Spectral information for detection of acoustic time to arrival

The exponential increase of intensity for an approaching sound source provides salient information for a listener to make judgments of time to arrival (TTA). Specifically, a listener will experience a greater rate of increasing intensity for higher than for lower frequencies during a sound source’s approach. To examine the relative importance of this spectral information, listeners were asked to make judgments about the arrival times of nine 1-octave-band sound sources (the bands were consecutive, nonoverlapping single octaves, ranging from 40–80 Hz to ~10–20 kHz). As is typical in TTA tasks, listeners tended to underestimate the arrival time of the approaching sound source. In naturally occurring and independently manipulated amplification curves, bands with center frequencies between 120 and 250 Hz caused the least underestimation, and bands with center frequencies between 2000 and 7500 Hz caused the most underestimation. This spectral influence appears to be related to the greater perceived urgency of higher-frequency sounds.     

Aging effect on detectability,criticality and urgency under various auditory conditions

The objective of the study was to investigate the relationship between different components of an auditory warning signal and determine elderly driver’s detection, criticality and urgency perceptions under varied auditory warning conditions. A laboratory study was conducted involving 28 younger and 28 older adults. A pure-tone audiogram was administered for quantification of the participant’s hearing level (in dBHL) prior to the test protocols. Audiogram was conducted in a sound isolated booth. The main experiment investigated the effects of frequency, temporal characteristics, aging, and noise on detectability, caution and perceived urgent levels. Method of adjustment was used by the subjects to adjust the sound pressure level (dBA) till they detected, or felt caution or urgent. Overall, the results indicated that elderly had higher sound pressure threshold than younger individuals in all the sessions (i.e., detectability, caution and urgency). Elderly were found to have higher hearing thresholds especially at 4000 Hz. Higher frequencies were also seen to require less sound pressure thresholds to convey feeling of caution and urgency. Sound pressure threshold to convey the feeling of urgency was the lowest for 2000 Hz and 4000 Hz with 1000 Hz requiring the highest threshold intensity. In conclusion, current study findings suggest frequency, temporal and spectral components to influence a person’s criterion. We would recommend the use of complex tones (multi-components) having high frequency around 2000 Hz for detection, warning and urgent conditions.     

Background sound pressure fluctuations (5 DB) from overhead ventilation systems increase subjective fatigue of university students during three-hour lectures.

During each of four successive sessions (once per week), 21 university students attended 3-hr. lectures. During alternative weeks the fans of the room's ventilation system were either on or off. When operating, they generated an average sound pressure that varied continuously between 60 and 65 dB. The dominant frequency of this 5-dB amplitude modulation of sound pressure was within the electroencephalographic range (5 Hz to 25 Hz). At the end of each hour of the lecture for each session each student estimated on 7-point summated rating scales fatigue (none to maximum) and concentration (poor to excellent). As a group, the students reported more fatigue during lectures when the fans were operating relative to lectures when the fans were not operating. This environmental effect explained about 30% of the variance in fatigue ratings and may be sufficient to affect adversely the attention of students within these settings.     

Low-frequency acoustic modulations generated by the high-frequency portion of the cochlea, noninvasively recorded from the scalp of mice (Mus musculus)

Vocalizations often contain low-frequency modulations of the envelope of a high-frequency sound. The high-frequency portion of the cochlear nerve of mice (Mus musculus) generates a robust phase-locked response to these low-frequency modulations, and it can be easily recorded from the surface of the scalp. The cochlea is most sensitive to envelope modulation frequencies of approximately 500 to 2000 Hz. These responses have detection thresholds that are approximately 10 dB more sensitive than auditory brainstem responses, and they are very sharply tuned. These measurements may provide a nontraumatic means of repeatedly assessing cochlear functions involved in sound localization and perception of vocalizations.     

Lateralization of narrow-band noise by blind and sighted listeners

The effects of varying interaural time delay (ITD) and interaural intensity difference (IID) were measured in normal-hearing sighted and congenitally blind subjects as a function of eleven frequencies and at sound pressure levels of 70 and 90 dB, and at a sensation level of 25 dB (sensation level refers to the pressure level of the sound above its threshold for the individual subject). Using an 'acoustic' pointing paradigm, the subject varied the IID of a 500 Hz narrow-band (100 Hz) noise (the 'pointer') to coincide with the apparent lateral position of a 'target' ITD stimulus. ITDs of 0, +/-200, and +/-400 micros were obtained through total waveform delays of narrow-band noise, including envelope and fine structure. For both groups, the results of this experiment confirm the traditional view of binaural hearing for like stimuli: non-zero ITDs produce little perceived lateral displacement away from 0 IID at frequencies above 1250 Hz. To the extent that greater magnitude of lateralization for a given ITD, presentation level, and center frequency can be equated with superior localization abilities, blind listeners appear at least comparable and even somewhat better than sighted subjects, especially when attending to signals in the periphery. The present findings suggest that blind listeners are fully able to utilize the cues for spatial hearing, and that vision is not a mandatory prerequisite for the calibration of human spatial hearing.     

Lingual vibrotactile perception: lingual pressure effects on neuro-sensory response

A calibrated pressure transducer, embedded within a lower tongue clamp disk, enabled the application of specific tongue pressures during lingual threshold measurement. Thresholds were obtained for five tongue pressures (2, 5, 8, 11, and 14 PSIA ) at three frequencies (125, 250, and 500 Hz). Thresholds varied as a function of tongue pressure. As pressure increased from 2 to 8 PSIA thresholds decreased. As pressure increased above 8 PSIA thresholds increased. Tongue pressure did not influence frequency function.     

Complex oscillations in a human motor system

Experiments were performed to investigate the oscillations arising in a human motor system with delayed visual feedback. Eight subjects were instructed to maintain a constant finger position relative to a stationary baseline. The finger displacement was measured using a microdisplacement transducer connected to the index finger, and was displayed on an oscilloscope. Time delays between 40 and 1,500 ms were inserted in the visual feedback loop for 100 s. Results show that, as the time delays increase, irregular rhythms appear with short intermittent periods of regular oscillations. These regular low-frequency oscillations have an amplitude that increases with the time delays and a period that is consistently about 2 to 4 times the time delay. Fast Fourier Transforms (FFT) show a peak between 8 and 12 Hz, corresponding to physiological tremor in half the subjects. No systematic variations in the FFT for the 2 to 15 Hz range were observed as time delay increased. In the 0 to 2 Hz range, the FFT show a consistent increase in power with the time delay. These results indicate that, under the conditions of this experiment, tremor is not affected by time delays in the visuomotor system, and time delays in the visuomotor feedback loop give rise to complex oscillatory behaviors.     

The effect of vibrato on the recognition of masked vowels

Five experiments on the identifiability of synthetic vowels masked by wideband sounds are reported. In each experiment, identification thresholds (signal/masker ratios, in decibels) were measured for two versions of four vowels: a vibrated version, in which FO varied sinusoidally around 100 Hz; and a steady version, in which F0 was fixed at 100 Hz. The first three experiments were performed on naive subjects. Experiment 1 showed that for maskers consisting of bursts of pink noise, vibrato had no effect on thresholds. In Experiment 2, where the maskers were periodic pulse trains with an F0 randomly varied between 120 and 140 Hz from trial to trial, vibrato slightly improved thresholds when the sound pressure level of the maskers was 40 dB, but had no effect for 65-dB maskers. In Experiment 3, vibrated rather than steady pulse trains were used as maskers; when these maskers were at 40 dB, the vibrated versions of the vowels were slightly less identifiable than their steady versions; but, as in Experiment 2, vibrato had no effect when the maskers were at 65 dB. Experiment 4 showed that the unmasking effect of vibrato found in Experiment 2 disappeared in subjects trained in the identification task. Finally, Experiment 5 indicated that in trained listeners, vibrato had no influence on identification performance even when the maskers and the vowels had synchronous onsets and offsets. We conclude that vibrating a vowel masked by a wideband sound can affect its identification threshold, but only for tonal maskers and in untrained listeners. This effect of vibrato should probably be considered as a Gestalt phenomenon originating from central auditory mechanisms.     

Ontogeny of behavioral responsiveness to sound in the chick embryo as indicated by electrical recordings of motility

The primary purpose of these experiments was to gather normative behavioral data regarding the ontogeny of responsiveness to sound in the chicken embryo. As a prerequisite, a sensitive ane accurate method for recording embryonic motility was developed (Experiment 1). By means of platinum electrodes inserted just beneath the shell membrane, potentials resulting from heartbeat and movement were recorded on a polygraph. The technique was found to be effective when applied to chick embryos 6 days and older. Correlations between visual observations of activity and the records produced by the electronic technique substantiated its accuracy. Behavioral responses of chick embryos (Stages 39-43) to acoustic stimulation (Experiment 2) were then recorded. High-intensity (115-dB SPL) tones of 400, 700, and 1400 Hz were used as stimuli. The earliest consistent responses were recorded from Stage 40 (ca. Days 14-15) subjects; the 700 and 1400 Hz tones produced statistically reliable inhibition of movement during the stimulus period compared with the post-stimulus period. Reliable increases in movement during the stimulus period were first recorded at Stage 42 (ca. Days 16-17) in response to 700 and 1400 Hz and at Stage 43 (ca. Days 17-18) in response to 400 Hz.     

Modification of nasal resonance in cleft-palate children by informative feedback

Vibration of the walls of the nasal cavities during production of an English vowel or diphthong defined a hypernasal response. A crystal transducer on one side of the nose activated a voice-operated relay when vibration exceeded an arbitrary limit to provide an apparatus definition of the response. During training sessions, responses without nasal vibration turned on a white light in the sound-treated chamber. Subject 1 had a repaired cleft palate and mild hypernasal speech. Introduction of the differential feedback, reversal, and reinstatement of the feedback conditions resulted in a rapid decrease, increase, and decrease in percentage of nasalized productions of the /eI/ sound Subject 2 had a cleft of the soft palate and severe hypernasal speech. Introduction of feedback produced a gradual decline in the percentage of hypernasal productions of the /##/ sound over 22 sessions. Removal and reinstatement of feedback resulted in a rapid increase and decrease respectively in the percentage of nasalized responses.     

电影观看过程中的字幕偏好性：声音的影响作用

字幕作为电影和电视节目的重要组成部分,在视频观看过程中起到辅助加工的作用。先前的研究认为字幕是视频语言的直接转译,字幕与声音信息具有很高的重叠性,所以关闭视频的声音不影响被试对字幕的加工。研究以电影视频作为刺激材料,采用眼动技术探讨了声音对电影观看过程中字幕偏好性的影响作用。实验通过控制视频的声音信息,探讨声音对字幕偏好性加工的影响作用。结果发现：视频的声音信息会对字幕的加工产生影响,关闭声音后被试对字幕的加工时间和次数会增加,无声条件下对字幕的注视次数和注视时间占总注视的比例超过了50%,说明声音和字幕对视频的理解具有相互辅助的作用。     

Conditioned suppression/avoidance as a procedure for testing hearing in birds: The domestic pigeon (Columba livia)

Although the domestic pigeon is commonly used in learning experiments, it is a notoriously difficult subject in auditory psychophysical experiments, even those in which it need only respond when it detects a sound. This is because pigeons tend to respond in the absence of sound—that is, they have a high false-positive rate—which makes it difficult to determine a pigeon’s audiogram. However, false positives are easily controlled in the method of conditioned suppression/avoidance, in which a pigeon is trained to peck a key to obtain food and to stop pecking whenever it detects a sound that signals impending electric shock. Here, we describe how to determine psychophysical thresholds in pigeons using a method of conditioned suppression in which avoidable shock is delivered through a bead chain wrapped around the base of a pigeon’s wings. The resulting audiogram spans the range from 2 to 8000 Hz; it falls approximately in the middle of the distribution of previous pigeon audiograms and supports the finding of Kreithen and Quine (Journal of Comparative Physiology 129:1–4, 1979) that pigeons hear infrasound.     

The aftereffects of ventriloquism: generalization across sound-frequencies

Exposure to synchronous but spatially discordant auditory and visual inputs produces, beyond immediate cross-modal biases, adaptive recalibrations of the respective localization processes that manifest themselves in aftereffects. Such recalibrations probably play an important role in maintaining the coherence of spatial representations across the various spatial senses. The present study is part of a research program focused on the way recalibrations generalize to stimulus values different from those used for adaptation. Considering the case of sound frequency, we recently found that, in contradiction with an earlier report, auditory aftereffects generalize nearly entirely across two octaves. In this new experiment, participants were adapted to an 18 degrees auditory-visual discordance with either 400 or 6400 Hz tones, and their subsequent sound localization was tested across this whole four-octave frequency range. Substantial aftereffects, decreasing significantly with increasing difference between test and adapter frequency, were obtained at all combinations of adapter and test frequency. Implications of these results concerning the functional site at which visual recalibration of auditory localization might take place are discussed.     

Regional and inter-regional theta oscillation during episodic novelty processing

Recent event-related potential (ERP) and functional magnetic resonance imaging (fMRI) studies suggest that novelty processing may be involved in processes that recognize the meaning of a novel sound, during which widespread cortical regions including the right prefrontal cortex are engaged. However, it remains unclear how those cortical regions are functionally integrated during novelty processing. Because theta oscillation has been assumed to have a crucial role in memory operations, we examined local and inter-regional neural synchrony of theta band activity during novelty processing. Fifteen right-handed healthy university students participated in this study. Subjects performed an auditory novelty oddball task that consisted of the random sequence of three types of stimuli such as a target (1000 Hz pure tone), novel (familiar environmental sounds such as dog bark, buzz, car crashing sound and so on), and standard sounds (950 Hz pure tone). Event-related spectra perturbation (ERSP) and the phase-locking value (PLV) were measured from human scalp EEG during task. Non-parametric statistical tests were applied to test for significant differences between stimulus novelty and stimulus targets in ERSP and PLV. The novelty P3 showed significant higher amplitude and shorter latency compared with target P3 in frontocentral regions. Overall, theta activity was significantly higher in the novel stimuli compared with the target stimuli. Specifically, the difference in theta power between novel and target stimuli was most significant in the right frontal region. This right frontal theta activity was accompanied by phase synchronization with the left temporal region. Our results imply that theta phase synchronization between right frontal and left temporal regions underlie the retrieval of memory traces for unexpected but familiar sounds from long term memory in addition to working memory retrieval or novelty encoding.     

Stroop interference based on the multimodal correlates of haptic size and auditory pitch

In a preliminary experiment subjects were asked to explore three wooden knobs of different sizes and to rate each one on a series of 7-point scales. The results confirmed that an object may possess a number of multimodal qualities that are contingent on its haptic size. The pattern of intercorrelations between the qualities was consistent with the pattern that is observed when subjects respond to pure auditory tones varying in pitch. For example, small (high-pitched) sounds, like small objects, are judged to be sharp, thin, light, weak, fast, tense, and bright. The main experiments used a paradigm based on the Stroop interference effect. Subjects were required to press one of two keys as quickly as possible depending on which of four possible words appeared in the centre of the screen. A 50 Hz or a 5500 Hz tone accompanied each test word, and subjects responded on two keys that differed in size. Subjects were found to respond more slowly when either the pitch of the incidental sound or the size of the key on which they responded was incongruent with the multimodal features represented by the test word. The results confirm that people are automatically and immediately sensitive to the multimodal features of a stimulus when direct sensory evidence for the features is absent.     

The measurement of loudness using direct comparisons of sensory intervals

Subjects were required in each trial to directly compare two pairs of tones and indicate which pair of tones had the greater loudness difference. Ten 1200 Hz tones differing only in intensity were employed. Subjects made binary comparisons among the 45 tone pairs which can be formed from the set of ten tones. The subjects' binary comparisons of the tone pairs were found to satisfy the transitivity and monotonicity requirements of a positive difference structure. These comparisons of loudness intervals were used to construct a rank order of loudness difference. A loudness scale was constructed from a nonmetric analysis of the rank order of loudness difference for the 45 tone pairs and indicated that loudness was a power function of sound pressure with an exponent of 0.26.     

Absolute and relative cues for the auditory perception of egocentric distance

Three experiments were performed to examine the reverberation cue to egocentric auditory distance and to determine the extent to which such a cue could provide 'absolute', as contrasted with 'relative', information about distance. In experiment 1 independent groups of blindfolded observers (200 altogether) were presented with broadband noise from a speaker at one of five different distances (0.55 to 8 m) in a normal hard-walled room. Half of each group of observers were presented with the sound at 0 deg azimuth, followed (after a delay) by the identical sound at 90 deg azimuth. The order of presentation was reversed for the remaining observers. Perceived distance varied significantly as a function of the physical distance to the speaker, even for the first presentations. The change in the binaural information between the 0 deg and 90 deg presentations did not significantly modify the results. For both orientations, near distances were overestimated and far distances were underestimated. Experiment 2 and 3 were designed to evaluate how much prior auditory exposure to the laboratory environment was necessary. A 200 Hz square-wave signal was presented from one of three distances (1, 2, or 6 m) to observers who had either minimal room information or an exposure which included talking within the room. Perceived distance varied significantly with physical distance regardless to exposure condition.     

A dynamic model of loudness adaptation

Previous research on loudness adaptation has provided heterogeneous and partly contradictory results. One major reason seems to be the inconsistent use of the term 'adaptation', which is due to differing operational definitions. Here, a measurement-theoretic definition of loudness adaptation is introduced, which also comprises a new method for the identification of certain linear dynamic systems. This is of particular interest, since there is a lack of dynamic models describing loudness adaptation. An experiment with sinusoidal sound stimuli (3000 Hz) was performed to test whether loudness adaptation can be modeled by such a linear system. The results of the system identification indicate that this is possible. Therefore, it can be concluded that the given definition of loudness adaptation might be appropriate and that the method of system identification is an applicable research tool.     

Audiotactile integration in the Pacinian corpusclel’s maximum sensitivity frequency range

It has been shown that vibrotactile stimuli elicit sound perception either on their own or by enhancing otherwise inaudible sounds. For taking advantage of this phenomenon in the design of vibrotactile interfaces, it is important to identify its properties with respect to the level of the excitation frequency. The aim of this work is to further substantiate previous research results that indicate a prevalence of this phenomenon at a specific range of frequencies (200–390 Hz), which roughly pertains to the Pacinian corpuscle’s maximum sensitivity range. Thirteen young adults participated in the study, which included comparison between sound-and-vibration versus sound-only signals. Masking background noise and no-touch control experiments were included to further support the outcome. The results validate the hypothesis that vibrotactile excitation at the index fingertip can enhance otherwise inaudible tones in the specific range of frequencies.

     

Algorithmic modeling of the irrelevant sound effect (ISE) by the hearing sensation fluctuation strength

Background sounds, such as narration, music with prominent staccato passages, and office noise impair verbal short-term memory even when these sounds are irrelevant. This irrelevant sound effect (ISE) is evoked by so-called changing-state sounds that are characterized by a distinct temporal structure with varying successive auditory-perceptive tokens. However, because of the absence of an appropriate psychoacoustically based instrumental measure, the disturbing impact of a given speech or nonspeech sound could not be predicted until now, but necessitated behavioral testing. Our database for parametric modeling of the ISE included approximately 40 background sounds (e.g., speech, music, tone sequences, office noise, traffic noise) and corresponding performance data that was collected from 70 behavioral measurements of verbal short-term memory. The hearing sensation fluctuation strength was chosen to model the ISE and describes the percept of fluctuations when listening to slowly modulated sounds (f(mod) < 20?Hz). On the basis of the fluctuation strength of background sounds, the algorithm estimated behavioral performance data in 63 of 70 cases within the interquartile ranges. In particular, all real-world sounds were modeled adequately, whereas the algorithm overestimated the (non-)disturbance impact of synthetic steady-state sounds that were constituted by a repeated vowel or tone. Implications of the algorithm's strengths and prediction errors are discussed.