Perceptual organization of auditory temporal patterns in European starlings (Sturnus vulgaris)

The perception of continuously repeating auditory patterns by European starlings was explored in seven experiments. In Experiment 1, 4 starlings learned to discriminate between two continuously repeating, eight-element, auditory patterns. Each eight-element pattern was constructed from different temporal organizations of two elements differing in timbre. In Experiments 2–7, the repeating patterns were transformed in ways designed to identify the starlings’ perceptual organization of the patterns. In Experiment 2, the starlings identified patterns beginning with novel starting points. In Experiment 3, discrimination performance was adversely affected by reorganizing the elements in the patterns. In Experiments 4 and 5, the pattern elements were altered. In Experiment 4, the patterns were constructed from two novel elements. In Experiment 5, the temporal location of the two pattern elements was reversed. The transformations of the patterns in Experiments 4 and 5 affected discrimination performance for some, but not all, of the starlings. In Experiments 6 and 7, replacing either of the two elements with silent intervals had no effect on discrimination performance. The results of these experiments identify basic grouping principles that starlings use when they perceive auditory patterns.     

Perceptual organization of two-dimensional patterns

The perceptual organization of image patterns is considered from 2 standpoints. First, a theoretical framework is presented from which computational models of perceptual organization can be constructed and tested. Second, a specific computational model for perceptual organization of line images is described. In this model, input images are first processed by a dense array of neurons that have properties consistent with recent analyses of single-neuron responses in primary visual cortex. Then, complex image structure is discovered by interleaved pattern-matching and grouping processes constrained by a generalized uniqueness principle. A series of 3-pattern grouping experiments was performed to test a restricted version of the model and to estimate critical parameters. Using the estimated parameters, an extended version of the model was tested by generating predictions for a series of "textbook" perceptual organization demonstrations.     

Discrimination of auditory temporal patterns

Two same-different discrimination experiments were performed for click patterns having a total duration of about 4 sec and interclick intervals ofn × 250 msec, withn a random integer. In Experiment 1, the influence of the physical click group structure on discrimination performance was investigated. In Experiment 2, the effect of the strength of an induced internal clock on discrimination performance was measured. Performance was poor if the group structure of clicks was maintained during a change in click pattern and also if the induced infernal clack strength was low. The performance of about 70% of the subjects improved significantly if either a change in click grouping structure occurred or a strong internal clock could be induced. These results cannot be accounted for with simple models based an single-interval duration discrimination or between-pattern correlation statistics.     

Response uncertainty and perceptual difficulty of auditory temporal patterns

Two qualitatively different sounds were used to generate256 different sequences of length8, and these sequences were presented to Ss at a rate of two stimuli per second. These sequences, when repeatedcontinuously,canbe grouped into20 fundame ntally different patterns, each having either2, 4, or8 distinguishably different starting points. Ss were required to listen and to be gin responding (with telegraph keys) in synchrony to the patterns when they were able. The point at which they began responding, the delay before responding, and errors after beginning responding were measured. The response uncertainty (variability of point of response for a given pattern), average delay, and average errors are all highly correlated, indicating that patterns which are easily organized are those which have few alternative modes of organization, and thus can be considered as simple, or good in the Gestalt sense.     

Perceptual and motor factors in the imitation of simple temporal patterns

Summary This study investigated the relative importance of perceptual and motor factors in the imitation of simple temporal patterns. Previous research in which subjects tap out interval sequences using one finger has suggested that perceptual factors play an important role in response timing. Studies of bimanual tapping, in contrast, stress the importance of motor interactions between the two hands. In this experiment we compared the ability of subjects to tap out two-interval sequences using one finger, two fingers on one hand, and two fingers on opposite hands. The results showed almost identical performance under the three response conditions. It is suggested that the perceptual relations between intervals in a pattern were the main determinant of performance in this experiment.     

Perceptual organization and attention

It is widely assumed that the grouping of the visual field first described by the Gestalt psychologists and the related phenomenon of texture segregation occur very early in the processing of visual information and involve preattentive processes. All the recent evidence supporting this assumption comes from visual search experiments in which the subject is actively looking for a target and attending to the stimulus. The question at issue is whether these kinds of patterns are perceived under conditions of inattention, i.e., when observers are not searching for them. We performed six experiments to determine whether texture segregation and grouping by similarity or proximity are perceived under conditions of inattention. On the first two trials subjects were asked to report the longer arm of a briefly presented cross which was surrounded by a pattern of ungrouped small elements. On the third trial and subsequent control trials these elements were configured into grouping patterns and subjects queried about them immediately following their line length reports. The results establish that neither texture segregation nor grouping by similarity of lightness or proximity are perceived under conditions of inattention. They support the conclusion that there is an earlier stage of processing than that referred to as preattentive.     

Time-shrinking: A discontinuity in the perception of auditory temporal patterns

Recent research at our laboratories in the field of human auditory time perception revealed that the duration of short empty time intervals (<～200 msec) is considerably underestimated if they are immediately preceded by shorter time intervals. Within a certain range, the amount of subjective time shrinking is a monotonous function of the preceding time interval: the shorter it is, the more it shrinks its successor. In the present study, the preceding interval was kept constant at 50 msec, and the following interval for which the duration had to be judged, varied from 40 to 280 msec. The results showed that at up to 100 msec, the perceived duration increased to a much lesser extent than did the objective duration. Beyond 120 msec, the perceived duration quickly increased and reached a veridical value at 160 msec. Such a sudden change of perceived duration in a temporal pattern in which the objective duration varies gradually indicates a typical example of categorical perception. We suggest that such a categorization of the time dimension might be a clue for processes of speech and music perception.     

Intramodal and crossmodal sensory transfer of visual and auditory temporal patterns

Temporal pattern perception for vision and audition was measured using pair comparisons of precisely determined rhythms as test items. Visual rhythms were more difficult to match than were comparable auditory ones. Crossmodal transfer equaled intramodal transfer in one experiment but was inferior in another. The differences between intra- and crossmodal transfer were related to the frequency of pattern elements, with crossmodal performance decreasing more when frequency rose. The nine test items showed a consistency in relative difficulty across experimental conditions. Differences in item difficulty were related to the symmetry of the first pattern in the item.     

Perceptual organization of complex auditory sequences: effect of number of simultaneous subsequences and frequency separation

Previous findings on streaming are generalized to sequences composed of more than 2 subsequences. A new paradigm identified whether listeners perceive complex sequences as a single unit (integrative listening) or segregate them into 2 (or more) perceptual units (stream segregation). Listeners heard 2 complex sequences, each composed of 1, 2, 3, or 4 subsequences. Their task was to detect a temporal irregularity within 1 subsequence. In Experiment 1, the smallest frequency separation under which listeners were able to focus on 1 subsequence was unaffected by the number of co-occurring subsequences; nonfocused sounds were not perceptually organized into streams. In Experiment 2, detection improved progressively, not abruptly, as the frequency separation between subsequences increased from 0.25 to 6 auditory filters. The authors propose a model of perceptual organization of complex auditory sequences.     

Perceptual attenuation of nonfocused auditory streams

The aim of this study was to measure the perceptual attenuation, measured in decibels, resulting from the focusing of attention on one stream within a multistream auditory sequence. The intensity of a nonfocused stream was increased until the accuracy of detecting a temporal irregularity in this stream was the same as in a focused stream. Eight subjects were required to detect a temporal irregularity created by delaying or advancing one tone which could be situated in one of three temporally regular streams played simultaneously to create a multistream sequence. The three streams differed in tempo and frequency. Subjects’ attention was focused on one of the streams by preceding the multistream sequence with one of the single streams (a cue). We first established the size of temporal irregularity detected at a 90% level in cued streams, confirming that subjects were able to focus on one particular stream. Second, an irregularity of this size was not detected above chance level in noncued streams, demonstrating that listeners focus only on the cued stream. Third, for 5 subjects, a 15-dB increase in the level of one of the noncued streams was necessary to bring detection up to that found in the cued streams. This gain provides an equivalent measure of the perceptual attenuation of nonfocused streams. For 3 other subjects, detection in the noncued stream remained at chance performance whatever the level. For all subjects, detection in the cued stream decreased slightly as the level of the noncued stream increased. We conclude that the attenuation of nonfocused auditory streams can attain as much as 15 dB, at least for some subjects.     

Perceptual organization and White's illusion

The apparent lightness of a surface can be strongly modulated by the spatial context in which it is embedded. Early theories of such context dependence emphasized the role of low-level mechanisms that sense border contrast, whereas a number of recent authors have emphasized the role of perceptual organization in determining perceived lightness. One of the simplest and most theoretically challenging lightness illusions was described by White. This illusion has been explained with a variety of different models, ranging from low-level filter outputs to computations underlying the extraction of mid-level representations of surfaces. Here, I present a new method for determining the organizational forces that shape this illusion. I show that the spatial context of White's pattern not only transforms the apparent lightness of homogeneous target patches. but can also induce dramatic inversions of figure-ground relationships of textured target regions. These phenomena provide new evidence for the role of scission in causing the lightness illusion experienced in White's effect.     

Perceptual organization in task performance

Models of job cognition have neglected the perceptual process by which units of task behavior are organized prior to making task judgments. Perceptual organization was examined in this study using an unobtrusive observational technique adapted from the psycholinguistic literature. In each of two experiments, the structure of a task was manipulated to vary the relationship between task behavior and feedback. These manipulations were found to be reflected in the measure of perceptual organization. In Experiment 2, perceptual organization was found also to correlate with higher order judgments about the task. The implications of these results for expanding models of job cognition to include perceptual processes are discussed.     

Perceptual organization and schizotypy.

The preattentive visual information processing of hypothetically psychosis-prone college subjects was evaluated using three different paradigms, target detection (n = 57), visual suffix effect (n = 57), and configural superiority effect (n = 68). It was hypothesized that anhedonic subjects would show the same perceptual organization deficits reported in process schizophrenics and that perceptual aberration-magical ideation subjects and depressed subjects would perform similarly to control subjects. In each study, anhedonics performed similarly to each comparison group, even though there was adequate power to detect performance differences if they existed. A framework for understanding the visual information-processing deficits of schizophrenics and high-risk subjects is proposed.     

Time-shrinking: a discontinuity in the perception of auditory temporal patterns.

Recent research at our laboratories in the field of human auditory time perception revealed that the duration of short empty time intervals (less than approximately 200 msec) is considerably underestimated if they are immediately preceded by shorter time intervals. Within a certain range, the amount of subjective time shrinking is a monotonous function of the preceding time interval; the shorter it is, the more it shrinks its successor. In the present study, the preceding interval was kept constant at 50 msec, and the following interval, for which the duration had to be judged, varied from 40 to 280 msec. The results showed that at up to 100 msec, the perceived duration increased to a much lesser extent than did the objective duration. Beyond 120 msec, the perceived duration quickly increased and reached a veridical value at 160 msec. Such a sudden change of perceived duration in a temporal pattern in which the objective duration varies gradually indicates a typical example of categorical perception. We suggest that such a categorization of the time dimension might be a clue for processes of speech and music perception.     

Aging and auditory temporal sequencing: ordering the elements of repeating tone patterns

In a series of experiments, we examined age-related differences in adults' ability to order sequences of tones presented at various speeds and in contexts designed to promote or to impede stream segregation. In Experiment 1, 32 listeners (16 young, 16 old) were required to identify two repeating sequences that consisted of four tones (two from a high and two from a low frequency range) in different order. In Experiment 2, 32 listeners were required to judge whether the two recycled patterns from Experiment 1 were the same or different. In Experiment 3, four young and four old listeners were tested on the tasks of Experiment 2 over an extended period. In Experiment 4, 16 young and 16 old listeners were tested with sequences that were not recycled and were composed of tones drawn from a narrow frequency range. Elderly adults were less able than young adults to distinguish between tone sequences with contrasting order, regardless of the speed of presentation, the nature of the task (identification vs. same/different), the amount of practice, the frequency separation of the tones, or the presence or absence of recycling. These findings provide evidence of a temporal sequencing impairment in elderly listeners but reveal no indication of age differences in streaming processes.