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In this paper, I put forward some remarks supporting a reading of Spinoza's metaphysics in terms of process ontology, that is, the notion that processes or activities, rather than things, are the most basic entities. I suggest that this reading, while not the only possible one, offers advantages over the traditional substance‐properties interpretation. While this claim may sound implausible vis‐à‐vis Spinoza's language of ‘substance’ and ‘attributes’, I show that process ontology illuminates important features of Spinoza's thought and can facilitate solutions to some interpretive problems.  相似文献   

3.
《Ecological Psychology》2013,25(2):115-134
In this article, I argue that affordances are properties of the animal-environment system, that is, that they are emergent properties that do not inhere in either the environment or the animal. I critique and review the formal definition of affordance offered by Turvey (1992). Turvey defined affordances as properties of the environment; I discuss some consequences of this and argue that Turvey's strategy of grounding the definition of affordance in terms of dispositional properties is problematic. I also suggest that Turvey's definition of affordance may lead to problems for the specification and direct perception of affordances. Motivated by these problems, I propose a new definition of affordance, in which affordances are properties of the animal-environment system. This definition does not rely on the concept of dispositional properties and is consistent with direct perception.  相似文献   

4.
Peter Goldie and Elisabeth Schellekens have recently articulated the Idea Idea, the thesis that “in conceptual art, there is no physical medium: the medium is the idea.” But what is an idea, and in the case of works such as Duchamp's Fountain, how does the idea relate to the urinal? In answering these questions, it becomes apparent that the Idea Idea should be rejected. After showing this, I offer a new ontology of conceptual art, according to which such artworks are not ideas but artifacts imbued with ideas. After defending this view from objections, I briefly discuss some implications it has for the ontology of art in general.  相似文献   

5.
Standard accounts in social ontology and the group cognition debate have typically focused on how collective modes, types, and contents of intentions or representational states must be construed so as to constitute the jointness of the respective agents, cognizers, and their engagements. However, if we take intentions, beliefs, or mental representations all to instantiate some mental properties, then the more basic issue regarding such collective engagements is what it is for groups of individual minds to share a mind. Somewhat surprisingly, this very issue has not received much attention in the respective debates and when it has, typically the outlook has been skeptical or outright negative. In this paper, I argue that it is epistemologically possible for a group of individuals to literally share a single mental unit. In particular, I will put forward and defend what I shall call the zombie conception of group minds.  相似文献   

6.
One of the projects Shaun Nichols takes up in Bound is to provide a folk psychological diagnosis of the problem of free will. As part of this diagnosis, Nichols suggests that the dispute between eliminativists (those who claim free will does not exist) and preservationists (those who claim free will does exist) depends to some extent on assumptions about the way ‘free will’ refers. In light of this, he argues that we might have good reason to accept a discretionary view of free will. Here, I will focus on teasing out some of the more fine-grained features of the discretionary view Nichols proposes. In so doing I will challenge the idea that there is a tenable strategy for consistently preserving two main features of the view: (1) that eliminativists and preservationists can both speak truly, and (2) that the apparent disagreement between them can be diffused by appealing to the role that different practical interests play in the context of utterance. I will conclude with some suggestive remarks on how the spirit of the discretionary view Nichols offers might still be preserved despite the challenge I raise, and why there are good reasons to pursue this kind of view further.  相似文献   

7.
A dispositional property is a tendency, or potency, to manifest some characteristic behaviour in some appropriate context. The mainstream view in the twentieth century was that such properties are to be explained in terms of more fundamental non-dispositional properties, together with the laws of nature. In the last few decades, however, a rival view has become popular, according to which some properties are essentially dispositional in nature, and the laws of nature are to be explained in terms of these fundamental dispositions. The supposed ability of fundamental dispositions to ground natural laws is one of the most attractive features of the dispositional essentialist position. In this paper, however, I cast doubt on the ability of dispositional essences to ground the laws of nature. In particular I argue that the dispositional essentialist position is not able to coherently respond—sympathetically or otherwise—to Cartwright's challenge that there are no true general laws of nature.  相似文献   

8.
Lothar Schfer 《Zygon》2006,41(3):583-592
Abstract. I respond to Carl Helrich's criticism of my proposition that the emergence of complex order in the universe is from Virtual State Actualization (VSA). The question is discussed as to whether quantum theory is able to afford any kind of quantum ontology or whether it merely allows an epistemological view. I point out that, even though many contradictory interpretations of quantum theory are currently possible, the concept of VSA is based on molecular properties that are so simple and factual that they are beyond interpretation. Helrich's appeal for caution in proceeding from physical reality to Divine Reality is wholeheartedly supported and a detailed discussion is given.  相似文献   

9.
Debates over the privatization of formerly public industries and services are common in contemporary politics. The overall goal of this paper is to suggest a normative framework within which deliberations over public ownership might take place. I draw this framework from Plato's Republic, which I claim justifies public ownership as a means for ensuring that citizens labour as craftsmen rather than moneymakers; according to Plato's social ontology, only craftsmen can constitute a genuine society and hence enjoy access to the full array of goods for the sake of which society comes into existence. This justificatory structure implies that public ownership is only a means for ensuring the appropriate teleology of labour; if there turn out to be better means, so be it. But what does turn out to be indispensable on this view, as G. A. Cohen understood, is an ethos of justice, especially among those in charge of regulating social institutions.  相似文献   

10.
Realists about universals face a question about grounding. Are things how they are because they instantiate the universals they do? Or do they instantiate those universals because they are how they are? Take Ebenezer Scrooge. You can say that (i) Scrooge is greedy because he instantiates greediness, or you can say that (ii) Scrooge instantiates greediness because he is greedy. I argue that there is reason to prefer the latter to the former. I develop two arguments for the view. I also respond to some concerns one might have about the view defended. I close by showing that analogous views regarding the truth of propositions (that if the proposition that p is true, then it is true because p) and the existence of facts (that if the fact that p exists, then it exists because p) are supported by analogs of one of these arguments.  相似文献   

11.
Accounts of the ontology of musical works seek to uncover what metaphysically speaking a musical work is and how we should identify instances of musical works. In this article, I examine the curious case of the mash‐up and seek to address two questions: are mash‐ups musical works in their own right and what is the relationship between the mash‐up and its source materials? As mash‐ups are part of the broader tradition of rock, I situate this discussion within an ontology of rock as defended by Theodore Gracyk and Stephen Davies and offer some interpretation as to what their positions might be in regard to mash‐ups. Finally, I argue that the account of mash‐ups that best makes sense of our evaluative practices would hold that they are emergent musical works that are distinct in their own right and yet also happen to be cases of musical works that instantiate parts of other musical works.  相似文献   

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Malebranche held that God acts only by general volitions and so is not constantly interfering in the world. The content of God's volitions appears to include the general laws of nature and the particular initial configuration of the created world, so that occasional or natural causes have an important explanatory role. It is clear that at the least Malebranche meant by a ‘general volition’ the willing of events which followed general laws. Steven Nadler argued that this is all we should understand by a ‘general volition’, and so we should think that general volitions are simply particular volitions which follow a general law.

I argue that this view is not the correct interpretation of Malebranche's general volitions, for it does not do justice to the theological doctrine of the Treatise, masks the genuine difference between Arnauld and Malebranche, and conflicts with what Malebranche says about practical volitions. I then argue that despite Malebranche's view of general volitions, there is still an important difference between his view and Leibniz's.  相似文献   

14.
Paul Hoffman 《Ratio》2008,21(1):42-54
Can absolute freedom of will be defended by arguing that apparent cases of diminished freedom when we act out of passion are cases of weakness of will? Rogers Albritton thought so. What is intriguing about Albritton's view is that he thought when we act from desire we are making choices, yet our desires are not functioning as reasons for those choices. So our desires must be influencing our choices in some other unspecified way that does not diminish our freedom. I challenge the coherence of this position. My strategy is to examine the views of leading theorists of the will – Descartes, Aquinas and Reid – to argue that the only clear way in which passions can influence our choices so that we can accurately be described as weak‐willed and yet nevertheless free is that our passions influence our choices by providing reasons for them.  相似文献   

15.
There are predicates and subjects. It is thus tempting to think that there are properties on the one hand, and things that have them on the other. I have no quarrel with this thought; it is a fine place to begin a theory of properties and property-having. But in this paper, I argue that one such theory—bare particularism—is false. I pose a dilemma. Either bare particulars instantiate the properties of their host substances or they do not. If they do not, then bare particularism is both unmotivated and false. If they do, then the view faces a problematic—and, I shall argue, false—crowding consequence.  相似文献   

16.
Abstract: Richard Feldman argues that a good deal more of Chisholm's approach can be saved than I allow in “Roderick Chisholm and the Shaping of American Epistemology.” More than this, Feldman argues that there are other, and still more defensible, forms of internalism. I argue here that the problems I presented for Chisholm's view are not so easily sidestepped either within Chisholm's system or by other forms of internalism.  相似文献   

17.
What more do we need to fully appreciate perfumes, beyond considering them objects for aesthetic appreciation? My contention is that our appreciation of some perfumes would be largely incomplete, unless we acknowledged them as works of art. I defend the claim that some perfumes are works of art from the point of view of different definitions. Nick Zangwill's aesthetic definition makes it easy to defend the proposed claim, but is not very informative for the purposes of fully appreciating some perfumes. On the other hand, Jerrold Levinson's intentional-historical definition and Dominic Lopes's approach to defining art make it more challenging to defend the proposed claim. I show that, even so, the challenge may be met. Moreover, the challenge is well worth engaging with, since tackling it uncovers features of some perfumes that are essential to their full appreciation.  相似文献   

18.
Pragmatism is often thought to be incompatible with realism, the view that there are knowable mind‐independent facts, objects, or properties. In this article, I show that there are, in fact, realist versions of pragmatism and argue that a realist pragmatism of the right sort can make important contributions to such fields as religious ethics and philosophy of religion. Using William James's pragmatism as my primary example, I show (1) that James defended realist and pluralist views in metaphysics, epistemology, ethics, and philosophy of religion, and (2) that these views not only cohere with his pragmatism but indeed are basic to it. After arguing that James's pragmatism provides a credible and useful approach to a number of basic philosophical and religious issues, I conclude by reflecting on some ways in which we can apply and potentially improve James's views in the study of religion.  相似文献   

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In the moral realm, our deontic judgments are usually (always?) binary. An act (or omission) is either morally forbidden or morally permissible. 1 1 I realize that I appear to be omitting the category of ‘morally required’ here. But that category does not affect my analysis in part because we can always substitute for a morally required act a morally forbidden omission to act. The question would then be whether the omission to act is permissible or forbidden. In any event, my focus is on deontic boundaries, and it is immaterial how many there are. Thus, I shall continue to speak of acts being morally forbidden or permissible.
Yet the determination of an act's deontic status frequently turns on the existence of properties that are matters of degree. In what follows I shall give several examples of binary moral judgments that turn on scalar properties, and I shall claim that these examples should puzzle us. How can the existence of a property to a specific degree demarcate a boundary between an act's being morally forbidden and its not being morally forbidden? Why aren't our moral judgments of acts scalar in the way that the properties on which those judgments are based are scalar, so that acts, like states of affairs, can be morally better or worse rather than right or wrong? I conceive of this inquiry as operating primarily within the realm of normative theory. Presumably it will give aid and comfort to consequentialists, who have no trouble mapping their binary categories onto scalar properties. For example, a straightforward act utilitarian, for whom one act out of all possible acts is morally required (and hence permissible) and all others morally forbidden, can, in theory at least, provide an answer to every one of the puzzles I raise. And, in theory, so can all other types of act and rule consequentialists. They will find nothing of interest here beyond embarrassment for their deontological adversaries. The deontologists, however, must meet the challenges of these puzzles. And for them, the puzzles may raise not just normative questions, but questions of moral epistemology and moral ontology. Just how do we know that the act consequentialist's way of, say, trading off lives against lives is wrong? For example, do we merely intuit that taking one innocent, uninvolved person's life to save two others is wrong? Can our method of reflective equilibrium work if we have no theory by which to rationalize our intuitions? And what things in the world make it true, if it is true, that one may not make the act consequentialist's tradeoff? I do not provide any answers to these questions any more than I provide answers to the normative ones. But they surely lurk in the background.  相似文献   

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