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1.
This essay gives an interpretation of Heidegger's “What is Metaphysics?” lecture in light of passages from his other writings and lecture courses of the period. This exegetical task is important, for interpreters of “What is Metaphysics?” have been confused by puzzling phrases in the lecture without noticing that Heidegger makes the same points in clearer terms elsewhere. In particular, these interpreters ignore Heidegger's crucial distinction between entities and the being of entities. Since Heidegger's “nothing” is an aspect of being, this difference is at the core of Heidegger's lecture. The present interpretation establishes a conditional conclusion: If the ontological difference makes sense, then we have a sound basis for understanding “What is Metaphysics?” and do not need to read Heidegger as an irrationalist who debunks science or rejects the principle of contradiction. This paper does not give independent justification for the ontological difference.  相似文献   

2.
While Heidegger's earlier phenomenological writings inform much contemporary discourse in the continental philosophy of religion, his 1927 essay on ‘Phenomenology and Theology’ offers a largely uncontested distinction between philosophy and theology on the basis of their possibilities as sciences following ontological difference. This paper reconsiders Heidegger's distinction by invoking spirit and wonder, concepts Jacques Derrida and Mary‐Jane Rubenstein have more recently emphasized as central to thought that is open to that which ruptures metaphysical schemas. I contend Heidegger's use of ontological difference as a formal distinction between philosophy and theology distances us from the wonder, spirit, and truth (alētheia) that undoes the binaries behind which we take shelter. However, I temper this critique with the recognition that Heidegger, Derrida, and Rubenstein equally recognize an inescapable repetition of metaphysical thinking in the philosophy of religion.  相似文献   

3.
This article rejects the idea that Heidegger's Nazism derives from his philosophical thought. No connection has convincingly been shown to hold between the ontological apparatus of Being and Timeand any political orientation. The elaboration of the concept of being in the later work needs to be understood as Heidegger's own reaction to the activism of his earlier thought which in the absence of any principle of respect for other human beings could provide no moral basis for resistance to Nazi ideology. The tensions between the circumstances of Heidegger's early life - rural, conservative, and Catholic - and the Nietzschean modernism of his philosophical thought are explored. It is suggested that there were analogous tensions between tradition and the modern world in Nazism and that it was Heidegger's hatred of that world that led him to respond favorably to some (but not all) of the themes of Nazi thought.  相似文献   

4.
Abstract: John Haugeland's distinctive approach to Heidegger's ontology rests on taking scientific explanation to be a paradigmatic case of understanding the being of entities. I argue that this paradigm, and the more general account that Haugeland develops from it, misses a crucial component of Heidegger's picture: the dynamic character of being. While this dimension of being first comes to the fore after Being and Time, it should have been present all along. Its absence grounds Heidegger's persistent confusion about whether world is an entity, as well as problems that both Haugeland's Heidegger and Heidegger's Plato run into with the ontological difference. Retrieving the dynamic character of being reveals the proper object of Heidegger's fundamental ontology as well as a distinctive feature of his metaphysics of normativity, which is all but impossible to see if we grasp Heidegger's account through the special case of scientific explanation—at least as usually understood.  相似文献   

5.
Books Received     
In Questioning Technology, Feenberg accuses Heidegger of an untenable 'technological essentialism'. Feenberg's criticisms are addressed not to technological essentialism as such, but rather to three particular kinds of technological essentialism: ahistoricism, substantivism, and one-dimensionalism. After these three forms of technological essentialism are explicated and Feenberg's reasons for finding them objectionable explained, the question whether Heidegger in fact subscribes to any of them is investigated. The conclusions are, first, that Heidegger's technological essentialism is not at all ahistoricist, but the opposite, an historical conception of the essence of technology which serves as the model for Feenberg's own view. Second, that while Heidegger does indeed advocate a substantivist technological essentialism, he offers a plausible, indirect response to Feenberg's voluntaristic, Marcusean objection. Third, that Heidegger's one-dimensional technological essentialism is of a non-objectionable variety, since it does not force Heidegger to reject technological devices in toto. These conclusions help vindicate Heidegger's ground-breaking ontological approach to the philosophy of technology.  相似文献   

6.
Current interpretations of Heidegger's notion of das Man are caught in a dilemma: either they cannot accommodate the ontological status Heidegger accords it or they cannot explain his negative evaluation of it, in which it is treated as ontic. This paper uses Simmel's agonistic account of human sociality to integrate the ontological and the ontic, indeed perjorative aspects of Heidegger's account. Section I introduces the general problem, breaks the exclusive link of Heidegger's account to Kierkegaard and delineates the general form of a solution. Section II then sketches Simmel's conception of sociology and sociality. Section III determines what Heidegger is trying to do in Chapter Four of Division I in Being and Time in order to formulate a strictly ontological account of das Man. Section IV uses Simmel's account of sociality to build into this ontological account an inherent tendency to display the negative features Heidegger ascribes to das Man. In conclusion, section V points to how the proposed account of das Man intimates the character of fundamental ontology as nascently a form of critical theory. It also explains the extent to which Heidegger's perjorative characterisations of das Man and the Man-selbst are legitimate.  相似文献   

7.
In spite of the prima facie differences between Spinoza and Heidegger, I argue that Heidegger's views in his 1929 lecture. Was ist Metaphysik?, are both consistent with, and supplemental to, the basic premise of Spinoza's ontological argument in Part One of his Ethics. According to this view, being held out into the nothing, in Heidegger's sense, is a condition without which substance can not be adequately conceived, while at the same time, being held out into the nothing does not preclude the possibility that substance, defined as an infinite being without negation, does exist.  相似文献   

8.
Heidegger's primary concern in Being and Time is the question of the meaning of being—a distinctly ontological concern. Yet, with discussions of death, guilt, conscience, anxiety, uncanniness, authenticity, and inauthenticity, Heidegger seems to end up in existential territory. The ontological import of these existential excursions is difficult to discern—indeed, it has not been identified in leading interpretations. In this paper, I aim to highlight the ontological import of Heidegger's analysis of anxiety—it manifests the inadequacy of Dasein's fallen and inauthentic self‐understanding, which is motivated by the inadequacy of Dasein's fallen and inauthentic, average understanding of being. In making this case, I will clarify the sense in which anxiety involves an experience of world‐collapse and show how it functions to reveal the possibilities of authenticity and inauthenticity.  相似文献   

9.
Heidegger's deconstruction of the history of Western metaphysics has been a major influence behind poststructural critiques of modernity as well as more apologetic attempts to maintain a dialogue with historical sources, such as Gadamer's philosophical hermeneutics. This bifurcation has intensified the ambiguity of Heidegger's project: was it an attempt to relinquish philosophical ties to the past or a call for a fundamental reinterpretation of them? In this article I argue the latter, focusing my analysis on Heidegger's notions of appropriation and historicity. On the one hand, appropriation is the hermeneutical event by which ontology is reinfused into a reading of historical sources. On the other hand, historicity is the self‐reflexive historical involvement by which we become aware of what contemporary, philosophical conditions necessitate this reengagement. In the end, Heidegger's critique of metaphysics arises from this self‐reflexivity. It deconstructs the prevailing misunderstandings of philosophical sources in order to allow for reinterpretation at a revivified ontological level constantly in view of the question of being.  相似文献   

10.
The dual aim of this article is to show both how Heidegger's existential philosophy enriches post-Cartesian psychoanalysis and how post-Cartesian psychoanalysis enriches Heidegger's existential philosophy. Characterized as a phenomenological contextualism, post-Cartesian psychoanalysis finds philosophical grounding in Heidegger's ontological contextualism, condensed in his term for the human kind of Being, Being-in-the-world. Specifically, Heidegger provides philosophical support (a) for a theoretical and clinical shift from mind to world, from the intrapsychic to the intersubjective; (b) for a shift from the motivational primacy of drives originating in the interior of a Cartesian isolated mind to the motivational primacy of relationally constituted affective experience; and (c) for contextualizing and grasping the existential significance of emotional trauma, which plunges us into a form of Being-toward-death. Post-Cartesian psychoanalysis, in turn, (a) relationalizes Heidegger's conception of finitude, (b) expands Heidegger's conception of relationality, and (c) explores some ethical implications of our kinship-in-finitude.  相似文献   

11.
Beginning with his work in the mid-1930s, Heidegger's later thought is generally considered to pose severe interpretative difficulties, even for those well acquainted with Being and Time. It is often claimed that his later thought either defies reconstruction because of its arcane nature or that it should not be reconstructed because doing so compromises its subtleties. It is argued that this 'availability problem' with Heidegger's later thought is not insurmountable, at least not with regard to one of its major strands, his views on the relation of art to truth. An interpretation of 'The Origin of the Work of Art' is proposed that views its major arguments as extensions of Heidegger's view on truth and the nature of worlds in Being and Time. To this end, a new account of the relationship of two pairs of terms crucial to the understanding of the ontological significance of the work of art and its truth is offered: (a) 'earth' and 'world' and (b) 'concealment' and 'un-concealment'. What emerges is a Kant-like claim that a necessary condition for the possibility of worlds is that things stand to be taken up into worlds in virtue of a character they have abstracted from their involvements in any one world. Artworks, if they are 'true' art, show this by allowing the thing that they are to support a wide range of possible understandings, displaying the fact that no one set of understandings can exhaust the 'thingly' nature of the work. In addition to clarifying that aspect of Heidegger's account of truth that requires un-concealment to depend on residual concealment, this understanding of the structure of the artwork accounts for the power Heidegger ascribes to certain art to inaugurate worlds. I conclude by making some suggestions, against the background of the interpretation of the art essay, on how to understand the 'turn' in Heidegger's thought as a deepening inquiry into the nature of truth.  相似文献   

12.
Continental Philosophy Review - In this text, Heidegger's notion of the event is understood as a rupture on an ontological level. From this follows the aporia of whether the event concerns the...  相似文献   

13.
This article discusses the tension between social relationality and self-relationality central to Heidegger's ontology of Dasein and the possible ways of reconciling this tension. Arguing that this is a tension between communicability and existential commitments, the article poses the question: How are existential commitments responsive to communication? After problematizing the quasi-Kantian and communitarian ways of settling the tension, the article uses Heidegger's early reading of Aristotle to develop a third hermeneutic model of ethical relationality according to which existential commitments are shareable in communication, since ethos – the existential posture towards the good – arises out of pathos that exposes Dasein to coexistence. The account of ethical relationality found in Heidegger's interpretation of Aristotle thus takes the world to be a shared and dynamic ontological condition and emphasize that the world constitutes selfhood in a way that is constantly at stake in ethical communication.  相似文献   

14.
This is a critique of the interpretation of Heidegger's Being and Time that has been proposed by Hubert Dreyfus. Through an assimilation of much of Heidegger's thought to that of Wittgenstein, Dreyfus treats human being (Dasein) as being principally defined by its embeddedness in ‘shared social practices’ and claims that the mode of comportment he calls ‘coping’ is the source of the intelligibility of our world which he also identifies with being as such. Against this, I argue that unless it is brought into much closer contact with Heidegger's ontological account of the kind of entity Dasein is, ‘coping’ remains an ontic concept that cannot perform the function Dreyfus assigns to it. The thesis that Dasein is distinguished by the fact that it is self‐interpreting is also examined and found wanting for much the same reasons; and Dreyfus's conception of the larger design of Being and Time is shown to be seriously flawed by his failure to do justice to Heidegger's central theme ‐being as presence. In a final section, Heidegger's account of Das Man is reviewed as is Dreyfus's thesis that this anonymous modality of social existence is the master concept for understanding Dasein. This paradoxical magnification of the role of Das Man within human being is shown to fail because it does not distinguish between skills and social norms, and misses the fact that Das Man is a deformation of our social being (Mitsein), not its highest achievement as Dreyfus apparently supposed it to be.  相似文献   

15.
To address the question posed in the title, I focus on Heidegger's conception of linguistic communication developed in the sections on Rede and Gerede of Being and Time. On the basis of a detailed analysis of these sections I argue that Heidegger was a social externalist but semantic internalist. To make this claim, however, I first need to clarify some key points that have led critics to assume Heidegger's commitment to social externalism automatically commits him to semantic externalism regarding concept use. I begin by explaining the independence of those positions, arguing that social externalism answers the question of whose concepts in a linguistic community are properly individuated, whereas semantic externalism makes a claim about what it takes for concepts to be properly individuated. Once these issues are distinguished, it is possible to see that Heidegger's intersubjectivist conception of language commits him to social externalism, while his conception of the ontological difference commits him to semantic internalism.  相似文献   

16.
In this paper, I advance a new interpretation of Heidegger's reflections on art as we find them in his essay, ‘The Origin of the Work of Art’. I begin, in Section 1, by uncovering the fundamental concern that motivates Heidegger's essay. I show that Heidegger's reflections on art are part of his attempt to uncover a path beyond the history of metaphysics. I then suggest, in Section 2, that while Heidegger does think that art may allow for the overcoming of metaphysics, recent interpreters [Dreyfus ( 2005 ), Thomson ( 2011 ), and Young ( 2001 )] have mistook the kind of art that Heidegger has in mind here. The kind of art that can allow for the overcoming of metaphysics, I argue, is not art that simply thematizes and/or reconfigures cultural worlds (as these interpreters have argued). It is instead what Heidegger calls ‘primal poesy’. After discussing the nature of primal poesy, I show in more detail how this kind of art may be capable of getting us beyond the history of metaphysics in Section 3. Finally, in Section 4, I reconsider the more common reading of ‘The Origin of the Work of Art’ in light of the interpretation I've offered in Sections 2 and 3.  相似文献   

17.
This essay reveals the destructive possibility inherent in the deformalization of the Kantian notion of time governing Levinas' engagement with Rosenzweig. It demonstrates that this programme of deformalization not only retains Rosenzweig's idea that the abstract aspects of time can be deformalized, and thus grounded concretely, in the biblical events of temporality, but also moves toward an ethical destruction of the schematism understood as an exposition of the temporality of the Other which can be distinguished essentially as a threefold grounding of time in the Kantian sense. This unique connection between the temporality of the Other and this ethical destruction of the schematism is then developed according to the ontological destruction of the schematism in Heidegger's exposition of the problematic of temporality on the one hand, and to the repetition or renewal of this temporal problematic of the schematism in Levinas' deformalization of the Kantian notion of time on the other. The essay concludes that this deformalization does indeed reopen the same temporal problematic, the destruction of the transcendental schematism in and through the exposition of ecstatic-horizonal temporality. It therefore repeats the threefold grounding of time in the Kantian sense. The conclusion ends with an invitation to consider Levinas' reading of Kant's Critique of Pure Reason as the possible terrain upon which this renewed temporal problematic unfolds in its entirety, and thus consequently, as rendering possible an ethical interpretation of the Critique of Pure Reason which surpasses the ontological limits of Heidegger's own interpretation.  相似文献   

18.
Is consciousness or the subject part of the natural world or the human world? Can we write intentionality, so central in Husserl's philosophy, into Quine's system of ontological naturalism and naturalized epistemology — or into Heidegger's account of human being and existential phenomenology? The present task is to show how to do so. Anomalous monism provides a key.  相似文献   

19.
Drawing on Adriana Cavarero's account of natality, Guenther argues that Martin Heidegger overlooks the distinct ontological and ethical significance of birth as a limit that orients one toward an other who resists appropriation, even while handing down a heritage of possibilities that one can—and must—make one's own. Guenther calls this structure of natality Being‐from‐others, modifying Heidegger's language of inheritance to suggest an ethical understanding of existence as the gift of the other.  相似文献   

20.
In their debate over my interpretation of Heidegger's account of das Man in Being and Time, Frederick Olafson and Taylor Carman agree that Heidegger's various characterizations of das Man are inconsistent. Olafson champions an existentialist/ontic account of das Man as a distorted mode of being‐with. Carman defends a Wittgensteinian/ontological account of das Man as Heidegger's name for the social norms that make possible everyday intelligibility. For Olafson, then, das Man is a privative mode of Dasein, while for Carman it makes up an important aspect of Dasein's positive constitution. Neither interpreter takes seriously the other's account, though both acknowledge both readings are possible. How should one choose between these two interpretations? I suggest that we choose the interpretation that identifies the phenomenon the work is examining, gives the most internally consistent account of that phenomenon, and shows the compatibility of this account with the rest of the work.  相似文献   

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