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1.
Recent evaluations have identified the psychology of religion as a field in crisis and have called for a new multilevel interdisciplinary paradigm. However, a critical meta-perspective on methods reveals a broad range of methodologies, each appropriate for particular levels of complexity in the psychology of religion. No single methodology is appropriate for every level, nor can higher levels of complexity be explained by data from lower levels. The authors identify the different types of research practiced in the psychology of religion and critically discuss philosophical presuppositions involved in two major methodological traditions, the empiricist-analytical and the hermeneutical, often identified as quantitative and qualitative traditions, respectively.  相似文献   

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ObjectivesTo examine the role of lyrics on a range of psychological, psychophysical, and physiological variables during submaximal cycling ergometry.DesignWithin-subject counterbalanced design.MethodTwenty-five participants performed three 6-min cycling trials at a power output corresponding to 75% of their maximum heart rate under conditions of music with lyrics, same music without lyrics, and a no-music control. Cycling cadence, heart rate, and perceived exertion were recorded at 2-min intervals during each trial. Positive and negative affect was assessed before and after each trial.ResultsParticipants cycled at a higher cadence towards the end of the cycling trials under music with lyrics. Main effects were found for perceived exertion and heart rate, both of which increased from min 2 through to min 6, and for affect: positive affect increased and negative affect decreased from pre- to post-trials.ConclusionsParticipants pedalled faster in both music conditions (with and without lyrics) while perceived exertion and heart rate did not differ. The inclusion of lyrics influenced cycling cadence only at min 6 and had no effect on the remaining dependent variables throughout the duration of the cycling trials. The impact of lyrical content in the music–exercise performance relationship warrants further attention in order for us to better understand its role.  相似文献   

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Affective and functional roles of counterfactual thoughts were explored in this two-phase mixed-method study. In Phase I participants recalled disappointing academic events, generated counterfactuals (i.e., what ifs) in response to their performance, and then rated their affect, attribution, and academic locus of control. A statistically significant relationship, r=–0.47, was revealed between students' internal locus of control and the number of counterfactuals they generated. That is, a high sense of personal responsibility and control corresponded to a high number of counterfactuals. In Phase II of the study, a computerized program was utilized in which participants completed a series of anagrams after selecting specific parameters of the task. After feedback, students suggested alternate behaviors that would have changed their anagram scores. Students who compared their performance to a better performance reported lower affect but yielded a greater improvement in scores on a subsequent anagram task than students who compared their performance to a poorer performance. Findings with this sample of high school students were congruent with findings based on college students. Implications are discussed.  相似文献   

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P. H. Esser 《Synthese》1956,10(1):373-377
(1) It remains to be seen if in the field of Psychiatry just as in that of Psychology the verbal output of a subject can be submitted to verification. Many statements of a highly emotional character being merely symptoms of certain dispositions have no direct communicative sense at all.(2) It being one of the characteristics of the mentally ill to loose contact and exchange of ideas with other people, the question naturally suggests itself if this symptom may be at the bottom of the phenomenon of these persons taking refuge in logical and ideological terminologies, their talk being a kind of verbal autism.(3) The expression verbal autism is used here for statements on a purely subjective level. This kind of statements prevailing with mental patients, the conversation between observer and subject tends to the monologue.(4) Here we can find too that statements of a purely subjective nature appear as indicative ones. Even physical and logical terms applied by the subject during the sittings do not have any physical or logical reference. This characteristic of the subject often baffles the observer. So confusion of verbal levels occurs frequently.(5) The introduction of a psychological term like verstehen does not solve the problem under consideration, but renders the mystery only the better camouflaged.  相似文献   

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D. Vuysje 《Synthese》1956,10(1):369-372
(1) In contradistinction to mathematics, physics and biology, psychology and psychiatry deal to a large extent with the verbal behaviour of their objects. They are faced with two kinds of sense-problems: those with which the observer has to do in his theory-construction, and those which are characteristic of the verbal behaviour of his subjects.(2) Apart from a schematic and simplified usage, as it occurs in filling-up exercises and other laboratory verbal behaviour, the psychologist has to do with statements the sense of which, on the one hand, is determined by the usage of his subjects and, on the other hand, so far as his records and theory are concerned, by his own language-sense.(3) This situation may give rise, and often gives rise, to all kinds of verbal confusions. If we call object-language the language used in verbal behaviour of people which psychology investigates and meta-language the language psychology uses in its discourse about the verbal behaviour of people, it becomes obvious that in present-day psychology the two languages are inextricably mixed together. The language of the subject is I-language, that of the observer, in relation to the subject, is he-language. Both, investigators and investigated, often use terms without referents or with only verbal associations. There can be a great dispersion between the sense of statements used by the subject and that of statements used by the observer.(4) The use of physical language is not a remedy against a confusing terminology. One can tell highly speculative stories in physical language. The empirical verification of statements used by the investigator would require naming the concrete operations involved in testing them.(5) Objective, in the sense of a class of responses yielding maximum reliability coefficients within or between individuals facing a common observational situation or situational element, refers to a criterion to which the protocol of the tester is subjected. An investigation into the way in which subjects verify their, often mainly emotive, statements requires other means (e.g. looking at the way in which they justify their behaviour or trying to break through the chain of their verbal associations (circular reasonings)).  相似文献   

6.
ObjectivesThe term “clutch” is colloquially used to describe important or crucial situations in sport, with clutch performance referring to successful performances during these pressurised circumstances. Positioning the clutch as an objective, situational variable, however, may not account for the athletes' subjective appraisal of such situations. Accordingly, this study aimed to explore athletes' perceptions of clutch situations, and further, how these perceptions influenced their performance.MethodSixteen athletes (Mage = 26.88 years) participated in event-focused, semi-structured interviews soon after a clutch performance (M = 4 days later). Data were analysed utilising reflexive thematic analysis.ResultsFour themes were generated: (1) the clutch involves situational and subjective factors, suggesting that the appraisal of the clutch is influenced by situational and subjective components; (2) the perception of the clutch comes and goes, suggesting that there may be multiple, fluctuating episodes of the clutch within an event; (3) pressure affects performance, and performance affects pressure, suggesting that the appraisal of pressure was perceived to impact performance, and that performance also influenced appraisal of pressure; and, (4) experience of anxiety during the clutch is varied, suggesting that the experience of anxiety is not inherent to clutch performance.ConclusionsThe clutch has traditionally been considered an objective, situational variable. This study suggests, however, that the clutch relies upon the athlete appraising pressure in response to these situational variables, which may not always occur. Further, other subjective factors may increase the appraisal of pressure, suggesting that the clutch cannot solely be considered as a situational variable.  相似文献   

7.
In modern physics, the constant “c” plays a twofold role. On the one hand, “c” is the well known velocity of light in an empty Minkowskian space–time, on the other hand “c” is a characteristic number of Special Relativity that governs the Lorentz transformation and its consequences for the measurements of space–time intervals. We ask for the interrelations between these two, at first sight different meanings of “c”. The conjecture that the value of “c” has any influence on the structure of space–time is based on the operational interpretation of Special Relativity, which uses light rays for measurements of space–time intervals. We do not follow this way of reasoning but replace it by a more realistic approach that allows to show that the structure of the Minkowskian space–time can be reconstructed already on the basis of a restricted classical ontology (Mittelstaedt, Philosophie der Physik und der Raum-Zeit, Mannheim: BI-Wissenschaftsverlag, 1988 and Mittelstaedt, Kaltblütig: Philosophie von einem rationalen Standpunkt, Stuttgart: S. Hirzel Verlag, pp. 221–240, 2003), and that without any reference to the propagation of light. However, the space–time obtained in this way contains still an unknown constant. We show that this constant agrees numerically with “c” but that it must conceptually clearly be distinguished from the velocity of light. Hence, we argue for a clear distinction between the two faces of “c” and for a dualism of space–time and matter.  相似文献   

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In ancient Chinese thoughts, de is a comparatively complicated idea. Most of the researchers translated it directly into “virtue”, but this translation is not accurate for our understanding of the idea of “de” in pre-Qin times. Generally speaking, in Pre-Qin times, the idea of “de” underwent three developmental periods. The first is the de of Heaven, the de of ancestors; the second the de of system; and the third the de of spirit and moral conducts. In a long period of history, the idea of “de” never cast off the influence of tian Dao (the way of Heaven). It was in Western Zhou Dynasty that the idea of “de” shook off the dense fog of the mandate of Heaven. However, it was the thinkers in Spring and Autumn Period and Warring States who made contributions to bring it deep into people’s mind. The ancient Chinese thoughts were mainly concerned with people’s recognition and development of their own abilities, with people’s seeking harmony and balance between human-beings and nature, and with people’s seeking harmonious and balanced human relations. The development of the idea of “de” played a very important role in this context. __________ Translated from Zhongguo Shehui Kexue 中国社会科学 (China Social Sciences), 2005(4) by Lei Yongqiang  相似文献   

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From the mid-1950s to the present time, creativity researchers have typically adopted the view that any new piece of work must be statistically novel as well as non-trivially valuable to some group of people if it is to be considered creative. A few scholars have suggested that a new piece of work must also be surprising, non-obvious, or interesting if it is to be considered truly creative. The utility of these traditional definitions of creativity has recently been sharply questioned in an article published in a previous volume of this journal (Weisberg, 2015). The commentary presented here took issue with a suggestion presented in that article that creativity researchers replace their traditional definitions of creativity with a simpler definition according to which any statistically novel and intentionally generated product is considered creative “regardless of whether it is ever of value to anyone” and with a logically related suggestion that the creativity of any intentionally-generated product be assessed purely in terms of its statistical novelty (Weisberg, 2015). After carefully evaluating both of these suggestions on conceptual and practical grounds, it was recommended that creativity researchers not follow either suggestion.  相似文献   

14.
The early Brentano identifies intentionality with intentional inexistence, i.e., with a kind of indwelling of the intentional object in the mind. The latter concept cannot be grasped apart from its scholastic background and the Aristotelian—Thomistic doctrine of the multiple use of being (to on legetai pollachos). The fact that Brentano abandoned the theory of the intentional inexistence in the course of time does not contradict the thesis that it is intentional inexistence and not the modern conception of reference or directedness to something other which comprises the essence of intentionality for the early Brentano.  相似文献   

15.
Twenty children of nursery school age participated in a study of adult approval/ disapproval as conveyed by nondirective statements relating to play aggression. Though all sentences were tape recorded in a neutral voice, 10 of 15 conveyed disapproval in a significant proportion of judgments. All statements explicitly mentioning aggression were judged disapproving. It was concluded that nondirective play therapists must convey acceptance through other modes in order to avoid suppressing aggressive play.  相似文献   

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Subjective magnitude characteristics for vibrotaction were determined by the method of numerical magnitude balance for three body sites varying in the density of neural innervation: the distal pad of the middle finger, the thenar eminence, and the volar forearm. The effects of a rigid surround upon threshold and the rate of growth of subjective intensity were measured. The results support the suggestion that absolute threshold and the rate of growth of subjective intensity are inverse functions of the total number of sensory neural units stimulated rather than being related simply to the density of neural innervation.  相似文献   

18.
Previous research suggests that female students participate less often and less assertively than male students in college classrooms, and that teachers' discriminatory behaviors are partly responsible. Two in-class surveys of college students (N = 1375)—one at a university and one at a small college—assessed perceptions of student-teacher interaction. Factor analysis revealed a number of analytically distinct dimensions of classroom climate: what the class is like in general, what the class is like for the individual student, and what specific positive and negative teacher behaviors affect interaction. Class size affected each of these dimensions. Gender of student was significant only in the college survey, with males participating more, but this gender difference was not due to teachers' discrimination. Female teachers were more likely to create a participatory climate for all students. Creating a better classroom climate for female students creates a better learning environment for all students.We wish to thank Lawrence G. Rosenberg, Jean Dowdall, and Penelope J. Davis for their help and support during this research project. Mary Crawford was responsible for designing and carrying out the university survey, and Margo MacLeod for designing and carrying out the college survey.  相似文献   

19.
In this paper, I show that the claim for a “theological turn” in French phenomenology is not tenable by analyzing the relation between transcendencies and the modes of givenness in Husserl, the relation between the ethical transcendence and its mode of givenness in Levinas, and the question of the self of phenomenon and giveness in Marion. I argue that the inner motive of phenomenology requires it to go beyond the horizon of objectness and the question about God or theological issues are determined as part of its essential task in phenomenology. The principle of “go to the thing itself” does not predetermine or presuppose what phenomenology should deal with; it is always the thing itself that imposes itself on phenomenology.  相似文献   

20.
The CANDECOMP/PARAFAC (CP) model decomposes a three-way array into a prespecified number of R factors and a residual array by minimizing the sum of squares of the latter. It is well known that an optimal solution for CP need not exist. We show that if an optimal CP solution does not exist, then any sequence of CP factors monotonically decreasing the CP criterion value to its infimum will exhibit the features of a so-called “degeneracy”. That is, the parameter matrices become nearly rank deficient and the Euclidean norm of some factors tends to infinity. We also show that the CP criterion function does attain its infimum if one of the parameter matrices is constrained to be column-wise orthonormal.  相似文献   

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