- and then to 8-msec durations. A comparison of the values obtained on reflex inhibition with the 5.4-msec threshold obtained with the conventional psycho-physical test reveals that in humans reflex inhibition provides an objective index of stimulus detection that is at least of sufficient sensitivity to warrant its clinical application. The steady increase in reflex inhibition as gap duration increased from 2 to 8 msec may be of significance for tracing the rate of decay of afferent stimulation following noise offset, as it presumably reflects the growing sensitivity to the resumption of the noise as the duration of the silent period is increased.     

Separate "what" and "where" decision mechanisms in processing a dichotic tonal sequence.

Right-handed subjects were presented with a dichotic tonal sequence, whose basic pattern consisted of three 800-Hz tones followed by two 400-Hz tones on the channel and simultaneously three 400-Hz tones followed by two 800-Hz tones on the other. All tones were 250 msec in duration and separated by 250-msec pauses. On any given stimulus presentation, most subjects reported the sequence of pitches delivered to one ear and ignored the other. They further tended significantly to report the sequence delivered to the right ear rather than to the left. However, each tone appeared to be localized in the ear receiving the higher frequency, regardless of which ear was followed for pitch and regardless of whether the higher or lower frequency was in fact perceived.     

Facilitation by repetition in recognition memory for tonal pitch

Subjects made delayed pitch comparisons when the standard and comparison tones were separated by a sequence of interpolated tones. In some conditions, a tone of the same pitch as the standard tone was included among the interpolated tones. Recognition performance was superior for sequences where the standard tone pitch was repeated, even compared with control sequences of reduced size. The improvement in performance produced by the repeated tone depended on its position in the intervening sequence. Improvement was substantial and highly significant when the standard tone pitch was repeated in the second serial position of a sequence of six interpolated tones, but small and insignificant when it was repeated in the fifth serial position.     

The slow formation of a pitch percept beyond the ending time of a short tone burst

The discriminability of short tone bursts differing in frequency was measured in terms of the sensitivity index d' as a function of interstimulus interval (ISI). The two stimuli presented on each trial consisted of either 6 or 30 sinusoidal cycles. When the frequency of the first stimulus varied randomly and widely from trial to trial (Experiment 1), discriminability was maximal for an ISI of about 400 msec in the 6-cycles condition and for a significantly longer ISI (of about 1 sec) in the 30-cycles condition. However, when the first stimulus had only two possible frequencies and the second stimulus was fixed (Experiment 2), the optimal ISI appeared to be about 400 msec in both conditions. A final experiment confirmed that, for tone bursts of 30 cycles, the optimal ISI was dependent on the perceptual uncertainty of the first stimulus. These results support the idea that the duration required to perceive the pitch of a sound as accurately as possible may far exceed the duration of the stimulus itself. More importantly, they indicate that the required duration is not a constant.     

Discrimination of time intervals bounded by tone bursts

Trained listeners had to discriminate, in a four-level 2AFC paradigm, the duration of a time interval bounded by pairs of brief tone bursts. The time intervals ranged from 10 to 100 msec. When the tone-burst markers were similar in their intensity (86 dB SPL) and frequency (1 kHz), the just noticeable time difference was found to be monotonically related to the base interval. On the other hand, when the intensity of the first marker was severely attenuated (by 50 dB) or when a large (2-octave) difference was introduced between the frequencies of the two markers, the time discrimination functions became nonmonotonic. A similar, albeit slight, departure from monotonicity was also achieved by making the second marker much longer than the first (300 msec vs. 10 msec). The nonmonotonicity of these time discrimination functions is compared to the well-documented nonmonotonicity that may be observed for voice onset time (VOT) discrimination functions.     

The representation of pitch in auditory imagery: Evidence from S-R compatibility and distance effects

In three experiments we explored the nature of representations constructed during the perception and imagination of pitch. We employed a same–different task to eliminate the influence of nonauditory information and to minimise use of cognitive strategies on auditory imagery. A reference tone of frequency 1000, 1500, or 2000 Hz, or an imagined tone of a pitch indicated by a visual cue, was followed by a comparison tone (1000, 1500, or 2000 Hz) to which either a speeded same or different response was required. In separate experiments, same–different judgements were mapped to vertically (Experiments 1 and 2) and horizontally arranged responses (Experiment 3). Judgements of tones closer in pitch yielded longer reaction times and higher error rates than more distant tones, indicating a pitch distance effect for perceptual and imagery tasks alike. In addition, in the imagery task, same–different responses were faster when low-pitched tones demanded a bottom or left key response and high-pitched tones a top or right response than vice versa, suggesting that pitch is coded spatially. Together, these behavioural effects support the assumption that both perceived and imagined pitch are translated into an analogical representation in the spatial domain.     

Control of responding by the location of an auditory stimulus: role of rise time of the stimulus

The control of responding by the location of tone bursts of 0.2- or 50-msec rise time was investigated in three albino rats. The apparatus consisted of an enclosure with two levers, two loudspeakers (in different locations), and a dipper feeder. The animal was exposed to tone bursts from either one or the other of the two speakers, and the speaker through which the tone bursts were delivered on any particular trial alternated in an irregular manner. Responses on one lever were reinforced with food in the presence of tone bursts from one speaker; responses on the second lever were reinforced with food in the presence of tone bursts from the second speaker. Responding came under the control of the location of 4-kHz tone bursts of 0.2-msec rise time within the first session. At this rise time, animals maintained a stable level of correct responding of greater than 95%. When the rise time was increased to 50 msec the percentage of correct responding fell to an average of 80 to 85%. It was concluded that location of an auditory stimulus is a powerful controller of responding in rats and that the degree of control is dependent upon rise time.