BEAUTY IN THE LIVING WORLD

Almost all admit that there is beauty in the natural world. Many suspect that such beauty is more than an adornment of nature. Few in our contemporary world suggest that this beauty is an empirical principle of the natural world itself and instead relegate beauty to the eye and mind of the beholder. Guided by theological and scientific insight, the authors propose that such exclusion is no longer tenable, at least in the data of modern biology and in our view of the natural world in general. More important, we believe an empirical aesthetics exists that can help guide experimental design and development of computational models in biology. Moreover, because theology and science can both contribute toward and equally profit from such an aesthetics, we propose that this empirical aesthetics provides the foundation for a living synergy between theology and science.     

THE MEDIEVAL AFFECTIVE DIONYSIAN TRADITION

Thomas Gallus is often credited with introducing an affective innovation in medieval reception of Dionysius. While desire is not absent from the CD, no form of human affectivity plays an explicit role in Moses’ ascent to union with God in the darkness of unknowing, as described in the MT. With Gallus, however, after all knowledge fails, union occurs through love. This innovation was influential, shaping subsequent interpretations of the CD, such as The Cloud of Unknowing. Yet, the subtle interplay of love and knowledge and the complex conception of love's own cognition of God in Gallus’ theology were not generally retained by those whom he influenced.     

THEME AND TRADITION IN AESTHETICS

Professor Cua has presented a very illuminating analysis of moral attitudes and of the implications of such commitments for moral agents. While his paper is restricted to an explication of Confucian and Classical Taoist approaches to morality, it is obvious that the analysis he provides is equally applicable to Western traditions of morality. In this paper I would like to suggest that his account also serves as a useful model for elucidating certain problems in aesthetics. For the purpose of my analysis, I shall approach these problems in aesthetics from the perspective of a practicing critic who seeks to establish a reflective basis for his judgments. My discussion focuses on three issues: the distinction between ideal norm and ideal theme, the place of tradition and convention in the critic's practice, and the critic's appeal to paradigms.     

ENTHEOGENS IN A RELIGIOUS CONTEXT: THE CASE OF THE SANTO DAIME RELIGIOUS TRADITION

This essay first draws upon the work of William James and others to propose a nonphysicalistic understanding of the relationship between the brain and consciousness in order to articulate a philosophical perspective that can understand entheogenic visionary/mystical experiences as something other than hallucinations. It then focuses on the Santo Daime tradition, a religious movement that began in Brazil in the early part of the twentieth century, to provide an example of the personal and social ramifications of taking an entheogen (ayahuasca) within a disciplined religious context. The essay claims that the Santo Daime is one example of a contemporary mystery school; gives a brief history of the development of this religion; discusses the key theological assumptions of this movement; investigates the important role played by visionary/mystical experiences within this religion; underscores the centrality of healing and spiritual transformation for members of this tradition; and ends with an examination of the crucial significance of spiritual discipline within this entheogenically based religion.     

SCHOLARSHIP AND THE CRITIQUE OF TRADITION

This review essay of Wolfson’s recent Heidegger and Kabbalah both praises Wolfson for departing from the historicism of his earliest writings on the kabbalistic tradition, and also critiques him for being unable to ground adequately his critique of the kabbalistic tradition’s ethnocentrism. Resolving the tension in this authorial position, stretched between commitment to a particular tradition and the liberalism of much of contemporary academia, entails acknowledging the limitations of scholarship in religious ethics.     

THE INTEGRITY OF DISCOURSE IN THE ANGLICAN EUCHARISTIC TRADITION: A CONSIDERATION OF PHILOSOPHICAL ASSUMPTIONS

This article explores the integrity of the discourse in the Anglican eucharistic tradition by considering the philosophical assumptions that underlie eucharistic theology. It argues that where the conversation of the Anglican eucharistic tradition is open and unfinished then the integrity of the discourse is facilitated as opposed to the conversations of party positions and particular interests which suggest exclusive versions of truth. The conversation or dialogue of Anglican eucharistic theology is seen to be enhanced through the consideration of the philosophical assumptions of realism and nominalism to both the moderate and immoderate degrees that underpin eucharistic theology as a state of affairs. The insights of contemporary philosophers are used as a way of conceptualising the discourse of the Anglican eucharistic tradition and a model of Anglican eucharistic theology is suggested as a means of facilitating the integrity of the discourse through the recognition of multiformity in the tradition and by distancing the discourse from the hermeneutic idealism of particular interest.