Aesthetics and Ethics in Engineering: Insights from Polanyi

Polanyi insisted that scientific knowledge was intensely personal in nature, though held with universal intent. His insights regarding the personal values of beauty and morality in science are first enunciated. These are then explored for their relevance to engineering. It is shown that the practice of engineering is also governed by aesthetics and ethics. For example, Polanyi’s three spheres of morality in science—that of the individual scientist, the scientific community and the wider society—has parallel entities in engineering. The existence of shared values in engineering is also demonstrated, in aesthetics through an example that shows convergence of practitioner opinion to solutions that represent accepted models of aesthetics; and in ethics through the recognition that many professional engineering institutions hold that the safety of the public supersedes the interests of the client. Such professional consensus can be seen as justification for studying engineering aesthetics and ethics as inter-subjective disciplines.     

Where Ethics and Aesthetics Meet: Titian's Rape of Europa

Titian's Rape of Europa is highly praised for its luminous colors and sensual textures. But the painting has an overlooked dark side, namely that it eroticizes rape. I argue that this is an ethical defect that diminishes the painting aesthetically. This argument—that an artwork can be worse off qua work of art precisely because it is somehow ethically problematic—demonstrates that feminist concerns about art can play a legitimate role in art criticism and aesthetic appreciation.     

The Aesthetics of Life: More than Ethics and Morality

Studies in Philosophy and Education - This paper explores the general characteristics of the aesthetics of life. Our approach will be in thinking about the aesthetics of life as a domain...     

Human Dignity and the Ethics and Aesthetics of Pain and Suffering

Inasmuch as unmitigated pain and suffering areoften thought to rob human beings of theirdignity, physicians and other care providersincur a special duty to relieve pain andsuffering when they encounter it. When pain andsuffering cannot be controlled it is sometimesthought that human dignity is compromised.Death, it is sometimes argued, would bepreferred to a life without dignity.Reasoning such as this trades on certainpreconceptions of the nature of pain andsuffering, and of their relationships todignity. The purpose of this paper is to laybare these preconceptions. The duties torelieve pain and suffering are clearly mattersof moral obligation, as is the duty to respondappropriately to the dignity of other persons.However, it is argued that our understanding ofthe phenomena of pain and suffering and theirrelationships to human dignity will be expandedwhen we explore the aesthetic dimensions ofthese various concepts. On the view presentedhere the life worth living is both morally goodand aesthetically beautiful. Appropriate``suffering with' another can help to maintainand restore the dignity of the relationshipsinvolved, even as it preserves and enhances thedignity of patient and caregiver alike.     

From Ethics to Aesthetics: A Reconsideration of Buddhist Monastic Rules in the Light of Michel Foucault's Work on Ethics

This article considers the recent debate over the nature of Buddhist ethics largely conducted by scholars who have argued in different ways that Buddhist ethics may be assimilated to or may correspond with different forms of western ethical theory.

I argue that the interpretation of Buddhist texts, and in particular the Vinaya, in light of western ethical theory creates misunderstanding. I argue that in each case of a supposed ethical dilemma, Buddhist ethics should be seen as empirical, since the ultimate point of reference for the choices involved in a proposed action lies in the purity and wholesomeness of each individual action.

My approach follows Foucault's argument for scepticism with regard to the notions of a universal nature or of a universal rationality. I argue that it is not instructive to read Buddhist texts against generalized standards. Rather, it is more productive to regard ethics as creating a space for the ethical, not in a normative sense but one arising from personal practice as related to individual circumstances.

At the same time, this article outlines the role of beauty and its role in ethical formation. I suggest that one interpretation of Theravada Buddhism has regarded beauty as a form of sensuous pleasure, which is seen as a danger for someone on the spiritual path. However, an alternative reading of such texts is more sympathetic to the educative role of beauty.     

Simone Weil: The Ethics of Affliction and the Aesthetics of Attention

ABSTRACT

For Simone Weil the invocation of ‘rights’ to address extreme human suffering–what she calls ‘affliction’–is ‘ludicrously inadequate’. Rights, Weil argues, invite a response, whereas what the afflicted require is not dialogue but simply to be heard. For Weil, hearing the ‘cry’ of the afflicted is the basis of all justice. The task of such a hearing is given over to Weil’s concept of attention, which demands an ethics of creative silence. This paper will argue that central to Weil’s ethics of attention, and thus the way she thinks we should show compassion and act justly, is the Kantian aesthetic concept of disinterestedness. I will argue that whilst Weil is influenced by Kant in multiple ways, it is his aesthetics, rather than his normative moral theory, that is most at play in her own ethical theory of attention.     

Re-envisioning the Nocturnal Sublime: On the Ethics and Aesthetics of Nighttime Lighting

Grounded in the practical problem of light pollution, this paper examines the aesthetic dimensions of urban and natural darkness, and its impact on how we perceive and evaluate nighttime lighting. It is argued that competing notions of the sublime, manifested through artificial illumination and the natural night sky respectively, reinforce a geographical dualism between cities and wilderness. To challenge this spatial differentiation, recent work in urban-focused environmental ethics, as well as environmental aesthetics, are utilized to envision the moral and aesthetic possibilities of a new urban nocturnal sublime. Through articulating the aspirations and constraints of a new urban nocturnal experience, this paper elucidates the axiological dimensions of light pollution, draws attention to nightscapes as a site of importance for urban-focused (environmental) philosophy, and examines the enduring relevance of the sublime for both the design of nighttime illumination and the appreciation of the night sky.

     

生态伦理对“现代性”道德的超越

在解决生态危机的伦理探究中,生态伦理要么镶嵌在人类中心主义框架内成为个体主义环境伦理,遇到一些违背常识的困难;要么成为与人类中心主义对立的自然中心主义生态伦理,被指责为个体牺牲自己的"环境法西斯主义".生态伦理只有超越"现代性"道德,才能使人类中心主义与非人类中心主义互为补充,获得自身的历史合法性及其深层意蕴.     

《周易》美学思想刍议

<周易>中关于天地人三才的关系、天人合一、阴阳、刚柔以及神、感、文、象、意等范畴的阐述,成为从美学上解释各种艺术现象和理论的依据.该文对<周易>中美的表现、中和之美、变化之美、阳刚之美、阴柔之美等作了有益的阐述,并试图说明它们对中国古代美学研究和艺术创作所产生的深远而持久的影响.