THE DOCTRINE OF CREATION

Synopsis: We are often told that the doctrine of creation has not been refuted by modern science, but we cannot judge whether that is true unless we know exactly what the doctrine is, and that is seldom explained. I first offer an interpretation of the doctrine, then defend this as an interpretation, and finally argue that we should use not scientific but forensic methods to decide whether the doctrine, so interpreted, is true.     

BIOLOGICAL PERSPECTIVES ON FALL AND ORIGINAL SIN

Abstract. The paper consists of an argument that goes as follows. Symbols and their elaboration into myths constitute Homo sapiens 's most primitive reading of the world and the relation of humans to that world. They are, in other words, primordial units of cultural information, emerging very early in human history, representing a significant achievement in the evolution of human self-consciousness and reflection. The classic myths of Fall and Original Sin, as well as the doctrines to which they gave rise, are further interpretations of this primordial information. The doctrinal traditions of the first four centuries of Christianity are surveyed. Three sets of data as interpreted by the biological sciences are offered as resources for understanding the biogenetic grounds of the experience that the symbols, myths, and doctrines of Fall and Original Sin seek to interpret. The conclusions to be drawn are that (1) the symbolic material is indeed commensurate with the scientific understandings, and (2) the scientific interpretations deepen our understanding of the symbols, while (3) the conversation between the symbols and the science once again raises certain perennial questions about human existence.     

THE RELIGIOUS ETHICS IMPLICIT IN SCHLEIERMACHER'S DOCTRINE OF CREATION

There is a religious ethics implicit in Schleiermacher's doctrine of creation based on the universal feeling of absolute dependence “prior to” its being informed by any historical tradition. The “highest good” which fundamentally characterizes his religious ethics is found at the intersection of God and the World. The “original perfection of man” and the “original perfection of the world” come together when human life in the world is fully informed by the feeling of absolute dependence. Although Schleiermacher did not develop his religious ethics to the same extent as his philosophical and Christian ethics, it should still be of interest to ethicists in many religious traditions, as it establishes contours and sets limits for the ethics of any monotheistic religious tradition.     

EVIL, ORIGINAL SIN, AND EVOLUTION

This article has three sections. The first discusses the problem of evil; the second, the sins of both angels and men that originally introduced evil into the world; the third, a teleological theory of evolution that clarifies the relationship between the first two sections. At present there is a great deal of discussion about the nature of the evolutionary process. Some argue that ultimately it is a strictly random one. But it is quite impossible to prove scientifically that evolution is strictly random. From a Christian point of view the best way to view it is to see it not only as the result of divine intelligence, but also as due to a ferocious conflict between superhuman powers – the biblical angels and demons to whom God in the beginning gave the power to guide and develop his creation.     

SONYA & RASKÓLNIKOV – TOWARDS AN UNDERSTANDING OF THE ORIGIN OF BARTH'S DOCTRINE OF SIN AND GRACE1

This paper examines the origin of Barth's understanding of sin and grace in his reading of Dostoevsky in 1915. It is essentially the theological portrait of Sonya & Raskólnikov (Crime & Punishment) that regrounds Barth's understanding of sin and grace in an orthodox forensic model, which in turn develops into the mature doctrine we see in Die Kirchliche Dogmatik IV. The young Barth is exposed to many influences in his move away from nineteenth‐century neo‐Protestant liberal theology (characterized by a sociological‐humanistic model of sin). Mediated by his theological colleague Eduard Thurneysen, Dostoevsky is one such influence amongst many. Barth's reading has a profound effect on him: sin becomes defined by and in relation to God –eritis sicut deus. This sublapsarian perspective can then be discerned in his seminal paper ‘Die Gerechtigkeit Gottes’, delivered within months of his reading of Crime & Punishment, particularly in the Dostoevsky motif of the Tower of Babel (this reading occurs five to seven years prior to the generally accepted period of the influence of Dostoevsky). Barth's understanding then develops through his study of Romans (Der Römerbrief ) and by rediscovering a traditional approach in the Reformed Confessions in the 1920s; however, it is his reading of Crime and Punishment that initiates this model of sin and grace.     

FINITUDE AND ORIGINAL SIN: CAVELL'S CONTRIBUTION TO THEOLOGY

Stanley Cavell's relation to theology is by no means settled nor is, more generally, his relation to religion. The noted American philosopher's own remarks on these topics are notoriously ambiguous and the commentary literature offers no univocal answer. Taking my cue from Cavell's own suggestions, I argue that there is indeed a fruitful way of positively understanding his relation to religion that proves generative for theology as well. Cavell's highly original understanding of the link between finitude and what he calls scepticism sheds light on the dynamics inherent in the Christian doctrine of original sin.