Speech affordances: A structural take on how much we can do with our words

Individuals can do a broad variety of things with their words and enjoy different degrees of this capacity. What moderates this capacity? And in cases in which this capacity is unjustly disrupted, what is a good explanation for it? These are the questions I address here. I propose that speech capacity, understood as the capacity to do things with your words, is a structural property importantly dependent on individuals' position in a social structure. My account facilitates a non‐individualistic explanation of cases in which speech capacity is undermined due to speaker's perceived social identity, e.g. episodes of silencing. Instead of appealing to interlocutors' implicit bias against speaker's identity, a structural approach refers to the positions interlocutors occupy in the social structure and the discursive conventions operating upon those positions. I articulate my proposal drawing on the notion of affordances. Each position within a social structure is associated with its own range of speech affordances. Thus, speech capacity is a function of the probability distribution of speech affordances across positions in the structure.     

So much to do and so little time. Effort and perceived temporal distance

In a series of five experiments, we showed that the perception of temporal distance to a future event is shaped by the effort one must invest to realize the event. Studies 1a and 1b showed that when actors are faced with realizing an event by a certain deadline, more effortful events are perceived as closer in time, regardless of the objective temporal distance to the deadline. This negative relationship was reversed, however, when deadlines were absent (Study 2). Finally, priming high effort reduced perceived temporal distance to an event, whereas priming low effort increased perceived temporal distance to the event (Studies 3 and 4). The implications of these findings for models of temporal distance are discussed.     

Intersubjectivity,time and social relationship in Alfred Schutz's philosophy of music

Alfred Schutz's (Vienna 1899 — New York 1959) research into the philosophy of music certainly cannot be regarded as the most notable aspect of this writer, born and educated in Vienna, later a naturalized American citizen. Nor can it legitimately be maintained that Schutz's writings on the subject form a systematic corpus in his work. Schutz was above all a social scientist, strongly attracted, as were many writers of the first half of this century, to the project of aphilosophical foundation within his field of expertise. In this project, where phenomenology is encountered, the question ofintersubjectivity together with that ofcommunication among individuals, plays a crucial role. It is, therefore, undoubtedly correct to consider Schutz's theoretical interests in music within this framework; thus music tends to assume a paradigmatic value, in the sense that the musical piece in its concrete temporal development, in the presence of performers and listeners, demonstrates in a truly exemplary manner, how the process of social relationship actually functions.Although mindful of this frame of reference, nontheless we feel it can be asserted that the works of Schutz which we are about to examine are in themselves interesting stimuli, independently of any organic connection with the author's general project. These stimuli have furthermore proveked a theoretical debate that is still going on in the USA.     

How emotions colour our perception of time

Our sense of time is altered by our emotions to such an extent that time seems to fly when we are having fun and drags when we are bored. Recent studies using standardized emotional material provide a unique opportunity for understanding the neurocognitive mechanisms that underlie the effects of emotion on timing and time perception in the milliseconds-to-hours range. We outline how these new findings can be explained within the framework of internal-clock models and describe how emotional arousal and valence interact to produce both increases and decreases in attentional time sharing and clock speed. The study of time and emotion is at a crossroads, and we outline possible examples for future directions.